Prism Sound Titan 8-Channel Audio Interface with Digital Expansion Slot, 4 Mic Pres

SKU: PSTITAN MFR: TITAN
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Key Features

  • Capture pristine audio with Titan's 4 mic pres, perfect for professional studio recording.
  • Experience ultra-low latency for seamless tracking and mixing with this digital audio interface.
  • Expand your sonic palette using Titan's digital expansion slot for versatile I/O options.
  • Achieve superior sound quality with Prism Sound's renowned AD/DA converters for critical listening.
  • Enjoy rock-solid driver stability on both Mac and Windows, ensuring a reliable audio workflow.
  • Create polished mixes using the integrated Overkiller limiters, preventing unwanted digital clipping.
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Special Order?Estimated to Ship: 08/20/2025
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Prism Sound Titan Specifications

Front Panel

Front Panel

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  • Instrument Inputs

    2x 6.3mm mono jack sockets, auto-select to analogue inputs 1 & 2 when plugged

  • Headphone Outputs

    2x 6.3mm stereo TRS Jacks, each with illuminated volume control

  • Master volume

    Assignable encoder / push switch with halo indication

  • Standby button

    With standby indicator (also flashes when unit is in 'identify' mode)

  • Level Meters

    10x multi-segment bargraphs with overload indication, 8 for analogue, 2 for digital, assignable to inputs or outputs

  • Input selection

    Indicate mode of analogue inputs 1-4 as Mic / line / inst & plus phantom power indicator for mic mode

  • Overkiller

    For every analogue input, lit when Overkiller limiters are acting

  • Digital Input

    Indicators for digital input unlocked and SRC (sample-rate converter) selected

  • Digital Output

    Indicator for SRC (sample-rate converter) selected

  • Sync

    Master indicator, lit when interface is providing system sync

Rear Panel

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  • Mic / Line inputs 1-4

    4x combo connectors with XLR sockets for mic input and 6.3mm TRS jack sockets for line input (balanced or unbalanced)

  • Line inputs 5-8

    4x 6.3mm TRS jack sockets (balanced or unbalanced)

  • Line outputs 1-8

    8x 6.3mm TRS jack sockets (balanced or unbalanced)

  • Digital inputs

    1x RCA 1 x TOSLINK for S/PDIF or ADAT Optical input; (RCA can operate as AES3 input using XLR-RCA adapter supplied)

  • Digital output

    1x RCA 1 x TOSLINK for S/PDIF or ADAT Optical output; (RCA can operate as AES3 output using XLR-RCA adapter supplied)

  • Wordclock

    2x BNC sockets, output and input (75R)

  • USB port

    1x USB 2 port

  • Mains power

    3-pin 6A IEC inlet

Software Support

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  • Mac OS Support

    OS X 10.4 or later, Intel platform

  • Windows OS Support

    Windows Vista, 7 or 8, 32 or 64 bit

  • Mac audio driver

    Core Audio device

  • Windows audio driver

    ASIO device

  • Control Panel applet

    Graphical user interface for control of single or multiple Titan units under Mac OS X or Windows.

Analogue Line Inputs

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  • Configuration

    Electronically balanced, with fully-balanced analogue signal path

  • Input Sensitivity

    Switchable '+4dBu' (0dBFS = +18dBu) or '-10dBV' (0dBFS = +6dBu)

  • Input Impedance

    14.5k Ohm

  • Unbalanced Mode

    Automatic

  • Total harmonic distortion

    -117dB (0.00014%, -0.1dBFS)

  • THD+N

    -111dB (0.00028%, -0.1dBFS)

  • Dynamic Range

    116dB (-60dBFS)

