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Free Field: 52 to 21,000Hz +/-3dB
Pass Band Free Field: 54 to 20,000Hz +/-2dB
< 20dB(A) at 10 cm
> 100Hz (<0.5% at 96dB SPL at 1 m)
Full Space: 105.1dB
Half Space at 3% THD at 1 M: 111.1dB
Short Term SPL with IEC-Weighted Noise: 107dB(C)
With Music Material at 2.3 m (pair): 97dB(C) (full range), 104dB(C) (with subwoofer)
Long Term SPL with Pink Noise at 2.3 M, In Typical Listening Conditions (single/pair): 88/93dB(C) SPL (full range, 89/94dB(C) SPL (with subwoofer)
104.8dB (Averaged between 50 and 100Hz at Max SPL in half space at 3% THD at 1 m)
Woofer: 50W (80W peak)
Tweeter: 50W (80W peak)
Analog, active
2000Hz
24dB/octave, 4th order
Bass: 0, -2.5, -5. -7.5dB
Mid: 0, -1.5, -3, -4.5dB
High: +1, 0, -1, -2dB
Limiter, low, high
30Hz; 6dB/octave
10kOhms in position 94/108dB SPL at 1 m
20kOhms in position 100/114dB SPL at 1 m
0 to -15dB
94, 100, 108, 114dB
>56dB at 15,000Hz
24dBu
Power On: Neumann logo "white"
Limit/Clip: Neumann logo "red"
Digital Error: flash "red"
100 to 240V; 50/60Hz
Idle: 20W
Full Output AC: 200W
AES3
S/P-DIF
75Ohms (input/output)
Analog, Digital A, Digital B, Digital A+B (all available with and without delay)
16 to 24-bit DAC
32 to 192kHz
-18dBFS
120dB
Audio-Video: 0 to 409.5ms
Time-of-Flight: 0 to 409.5ms
Audio-Video/Lip Sync Max Frames: 0 to 10.2 (40ms) frames, 0 to 12.3 (33ms) frames
Resolution: 0.1ms / 3.4cm / 1.375"
Painted aluminum, anthracite (RAL 7021)
Powder-coated aluminum, white (RAL 9016)
+50 to +104 deg. F / +10 to +40 deg. C <90% relative humidity, non-condensing
Magnetically Shielded
Woofer: 5.25" / 130mm
Tweeter: 1.00" / 25.0mm
2x M8 on rear panel
Internal: 6.5 liters
External: 9.7 liters
10.87 x 7.12 x 8.62" / 276.1 x 180.85 x 218.95mm
14.3lbs / 6.49kg
615104189317
The Neumann KH 120 D Active Studio Monitor with Digital I/O and Delay is designed for use as a near-field loudspeaker or as a rear loudspeaker in larger multi-channel systems. It represents the latest in acoustic and electronic simulation and measurement technologies to ensure the most accurate sound reproduction possible. It has a Mathematically Modeled Dispersion waveguide (MMD), flexible acoustical controls, analog class-AB amplifiers, various input formats (analog and digital) and an extensive mounting hardware range. All of this provides the user with the maximum versatility over a wide variety of acoustic conditions, source equipment and physical locations. It is perfect for tracking, mixing and mastering in music, broadcast, project and post-production studios.
Powerful Titanium Fabric Dome
Low-distortion high-frequency reproduction
Elliptical Mathematically Modeled Dispersion (MMD) Waveguide
Smoother off-axis response, More forgiving of diverse acoustical environments
Composite Sandwich Cone
Damping of break-up modes
Long Throw Bass Driver
Low distortions at high sound levels
Two-color + Dimmable Neumann Logo
Displays operation status and activation of the extensive protection system
Robust Metal Grille
Protects against mechanical damage
Large Front Panel Ports
Reduced bass compression and easier to mount in tight spaces such as OB vans
Compact Aluminum Cabinet (Magnetically Shielded)
Minimizes resonances, better heat dissipation, long life
Wide Horizontal Dispersion
Freedom of movement across the mixing console
Narrow Vertical Dispersion
Reduces reflections off the mixing console
One-piece Front Panel with No Discontinuities
Reduced diffraction and smoother frequency response
Powerful Analog Amplifiers with Large Headroom
Improved transient response
Production Consistency
Any KH 120 is "pair-matched" to any other KH 120
4-position Bass, Low-Mid and Treble Acoustical Controls
More control in diverse acoustical environments
Wide Range Input Gain and Output Level Controls
Easier interfacing with signal sources
New Mounting Hardware Options
More flexibility in mounting cabinets in more diverse locations
Display Dimmer
For low lighting level conditions or behind the screen applications
Ground Lift
Reduced noise in electrically noisy environments and over-comes ground loops
Universal Switched-Mode Power Supply (100 to 240 V)
One version works in any country and robust to poor quality mains supply
Separate Woofer and Tweeter Electronic Peak Limiters and Thermal-Protection Circuitry
High reliability
Analog XLR Input
Compatible with any analog line signal
Digital BNC Input and Buffered BNC Output
For flexible and trouble-free digital interconnectivity (24 bit, 192 kHz, AES3 and S/P-DIF)
Lipsync Delay (0 to 10/12 Frames)
To align audio and video signals
Time-of-flight Delay (0 to 400 Ms)
To compensate for listening distance differences.