Midas PRO1 Tour Bundle, Includes 1 PRO1TP Digital Multi-Channel Mixer and 2x DL153 Stage Boxes

SKU: MIPRO1TOURBU

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Midas PRO1 Tour Bundle, PRO1TP Digital Multi-Channel Mixer & 2x DL153 Stage Box Specifications

PRO1 TP: System

PRO1 TP: System

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  • Sampling frequency

    96 kHz

  • Latency

    <2 ms input to master (no compensation)

  • Dynamic range

    107 dB, 22 Hz to 22 kHz (no pre-emphasis)

  • Maximum voltage gain

    80 dB inputs to subgroups and masters 86 dB inputs to aux and matrix

  • Crosstalk at 1 kHz

    -100 dB physically adjacent input channels

  • Crosstalk at 10 kHz

    -90 dB physically adjacent input channels

  • Fader/pan cut off at 1 kHz

    -100 dB

  • Fader/pan cut off at 10 kHz

    -100 dB

  • Display screen

    1x 15" daylight-viewable color screen

  • Power requirements

    100 V to 240 V a.c. +/-10%, 50 to 60 Hz

  • Operating temperature range

    41 Degree to 113 Degree F (+5 Degree to +45 Degree C)

  • Storage temperature range

    -4 Degree to 140 Degree F (-20 Degree to +60 Degree C)

  • Dimensions (H x W x D)

    27 x 28.4 x 11.4" (685 x 722 x 288.6mm)

  • Weight

    PRO1 control centre: 47.39 lb (21.5kg)

PRO1 TP: Frequency Response

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  • 0 dB Gain

    Input: Surface I/O
    Output: Surface I/O
    20 Hz: 0 dB to -1.0 dB
    20 kHz: 0 dB to -1.0 dB

  • 40 db Gain

    Input: Surface I/O
    Output: Surface I/O
    20 Hz: 0 dB to -1.0 dB
    20 kHz: 0 dB to -1.0 dB

PRO1 TP: Gain Error at 1 kHz

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  • 0 dB Gain

    Input: Surface I/O
    Output: Surface I/O
    Maximum: +1.0 dB
    Minimum: -1.0 dB

  • 45 db Gain

    Input: Surface I/O
    Output: Surface I/O
    Maximum: +1.0 dB
    Minimum: -1.0 dB

PRO1 TP: Input CMRR

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  • 0 dB Gain

    Input: Surface I/O
    Output: Surface I/O
    100 Hz: 60 dB
    1 kHz: 60 dB

  • 45 dB Gain

    Input: Surface I/O
    Output: Surface I/O
    100 Hz: 90 dB
    1 kHz: 90 dB

PRO1 TP: Distortion at 0 dBu

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  • 0 dB Gain

    Input: Surface I/O
    Output: Surface I/O
    1 kHz: 0.01%
    10 kHz: 0.01%

  • 45 dB Gain

    Input: Surface I/O
    Output: Surface I/O
    1 kHz: 0.03%
    10 kHz: 0.03%

PRO1 TP: Distortion at +20 dBu

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  • 0 dB Gain

    Input: Surface I/O
    Output: Surface I/O
    1 kHz: 0.03%
    10 kHz: 0.03%

  • 45 dB Gain

    Input: Surface I/O
    Output: Surface I/O
    1 kHz: 0.03%
    10 kHz: 0.03%

PRO1 TP: Mixing Noise (All Bus Types)

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  • 12 Inputs

    22 Hz to 22 kHz Unweighted

    Gain: 0 dB
    Fader position: -infinity and 0 dB
    Pan: Central
    Output noise: -91 dBu & -78 dBu

  • 24 Inputs

    22 Hz to 22 kHz Unweighted

    Gain: 0 dB
    Fader position: -infinity and 0 dB
    Pan: Central
    Output noise: -91 dBu & -75 dBu

  • 48 Inputs

    22 Hz to 22 kHz Unweighted

    Gain: 0 dB
    Fader position: -infinity and 0 dB
    Pan: Central
    Output noise: -91 dBu & -72 dBu

PRO1 TP: Dynamic Range

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  • 0 dB Gain

    22 Hz to 22 kHz Unweighted

    Input: Surface I/O
    Output: Surface I/O
    Output Noise: -86 dBu
    EIN: -86 dBu

