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Review Summary
Accidents happen. Protect your favorite Adorama products and purchase a protection plan to stay covered from accidental damage, mechanical or electrical failures, and more.
If we can’t fix it, we’ll replace it at no additional cost.
Protect your product from drops, spills, and more.
Enjoy your gear without fear. We have you covered!
When regular use of your product over time results in mechanical or electrical failure.
We will never charge you a deductible after the purchase of a plan.
Our claims process is simple & easy and our customer service team is happy to help.
Adorama Protect powered by Extend is available for purchase to customers in the United States. Not available for international or U.S. territories purchases. Plans on open box items do not cover pre-existing damage.
Adorama Protect plans are available for ABS clients. If you have any questions or require assistanse, please call 800-223-2500
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MOTU Performer Lite
MOTU Digital Performer
Avid Pro Tools (version 9 or later)
Apple Logic Pro
Apple Garage Band
Ableton Live
Presonus Studio One
Steinberg Cubase
Cockos Reaper
Native Instruments Kontakt
Waves stand-alone apps (and plug-ins, via compatible host)
MOTU Performer Lite
MOTU Digital Performer
Avid Pro Tools (version 9 or later)
Ableton Live
Cakewalk Sonar
Cockos Reaper
Image Line FL Studio
Native Instruments Kontakt
Presonus Studio One
Magix Vegas Pro
Magix Sound Forge
Magix Acid
Steinberg Cubase
Waves stand-alone apps (and plug-ins, via compatible host)
44.1, 48, 88.2, 96, 176.4, 192 kHz
2x XLR/TRS "combo" jacks
Individual -20 dB pad and 48V phantom power
Preamp gain: +74 dB in 1 dB increments
1 M Ohm impedance on the line/instr inputs
Independent balanced send/return inserts
8x 1/4" TRS line in (balanced/unbalanced)
2x 1/4" insert returns function as balanced line inputs (with no mic inputs connected)
Max level: +21 dBu
+20 dB digital gain on each input
8x 1/4" TRS line out (balanced, DC coupled)
2x male XLR out
Max level: +21 dBu
2x 1/4" TRS stereo headphone
2x 1/4" TRS sends (balanced, pre-converter)
2 banks (16 ch) of ADAT optical I/O at 1x sample rates
2 banks (8 ch) of S/MUX optical I/O at 2x sample rates
Bank A switchable to stereo TOSLink I/O (optical S/PDIF)
1x stereo S/PDIF I/O on RCA (up to 96 kHz)
1x USB-C 3.2 Gen 1 (5 Gbps) Type C - USB2 compatible USB audio class compliant (no driver needed)
1x IF-certified USB 3.2 Gen 1 C-to-C cable (2M) included
Compatible with USB Type A (with a C-to-A cable, sold separately)
Total USB audio channels
Round Trip Latency (RTL): Approx. 2 ms (32 sample buffer at 96K)
28 in / 32 out (60 total channels) at 1x sample rates
20 in / 24 out (44 total channels) at 2x sample rates
10 in / 14 out (24 total channels) at 4x sample rates
1x MIDI In
1x MIDI Out/Thru
16 MIDI channels to/from computer host
2x 1/4" TRS stereo headphones
Output impedance: <1 Ohm
Max output: 14.4 dBu
2x individual +48V
1x 1/4" foot switch input
Mapping: pedal up/down to any host keystrokes
1x BNC Word Clock In
1x BNC Word Clock Out/Thru
Sample rates: all (from 44.1 to 192 kHz)
2x XLR/TRS combo inputs
2x 1/4" TRS headphone outputs
2x potentiometer - headphone volume
2x potentiometer - mic/instr input gain
1x potentiometer - menu navigation
1x large potentiometer - main volume
12x switches - 2x 48V, 2x pad, 6x control room, 2x nav
1x 3.9" 480 x 128 pixel 24-bit RGB TFT display
1x latching power button
Internal 100-240V auto switching supply
50-60 Hz - 0.5A max
Intel Core i3 Mac or faster (including Apple silicon Macs)
4 GB RAM; 8 GB or more recommended
macOS version 10.15 or later
Available Hi-Speed or Super-Speed USB port
A large hard drive (at least 500 GB for recording)
Intel Core i3 PC (or AMD equivalent)
4 GB RAM; 8 GB or more recommended
Windows 10 or later (x64 AMD/Intel only)
Available Hi-Speed or Super-Speed USB port
A large hard drive (at least 500 GB for recording)
USB audio class compliant for plug-and-play operation on Mac or iOS (no driver required)
CueMix 5
MOTU Performer Lite
Ableton Live Lite
6GB of loops and sounds from Big Fish Audio, LucidSamples, Loopmasters and MOTU
Connector Type: 1/4" TRS, balanced, tip hot
Dynamic Range (A-weighted): 120 dB
THD+N (unweighted): -114 dB (0.0002%)
Max Level: +21 dBu
Connector Type: 1/4" TRS, balanced, tip hot
Dynamic Range (A-weighted): 125 dB
THD+N (unweighted): -114 dB (0.0002%)
Max Level: +21 dBu
Connector Type: XLR, balanced, pin 2 hot
Dynamic Range (A-weighted): 118 dB
THD+N (unweighted): -114 dB, EIN: -129 dBu
Max level: 0 dBu (without pad), Preamp gain: +74 dB
Connector Type: 1/4", TRS stereo
Dynamic Range (A-weighted): 118 dB
THD+N (unweighted): -110 dB (0.0003%)
Max level: 14.4 dBu, Output Impedance: <1 Ohm
19 x 12.25 x 1.75" (48.26 x 31.1 x 4.44cm)
11 lbs (5kg)
0839128006270
Audio Performance: Superb analog audio quality
Renowned ESS Sabre32 DAC technology delivers 125 dB dynamic range and extremely low harmonic distortion. Analog performance is driven by decades of engineering expertise in audio interface technology.
