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The KOMODO 6K camera uses a 6K S35 global shutter sensor, which delivers unmatched image quality without compromising the dynamic range.
The KOMODO 6K camera features a built-in Canon RF style mount, which is compatible with a variety of lens adapters including Canon EF, PL, and Leica M mount.
The KOMODO 6K camera uses CFast 2.0 media, a widely accessible, standardized, and reliable media source. The RED PRO CFast 512GB is the official certified media card for the KOMODO 6K.
The KOMODO 6K Production Pack includes the RED PRO CFast 512GB media card, the RED CFast 2.0 Card Reader, the KOMODO Wing Grip Handle, the RED PTap to Power Cable (6'), the RED EXT-to-Timecode Cable 3', the KOMODO Expander Module, and the KOMODO Outrigger Handle.
Yes, the KOMODO 6K camera can be powered using two Canon BP style batteries, either Canon BP955 (4900mAh) or BP975 (730mAh).
Review Summary
2023-03-31T08:27:33
Can't go wrong
MATTHEW G.
2023-01-10T20:42:24
Love this camera. It is a higher expense coming over from the mirrorless SLR world, but it's real high quality workflows and the global shutter alone is worth the price. Unmistakable image quality, and it runs in every NLE smoothly. I now feel like I can rest comfortably and run with this camera til the wheels fall over and not worry about the latest mirrorless entry that gets released every nine months. 6K resolution is the perfect resolution and offers you so much flexibility while not killing your wallet by buying a ton of media cards and external hard drives; I can shoot at 6K, do my occasional repo in post, and downsample for a super clean 4K standard format. 8K (compressed) raw and beyond would be costly from a disk space/media card standpoint and that was a factor why I just decided to roll with 6K, and I've come find out it's a perfect format for me for these very reasons.
JESSE I.
2022-10-18T13:51:48
Awesome little cinema camera that keeps getting better and better with firmware updates. The image out of this camera is fantastic. Color grading the footage is a joy.
Robin M.
2022-10-17T18:48:05
The best camera you?ll ever purchase for this price.
Trevor B.
2022-10-09T09:30:32
This thing is a work horse. Swiss Army knife of cameras. I?ve been working on great projects constantly since getting it. And Adorama was able to get me one in 2 days right before my shoot when everyone else?s didn?t have them in stock. Adorama saved the day!
JOEL P.
2022-09-13T21:54:06
Love this camera so far, the dynamic range it great as well as the RED Raw codec. The ability to switch from any ISO number and retaining the highest quality is just amazing. It?s a bit pricey but if your in the field like me, I usually work with a small crew of 3-6 people on set, so my 1st Ac normally gets it up and running for me.
ERNESTO M.
2022-07-29T08:12:08
It's the perfect camera for what I needed!
Jacob H.
2022-07-11T05:10:00
Big thanks to Adorama for getting me my camera in speedy fashion. Definitely much faster than other retailers! The camera works as advertised and what it was purchased for. Amazing image quality as expected in a small form factor. A specialty camera with specialty functions that can push the limits ! Love how versatile it is !
Nilo J.
2022-03-16T19:55:16
Amazing color, great size and shape. Best option to enter the Red eco system. The perfect choice for any and all filmmakers and videographers.
Keith A.
2022-03-10T08:16:32
This thing is freakin amazing. Really simple to use, and just phenomenal imagine quality. And the latitude in post? it?s just so good
Anthony H.
2022-01-10T08:44:03
Is it the best RED camera out there? Probably not. Is it the best image for the money? Definitely debatable. Did I cease having gear envy once I got my Komodo? Incredibly, YES. I've had it for about 11 months now, and it totally does everything as advertised. I've shot narrative pieces, mini-docs, and full on features with it...it really is a do-it-all RED camera. I've shot professionally with Sony FX6/FX9, Canon C300 mk II, Blackmagic P4k/6k...this camera made me forget all of them! The amazing global shutter, ease of gimbal balancing, and beefy 16-bit RAW make it stand out from the cameras I just listed...only the Alexa Mini beats it in terms of form factor/image quality. While it's not a perfect camera, it checks all the boxes for me, no regrets with it!
