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Review Summary
V-RAPTOR[X] 8K VV 35.4MP Global Shutter CMOS
8192 x 4320
40.96mm x 21.60mm (Diagonal: 46.31mm)
17+ stops
Motorized clear filter and precision controlled electronic ND filter
Electronic ND minimum density 2 stops, maximum density 7 stops
Electronic ND selectable increments of 1/3 stops, 1/4 stops, and 1 stop
Interchangeable Lens Mount, Included V-RAPTOR XL PL Mount (Shimmable)
Optional V-RAPTOR XL Locking Canon EF Mount
Physically compatible with DSMC Lens Mounts, but does not provide electronic communication or control
CFexpress Type B
Integrated Dual Voltage 14/26V V-Lock or Gold Mount Battery Interface
Up to 800 MB/s using RED branded or other qualified CFexpress media cards
120 fps at 8K 17:9, 150 fps at 8K 2.4:1
140 fps at 7K 17:9, 175 fps at 7K 2.4:1
160 fps at 6K 17:9, 200 fps at 6K 2.4:1
192 fps at 5K 17:9, 240 fps at 5K 2.4:1
240 fps at 4K 17:9, 300 fps at 4K 2.4:1
320 fps at 3K 17:9, 400 fps at 3K 2.4:1
480 fps at 2K 17:9, 600 fps at 2K 2.4:1
23.98, 24, 25, 29.97, 30, 50, 59.94, 60 fps, all resolutions
REDCODE HQ, MQ, LQ, and ELQ at 8K 17:9 up to 60 fps
REDCODE LQ and ELQ at 8K 17:9 up to 120 fps
REDCODE HQ, MQ, LQ, and ELQ at 6K 17:9 up to 96 fps
REDCODE MQ, LQ, and ELQ at 6K 17:9 up to 160 fps
REDCODE HQ, MQ, LQ, and ELQ at 4K 17:9 up to 240 fps
REDCODE HQ, MQ, LQ, and ELQ at 2K 17:9 up to 480 fps
8K 17:9, 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 2x, 1.8x, 1.6x, 1.5x, 1.3x, 1.25x
7K 17:9, 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 2x, 1.8x, 1.6x
6K 17:9, 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 1.5x, 1.3x, 1.25x
5K 17:9, 2:1, 2.4:1, 16:9, 1:1
4K 17:9, 2:1, 2.4:1, 16:9, 1:1
3K 17:9, 2:1, 2.4:1, 16:9, 1:1
2K 17:9, 2:1, 2.4:1, 16:9, 1:1
Dedicated recording in ProRes 4444 XQ, ProRes 4444, ProRes 422 HQ, ProRes 422, and ProRes 422 LT at resolutions up to 4K (4096x2160) 120P
Proxy recording available up to ProRes 422 HQ in 2K (2048 x 1080) up to 60P
Extended Highlights capability to capture more detail and color in extreme dynamic range scenarios.
Phantom Track recording mode to capture multiple LED instances as dedicated clips.
Image Processing Pipeline 2 (IPP2)
Supports 33x33x33 3D LUTs
Supports import and adjustment of CDLs
Integrated dual channel digital mono microphones, uncompressed, 24-bit 48 kHz
Integrated dual channel (mic/line/+48V) input via 5-Pin 00B Audio Port, uncompressed, 24-bit 48 kHz
3.5mm stereo headphone port
Phase Detect with Face Detection
Compatible with the RED Connect Module for live 8K R3D video over IP or live 4K over SMPTE ST 2110
Dual band Wi-Fi (2.4 GHz or 5 GHz) for wireless camera control, live preview, and direct Camera to Cloud workflow via FrameIO or Amazon S3
Wired control via USB-C or Ethernet (compatible USB-C to Ethernet adapter1 required) for remote camera control, live preview, direct Camera to Cloud workflow and high speed remote media offload
Regulated 12 V Outputs:
2x P-TAP Connectors (3AMP Combined)
1x Rear 2-Pin 0B (3 AMP)
1x Rear 2-Pin 0B (1.5 AMP)
1x Front 2-Pin 0B (1 AMP)
Regulated 24 V Connectors:
2x Front 3-Pin Fischer (3 AMP Combined)
Proprietary Top Accessory Port for Monitoring and Control
Integrated dual 12G-SDI with 6G-SDI, 3G-SDI and 1.5G-SDI modes
12G-SDI: Up to 4096 x 2160 4:2:2 for 60p
6G-SDI: Up to 4096 x 2160 4:2:2 for 30p, 25p, 24p
3G-SDI: Up to 2048 x 1080 4:2:2 for 60p
1.5G-SDI: Up to 2048 x 1080 4:2:2 for 30p, 25p, 24p
SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio
DSMC3 RED Touch 7.0" LCD
RED Compact EVF with DSMC3 Adapter A
IP streamed 1080p live preview wirelessly or wired via USB-C or Ethernet
Integrated 2.4" LCD for camera control (no preview video)
Tri-Level Genlock via BNC
Linear Timecode (LTC) through 5-Pin 0B
PTP and remote camera access via 9-Pin 0B GIG-E
