




See Options
2 Year
$139.99
3 Year
$184.99
5 Year
$339.99
Need help? Ask our experts.
Review Summary
Accidents happen. Protect your favorite Adorama products and purchase a protection plan to stay covered from accidental damage, mechanical or electrical failures, and more.
If we can’t fix it, we’ll replace it at no additional cost.
Protect your product from drops, spills, and more.
Enjoy your gear without fear. We have you covered!
When regular use of your product over time results in mechanical or electrical failure.
We will never charge you a deductible after the purchase of a plan.
Our claims process is simple & easy and our customer service team is happy to help.
Adorama Protect powered by Extend is available for purchase to customers in the United States. Not available for international or U.S. territories purchases. Plans on open box items do not cover pre-existing damage.
Adorama Protect plans are available for ABS clients. If you have any questions or require assistanse, please call 800-223-2500
Browse our FAQ
XLR Female, Balanced
20 Hz-20 kHz, 0/-0.5 dBu (at unity gain)
20 Hz-20 kHz, +/-0.5 dBu (at unity gain)
1 kOhms
<0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd (1 kHz at unity gain)
0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd
+125 dB unwtd, +130 dB A-wtd
-102 dB (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd)
-95 dB (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd)
+65 dB (1 kHz at unity gain)
-16 dB to +67 dB
+16 dBu
+48 VDC
1/4" TRS Female, balanced mono
RCA Female, unbalanced (stereo pair)
10 Hz-20 kHz, 0/-0.5 dBu (at unity gain)
20 Hz-20 kHz, 0/-0.5 dBu (at unity gain)
10 kOhms
<0.0007%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd (1 kHz at unity gain)
<0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd
-105 dB (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd)
-95 dB (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd)
-20 dB to +20 dB
+22 dBu
RCA Female, unbalanced (stereo pair)
+22 dBu
XLR Male, balanced (stereo pair); 1/4" TRS Female, balanced (stereo pair)
+24 dBu
100 Ohms
1/4" TRS Female, balanced (mono)
+18 dBu
100 Ohms
1/4" TRS Female, balanced (stereo pair)
+18 dBu
100 Ohms
-90 dBu (Ref = +4 dBu, 20 Hz-20 kHz, unwtd)
-87 dBu (Ref = +4 dBu, 20 Hz-20 kHz, unwtd)
-84 dB to 0 dB
Adaptive (0.2 - 2.5 ms)
70 ms
2:1
-56 dB to 0 dB
1:1 to 14:1
0.2 ms / 1.0s ("Tight") to 180 ms / 1.0s ("Smooth")
Attack = 10 ms, Release = 150 ms
hard and soft knee
2nd-order shelving filter (Q = 0.55)
36 to 465 Hz, +/-15 dB
260 Hz to 3.5 kHz, +/-15 dB
1.4 kHz to 18 kHz, +/-15 dB
USB 2.0
118 dB
118 dB
32-bit, floating point
44.1, 48 kHz
24 bits
+18 dBu
<20 ps rms (20 Hz - 20 kHz)
>60 dB (1 ns in - 1 ps out)
IEC
100 to 240 VAC (factory-configured for country of destination)
100W
Mac OS X 10.8.5 64-bit or later
Intel Core 2 Duo processor (Intel Core i3 or faster recommended)
4GB RAM (8GB or more recommended)
Windows 7 x64/x86 SP1 + platform update, Windows 8.1 x64/x86, Windows 10 x64/x86
Intel Core 2 Duo (Intel Core i3 or faster recommended)
4GB RAM (8GB or more recommended)
USB 2.0 port
Internet connection
Internal or external 7200 RPM storage drive highly recommended
30GB hard disk space
Monitor with 1366x768 resolution
iOS 9.3 or later
iPad Pro, iPad Air 2, iPad Air, iPad mini 4, iPad mini with Retina display, iPad (4th generation), iPad mini, iPad (3rd generation), iPad 2
Android 5.0 (Lollipop) or later
Android smartphone (QMix-UC)
Android tablet (8-inch) with 1024x768 resolution (UC Surface)
5.5 x 16 x 15.6" (13.97 x 40.64 x 39.62cm)
20 lbs (9.07kg)
673454006210
The ease of analog meets the power of digital
When you're mixing a live event or have an artist in the studio, you need to be able to work quickly. The StudioLive 16.0.2 USB's familiar, easy-to-use interface keeps all critical controls visible and accessible - not buried in menus or layers. Our design philosophy is simple: One fader for every mono or stereo channel; one output for every bus. Add to that easily accessed, color-coded function buttons; rotary trim controls; and clearly labeled, individual knobs for EQ and dynamics processing. Aux sends have their own physical controls. Every channel has a big, bright meter display. But don't let the analog feel fool you: The StudioLive 16.0.2 USB offers the power of modern digital mixing, multitrack recording, wireless remote control and more.
