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Review Summary
Rackmount
None
192 kHz / 24-Bit
None
2x Analog I/O Slot
2x Digital I/O Slot
1x Utility Slot
1x Internal DSP Slot
1x Stereo RCA Balanced Output
1x 1/4" TRS Headphone Output
1x BNC Coaxial AES-3id / S/PDIF Output
1x BNC Video Sync/Word Clock Input
1x BNC Word Clock Output
1x XLR 3-Pin AES11 Input
1x XLR 3-Pin AES11 Output
None
1x DE-9/DB-9 RS-232/RS-485 In/Out
RCA Outputs: 50 Ohms
1/4" Outputs: 115 Ohms
XLR Outputs: 110 Ohms
BNC Sync Outputs: 75 Ohms
XLR Mic Inputs: 110 Ohms
BNC Sync Inputs: 75 Ohms
RCA Outputs: 105 dB (-60 dBFS, 1 kHz)
RCA Outputs: -101 dB / 0.0009% (1 kHz, at -1 dBFS)
RCA Outputs: > 120 dB (1 kHz)
+15 / +18 / +21 / +24 dBu = 0 dBFS (Selectable)
Up to 192 kHz
Up to 24-Bit
Accuracy: +/-25 ppm
Jitter Suppression: > 60 dB (above 700 Hz)
macOS
Windows
90 to 125 VAC, 50 / 60 Hz
180 to 250 VAC, 50 / 60 Hz
60W
2 RU
19 x 15.4 x 3.5" (483 x 390 x 88mm)
16.5 lbs (7.5kg)
8x XLR 3-pin female (balanced)
21.005 kOhms
+5 to +24 dBu
+/-0.05 dB
60 Hz: < -100 dB
1 kHz: < -90 dB
20 Hz to 20 kHz: < -65 dB
Software selectable on/off
-105 dB (0.0006%) at 997 Hz, -1 dBFS
112 dB at 997 Hz, -60 dBFS
< -100 dB (60 Hz at -3 dBFS, 7 kHz at -12 dBFS)
Maximum Aharmonic Spurium: < -130 dBFS (997 Hz at -1 dBFS)
44.1 kHz: 5 Hz to 20.1 kHz (-0.05 dB), <1 Hz to 22 kHz (-3 dB)
48 kHz: 5.5 Hz to 22.8 kHz (-0.05 dB), <1 Hz to 24 kHz (-3 dB)
96 kHz: 6.1 Hz to 43.3 kHz (-0.05 dB), <1 Hz to 48 kHz (-3 dB)
192 kHz: 6.2 Hz to 50.2 kHz (-0.05 dB), <1 Hz to 77.7 kHz (-3 dB)
48/96 kHz: <0.015 dB
<0.03 Degree
1 kHz: >125 dB
20 Hz to 20 kHz: >117 dB
44.1 kHz: 20 samples / 0.45 ms
48 kHz: 20 samples / 0.42 ms
96 kHz: 20 samples / 0.21 ms
192 kHz: 20 samples / 0.10 ms
7.9 x 7.1 x 1.2" (20 x 18 x 3cm)
11.2 oz (317.5g)
Internal
8 Input / 8 Output at 48/96 kHz
4 Input / 4 Output at 176.4/192 kHz
192 kHz / 24-Bit
None
None
None
2x FireWire 6-Pin (FireWire 400)
None
Up to 192 kHz
macOS 10.3.7 or Later
Windows XP or Later
Mac: 700 MHz PowerPC G4
PC:900 MHz Intel Pentium
256 MB
800 x 600
Available FireWire 400 Port
4.3 x 6.7 x 1.6" (11 x 17 x 4cm)
3.2 oz (90.7kg)
669014270597
- ADA-8XR Audio Interface -
Legendary Modular AD/DA Convertor
The Pinnacle of audio performance, the ADA-8XR has found itself home in some of the world's most iconic recording facilities (Metropolis, British Grove etc) and utilised in high profile projects including Star Wars & Lord of the Rings.
With a lifespan of over 20 years in the industry, this British designed and engineered convertor embodies Prism Sound's no compromise approach to audio.
Conversion
The ADA-8XR offers accurate, ultra detailed A/D and D/A conversion providing complete focus of sound to ensure you're not distracted by coloration while allowing every nuance of a performance to be heard.