MICHAEL N.
2022-01-05T11:50:00
Perfect entry into the red camera world of cinema.
ANTHONY P.
2021-09-30T15:31:30
Fantastic experience and love my new red
BRYN T.
2021-06-29T05:08:59
Worth the Wait and the Money... and considering its a RED Camera, the money part is actually fairly reasonable. Global Shutter, 13 stops of dynamic range and the cube shape really helps with rigging to one's needs. The only issue is that its a 6 month wait as of June 2021, so hopefully one wouldnt need it right away.
Nicholas O.
2021-06-09T12:17:29
I love my Red Digital Komodo! This baby changed my life!
Josephine C.
2021-06-04T10:07:59
Awesome Camera. Image quality is insane. Lapo
LAPO O.
2021-05-23T08:53:26
Amazing camera. I love it.
Jeremy G.
2021-05-11T10:18:27
I definitely recommend to whom ever is interested in this product,(red digital cinema Komodo camera). What I like about this camera is the size and weight and also it gives out amazing quality images. If you cant decide what kind of camera you want, I'd say this is the one to get.
Betty K.
2021-04-04T10:18:52
almost the cinema camera dreams for beginners
MARIA S.
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Browse our FAQ
Black
1/4"-20 Female (Bottom)
3/8"-16 Female (Bottom)
32 to 104°F / 0 to 40°C
-4 to 122°F / -20 to 50°C up to 85% Humidity
16+ stops
Aluminum
≤37 W
27.03 x 14.26mm (Diagonal 30.56mm)
Up to 280 MB/s using RED Pro CFast and qualified CFast 2.0 memory cards
Image Processing Pipeline (IPP2)
Supports 33x33x33 3D LUTs
Supports import of CDLs
Canon RF with Included Canon EF Adapter
Yes: with Autofocus Support
27.03 x 14.26 mm (Super35) CMOS
19.9 Megapixel (6144 x 3240)
No
Stills & Video
Electronic Global Shutter
1/8000 to 1 Second
Native: 250 to 12,800
16 Stops
Range: 1700 to 10,000K
Automatic, Manual Focus
REDCODE RAW
6144 x 3240 up to 40 fps (280 MB/s)
5120 x 2700 up to 48.00 fps (280 MB/s)*
4096 x 2160 up to 59.94 fps (280 MB/s)*
2048 x 1080 up to 120 fps (280 MB/s)*
*Sensor Crops During Recording
ProRes 422/ProRes 422 HQ
4096 x 2160 up to 59.94 fps
ProRes 422
2048 x 1080 up to 120 fps
4:2:2 10-Bit via SDI/BNC
4096 x 2160 at 25/24.00/29.97/50/59.94/23.98 fps
3840 x 2160 at 59.94/23.98/24.00/25/29.97/50 fps
1920 x 1080p at 59.94/23.98/24.00/25/29.97/50 fps
2048 x 1080 at 59.94/23.98/24.00/25/29.97/50 fps
Yes
DCI-P3, Rec709, Rec2020, REDWideGamutRGB
Stereo
2-Channel, 24-Bit at 48 kHz
Single Slot: CFast (CFast 2.0)
No
1x BNC (12G-SDI) Output
1x 1/8" / 3.5 mm TRS Stereo Microphone Input
1x LEMO 2-Pin (7 to 17VDC) Input
1x 9-Pin (RS-232, Genlock, GPI, Timecode)
Wi-Fi 5 (802.11ac)
Yes: Android & iOS
App Name: RED Control
Functionality: Remote Control
No
Primary Monitor: Fixed 2.9" Touchscreen LCD
Canon BP-9 Series
Required, Included
Lithium-ion
Non-universal
1
4 x 4 x 4" / 10.2 x 10.2 x 10.2cm
2.1lb / 1kg (Body Only)
810016941569


Required

Required










| Models | $4,990.00 $8,200.00 Save:$3,210.00 (39%) In Stock | SKU: RDCKOMO MFR: 710-0418 $11,995.00 Special Order 1 Styles Available Generally ships in 7-14 days, subject to availability | SKU: RD7100353 MFR: 710-0353 Special Order Generally ships in 7-14 days, subject to availability |
|---|---|---|---|
| Special Features | 3.5mm Mic Input, Built-In Microphone, Genlockable, Interchangeable Lens, Time Code I/O, Touch Screen LCD | 3.5mm Mic Input, Built-In Microphone, Genlockable, Time Code I/O, Touch Screen LCD | Built-In Microphone, Interchangeable Lens, Time Code I/O, Touch Screen LCD |
| Resolution | 6K | 6K | 8K |
| Kit Style | Production Pack | Production Pack | Production Pack |
| Configuration | Body & Kit | Body & Kit | Body & Kit |
| Sensor Type | CMOS | CMOS | CMOS |
| Version | - | - | Base |
| Sensor Size | Super 35mm | Super 35mm | Full Frame |
| Lens Mount | Canon RF Mount | Canon RF Mount | Canon RF Mount |
Can't go wrong
By MATTHEW G.
