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Review Summary
Accidents happen where life happens. Protect your favorite Adorama products and purchase a protection plan to stay covered from accidental damage, mechanical or electrical failure, and more.
If we can’t fix it, we’ll replace it at no additional cost.
Protect your product from drops, spills, and more.
Enjoy your gear without fear. We have you covered!
When regular use of your product over time results in mechanical or electrical failure.
We will never charge you a deductible after the purchase of a plan.
Our claims process is simple & easy and our customer service team is happy to help.
Adorama Protect powered by Extend is available for purchase to customers in the United States. Not available for purchase Internationally or in U.S. Territories.
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68Hz to 19kHz, +/- 6dB, anechoic environment
55Hz (-10dB point anechoic)
(1W at 1M, swept sine input in anechoic environment): 96dB (average)
124dB SPL peak with music
at -6dB point of polar response:
Nominal: 110 degrees horizontal X 80 degrees vertical
(Axis of the vertical main polar lobe is angled down 10 degrees, resulting in the angular pattern with respect to straight ahead being +30, -50 degrees)
Heavy-duty 12" woofer with 1 1/2" voice coil & 32 oz. magnet
DX14 1.4" titanium diaphragm dynamic compression driver
52Hz
3100Hz
Internal Electronic DSP based two-way crossover with driver EQ, level matching, bass boost, limiting and subsonic filtering
Linkwitz-Riley 24dB/octave (4th order) low pass, 24dB/octave (4th order) high pass, both with driver EQ incorporated
1x Combo female XLR / 1/4" phone jack providing balanced line-level operation from the 1 / 4" jack section and the XLR section
1x male XLR jack. The Thru jack is intended for the use of linking multiple DM112's in a line or to provide afeed to a powered subwoofer or other electronics that needs to receive a full range version of the input signal
Black polypropylene plastic with textured surface, black powder-coated perforated full-coverage grille
Four rubber feet provide vibration free floor or stage use and a molded-in stand mounting cup is on the bottom
Unit is not designed to be flown overhead
at 120 VAC line:
Total of 660 watts peak dynamic power
Woofer - 410 watts peak dynamic power
Continuous Power: 125 watts at less than 1% distortion
Tweeter - 250 watts peak dynamic power
Continuous Power: 80 watts at less than 1% distortion
Line: 10kOhms balanced (XLR or 1/4")
Mic: 10kOhms balanced (XLR) No phantom power available
for Full Output (Level full CW): 0.39 V RMS(Switch in LINE position)
+17dBV (Switch in LINE position)
36dB/octave roll-of
+1, -3dB from 20Hz to 20kHz
Greater than 90dB below rated power
Typically less than 0.7 %
Nominal 170 Watts, 120 VAC 60Hz
For 120 VAC USE: International fuse classification T4AL 250V. In the USA, types GDC, GMC, 215, 218 and 477 cartridge-style 5 x 20 mm size fuses with a 4 amp 250V rating can be used
For 220-240VAC USE: International fuse classification T2AL 250V . This is a cartridge style 5 x 20 mm size time-delay fuse with a 2 amp 250V rating
Overall: 643 x 366 x 356mm / 25.31 x 14.41 x 14.02"
35lbs / 15.88kg
0014367647310
The DM112 is a two-way sound reinforcement system based on a heavy-duty 12" woofer and a DX14 titanium diaphragm dynamic compression driver mounted on a 110 by 80 degree coverage Quadratic Throat Waveguide. It's contemporary appearance coupled with exceptional performance offer an highly desirable combination. The light yet durable injection-molded plastic enclosure with molded-in stand mount cup eases portable use for live music or PA sound. The trapezoidal cabinet has three handles for ease of portability and two extra angled sections on either side to allow use as a floor monitor. A full length black powder coated perforated steel grille provides system protection and a professional appearance.
The heavy-duty 12" woofer has a warm punchy sound for plenty of bass. The DX14 compression driver tweeter is coupled to a Quadratic Throat constant directivity waveguide, covered under U.S.A. patent #6,059,069 with ENGLISH smooth, even response, low distortion and good high frequency dispersion. Advanced Digital Signal Processing (A.D.S.P.) provides the crossover function, driver limiting, as well as the driver EQ to enable the speaker system to provide an accurate and neutral sound for any type of music. The DSP processing uses 64 bit double-precision to insure accurate and transparent sound processing and the input/ output sections use a 96 kHz sampling rate at 24 bits for maximum fidelity. Low-jitter clocking and professional grade components insure the sound quality is superb.
An extremely flexible system of user presets and adjustments is implemented in the speaker system's DSP computing core and accessible via the rotary push-to-select knob and the LCD display. A total of 32 presets is available, with Factory presets made available and room for user presets to be stored in memory, that are based off of the Factory presets as starting points. User adjustments include: bass and treble tone controls, polarity and signal delay, all of which can be saved under a User preset that is named with up to 16 alpha-numeric characters. Thus, once a preferred set-up has been determined for a particular venue or typical use, these settings can be saved and recalled easily.
The DM112 speaker system power amplifiers providing the bi-amplification are low-distortion ultra-reliable fan-cooled units providing a total of 660W peak available dynamic power for the system. There is 410 W peak available dynamic power for the woofer and 250 W peak available dynamic power for the tweeter. The power supply for both amps is a linear type for good reliability coupled with low cost. Both amplifiers feature sophisticated signal compression, which virtually eliminates audible power amplifier clipping. Cooling is provided via a low-noise fan, for reliable operation under any conditions.
A built-in dynamic bass boost function provides the maximum amount of bass in such a small package. Input is via a combo female XLR and 1/4" TRS phone jack with balanced input to the DSP preamp/EQ electronics and a Gain control. A Mic/Line switch allows for use of a microphone via the extra gain available when in the "Mic" position. A Thru output has a male XLR jack. This output allows linking of additional speaker systems or feed of the signal to a powered subwoofer, etc.