Small size. Bigger possibilities
In a footprint of less than 2 square feet (0.19 square meters), the compact, 16-channel StudioLive 16.0.2 USB offers 8 mono input channels, 4 stereo channels and 4 aux buses, each with a high-quality, 60mm fader. You get generous analog I/O, 12 XMAX Class A solid-state mic preamps, a Talkback input with Class A mic preamp, extensive signal processing with physical controls, MIDI control, accurate metering and a built-in multichannel recording interface. As with all StudioLive mixers, the 16.0.2 USB comes with a suite of tightly integrated recording, control and audio analysis software. And it's so lightweight and compact that you can easily hold it in one hand and tuck it under your arm.
You'll never run out of signal processors
StudioLive 16.0.2 USB mixers provide plenty of DSP power, with no limitations, no shared resources, no figuring out what processing is available where. You have all of the processing available at all times, with no compromises or caveats. The unique Fat Channel provides a compressor, limiter, expander and 3-band semi-parametric EQ on every channel and bus; a highpass filter on each channel; phase reverse for the channel mic preamps; a library of professionally crafted presets; and the ability to save and selectively recall processor settings. A stereo, 31-band graphic EQ sits on the main bus. To top it off, you get two 32-bit delay/reverb effects processors, each with its own dedicated mix bus and a library of useful effects presets.
Superior sound
Connect a StudioLive 16.0.2 USB mixer and you'll instantly hear details and clarity you'd expect to find only in a much more expensive console. StudioLive mixers operate at up to 48 kHz for high-definition mixing and recording. High-quality Burr-Brown converters on every input and output provide a best-in-class 118 dB of dynamic range so you'll catch every high and low with great accuracy and no audible distortion. And our XMAX microphone preamps deliver incredibly high headroom, deep lows, smooth highs and a rich overall sound
Recording is in StudioLive 16.0.2 USB's DNA
The StudioLive 16.0.2 USB's built-in 18x16 multitrack recording interface is tightly integrated with the rest of the mixer-not an afterthought we tacked on. All 16 channels and the main mix continuously stream to your USB-connected Mac or Windows PC. Each channel can independently access its analog input or its dedicated digital return from your computer. And with StudioLive mixers, recording is simple and easy: Just launch the included, preconfigured Capture software for one-click recording of all channel inputs and your main mix. Or record with the included Studio One Artist DAW-or any recording software that supports ASIO or Core Audio. Now you can record in the studio or at the gig with equal ease.
Integrated, multiplatform software for flexible control and one-click recording
Like all PreSonus StudioLive mixers, the StudioLive 16.0.2 USB is tightly integrated with an entire suite of state-of-the-art software. Mix wirelessly or over a wired network from anywhere using UC Surface touch-control software for Mac, Windows, Android and iPad. Control individual monitor mixes onstage with QMix-UC for iPhone/iPod touch and Android. Automate virtual soundchecks and record shows with Capture for Mac and Windows. Edit, sweeten and digitally release your recordings with Studio One Artist. StudioLive 16.0.2 USB mixers and software work together to form a cohesive ecosystem that helps you achieve your creative vision.