  • 45 dB Gain

    22 Hz to 22 kHz Unweighted

    Input: Surface I/O
    Output: Surface I/O
    Output Noise: -81 dBu
    EIN: -126 dBu

PRO1 TP: PRO1 - DSP/Router System I/O

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  • System connectors

    6x AES50 (24 channels of bidirectional digital audio) on etherCon XLR

  • Word clock IN connector

    BNC

  • Word clock OUT connector

    BNC

  • Video sync IN connector

    BNC

  • AES3 sync IN connector

    3-pin XLR

  • AES3 sync OUT connector

    3-pin XLR

PRO1 TP: PRO1 - Analogue Audio Inputs

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  • Connector

    3-pin XLR balanced

  • A/D converter

    24-bit, 96 kHz with 128 times oversampling

  • Talkback connector

    3-pin XLR balanced line

  • Talk connector

    3-pin XLR balanced mic with +48 V phantom power

PRO1 TP: PRO1 - Analogue Audio Outputs

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  • Connector

    3-pin XLR balanced

  • D/A converter

    24-bit, 96 kHz with 128 times oversampling

  • Monitor connector

    3-pin XLR balanced line

  • Talk connector

    3-pin XLR balanced line

  • Headphone connector

    1/4" Jack (stereo)

PRO1 TP: PRO1 - Digital Audio I/O

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  • Input connector

    AES3 (two channels of digital audio) on 3-pin XLR

  • Sample rates

    Accepts any frequency 32 kHz - 96 kHz

  • Bypass

    Sample rate converter can be bypassed

  • Output connector

    AES3 (two channels of digital audio) on 3-pin XLR

  • Sample rate

    48 kHz, 96 kHz, or auto-tracking to inputs

  • Bypass

    Sample rate converter can be bypassed

  • Word length

    16, 20 or 24-bit

PRO1 TP: PRO1 - Control Data I/O

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  • System connector

    etherCon XLR

PRO1 TP: PRO1 - Miscellaneous I/O

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  • Monitor output connector

    DVI/DP+

  • USB host connection

    USB 2.0 full speed (12.0 Mbs) 5 V, 1A maximum load

  • Lamp connector

    4-pin XLR

  • MIDI

    In, Out and Thru on 5-pin DIN

  • Footswitch connector

    1/4" Jack

PRO1 TP: Analogue Input Characteristics

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  • Surface I/O

    Load Z: 10 k
    Gain: -22.5 dB to +65 dB
    Maximum Level: +24 dBu
    Connector: XLR

  • Talk Mic

    Load Z: 600R
    Gain: +15 dB to +60 dB
    Maximum Level: +6 dB
    Connector: XLR

  • Monitor

    Load Z: 10 k
    Gain: 0 dB
    Maximum Level: +21 dBu
    Connector: XLR

PRO1 TP: Analogue Output Characteristics

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  • Surface I/O

    Source Z: 50R
    Gain: 0 dB
    Maximum Level: +21 dBu
    Connector: XLR

  • Talk Out

    Source Z: 50R
    Gain: 0 dB
    Maximum Level: +21 dBu
    Connector: XLR

  • Monitor

    Source Z: 50R
    Gain: 0 dB
    Maximum Level: +21 dBu
    Connector: XLR

  • Headphones

    Source Z: 10R
    Gain: +10 dB
    Maximum Level: +21 dBu
    Connector: 1/4" Jack

PRO1 TP: Digital I/O Characteristics

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  • AES3

    Channels: 2
    Data length: 24-bit
    I/O: Input & Output
    Description notes: Conforms to AES3-2003
    Connector: XLR

  • AES50

    Channels: 24
    Data length: 24-bit
    I/O: Bidirectional
    Description notes: Conforms to AES50 -2011
    Connector: etherCon XLR

PRO1 TP: Miscellaneous Digital Character

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  • Word clock

    I/O: IN & OUT
    Description notes: Accepts TTL level, 96 kHz square wave; impedance 75 O & Provides TTL level, 96 kHz square wave
    Connector: BNC

  • AES sync

    I/O: IN & OUT
    Description notes:Accepts a 96 kHz digital audio signal conforming to AES3-2003 & Provides a 96 kHz grade II reference signal conforming to AES3-2003
    Connector: XLR