USB-C: Universal connectivity for Mac, PC and iOS
Connect to your Mac, PC or iOS device with 5 Gbps USB 3 (compatible with USB 2), with up to 60 audio channels (28 in and 32 out). Class-compliant firmware means you can plug-and-play with Mac or iOS hosts, no driver needed. Industry standard high-performance drivers work with any audio apps. Connect directly to your iPad via USB-C or a standard camera connection kit (Lightning adapter).
Connectivity: 60 simultaneous audio channels
Connect all your studio gear, including microphones, guitars, synths, keyboards, drum machines, outboard processors, MIDI gear, optical expanders - even a foot pedal. All 28 inputs and 32 outputs are available simultaneously.
High Performance Driver: Ultra-low latency performance
Optimized drivers for both Mac and PC deliver renowned, ultra-low latency performance. With a high-performance DAW such as Digital Performer, the 828 delivers an astonishing round trip latency (RTL) of -2 ms (milliseconds) over USB (2 or 3) at 96 kHz with a 32-sample host buffer.
Mic Inputs: Transparent mic channels and hi-Z guitar inputs
Capture your recorded material in its truest, most natural form with -113 dB THD+N, 115 dB dynamic range and -129 dBu EIN performance. Each mic channel has individual preamp gain, pad, 48V phantom power and remote control from your computer or iOS device. Each combo jack alternately provides a 1/4-inch high-impedance TS guitar input for DI tracking and reamping.
Hi-Z Guitar Inputs: DIY guitar re-amping
DI your guitar to the front-panel input, use CueMix's near-zero latency to loop to any output (with a re-amp adapter, if needed), and record both the dry signal and your mic'd up amp simultaneously. Then re-amp the dry signal later with different amps and cabs - or amp modeling plug-ins - to experiment with different tones. No need to re-plug cables between recording and re-amping.
Channel 1-2 Inserts: Extra line inputs when you need them
Do you work with compressors and other outboard gear? Each 828 mic input offers a dedicated analog send/return loop, allowing for both mono or stereo mic channel outboard processing via fully balanced connections. If nothing is plugged in to a mic input, its return serves as an extra line input with identical signal characteristics to all other line inputs.
Monitor Group: Control up to ten analog outputs
Control your 5.1 or 7.1 surround speaker system with a single fader. The Monitor Group gives you the flexibility to choose any analog outputs you wish to control.
Control Room: A/B speaker select and talkback
Take control of your recording sessions with the front-panel talkback switch. Connect two sets of monitors and check your mixes instantly with front-panel A/B select buttons.
CueMix 5: Monitor Mixing with Effects
CueMix 5 for Mac, Windows and iOS gives you simple, yet comprehensive graphic control over your mix with attractive graphic mixing, graphic editing of parametric EQ, and a convenient touch-friendly interface (on iOS) for quick access to all mixing features, digitally controlled trims and other settings.
Wireless Control: CueMix 5 for iOS
Control all settings and mixing from your USB host or from an iPhone or iPad running the CueMix 5 app. You can even use multiple iOS devices simultaneously. Set a password for your 828 for network security.
Advanced Extras
Loopback and live streaming
With 828 loopback channels, you can easily route computer output back to the computer, where you can mix it with live mics and/or guitar inputs from the 828 in your host software for live streaming or podcasting
Optical I/O and optical expansion
Two optical banks provide 16 channels of ADAT optical at 48 kHz, 8 channels of S/MUX optical I/O at 96 kHz, with optional stereo TOSLink at rates up to 96kHz. Expand your 828 with other gear, or use it as an optical expander.