  • Gain Accuracy

    +/-0.05dB

  • LF roll-off

    -0.05dB at 8Hz; -3dB at <1Hz

  • HF roll-off

    fs = 44.1kHz: -0.05dB at 21.1kHz; -3dB at 22.0kHz
    fs = 48kHz: -0.05dB at 23.0kHz; -3dB at 23.9kHz
    fs = 96kHz: -0.05dB at 32.0kHz; -3dB at 47.9kHz
    fs = 192kHz: -0.05dB at 32.0kHz; -3dB at 78kHz

  • CMRR

    20Hz..20kHz: >70dB

  • Inter-channel cross-talk

    1kHz: <140dB; 20Hz..20kHz: <-120dB

  • Inter-channel phase

    10Hz..5kHz: +/-0.25 Degree
    5kHz..20kHz: +/-1.0 Degree
    20kHz..50kHz: +/-2.0 Degree

  • Overkiller

    Progessive limiter, auto-aligning, selectable per channel

  • Impact Filter

    High-pass filter, -3dB at 80Hz, 40dB/decade (selectable for channels 1-4; whether in line, mic or instrument mode)

  • RIAA de-emphasis filter

    Response accuracy:
    +/-0.22dB at fs=44.1kHz
    +/-0.14dB at fs=48kHz
    +/-0.015dB at other sample rates

  • M-S matrix

    Allows direct connection of mid-side mics, or non-matrix mic-preamps (selectable for channels 1-4; whether in line or mic mode)

Microphone Preamplifiers

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  • Configuration

    Electronically balanced, with fully balanced analogue signal path

  • Gain

    10dB to 65dB in 1dB steps (0dBFS = -56dBu to -1dBu) plus switchable -20dB pad

  • Gain accuracy

    +/-0.05dB

  • Input impedance

    5.5k Ohm

  • THD

    +10dB gain: -116dB at -0.1dBFS (0.00016%)
    +40dB gain: -110dB at -0.1dBFS (0.00032%)

  • THD+N

    +10dB gain: -108dB at -0.1dBFS (0.00040%)

  • Equivalent input noise (EIN)

    +30dB gain: -128.5dBu (0 Ohm source); -126.3dBu (150 Ohm source)
    +40dB gain: -130.9dBu (0 Ohm source); -127.6dBu (150 Ohm source)
    +50dB gain: -131.2dBu (0 Ohm source); -127.7dBu (150 Ohm source)
    +60dB gain: -131.4dBu (0 Ohm source); -127.8dBu (150 Ohm source)

  • LF roll-off

    -0.05dB at 20Hz, -3dB at 5Hz

  • HF roll-off

    As per analogue line input data (dependent on fs)

  • CMRR

    50Hz/60Hz: >110dB at all gains
    1kHz: >100dB at all gains
    20kHz: >90dB at all gains

  • Phantom power

    +48V, switchable per channel

  • Pad

    -20dB, switchable per channel

Instrument Preamplifiers

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  • Configuration

    Unbalanced, high impedance buffer

  • Gain

    10dB to 65dB in 1dB steps, 18dB pad (0dBFS = -38dBu to 17dBu)

  • Gain accuracy

    +/-0.05dB

  • Input impedance

    1M Ohm

Analogue Outputs

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  • Configuration

    Electronically balanced, with fully-balanced analogue signal path

  • Output amplitude

    Switchable '+4dBu' (0dBFS = +18dBu) or '-10dBV (0dBFS = +6dBu)

  • Output impedance

    100 Ohm balanced, 50 Ohm unbalanced

  • Unbalanced mode

    Automatic, with bootstrapping level compensation

  • Total harmonic distortion

    -107dB (0.00045%, -1dBFS)

  • THD+N

    -106dB (0.00050%, -0.1dBFS)

  • Dynamic range

    115dB (-60dBFS)

  • Gain accuracy

    +/-0.05dB

  • LF roll-off

    -0.05dB at 8Hz, -3dB at <1Hz

  • HF roll-off

    fs = 44.1kHz: -0.05dB at 21.4kHz; -3dB at 22.0kHz
    fs = 48kHz: -0.05dB at 23.2kHz; -3dB at 23.9kHz
    fs = 96kHz: -0.05dB at 32.0kHz; -3dB at 47.8kHz
    fs = 192kHz: -0.05dB at 32.0kHz; -3dB at 76kHz

