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Review Summary
2019-01-25T03:34:00
I wanted this camera for a long time.
Mary P.
Super35
MOS
800 (Native)
Canon EF
Mechanical Filter Wheel with 2 Stop (1/4), 4 Stop (1/16), 6 Stop (1/64) ND Filters
1x expressP2 Card Slot
1x SDXC Card Slot
AVC-Intra 4:2:2:
4096 x 2160p at 23.98/24/25/29.97 fps
3840 x 2160p at 23.98/25/29.97 fps
AVC-Intra LT:
4096 x 2160p at 23.98/25/29.97/50/59.94 fps
3840 x 2160p at 23.98/25/29.97/50/59.94 fps
4-Channel 24-Bit 48 kHz
2x BNC (3G-SDI) Output
1x BNC Monitor Output
1x 5-Pin XLR Input
2x 3-Pin XLR Input
1x 1/8" (3.5 mm) Stereo Headphone Output
1x 12-Pin Lens Control
1x 10-Pin RCU Control Input/Output
1x USB Type-B
1x BNC Timecode Input/Output
1x USB Type-A
1x 20-Pin Monitor
1x 6-Pin GPS
1x BNC Genlock Input
1x RJ45 LAN
1x 12-Pin Lens Control
3.5" (8.89cm)
Gold Mount
1x 4-Pin XLR (11 to 17 VDC at1.5 A) Output
1x 4-Pin XLR (11 to 17 VDC) Input
>=77W
1 x 1/4"-20 Female Thread
7.2 x 9.1 x 9.7" (184 x 230.5 x 247mm) (Without Protrusions)
5.95 lb (2.7kg)
OLED
720p
1x SDI, for video
1x Hirose, for power
1-9 Indexible, stepped
Housing: Metal composite
W x L: 4.0 x 4.3" (10 x 11cm)
Diameter: 3.1" (8cm)
3/8"-16
Shoulder Mount: 11.1 x 4.1 x 2.0" (28.2 x 10.5 x 5.2cm)
Sliding Camera Plate: 6.4 x 2.3" (16.2 x 5.9cm)
11" (27.9cm) (coiled)
12-pin Hirose
Approx. 8.3 to 10.4" (21 to 26.5cm)
Grip: Approx. 3.6 x 3.3 x 4.5" (9.2 x 8.5 x 11.5cm)
Arm: Approx. 8.3 x 1.2 x 2.8" (21 x 3 x 7cm) (excluding thumbscrew protrusions)
P2
256 GB
Shockproof, Temperature Extremes
Yes
Yes
1x expressP2
P2
expressP2
microP2 (using optional AJ-P2AD1G adapter)
1x USB 3.0 Type B (data transfer)
1x USB 3.0 Type B (power)
2.4 Gb/s
1.8 A (total for both USB connectors)
Operating System:
Windows 7 Professional (SP1) 32/64-bit
Windows 7 Ultimate (SP1) 32/64-bit
Windows 8 32/64-bit
Windows 8.1 32/64-bit
Mac OS X 10.7.5
Mac OS X 10.8.5
Mac OS X 10.9.3
RAM: 1 GB or more
32 to 104 Degree F (0 to 40 Degree C)
10 to 85% (no condensation)
3.8 x 1.3 x 6.1" (9.7 x 3.3 x 15.5cm)
9.9 oz (280g)
Nice
By Mary P.
I wanted this camera for a long time.
-- Compact 4K Super 35 VariCam LT Cinema Camera --
Panasonic VariCam LT, representing the next generation of 4K cinema cameras. The VariCam LT camcorder inherits the same super 35mm sensor and superb imaging capabilities that distinguish the award-winning VariCam 35, but with significant reductions in size, weight and price.
Incorporating this identical imaging "DNA" in a more compact rendition, the VariCam LT (model AU-V35LT1G) delivers 14+ stops of dynamic range with V-Log, and the esteemed cinematic VariCam image quality and color science, as well as the VariCam 35's breakout innovation, dual native ISOs of 800/5000.