PRO1 TP: Signal Path Noise

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  • 0 dB Gain

    22 Hz to 22 kHz Unweighted

    Input: Input: Surface I/O
    Output: Surface I/O
    Output Noise: -86 dBu
    EIN: -86 dBu

  • 45 dB Gain

    22 Hz to 22 kHz Unweighted

    Input: Surface I/O
    Output: Surface I/O
    Output Noise: -81 dBu
    EIN: -126 dBu

DL153: General

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  • Maximum input level

    Sample rate: 48 kHz, 96 kHz
    Dynamic range: >107 dB unweighted (20 Hz - 20 kHz)
    Mic/Line (Unity Gain): +21 dBu
    Mic/Line (-2.5 dB Gain): +24 dBu

  • CMRR @ 1 kHz

    Mic Input (Unity Gain): >60 dB
    Mic Input (40 dB Gain): >90 dB
    Mic EIN (40 dB Gain): -126 dBu
    Maximum Output Level: +21 dBu into 600 O
    Output Noise (Unity Gain): -86 dBu
    Frequency Response: +/-0.5 dB (20 Hz - 20 kHz, relative to 1 kHz)
    THD+N (Unity Gain): <0.01%
    Crosstalk @ 1 kHz: <-90 dB

DL153: System Inputs and Outputs

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  • Analogue Inputs

    16

  • Type

    Mic/Line Level

  • Connector

    3-pin XLR Balanced

  • Input Impedance

    10k O

  • A/D Conversion

    24 bit, 96 kHz with 128 times oversampling

  • Phantom Power

    +48V, individually switchable per channel

  • Analogue Outputs

    8

  • Type

    Line Level

  • Connector

    3-pin XLR Balanced

  • Output Impedance

    50 O

  • D/A Conversion

    24 bit, 96 kHz with 128 times oversampling

  • Network Connections

    2

  • Connector

    Neutrik etherCON with status LEDs

  • Redundancy

    Dual cable redundancy

  • Network Interface

    Conforms to AES50-2011

  • Ethernet Control Port

    1

  • Connector

    Neutrik etherCON with status LEDs

  • Power

    1

  • Connector

    IEC mains inlet

  • Mains Input Voltage

    100 to 240 VAC, 50-60 Hz

  • Power Consumption

    <150 W

  • Operating Temperature Range

    41 Degree to 113 Degree F (+5 Degree to +45 Degree C)

  • Storage Temperature Range

    -4 Degree to 140 Degree F (-20 Degree to +60 Degree C)

  • Dimensions

    19 x 16.4 x 3.5" (483 x 416 x 88mm)

  • Weight

    14.7 lb (6.7kg)

About Midas PRO1 Tour Bundle, PRO1TP Digital Multi-Channel Mixer & 2x DL153 Stage Box

- Pro Series PRO1-TP -
The ground breaking PRO1 features 48 simultaneous input channels with 24 award-winning MIDAS Microphone Preamplifiers and 27 time-aligned and phase-coherent mix buses in an all-new lightweight aluminium frame. Like all PRO Series consoles, the PRO1 features managed latency and 40 bit floating point processing precision. Designed for use in high-profile live sound applications, the PRO1 sets a new standard of performance and portability in a compact digital console form factor.

AES50 audio networking technology allows the PRO1 to dynamically assign up to 172 inputs and 172 outputs at 96 kHz sample rate to any of its input channels and bus outputs on a scene-by-scene basis. This high level of connectivity, coupled with the large channel and bus counts, makes the PRO1 equally at home in theatres and clubs as it is in live concert touring, outside broadcast and music festivals.

Award-Winning MIDAS Microphone Preamplifier
The MIDAS microphone preamplifier is considered by leading live sound and recording engineers to be the very essence of the famous MIDAS sound. More than 40 years of design experience paired with the finest choice of premium-grade components lead to the acclaimed warmth and depth - bringing out subtle ambience, maintaining spatial positioning and more effectively capturing a precise sound image. The acclaimed sound of the award-winning MIDAS microphone preamplifier has inspired generations of live sound engineers to their best work, creating sonic panoramas that have captivated audiences worldwide.