Modular Design
Modular design allows for the flexibility of having either an 8 input/8 output, 16 input OR 16 output converter. With digital I/O cards for Firewire.
Clocking And Synchronisation
The ADA-8XR works flawlessly as a master clock for your entire system providing rock solid stability and jitter rejection for crystal clear imaging. No external clock source can improve the performance of the ADA-8XR.
Multi-Sample Rate Compatibility
Independent paths allow for different sample rates being sent and received simultaneously.
I/O Modules
The ADA-8XR is a modular system and this provides great flexibility when creating systems with larger numbers of channels. Whether you need just a few channels of high-quality conversion or large a multi-track setup, the ADA-8XR is the natural choice. Using combinations of the basic system options and the range of digital interfaces you can build the system that perfectly matches your requirements.
Applications
The ADA-8XR is the audio industries converter of choice in the most exacting applications in music and sound recording, mastering, broadcast and post-production. Offering the cleanest and most transparent conversion available, the ADA-8XR has found a home in some of the most iconic recording facilities worldwide. Ideal for producers, engineers and songwriters wanting to produce the very best results when recording, tracking & overdubbing, mixing to stereo or surround, mastering and monitoring. The ADA-8XR is perfect for recording vocal, single instruments, drums or orchestra and is just as much at home providing multiple outputs for external analogue summing. It is in use in the top studios around the world as well as being used in numerous film soundtracks.
Design Philosophy
The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: Now, the goals of ultimate sound quality, unbeatable performance and un-matched versatility have been realised in a modular multi-channel, 24-bit 192kHz-capable format. The ADA-8XR provides A/D and D/A conversion and the essential digital interfaces with a stereo monitor mix output in digital and analogue formats.
Clocking & Synchronization
Unlike most other converter systems, the ADA-8XR is ideal as a master clock for your entire system, whether running from its precision internal reference or from an external source. No external clock source can improve the performance or influence the sound of the ADA-8XR. In addition, the ADA-8XR can run in Pro Tools Loop Sync mode, or lock to AES3, AES11 or Wordclock. The ADA-8XR delivers your recordings with perfect transparency, whatever the setup.
- 8C-AD 8-Channel Analogue Line Input Module -
The 8C-AD Analogue Line Input Module type PREV039/4/2 provides eight electronically-balanced analogue input channels to the ADA 8XR, on eight female XLR connectors.
Input line-up level (sensitivity) is variable for each channel over the range 0dBFS=+5.0dBu to 0dBFS=+24.0dBu, in 0.5dBu steps plus a fine trim.
Each channel has a Prism Sound Overkiller progressive limiter capability, which prevents the A/D converter from reaching full-scale, even when the input level significantly exceeds the selected input range. More information about the Prism Sound Overkiller can be found in the Technical Background section of the Operation Manual.
Control of the input line-up level and trim, and of the Overkillers, is via menus which are present in the ADA-8XR Menu System if the Module is fitted.
- 8C-FW 8-Channel FireWire I/O Module for ADA-8XR Audio Interface -
The 8C-FW FireWire I/O Module type PREV039/10/1 provides up to eight channels of digital audio input and output for the ADA-8 or ADA-8XR over a FireWire (also known as IEEE-1394) bus connection.
The FireWire I/O Module enables the ADA-8 to be used as a high quality 'soundcard', or I/O interface, for native PC and Macintosh workstation applications. Up to four ADA-8s may be connected on the same FireWire bus allowing up to 32 channels of simultaneous recording and playback.
Each FireWire card caters for 8 simultaneous input and output channels at up to 96kHz sampling rate, or for 4 simultaneous input and outputs channels at 176.4 and 192kHz sampling rates. 8 channel simultaneous input and output applications at sampling rates over 96kHz require two FireWire cards. 16 channel input or 16 channel output applications are also supported at up to 96kHz with two FireWire cards.
For Windows PC (Vista and higher, 32 and 64 bit) applications a driver is supplied with the module, which makes the ADA-8s appear as Windows Driver Model and ASIO compliant audio devices.
For macOS applications, the Operating System will automatically recognise the connected ADA-8s and make it available to applications as an OS X Core Audio device.
For computers without FireWire, this can also be used with Thunderbolt equipped computers via a third party Thunderbolt to FireWire adapter. Of course FireWire adapters are also available for ExpressCard and various flavours of PCI cards.
Features
Compatible with ADA-8XR Audio Interface
8-Channels of Digital Input/Output