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Review Summary
2023-11-11T06:37:39
Moab should study the texture and feel of great darkroom baryta paper, such as Agfa Warmtone and Agfa. This stuff is nice, but a little flatter and more matte than it should be. A bit more gloss is needed.
Andrew H.
2020-03-20T12:34:58
This is one of my favorite fine art papers because it works well for black & white, color and especially my infrared work with its icy blue tones. I like the firm weight for easy mounting, the durability and overall professional look and feel of the paper.
BETH T.
2019-04-07T11:40:46
Great product ! Super easy to navigate and fast delivery!
Victoria R.
2019-01-17T13:24:58
Great quality paper with qualities similar to a semi-gloss double weight fiber paper you'd use in a wet darkroom, though a bit heavier than that. Importantly for me is the size -- 11x14. No more trimming 11x17 sheets down! Thank you Moab for making this traditional size available in a premium paper.
Mark M.
2018-05-01T15:00:11
I have used Museo Papers for years and continue to do so but Moab's Juniper is only slightly different in its image portrayal but with a gentle tooth. It is also less expensive. I now use them interchangeably and plan to continue doing that while watching to see if either holds its print better than the other over time.
JOHN D.
2018-03-27T09:07:46
I just love the beautiful tones in this paper...makes me want to print everything on it....gorgeous colors....
BARBARA B.
2017-10-31T16:24:57
Excellent blacks and great color rendition, this paper is substantial to the touch and produces very good color depth. I use a Canon Pixma Pro-100 have excellent results
Thomas W.
2017-05-26T12:12:59
I really like this paper because of the textured glossy surface. It is not a high gloss, but rather more of a textured semi-gloss. It also has a somewhat textured back and feels like a fine art paper. This is a baryta paper and has no optical brighteners. It appears to hold blacks very well and I think that the detail is as good as other glossy papers. I prefer this to some of the other satin or silk papers because of the textured surface and backing.
Robert G.
2017-03-02T07:09:09
Moved from Museo Silver Rag to Moab Juniper Baryta. They are both wonderful and I often use them both.
JOHN D.
2016-07-07T13:00:17
This is a paper to hold in your hands (after printed) as well as look at. It has the reflections and fine color detail of a good semigloss (Red River Ultra Pro Satin, Canon SG-201), but is thicker, stiffer, less white (slightly ivory), and more textured. When printed with my dye Canon Pro-100, the ink feels like a layer of thin latex roughened by the texture of the paper. A standard semigloss is smooth and bright white and something to look at but not to touch. I am printing images to frame (for gifts and self) using semigloss, images to touch with this and a natural matte very similar to Moab Entrada. Most images are forests, rocks, flowing water, and flowers preferably all together!
Steven P.
2016-04-12T06:11:33
This is one of the best paper, I ever used. It allows you to use in both color or black and white prints. Additionally the paper is thick enough to handle confidently without break or wrinkle it.
Giovani F.
2016-02-05T10:50:42
Great paper for both color and black & white! Nice sharpness and thick stock is great for folios and albums. Watch out for greenish or brownish color casts in your files, they don't print well on this paper. A favorite!
RICHARD S.
100% cotton fiber
305gsm
16 mil (0.41 mm)
Barium sulfate
Glossy
3" / 7.62cm
24" x 50' / 60.96cm x 15.24m
645248333598
One of the best papers I've tried!
By RICHARD S.
Great paper for both color and black & white! Nice sharpness and thick stock is great for folios and albums. Watch out for greenish or brownish color casts in your files, they don't print well on this paper. A favorite!
Alternative to bright luster or semigloss
By Steven P.
This is a paper to hold in your hands (after printed) as well as look at. It has the reflections and fine color detail of a good semigloss (Red River Ultra Pro Satin, Canon SG-201), but is thicker, stiffer, less white (slightly ivory), and more textured. When printed with my dye Canon Pro-100, the ink feels like a layer of thin latex roughened by the texture of the paper. A standard semigloss is smooth and bright white and something to look at but not to touch. I am printing images to frame...
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Let the Juniper Baryta Rag Glossy Fine Art Inkjet Print Paper, a 305gsm, 24"x50' roll, elevate your fine art printing to new heights. This high-quality, 100% cotton, true baryta (barium sulfate) fiber paper is a product of Moab, a brand revered in the photography industry for its commitment to superior printing materials.
Designed to mimic the density of traditional darkroom FB-type paper, the Juniper Baryta Rag is capable of capturing intricate detail in the deep blacks of shadow regions. Simultaneously, it produces natural white highlights, all enhanced by a slight fiber glossy surface texture. This glossy surface is key to producing vibrant, detailed images that truly pop, setting it apart from matte or semi-gloss alternatives.
This durable, double weight coated inkjet fine art paper is a testament to the innovative spirit of Moab. It combines state-of-the-art coating technology with the timeless charm of silver halide, introducing a fresh approach to an old tradition.
The Juniper Baryta Rag draws its name and inspiration from the fibrous Juniper Tree, a staple of the majestic buttes and mesas of Canyonlands. This versatile paper adds detail, color, and contrast to your prints, much like the Juniper Tree does to its landscape.
Joining the ranks of Moab's premium 100% cotton papers made in the USA, such as the renowned Entrada Rag family, the Juniper Baryta Rag Glossy Fine Art Inkjet Print Paper is a professional choice for those seeking to push the boundaries of their fine art printing.