Can't go wrong
Real, Affordable Digital Cinema
By JESSE I.
Love this camera. It is a higher expense coming over from the mirrorless SLR world, but it's real high quality workflows and the global shutter alone is worth the price. Unmistakable image quality, and it runs in every NLE smoothly. I now feel like I can rest comfortably and run with this camera til the wheels fall over and not worry about the latest mirrorless entry that gets released every nine months. 6K resolution is the perfect resolution and offers you so much flexibility while not kill...
View full Review
Because of its innovative image capture technology, the KOMODO 6K Production Pack stands as the latest breakthrough product in RED's esteemed line of cinema cameras. This compact yet powerful device encapsulates RED's signature cinema-grade image quality, color science, and sensor technology in a surprisingly small form factor, making it adaptable to any shooting scenario and easy to transport.
The KOMODO 6K is equipped with a groundbreaking 6K S35 global shutter sensor, a technological marvel that eliminates the need to compromise dynamic range, thereby ensuring unmatched imagery without any creative or technical compromises. This feature allows you to capture every moment, burst, and flash without sacrificing an ounce of dynamic range or overall image quality, making it perfect for capturing fast-moving action and high-quality VFX.
The camera also features a built-in Canon RF style mount, providing users with the flexibility to use a variety of lens adapters, including Canon EF, PL, and Leica M mount. This versatility allows you to achieve the look you desire, regardless of the shooting scenario.
Powering the KOMODO 6K is a breeze with its DC IN power port and the option to use two Canon BP style batteries. This makes it an ideal choice for both major film productions and on-the-go content creators.
The KOMODO 6K also boasts a high-resolution touch screen for easy content preview and menu navigation. It uses CFast 2.0 media, a widely accessible, standardized, and reliable media source. The camera is compatible with either Canon BP955 (4900mAh) or BP975 (730mAh) batteries, providing users with a choice of industry-standard power sources.
The KOMODO 6K Production Pack also includes the RED PRO CFast 512GB, the official certified media card for the KOMODO 6K. This CFast 2.0 compliant media card offers a durable build that is X-ray and magnetic proof. The pack also includes the RED CFast 2.0 Card Reader, designed exclusively for offloading data from your CFast 2.0 media. It connects to Windows, Mac, or Linux systems using a USB Type-C port, which operates using the 10 Gb/s USB 3.2 Gen 2 standard.
The pack also includes the KOMODO Wing Grip Handle, an ergonomic machined grip with tactical 1/4-20 mounting points, ideal for lightweight camera configurations. The RED PTap to Power Cable (6') allows you to power your KOMODO camera from a p-Tap power source. The RED EXT-to-Timecode Cable 3' provides a Timecode in connection via 9-pin EXT connector. The KOMODO Expander Module supports professional shooting configurations, including Genlock (BNC), GPI (BNC), Timecode - in (BNC), and CTRL (4-pin). The KOMODO Outrigger Handle offers full 360-degree swivel rotation and adjustment for maximum flexibility.
In summary, the KOMODO 6K Production Pack is a compact, versatile, and powerful cinema camera that offers unparalleled image quality, making it a top choice for both professional filmmakers and content creators.