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$499.99
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Review Summary
Accidents happen. Protect your favorite Adorama products and purchase a protection plan to stay covered from accidental damage, mechanical or electrical failures, and more.
If we can’t fix it, we’ll replace it at no additional cost.
Protect your product from drops, spills, and more.
Enjoy your gear without fear. We have you covered!
When regular use of your product over time results in mechanical or electrical failure.
We will never charge you a deductible after the purchase of a plan.
Our claims process is simple & easy and our customer service team is happy to help.
Adorama Protect powered by Extend is available for purchase to customers in the United States. Not available for international or U.S. territories purchases. Plans on open box items do not cover pre-existing damage.
Adorama Protect plans are available for ABS clients. If you have any questions or require assistanse, please call 800-223-2500
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2x 6.3mm mono jack sockets, auto-select to analogue inputs 1 & 2 when plugged
2x 6.3mm stereo TRS Jacks, each with illuminated volume control
Assignable encoder / push switch with halo indication
With standby indicator (also flashes when unit is in 'identify' mode)
10x multi-segment bargraphs with overload indication, 8 for analogue, 2 for digital, assignable to inputs or outputs
Indicate mode of analogue inputs 1-4 as Mic / line / inst & plus phantom power indicator for mic mode
For every analogue input, lit when Overkiller limiters are acting
Indicators for digital input unlocked and SRC (sample-rate converter) selected
Indicator for SRC (sample-rate converter) selected
Master indicator, lit when interface is providing system sync
4x combo connectors with XLR sockets for mic input and 6.3mm TRS jack sockets for line input (balanced or unbalanced)
4x 6.3mm TRS jack sockets (balanced or unbalanced)
8x 6.3mm TRS jack sockets (balanced or unbalanced)
1x RCA 1 x TOSLINK for S/PDIF or ADAT Optical input; (RCA can operate as AES3 input using XLR-RCA adapter supplied)
1x RCA 1 x TOSLINK for S/PDIF or ADAT Optical output; (RCA can operate as AES3 output using XLR-RCA adapter supplied)
2x BNC sockets, output and input (75R)
1x USB 2 port
3-pin 6A IEC inlet
OS X 10.4 or later, Intel platform
Windows Vista, 7 or 8, 32 or 64 bit
Core Audio device
ASIO device
Graphical user interface for control of single or multiple Titan units under Mac OS X or Windows.
Electronically balanced, with fully-balanced analogue signal path
Switchable '+4dBu' (0dBFS = +18dBu) or '-10dBV' (0dBFS = +6dBu)
14.5k Ohm
Automatic
-117dB (0.00014%, -0.1dBFS)
-111dB (0.00028%, -0.1dBFS)
116dB (-60dBFS)
+/-0.05dB
-0.05dB at 8Hz; -3dB at <1Hz
fs = 44.1kHz: -0.05dB at 21.1kHz; -3dB at 22.0kHz
fs = 48kHz: -0.05dB at 23.0kHz; -3dB at 23.9kHz
fs = 96kHz: -0.05dB at 32.0kHz; -3dB at 47.9kHz
fs = 192kHz: -0.05dB at 32.0kHz; -3dB at 78kHz
20Hz..20kHz: >70dB
1kHz: <140dB; 20Hz..20kHz: <-120dB
10Hz..5kHz: +/-0.25 Degree
5kHz..20kHz: +/-1.0 Degree
20kHz..50kHz: +/-2.0 Degree
Progessive limiter, auto-aligning, selectable per channel
High-pass filter, -3dB at 80Hz, 40dB/decade (selectable for channels 1-4; whether in line, mic or instrument mode)
Response accuracy:
+/-0.22dB at fs=44.1kHz
+/-0.14dB at fs=48kHz
+/-0.015dB at other sample rates
Allows direct connection of mid-side mics, or non-matrix mic-preamps (selectable for channels 1-4; whether in line or mic mode)
Electronically balanced, with fully balanced analogue signal path
10dB to 65dB in 1dB steps (0dBFS = -56dBu to -1dBu) plus switchable -20dB pad
+/-0.05dB
5.5k Ohm
+10dB gain: -116dB at -0.1dBFS (0.00016%)
+40dB gain: -110dB at -0.1dBFS (0.00032%)
+10dB gain: -108dB at -0.1dBFS (0.00040%)
+30dB gain: -128.5dBu (0 Ohm source); -126.3dBu (150 Ohm source)
+40dB gain: -130.9dBu (0 Ohm source); -127.6dBu (150 Ohm source)
+50dB gain: -131.2dBu (0 Ohm source); -127.7dBu (150 Ohm source)
+60dB gain: -131.4dBu (0 Ohm source); -127.8dBu (150 Ohm source)
-0.05dB at 20Hz, -3dB at 5Hz
As per analogue line input data (dependent on fs)
50Hz/60Hz: >110dB at all gains
1kHz: >100dB at all gains
20kHz: >90dB at all gains
+48V, switchable per channel
-20dB, switchable per channel
Unbalanced, high impedance buffer
10dB to 65dB in 1dB steps, 18dB pad (0dBFS = -38dBu to 17dBu)
+/-0.05dB
1M Ohm
Electronically balanced, with fully-balanced analogue signal path
Switchable '+4dBu' (0dBFS = +18dBu) or '-10dBV (0dBFS = +6dBu)
100 Ohm balanced, 50 Ohm unbalanced
Automatic, with bootstrapping level compensation
-107dB (0.00045%, -1dBFS)
-106dB (0.00050%, -0.1dBFS)
115dB (-60dBFS)
+/-0.05dB
-0.05dB at 8Hz, -3dB at <1Hz
fs = 44.1kHz: -0.05dB at 21.4kHz; -3dB at 22.0kHz
fs = 48kHz: -0.05dB at 23.2kHz; -3dB at 23.9kHz
fs = 96kHz: -0.05dB at 32.0kHz; -3dB at 47.8kHz
fs = 192kHz: -0.05dB at 32.0kHz; -3dB at 76kHz