  • Output balance

    >50dB

  • Inter-channel cross-talk

    1kHz: <-135dB; 20Hz..20kHz: <-120dB

  • Inter-channel phase

    10Hz..5kHz: +/-0.4 Degree
    5kHz..20kHz: +/-0.25 Degree
    20kHz..50kHz: +/-0.5 Degree

Digital Inputs

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  • Formats supported

    S/PDIF (RCA or TOSLINK), ADAT, ADAT S/MUX (TOSLINK)

  • Sample rates supported

    S/PDIF (2-channel): 44.1, 48, 88.2, 96, 176.4 and 192kHz
    ADAT (8-channel) 44.1 and 48kHz
    ADAT S/MUX (4-channel): 88.2 and 96kHz

  • Channel Status

    Ignored

  • Word-length

    24 bit

  • AES3 operation

    Via S/PDIF RCA, using RCA-XLR adapter (supplied)

  • Sample-rate converter (SRC)

    Selectable at S/PDIF input; allowing input at any sample rate

  • Bit transparency

    Maintained (allows recording of Dolby or DTS streams)

Digital Outputs

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  • Formats supported

    S/PDIF (RCA or TOSLINK), ADAT, ADAT S/MUX (TOSLINK)

  • Sample rates supported

    S/PDIF (2-channel): 44.1, 48, 88.2, 96, 176.4 and 192kHz
    ADAT (8-channel) 44.1 and 48kHz
    ADAT S/MUX (4-channel): 88.2 and 96kHz

  • Channel Status

    Full implementation, Consumer (S/PDIF) or professional (AES3)

  • Word-length

    24 bit, or reduction to 16 bits using flat TPDF dither or Prism Sound SNS (Super Noise Shaping - four alternative shapes available)

  • AES3 operation

    via S/PDIF RCA, using RCA-XLR adapter (supplied)

  • Sample-rate converter (SRC)

    Selectable at S/PDIF output; output rate can be referenced to Wordclock, DI or local clock at 44.1, 48, 88.2, 96, 176.4 or 192kHz

  • Bit transparency

    Maintained in 24 bit mode (allows playback of Dolby or DTS streams to external decoder)

Synchronization

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  • System sample rates

    44.1 / 48 / 88.2 / 96 / 176.4 / 192kHz

  • Sync sources

    Master: local, Wordclock, DI (S/PDIF input) or ADAT
    Slave: bus master (another interface or Host computer)
    Local clock accuracy: ±50ppm
    Jitter rejection: >60dB / decade above 100Hz

    Internal mixer delay (total analogue in to out)
    fs = 44.1kHz: 0.56ms
    fs = 48kHz: 0.52ms
    fs = 88.2kHz: 0.2ms
    fs = 96kHz: 0.18ms
    fs = 176.4kHz: 0.09ms
    fs = 192kHz: 0.08ms

Physical

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  • Form factor

    1U 19" rack mountable
    (rubber feet and rack ears supplied)

  • Power

    90-250VAC, 50/60Hz
    Internal power supply
    IEC 6A connector

  • Power consumption

    35W

  • Fuse rating

    0.5A(T), 20mm, ceramic

  • Operation ambient conditions

    0 to 35 Degree C, 85% maximum relative humidity

  • Dimensions (W x D x H)

    Table Top: 17.3 x 11.4 x 2" (440 x 290 x 50mm) (inc. feet)
    Rack-mount: 19 x 11.4 x 1.8" (483 x 290 x 44.5mm) (inc. optional ears)

  • Weight

    8.2 lbs (3.7kg)

  • UPC Code

    669014270948

About Prism Sound Titan

Explore the unparalleled sonic clarity and flexibility of the Titan 8-Channel Audio Interface with Digital Expansion Slot and 4 Mic Pres. This world-class multi-track interface is equipped with Prism Sound's latest generation of trusted conversion technology, making it the perfect choice for music and sound recording, multi-tracking, overdubbing, stem-based mastering, analogue summing, and critical listening applications.

