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Accidents happen. Protect your favorite Adorama products and purchase a protection plan to stay covered from accidental damage, mechanical or electrical failures, and more.
If we can’t fix it, we’ll replace it at no additional cost.
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Enjoy your gear without fear. We have you covered!
When regular use of your product over time results in mechanical or electrical failure.
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Adorama Protect powered by Extend is available for purchase to customers in the United States. Not available for international or U.S. territories purchases. Plans on open box items do not cover pre-existing damage.
Adorama Protect plans are available for ABS clients. If you have any questions or require assistanse, please call 800-223-2500
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2
2x XLR transformer balanced (600Ohms)
2x XLR transformer balanced (600Ohms)
Input Level Switch: -4, -2, 0, +2, +4 dB
Output Level Switch (24 Detents): -11 to 0 dB (1/2 dB steps)
Threshold Switch (24 Detents): -11.5 to +1 dB
Compressor (1/4 dB Steps): 6 dB range
Limiter (1/2 dB Steps): 12 dB range
Compressor: 1.5:1
Limiter: 4:1 to 20:1
Variable Attack: 15, 20, 25, 30, 35, 40, 50, 60, 70, 80, 90 ms
Recovery 5 Steps (5 Detents): 0.2, 0.4, 0.6, 4.0, 8.0 sec
+30 dBu (26 Vrms) 26 dB Headroom
+35dB
20Hz to 25kHz
<0.1% THD at 1kHz
Noise Floor: -85 dB typical
Illuminated Sifam meters
Fully Differential All-Tube Circuitry: 5670, 5751 (or 12AX7), 7044 (or 5687) & 12AL5
(T-Bar mod replaced 5670s with 2 pairs of 6BA6s)
HP SC: High-Pass Side-Chain Filter:
-1 to -3dB at 100Hz
-4 to -6dB at 50Hz
2U
120 VAC, 80W, 60Hz
Mains Fuse Value: 1.25A
Mains Fuse Type: MDA or MDL SLO-BLO Time Delay: 1-1/4" x 1/4"
19.0 x 3.5 x 10.0" / 48.26 x 8.89 x 25.40cm
Power Transformer protrudes 3.5" / 8.89cm out back of chassis
14.0lbs / 6.35kg
The MANLEY VARIABLE MU LIMITER COMPRESSOR has been their best selling product for many years. It is one of the very few compressors that has become a real standard in Mastering studios and contributed to most hit records over the last decade and probably the next. "Mu" is tube-speak for gain and Variable Mu is their registered trademark for this limiter compressor. It works by using the "remote cut-off" or re-biasing of a vacuum tube to achieve compression. The precious vintage Fairchild 670 also uses this technique and is one of few all-tube compressor to do so, that they know of. Even the side-chain has glowing rectifier bottles.
How's it work The unique 5670 dual triode is at the center of the peak-reducing and compression action constantly being re-biased by the vacuum tube rectified side-chain control voltages which cause this tube to smoothly change its gain. Just like that. The COMPRESS mode is soft-knee 1.5 to 1 ratio while the sharper knee LIMIT mode starts at 4 to 1 and moves to a more dramatic ratio of 20 to 1 when limiting over 12dB. Interestingly, the knee actually softens as more limiting is used. Distortion can be creatively used by turning up the Input and turning down the Output while using very little or no compression. See the gain reduction curves here!
You might notice that the Variable Mu Limiter Compressor has a ganged input control, but do not jump to conclusions that it is mono-unfriendly. Track away! There are separate threshold and output controls to make compensations with plus you can always adjust your individual source levels elsewhere, right The advantage of the stereo input control becomes dramatically clear when you switch to LINK mode and that's what their Variable Mu Limiter Compressor does better than anything else: final mix, 2-track or mastering limiting and compression. Like one reviewer put it: "It's like pouring a bowl of sweet cream over the mix." Mmmmmm. Yummy. Give your music a big hug.