S/PDIF digital I/O
The 828's standard RCA S/PDIF input and output make stereo digital transfers a snap, with optional external clocking and support for sample rates up to 96 kHz. Choose any source signal for the S/PDIF output
MIDI I/O with MIDI Thru
Connect MIDI gear without the need for a separate MIDI interface. MIDI Thru mode lets you loop MIDI directly from IN to OUT, bypassing the computer (or with no computer connected).
Foot switch input
Connect a standard foot pedal switch (sold separately) for hands-free punch-in while recording. Or map the pedal to any keystroke function in your host software.
DC-coupled TRS outputs
All analog outputs are DC-coupled. This means you can use the 828 to manipulate and sequence modular synthesizers from a host DAW using control voltage (CV).
Two headphone outputs
Each headphone output can be programmed with the same or different mixes, with independent volume control from the front-panel or CueMix 5
Balanced analog
The 828's balanced I/O connections are well-protected against RF interference, AC hum, and other noise-producing environmental factors.
Meter Views
Not using the optical I/O? Or any digital I/O? The 828 provides customized meter views for analog I/O only, digital I/O only and other combinations to best support your workflow.
Start making music right away with included workstation software, virtual instruments and loops
Connect the 828 to your Mac or PC and start laying down tracks with the included Performer Lite production software, plus hundreds of loops, one-shots and sounds from industry leaders Big Fish Audio, Lucidsamples and Loopmasters.
Performer Lite
Performer Lite provides everything you need to record, edit, mix, process and master your own music tracks quickly and easily. Plug in your mic, guitar and MIDI keyboard and start tracking with over 100 virtual instruments, dozens of effects plug-ins, guitar FX processing and much more.
100+ Instruments
Performer Lite includes over 100 virtual instruments, including acoustic and electric pianos, guitars, basses, drums, organs synths, orchestral instruments, choirs, world instruments and much more. Take your musical muse wherever it wants to go.
6 GB of free loops and sample packs
Performer Lite includes 6 GB of free loops and sample packs from leading sample content providers to help you start making music right away. From Performer Lite's Content Browser, choose from dozens of musical styles, click to audition, then drag and drop in your projects timeline to build your track quick.
Next-gen 32 x 34 Thunderbolt 4 / USB4 audio interface
The world's first Thunderbolt 4 audio interface built on 30 years of proven success as an industry-leading audio interface brand.
New 3.9-inch TFT displays
Two bright, 24-bit RGB LCDs provide 480 x 128 pixel high-resolution metering for all analog and digital I/O, plus detailed status info and access to hardware settings from a simple and convenient menu.
Superb analog audio quality and high-end converters
Renowned ESS Sabre32 DAC technology delivers 125 dB dynamic range. Support for all standard sample rates up to 192 kHz.
Ultra-low latency and proven, high-performance MOTU drivers
Round-trip latency (RTL) performance as low as 1.8 ms at 96kHz with high-performance DAW hosts.
Universal Thunderbolt/USB-C connectivity
Connect to any computer with the included 40 Gbps USB-C cable (compatible with Thunderbolt 3/4, USB4, USB3 and USB2) for up to 256 audio channels (128 in and 128 out), depending on the host computer connection. Class-compliant firmware and industry standard drivers work with any audio apps. Connects to an iPad with USB-C or a Lightning adapter kit (sold separately). Use the 2nd Thunderbolt port to connect additional computer periperals, a USB hub or Thunderbolt dock.
66 simultaneous audio channels
32 inputs and 34 outputs, including 16 balanced 1/4-inch TRS analog (line-level) in/out, two banks of 8-channel optical I/O, and a front-panel headphone output.
64-channel mixing with effects
Powerful 32-bit floating point DSP delivers 64-channel mixing with 64 inputs, 32 busses, and effects processing, including reverb, 4-band EQ, high-pass filter, gate and compression at all sample rates up to 96 kHz.
Patchbay routing and splitting
Using intuitive, virtual patch cords, easily route any source signal to any destination. Split any source to multiple destinations.
AVB Networking
Use two Gigabit network ports to daisy-chain multiple units using standard network cabling, or add an AVB switch to build a network with multiple interfaces and computers with ultra-low network latency, even over long cable runs (hundreds of meters). Stream hundreds of audio channels among devices and computers on the network. Compatible with previous-generation MOTU AVB devices.
Wi-Fi control
Control everything wirelessly over Wi-Fi from the CueMix Pro app running on mobile devices or other computers on the same network - even multiple devices at the same time.
Precision boost/trim for analog I/O
Calibrate analog input and output signals in precise 1 dB increments. Apply phase invert individually to analog inputs.
Control room features
Control your sessions with Talkback and A/B/C monitor switching to quickly compare your mixes on three sets of studio monitors.