Benefit from Prism Sound's extensive history in developing test and measurement equipment for the audio industry. The Titan's unsurpassed clocking and jitter rejection capabilities are a testament to our engineers' deep understanding of digital clocking and its associated issues.

The Titan boasts a powerful built-in digital mixer that can be configured to provide a multitude of ultra-low latency feeds, including foldback to performers, stereo, and surround outputs. With a maximum capability of 18 concurrent input and output channels, the Titan offers 8 analogue recording channels, 8 monitoring outputs, stereo digital input and output on a phono connector, plus concurrent optical digital I/O ports.

Stay connected with the Titan's future-proof connectivity. Its standard USB connection ensures compatibility with a wide range of computers today and in the foreseeable future. The option of ProTools HDX and Dante modules provide the most flexible and professional solution.

The Titan's MDIO Multi-Channel I/O Expansion slot ensures your Prism Sound interface remains relevant in an ever-changing world of I/O connectivity. This feature increases the lifespan of your interface and provides a better return on your investment. It allows you to stack multiple Titans, providing sample accurate phase locked audio between multiple units.

The DANTE module allows multiple Titan units to be connected directly to a DANTE equipped network via a standard ethernet connection. The Pro Tools MDIO-HDX module enables multiple Titan units to be connected directly to an AVID Pro Tools HDX or HD native system via AVID's "Digilink" connection.

Control the Titan with ease using the Titan Controller applet. This software runs on the DAW computer and can be popped up whenever adjustments are needed. The applet provides a comprehensive overview of the unit's main settings and levels, including sync source and sample rate selection, metering and buffering modes.

The Titan's Input Setup page is divided into individual channel 'strips', providing a high-resolution meter, overload indication, and a +4/-10 sensitivity selection. The Output Setup page shows a high-resolution meter, overload indication, and a +4/-10 output level selection.

Experience the power of Verifile, a proprietary technology exclusive to Prism Sound. Verifile allows computer audio streams and recorded files to be quickly checked for a wide range of clicks, errors, and dropouts, without any compromise in the audio content or any additional metadata. This process is entirely invisible and inaudible to the user, making it the ideal choice for mastering & mix engineers.

Prism Sound Titan Features

  • 1RU Class-Compliant USB 2.0 Interface
  • 4x XLR-1/4" Inputs with Phantom Power
  • Up to 24-Bit / 192kHz Resolution

Product Documents

User Manual

Key Features

  • Capture pristine audio with Titan's 4 mic pres, perfect for professional studio recording.
  • Experience ultra-low latency for seamless tracking and mixing with this digital audio interface.
  • Expand your sonic palette using Titan's digital expansion slot for versatile I/O options.
  • Achieve superior sound quality with Prism Sound's renowned AD/DA converters for critical listening.
  • Enjoy rock-solid driver stability on both Mac and Windows, ensuring a reliable audio workflow.
  • Create polished mixes using the integrated Overkiller limiters, preventing unwanted digital clipping.

What's in the box:

  • 1x Prism Sound Titan 8-Channel Audio Interface with Digital Expansion Slot
  • 1x IEC Mains Lead
  • 2x 19" Rackmount Ears
  • 1x Allen Key (for Rack Ears)
  • 1x USB Lead
  • 1x USB B to USB C Convertor
  • 1x XLR-F to RCA-M Adapter (S/PDIF/AES3)
  • 1x XLR-M to RCA-M Adapter (S/PDIF/AES3)
  • 1x Printed Manual
  • 1x Software CD
  • Prism Sound 3 Year Limited Warranty