Dedicated analog connections for predictable signal flow
Take a look at back panel of a StudioLive 16.0.2 USB mixer and you'll find the robust connections you'd expect from an analog mixer: balanced mic inputs on each of the 8 mono channels; 8 balanced 1/4-inch line inputs; 4 unbalanced RCA line inputs; and dedicated balanced outputs for each of the 4 aux buses and the main stereo bus. Every input channel and bus send has its own dedicated jack-no sharing, no compromises-so you always know what's flowing from each output.
Add excitement to performances with MIDI control
Being able to control the StudioLive 16.0.2 USB from an iPad, iPhone, iPod touch or Android device is cool-unless your hands are busy playing your instrument. That's why the StudioLive 16.0.2 USB offers MIDI In and Out. Use a MIDI footpedal or DAW to recall scenes using MIDI Program Changes, control the main output volume and effects level, mute effects between songs, switch from lots of reverb to a little bit of delay and change the mix for a solo. You can even automate these features with a DAW! It's a great way to make your performances more exciting and varied, even if you don't have a separate soundperson.
Includes Studio Magic Plug-in Suite
This suite of plug-ins adds a wealth of fresh sounds and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavor of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies - these are real-deal workhorses that you'll rely on for countless mixes.
Software Library
Studio One Artist
Creative Music Production Environment
Studio One is a completely modern professional environment for music recording, mixing, mastering, sharing and collaboration. It's Internet-savvy and provides a complete solution, combining the features you really need with the ease of use you always dreamed of. Based on an elegant user interface and a content browser with powerful drag-and-drop functionality, feature-rich Studio One will let you work quickly and stay focused on your inspiration.
UC Surface
Battle-ready control software
Designed primarily for live mixing but also well suited to the studio, free UC Surface touch-control software for Mac, Windows and iPad provides bidirectional control and editor/librarian functions for all StudioLive AI- and RM-series Active Integration digital mixers and for Studio 192 and Studio 192 Mobile recording interfaces. UC Surface supports Windows touchscreens and networks via wired or wireless connections. It also integrates Rational Acoustics' Smaart Measurement Technology, the industry standard for professional room tuning and measurement, including the Smaart Spectra RTA and time-frequency Spectrograph and easy-to-use wizards.
8 mono mic/line channel inputs, each with
High-headroom Class A XMAX mic preamplifier
XLR mic and balanced 1/4-inch line inputs
60mm precision fader
4 stereo line channel inputs, with
High-headroom Class A XMAX mic preamplifier (Ch. 9, 11, 13 and 15)
XLR mic inputs (Ch. 9, 11, 13 and 15)
Balanced 1/4-inch line inputs (Ch. 9-16)
Unbalanced RCA line inputs (Ch. 13-16)
60mm precision fader (4 stereo)
4 Auxiliary buses (pre/post-fader send)
Fat Channel signal processing on all channels and buses, with
3-band semi-parametric EQ (individual band on/off)
Full-featured compressor
Standard downward expander
Limiter
Phase reverse (12 mic preamplifiers only)
Pan with dedicated 15-LED display
Stereo link for input channels and aux buses
Highpass filter
18-in/16-out USB recording interface (24-bit/44.1 kHz and 48 kHz)
Compatible with most audio software via ASIO, Windows Audio, Core Audio
Software bundle includes
PreSonus Studio One Artist digital audio workstation for Mac and Windows
PreSonus Capture live-recording software for Mac and Windows
PreSonus UC Surface mixer-control software for Mac, Windows, Android and iPad
Free downloadable PreSonus QMix-UC software for iPhone/iPod touch and Android provides wireless remote control of aux mixes
MIDI Control Mode provides control over
Scene and FX Preset recall
Main Volume, FXA and FXB output levels
FXA and FXB assign/unassign to Mains