Weighing just under six pounds and having superior capability to similar sized cameras, the VariCam LT will be the ideal camera for handheld, SteadiCam, jib, crane, drone, gimbal and overall cinema verite work. The VariCam LT is likewise tailor-made for owner/operators, independent filmmakers, documentary makers and corporate production creators.
The VariCam LT delivers superb image handling in multiple formats ranging from 4K, UHD, 2K and HD, and like the VariCam 35, is fully capable of High Dynamic Range (HDR) field capture. The new 4K camcorder offers Apple ProRes 4444 (up to 30p) and ProRes 422 HQ (up to 60p) support for HD recording, as well as Panasonic's AVC-ULTRA family of advanced video codecs.
New codecs introduced in the VariCam LT include AVC-Intra LT and AVC-Intra 2K-LT, both designed to offer capture rates up to 240fps in imager crop mode, ideal for sports and other fast motion footage.
Powerful color management capabilities combined with VariCam's extended color gamut and support for the Academy Color Encoding System (ACES) workflow allow for full fidelity mastering of original source material. The VariCam LT offers in-camera color grading, with the ability to record an ungraded 4K master along with all on-set grading metadata. A new color processing feature is "V-LOOK", which acts as a blend of V-Log and video, and allows filmic documentary acquisition without the same need for intense color grading.
The VariCam LT differs from the VariCam 35 in being a one-piece, short-bodied camcorder vs. a two-piece camera head plus recorder. While the VariCam LT does not feature parallel sub-recording, it does have an SD slot for high-resolution proxy recording. Proxy files can be wirelessly uploaded via FTP, which facilitates wireless color grading. Variable frame rates are available with LongG6 recording.
There is one express P2 card for all formats including high frame rate and HD/2K/UHD and 4K recording (the 256Gbyte expressP2 card can record up to 90 minutes of 4K/4:2:2/23.98p content). RAW output from SDI is planned to be supported by a firmware upgrade in early summer 2016.
The VariCam LT features an EF mount (vs. the VariCam 35's PL mount), suitable for the wide array of lenses available for smaller cameras. The EF mount can be switched out to a robust standard PL mount, expanding the range of compatible lenses that can be used. The control panel can be separated from the camera body to facilitate real-time control and easy menu access. The camcorder has a production-tough magnesium body to assure durability and reliability in challenging shooting locations.
Other features new to the VariCam LT are power hot swap, IR shooting (further enhancing the camcorder's extreme low-light capture at ISO 5000), 23.98 PsF output, and image presets as scene files.
Among the camcorder's top-level production assets are ND filters (CLEAR, 0.6, 1.2, 1.8), an optional OLED electronic viewfinder (EVF) with optical zoom functionality, 24-bit LPCM audio for in-camera audio master recording, Focus Assist, anamorphic lens de-squeeze, special REC functions (PreRec, interval, one-shot), IP control via Panasonic's AK-HRP200 camera remote controller, and built-in GPS.
Professional interfaces include: 3G-HD-SDI x 3 (SDI-OUT x 2 and VF), LAN, genlock in, timecode in/out, USB2.0 Host and USB2.0 Device (mini B), and three XLR inputs (one 5-pin, two 3-pin) to record four channels of 24-bit, 48KHz audio. In addition, its flexible interfaces allow use of the Panasonic AU-VCVF10G viewfinder, as well as 3rd party viewfinder solutions.
VariCam LT Features
Same Imager as VariCam 35
The VariCam LT is equipped with the super 35mm single-chip MOS sensor developed especially for the VariCam 35. It offers 4K (4096 x 2160) and UHD (3840 x 2160) resolution, and boasts high sensitivity, low noise, wide dynamic range and cinematic depth of field.
14+ Stops of Wide Latitude
Camera has a dynamic range of 14+ stops. This widThe camera has a dynamic range e image rendering over the entire image, from dark areas to highlights. Even in very dimly lit scenes, which are particularly important in movie production, the VariCam LT provides low-noise images without any compromise in picture quality
Dual Native ISO of 800/5000
The VariCam LT has two native ISO settings
800 and 5000. This means the VariCam LT achieves very high sensitivity while maintaining a low noise level at 5000 ISO.