Since pristine sound always begins with the microphone preamplifier, the first point where the signal enters the console, PRO1 features the latest generation of MIDAS microphone preamplifiers, which faithfully reproduce every sonic detail so no part of a performance will ever be missed. Transparent and pristine sound, low noise and high common-mode rejection are all hallmarks of this classic design.

Over the years many mix engineers have found this robust and overload-tolerant design takes on a whole new dimension of sound when driven hard, the crystal-clear audiophile reproduction giving way to just the right combination of harmonics, a warm and organic sound heard by millions of concert goers and recorded for posterity on countless live albums over the years.

Digital Audio Networking
SuperMAC (AES50-Compliant) digital audio networking technology from Klark Teknik simultaneously provides high channel counts, ultra low and deterministic latencies, sample synchronous and phase-aligned networked clock distribution, error detection and correction, network redundancy, and ease of deployment and use - to meet the demanding requirements of live concert touring.

PRO1 is compatible with all MIDAS PRO Series digital I/O units, as well as with any other 96 kHz enabled AES50-equipped devices. Multiple PRO Series consoles can be connected together to create either larger mixing systems, or multiple discrete mixing consoles can share a common resource of networked and distributed I/O interfaces.

Touring Grade Road Case
Rugged and built to last, the PRO1 Touring Pack includes a PRO1-RC Road Case, constructed from rigid marine grade plywood and durable aluminium extrusions. Composite density foam provides internal support and superior protection in transit, night after night, city after city.

Advanced Navigation Flexibility
At the heart of MIDAS Pro Series console navigation is the VCA and POPulation groups, which mirror the natural work flow used by mix engineers and encourages the development of a mental picture, or "Mind Map", of the whole system. Only the required control elements and associated feedback are presented, allowing users to adopt structured task-based workflows, rather than being presented with an overwhelming 'sea of knobs'.

Integrated Effects Processors and Graphic Equalisers
The PRO1 can simultaneously provide up to 6 multi-channel digital signal processing engines for a wide choice of virtual effect devices, which range from dual-mono delay units, stereo modulation and numerous diverse reverberation simulations, multi-band compression, dynamic EQ and multi-channel dual-function dynamics processing. Up to 28 1/3 octave Klark Teknik DN370 Graphic Equalisers (GEQs) are provided, which can be patched into any output. PRO1 provides comprehensive automatic latency management of all internal routing and processing delays - and also includes compensation for external analogue inserts.

All audio samples are synchronised before summing, resulting in absolute phase coherence at the outputs, without the comb filtering effects of many of its Competitor's products that often result in specific frequencies being cancelled out completely. All effects processors and GEQs are custom-designed to function within this automatic latency compensation system. This ensures a phase-coherent, sample-accurate mix regardless of whether the devices are used as channel inserts or on auxiliary buses.

MIDAS PRO Fader
Not satisfied with the existing motorised fader choices in the marketplace, MIDAS created the PRO FADER, rated for up to a million cycles - three times that of other leading manufacturers - and providing high linearity, robustness, and smooth feel during operation. This decision yielded many other benefits, including total quality control over the manufacturing process and lower costs that could be passed on to customers.

As a digital console manufacturer, MIDAS has a perspective on the actual application of motor faders that a component manufacturer would not have. The multi-disciplinary development project combined mechanical design, electronic hardware and software optimisation with a rigorous testing programme and an investment in material science to produce the best possible performance in actual operation in MIDAS PRO Series consoles. Semi-precious metals are used for the wiper fingers for their hard-wearing properties, and precision resistive tracks were created that offer highly linear positional accuracy, coupled with long-term durability and even response in use.

Highest Quality Display Screen
The PRO1 features a 15" full color daylight-viewable TFT display for use in all environments, both inside and outdoors. The display provides visual feedback for the entire system, pressing the HOME key (just to the left of the assignable controls) instantly navigates to the console overview page, which keeps all vital information (all metering, all fader positions, mutes and solos) in view at all times.

Digital Precision, Analogue Response
The oversampled digital signal processing algorithms, combined with the fully interpolated and touch sensitive user controls, result in the smooth continuous response and immediacy of working on an analogue console. Parameter adjustment becomes fast and easy and the continuous phase shift of a swept frequency control is heard without the quantisation artefacts exhibited by competing digital consoles.