>50dB
1kHz: <-135dB; 20Hz..20kHz: <-120dB
10Hz..5kHz: +/-0.4 Degree
5kHz..20kHz: +/-0.25 Degree
20kHz..50kHz: +/-0.5 Degree
S/PDIF (RCA or TOSLINK), ADAT, ADAT S/MUX (TOSLINK)
S/PDIF (2-channel): 44.1, 48, 88.2, 96, 176.4 and 192kHz
ADAT (8-channel) 44.1 and 48kHz
ADAT S/MUX (4-channel): 88.2 and 96kHz
Ignored
24 bit
Via S/PDIF RCA, using RCA-XLR adapter (supplied)
Selectable at S/PDIF input; allowing input at any sample rate
Maintained (allows recording of Dolby or DTS streams)
S/PDIF (RCA or TOSLINK), ADAT, ADAT S/MUX (TOSLINK)
S/PDIF (2-channel): 44.1, 48, 88.2, 96, 176.4 and 192kHz
ADAT (8-channel) 44.1 and 48kHz
ADAT S/MUX (4-channel): 88.2 and 96kHz
Full implementation, Consumer (S/PDIF) or professional (AES3)
24 bit, or reduction to 16 bits using flat TPDF dither or Prism Sound SNS (Super Noise Shaping - four alternative shapes available)
via S/PDIF RCA, using RCA-XLR adapter (supplied)
Selectable at S/PDIF output; output rate can be referenced to Wordclock, DI or local clock at 44.1, 48, 88.2, 96, 176.4 or 192kHz
Maintained in 24 bit mode (allows playback of Dolby or DTS streams to external decoder)
44.1 / 48 / 88.2 / 96 / 176.4 / 192kHz
Master: local, Wordclock, DI (S/PDIF input) or ADAT
Slave: bus master (another interface or Host computer)
Local clock accuracy: ±50ppm
Jitter rejection: >60dB / decade above 100Hz
Internal mixer delay (total analogue in to out)
fs = 44.1kHz: 0.56ms
fs = 48kHz: 0.52ms
fs = 88.2kHz: 0.2ms
fs = 96kHz: 0.18ms
fs = 176.4kHz: 0.09ms
fs = 192kHz: 0.08ms
1U 19" rack mountable
(rubber feet and rack ears supplied)
90-250VAC, 50/60Hz
Internal power supply
IEC 6A connector
35W
0.5A(T), 20mm, ceramic
0 to 35 Degree C, 85% maximum relative humidity
Table Top: 17.3 x 11.4 x 2" (440 x 290 x 50mm) (inc. feet)
Rack-mount: 19 x 11.4 x 1.8" (483 x 290 x 44.5mm) (inc. optional ears)
8.2 lbs (3.7kg)
669014270948
Explore the unparalleled sonic clarity and flexibility of the Titan 8-Channel Audio Interface with Digital Expansion Slot and 4 Mic Pres. This world-class multi-track interface is equipped with Prism Sound's latest generation of trusted conversion technology, making it the perfect choice for music and sound recording, multi-tracking, overdubbing, stem-based mastering, analogue summing, and critical listening applications.
Benefit from Prism Sound's extensive history in developing test and measurement equipment for the audio industry. The Titan's unsurpassed clocking and jitter rejection capabilities are a testament to our engineers' deep understanding of digital clocking and its associated issues.
The Titan boasts a powerful built-in digital mixer that can be configured to provide a multitude of ultra-low latency feeds, including foldback to performers, stereo, and surround outputs. With a maximum capability of 18 concurrent input and output channels, the Titan offers 8 analogue recording channels, 8 monitoring outputs, stereo digital input and output on a phono connector, plus concurrent optical digital I/O ports.
Stay connected with the Titan's future-proof connectivity. Its standard USB connection ensures compatibility with a wide range of computers today and in the foreseeable future. The option of ProTools HDX and Dante modules provide the most flexible and professional solution.
The Titan's MDIO Multi-Channel I/O Expansion slot ensures your Prism Sound interface remains relevant in an ever-changing world of I/O connectivity. This feature increases the lifespan of your interface and provides a better return on your investment. It allows you to stack multiple Titans, providing sample accurate phase locked audio between multiple units.
The DANTE module allows multiple Titan units to be connected directly to a DANTE equipped network via a standard ethernet connection. The Pro Tools MDIO-HDX module enables multiple Titan units to be connected directly to an AVID Pro Tools HDX or HD native system via AVID's "Digilink" connection.
Control the Titan with ease using the Titan Controller applet. This software runs on the DAW computer and can be popped up whenever adjustments are needed. The applet provides a comprehensive overview of the unit's main settings and levels, including sync source and sample rate selection, metering and buffering modes.
The Titan's Input Setup page is divided into individual channel 'strips', providing a high-resolution meter, overload indication, and a +4/-10 sensitivity selection. The Output Setup page shows a high-resolution meter, overload indication, and a +4/-10 output level selection.
Experience the power of Verifile, a proprietary technology exclusive to Prism Sound. Verifile allows computer audio streams and recorded files to be quickly checked for a wide range of clicks, errors, and dropouts, without any compromise in the audio content or any additional metadata. This process is entirely invisible and inaudible to the user, making it the ideal choice for mastering & mix engineers.