RCP2 Camera Control via 4-Pin 00B CTR
Wireless Genlock and Timecode via integrated Ambient Communication Network (ACN)
Access full camera controls and live preview from iOS or Android devices
Pro App: Operate one or multiple cameras over an IP connection to synchronize settings, manage media files locally or upload directly to FrameIO, develop custom looks with advanced CDL and LUT controls, and more. Ideal for control of multi-camera arrays, multi-cam shoots, and live events, all from one central location
RED Control works wirelessly or wired via USB-C
Optional, not included
Lithium ion
Non-universal
1
V-Mount, Gold Mount
Aluminum Alloy
19.5-34 V via 4-Pin 2B DC-IN
32 Degree F to 104 Degree F (0 Degree C to 40 Degree C)
-4 Degree F to 122 Degree F (-20 Degree C to 50 Degree C)
0% to 85% non-condensing
7.9 x 6 x 6.5" (200.81 x 151.38 x 165.9mm)
7.99 lbs (3.62kg) (V-Lock with PL Mount)
810016944553
New flagship all-in-one DSMC3 system with RED Global Vision: a global shutter sensor and suite of tools for unprecedented flexibility and dynamic range.
V-RAPTOR® XL [X] 8K VV combines the strengths of RED's two families of cameras into one powerful all-purpose workhorse. The frame rates, light sensitivity, and resolution of the V-RAPTOR line combined with the global shutter advancements of KOMODO, the V-RAPTOR [X] 8K VV sensor is the culmination of the latest advancements in digital cinema image making. Using RED's newest 8K VV sensor, V-RAPTOR [X] XL leverages the benefits and flexibility of large format, global shutter, high framerate, 8K acquisition, all inside of a large-scale-production ready XL camera body.
V-RAPTOR XL [X] is designed to support high-end motion picture and television productions as well as any filmmaker who would benefit an all-in-one solution.
Dual voltage battery support offers compatibility with a wide range of common batteries found on set today, both 14 V batteries and high voltage 26 V V-Lock or Gold Mount options.
Built-in electronic ND allows cinematographers to precisely select their density in ¼, 1/3, and full stop increments, providing never before seen exposure and depth of field control inside a cinema camera of this level.
12 V and 24 V auxiliary power outputs allows camera assistants to power all the peripherals needed to do their job from one centralized place.
Front facing 3G-SDI and 2-Pin 12 V power, as well as compatibility with the DSMC3™ RED® Touch 7.0" LCD, supports any camera operators viewing preference.
Wireless timecode, genlock, and camera control, as well as four SDI outputs support the DIT, giving them access to everything they need at their cart.
Improved in-camera audio performance for run and gun single system audio setups.
Additionally, the V-RAPTOR XL [X] and the DSMC3 platform features advanced connectivity solutions which enable applications such as remote control and monitoring, in-camera Frame.io integration, AWS direct upload, RED Connect for live 8K R3D video over IP or live 4K over SMPTE ST 2110, and more.
V-RAPTOR XL [X] 8K VV is pushed to new limits with the introduction of RED Global Vision, a new suite of tools that use the global shutter sensor to provide even more flexibility and ease of use throughout the production process. Global Vision's Extended Highlights allows the camera to see even further into highlight detail, providing more detail for HOR finishes, or softer and more subtle highlight roll-off for SOR. RED Global Vision also includes Phantom Track to streamline any Virtual Production environment employing GhostFrameTM or Frame Remapping, capturing distinct R3D clips per each sub-frame slice, as well as allowing for monitoring of either slice live on-set over each SDI.
*Subject to credit approval. See adorama.com/edge for details.