- Pro Series DL153 -
DL153 is a 2U 19" fixed-configuration rack I/O unit with 16 mic/line level inputs and 8 line level outputs and delivers legendary MIDAS sound quality utilising our time-tested and road-proven technologies. Featuring award-winning MIDAS microphone preamplifiers with 2.5 dB analogue gain steps and two AES50 network ports providing dual redundancy, the DL153 is the ideal partner to all MIDAS PRO and M32 Series digital consoles, enabling a digital snake connection from Front of House to stage.

Award-Winning MIDAS Microphone Preamplifier
The MIDAS microphone preamplifier is considered by leading live sound and recording engineers to be the very essence of the famous MIDAS sound. More than 40 years of design experience paired with the fi nest choice of premium-grade components lead to the acclaimed warmth and depth - bringing out subtle ambience, maintaining spatial positioning and more effectively capturing a precise sound image. The acclaimed sound of the award-winning MIDAS microphone preamplifier has inspired generations of live sound engineers to their best work, creating sonic panoramas that have captivated audiences worldwide.

Since pristine sound always begins with the microphone preamplifier, the first point where the signal enters the console, DL153 features the latest generation of MIDAS microphone preamplifiers, which faithfully reproduce every sonic detail so no part of a performance will ever be missed. Transparent and pristine sound, low noise and high common-mode rejection are all hallmarks of this classic design.

Over the years many mix engineers have found this robust and overload-tolerant design takes on a whole new dimension of sound when driven hard, the crystal-clear audiophile reproduction giving way to just the right combination of harmonics, a warm and organic sound heard by millions of concert goers and recorded for posterity on countless live albums over the years.

Digital Audio Networking
SuperMAC (AES50-Compliant) digital audio networking technology from KLARK TEKNIK simultaneously provides high channel counts, ultra low and deterministic latencies, sample-synchronous and phase-aligned networked clock distribution, error detection and correction, network redundancy, and ease of deployment and use - to meet the demanding requirements of live concert touring.

DL153 is compatible with all MIDAS digital consoles and audio system engines, as well as with any other AES50-equipped devices.

Midas PRO1 Tour Bundle, PRO1TP Digital Multi-Channel Mixer & 2x DL153 Stage Box Features

  • PRO1TP Digital Multi-Channel Mixer Features
  • Live performance digital console with up to 48 simultaneous input channels
  • 24 award-winning Midas microphone preamplifiers
  • 27 time-aligned and phase-coherent mix buses
  • AES50 networking allows up to 172 inputs and 172 outputs @ 96 kHz sample rate
  • Touring grade road case featuring marine grade plywood, aluminium extrusions and composite density protective foam
  • 8 VCA (Variable Control Association) and 6 POPulation groups
  • Up to 28 assignable 1/3 octave Klark Teknik DN370 graphic equalisers
  • Up to 6 multi-channel digital signal processing effects engines
  • 18 Midas PRO motorised 100 mm faders
  • Daylight viewable 15" full color TFT display screen
  • Fully interpolated touch sensitive controls
  • Optional wireless remote control with Midas MIXTENDER App for iPad
  • Auto-ranging universal switch-mode power supply
  • Designed and engineered in the U.K.
  • DL153 Stage Boxes Features
  • 16 award-winning Midas microphone preamplifiers with switchable +48 V phantom power
  • 8 electronically balanced low impedance line level outputs
  • Remote operation up to 100 m via CAT5/5e cable
  • Selectable 96 kHz or 48 kHz sample rate operation
  • All settings programmable from front panel controls or console
  • PSU status indicator LEDs and configuration LCD display on front panel
  • Supports dual redundant AES50 networks
  • Features Neutrik etherCON AES50 network ports
  • Rugged 2U rackmount chassis for durability in portable applications

Key Features

  • PRO1TP Digital Multi-Channel Mixer Highlight
  • Live performance digital console with up to 48 simultaneous input channels
  • 24 award-winning Midas microphone preamplifiers
  • 27 time-aligned and phase-coherent mix buses
  • DL153 Stage Boxes Highlight
  • 8 electronically balanced low impedance line level outputs

What's in the box:

  • PRO1TP Digital Multi-Channel Mixer
  • 2x DL153 Stage Box
  • PRO1-RC Road Case
  • Midas 10 Year Limited Warranty