Expansive Color Gamut
The VariCam LT is equipped with "V-Gamut", giving it a wider color gamut than that of film. V-Gamut also encompasses the entire BT. 2020 color space.
Scene Files and V-LOOK
The "V-Log" gamma curve offers 14+ stops of dynamic range and facilitates advanced color grading adjustments in post production. The five position scene file function is new to the VariCam LT.
Monitoring Output Terminals
The VariCam LT provides down conversion to Full HD via two 3G HD SDI outputs and one VF output (BNC) while shooting in 4K. Your look with in-camera color grading and information overlay can be applied to each output.
Native 4K/60p Shooting
The maximum frame rate when recording in 4K (4096 x 2160) or UHD (3840x2160) resolution is 60p (60fps). This produces smooth, high-resolution images when recording fast-moving action scenes.
2K/HD 240p Slow Motion
When shooting in 2K (2048 x 1080) and HD (1920x1080) resolution, high-speed 240 fps recording can be used to produce an extreme slow-motion effect.
Infrared Shooting (IR)
The Cinema VariCam LT has an integrated, detachable IR cut filter. User can do the IR shooting to record 4K images in dark unlit nightscapes. This is ideal for capturing nocturnal wildlife and other scenes with no illumination.
Detachable Control Panel with Monitor
The supplied control panel has a built-in 3.5 type LCD display panel. It can be used for menu operation or as a live/preview monitor. The keys and dials are laid out around the display for quick and accurate operation.
Standard HD SDI Interface for EVF
The VariCam LT has a regular BNC connector for the View Finder. Users can select from various HD monitors or viewfinders in addition to the new Panasonic View Finder (AU-VCVF10G). The DC power and command control connectors for the Panasonic VF are also provided.
Multiple Codec 4K/UHD/2K/HD Recording
AVC-Intra 4K is a 4K-compatible version of the AVC-Intra, intra-frame compression codec that is suitable for cinema production.
In-camera Color Grading
The VariCam LT features an in-camera color grading function (3D LUT/CDL). This enables color tuning on set as well as in the field when using the camera control panel or 3rd party software.
Main and Proxy Recording
In addition to the main codec recording the VariCam LT has the ability to record files to an SD memory card. This feature lets you record an ungraded 4K master with V-Log in the main expressP2 card.
The lens mount is made of stainless steel, and designed to prevent flange back deviation due to temperature changes.
The camera body is made of strong rigid magnesium.
The top and bottom panels have been made flat for easy installation of various plates and accessories.
Mounting holes are provided on both sides as well as on the handle for convenient mounting of accessories.
-- AU-VCVF10G Viewfinder --
Panasonic AU-VCVF10G gives you an HD 720p view of the scene for accurately framing and composing shots on your VariCam LT cinema camera. Durably constructed with heat dissipation, this viewfinder features a focus dial, a 1-9 stepped, indexible diopter dial, and two assignable preset buttons. There are also preset buttons for programming functions such as 'with or without LUT display'.
Camera connection is via an SDI port while power is supplied via Hirose. The included bracket facilitates easy angle adjustments including the horizontal extension.
-- AU-VSHL2G Shoulder Mount --
Panasonic AU-VSHL2G rests your VariCam camera on your shoulder for greater comfort and filming stability. More than a shoulder rest, the AU-VSHL2G has a 15mm LWS rod baseplate for building up your camera with various accessories. An included ARRI type sliding quick release facilitates easy attachment and detachment while adherence to the VCT-14 standard enables rig mounting to compatible tripod plates.
Along with front and rear 15mm rod clamps, this shoulder mount features ARRI standard rosettes near the front rod clamps to support an optional Grip Module or other third-party hand grips. In addition to the VCT interface, the V-wedge has a 3/8"-16 threaded hole for mounting your rig to other tripod and dovetail plates.