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Review Summary
V-RAPTOR[X] 8K VV 35.4MP Global Shutter CMOS
8192 x 4320
40.96mm x 21.60mm (Diagonal: 46.31mm)
17+ stops
Motorized clear filter and precision controlled electronic ND filter
Electronic ND minimum density 2 stops, maximum density 7 stops
Electronic ND selectable increments of 1/3 stops, 1/4 stops, and 1 stop
Interchangeable Lens Mount, Included V-RAPTOR XL PL Mount (Shimmable)
Optional V-RAPTOR XL Locking Canon EF Mount
Physically compatible with DSMC Lens Mounts, but does not provide electronic communication or control
CFexpress Type B
Integrated Gold Mount Battery Interface
Up to 800 MB/s using RED branded or other qualified CFexpress media cards
120 fps at 8K 17:9, 150 fps at 8K 2.4:1
140 fps at 7K 17:9, 175 fps at 7K 2.4:1
160 fps at 6K 17:9, 200 fps at 6K 2.4:1
192 fps at 5K 17:9, 240 fps at 5K 2.4:1
240 fps at 4K 17:9, 300 fps at 4K 2.4:1
320 fps at 3K 17:9, 400 fps at 3K 2.4:1
480 fps at 2K 17:9, 600 fps at 2K 2.4:1
23.98, 24, 25, 29.97, 30, 50, 59.94, 60 fps, all resolutions
REDCODE HQ, MQ, LQ, and ELQ at 8K 17:9 up to 60 fps
REDCODE LQ and ELQ at 8K 17:9 up to 120 fps
REDCODE HQ, MQ, LQ, and ELQ at 6K 17:9 up to 96 fps
REDCODE MQ, LQ, and ELQ at 6K 17:9 up to 160 fps
REDCODE HQ, MQ, LQ, and ELQ at 4K 17:9 up to 240 fps
REDCODE HQ, MQ, LQ, and ELQ at 2K 17:9 up to 480 fps
8K 17:9, 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 2x, 1.8x, 1.6x, 1.5x, 1.3x, 1.25x
7K 17:9, 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 2x, 1.8x, 1.6x
6K 17:9, 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 1.5x, 1.3x, 1.25x
5K 17:9, 2:1, 2.4:1, 16:9, 1:1
4K 17:9, 2:1, 2.4:1, 16:9, 1:1
3K 17:9, 2:1, 2.4:1, 16:9, 1:1
2K 17:9, 2:1, 2.4:1, 16:9, 1:1
Dedicated recording in ProRes 4444 XQ, ProRes 4444, ProRes 422 HQ, ProRes 422, and ProRes 422 LT at resolutions up to 4K (4096x2160) 120P
Proxy recording available up to ProRes 422 HQ in 2K (2048 x 1080) up to 60P
Extended Highlights capability to capture more detail and color in extreme dynamic range scenarios.
Phantom Track recording mode to capture multiple LED instances as dedicated clips.
Image Processing Pipeline 2 (IPP2)
Supports 33x33x33 3D LUTs
Supports import and adjustment of CDLs
Integrated dual channel digital mono microphones, uncompressed, 24-bit 48 kHz
Integrated dual channel (mic/line/+48V) input via 5-Pin 00B Audio Port, uncompressed, 24-bit 48 kHz
3.5mm stereo headphone port
Phase Detect with Face Detection
Compatible with the RED Connect Module for live 8K R3D video over IP or live 4K over SMPTE ST 2110
Dual band Wi-Fi (2.4 GHz or 5 GHz) for wireless camera control, live preview, and direct Camera to Cloud workflow via FrameIO or Amazon S3
Wired control via USB-C or Ethernet (compatible USB-C to Ethernet adapter1 required) for remote camera control, live preview, direct Camera to Cloud workflow and high speed remote media offload
Regulated 12 V Outputs:
2x P-TAP Connectors (3AMP Combined)
1x Rear 2-Pin 0B (3 AMP)
1x Rear 2-Pin 0B (1.5 AMP)
1x Front 2-Pin 0B (1 AMP)
Regulated 24 V Connectors:
2x Front 3-Pin Fischer (3 AMP Combined)
Proprietary Top Accessory Port for Monitoring and Control
Integrated dual 12G-SDI with 6G-SDI, 3G-SDI and 1.5G-SDI modes
12G-SDI: Up to 4096 x 2160 4:2:2 for 60p
6G-SDI: Up to 4096 x 2160 4:2:2 for 30p, 25p, 24p
3G-SDI: Up to 2048 x 1080 4:2:2 for 60p
1.5G-SDI: Up to 2048 x 1080 4:2:2 for 30p, 25p, 24p
SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio
DSMC3 RED Touch 7.0" LCD
RED Compact EVF with DSMC3 Adapter A
IP streamed 1080p live preview wirelessly or wired via USB-C or Ethernet
Integrated 2.4" LCD for camera control (no preview video)
Tri-Level Genlock via BNC
Linear Timecode (LTC) through 5-Pin 0B
PTP and remote camera access via 9-Pin 0B GIG-E
RCP2 Camera Control via 4-Pin 00B CTR
Wireless Genlock and Timecode via integrated Ambient Communication Network (ACN)
Access full camera controls and live preview from iOS or Android devices
Pro App: Operate one or multiple cameras over an IP connection to synchronize settings, manage media files locally or upload directly to FrameIO, develop custom looks with advanced CDL and LUT controls, and more. Ideal for control of multi-camera arrays, multi-cam shoots, and live events, all from one central location
RED Control works wirelessly or wired via USB-C
Optional, included
Lithium ion
Non-universal
4
Gold Mount
Aluminum Alloy
19.5-34 V via 4-Pin 2B DC-IN
32 Degree F to 104 Degree F (0 Degree C to 40 Degree C)
-4 Degree F to 122 Degree F (-20 Degree C to 50 Degree C)
0% to 85% non-condensing
7.9 x 6 x 6.5" (200.81 x 151.38 x 165.9mm)
7.99 lbs (3.62kg) (V-Lock with PL Mount)
Because capturing the perfect shot requires the perfect equipment, the V-RAPTOR XL (X) 8K VV Camera Production Pack, with its Rigid Hinge LCD and Gold Mount, is designed to deliver unparalleled performance. This innovative camera system is the world's first large format global shutter, offering a suite of tools for unmatched flexibility and dynamic range.
The V-RAPTOR XL (X) is built with the same keystone features found in the original V-RAPTOR XL system, but supercharged with an all-new 8K VV global shutter sensor, RED Global Vision, and improved audio performance. This ground-breaking image-capture technology is the first of its kind in a cinema camera, offering extended highlights protection for unmatched color and detail in the highlights, and Phantom Track dual-capture mode for maximum flexibility in virtual production workflows.
With 17+ stops of dynamic range, this camera leverages the industry-best low-light performance of the 8K VV sensor, unlocking even more dynamic range with Extended Highlights mode. It offers flexible and robust power and I/O ecosystem with 4K and HD SDI monitoring, discreet LUT management, and intuitively placed power outputs, all designed to support large productions.
The V-RAPTOR XL (X) also boasts unmatched frame-rate performance in a cinema camera, allowing shooters to leverage elements like timelapse, speed-ramping, or pull ultra-sharp stills. Its integrated control display is easy to navigate and intuitive, providing comprehensive controls, including in-camera format selections and customized buttons.
This camera system also features an internal electronically variable ND system with 2 to 7 stops in 1/4, 1/3, or full stop increments, and newly engineered audio hardware for cleaner and clearer audio when connecting external microphones.
The V-RAPTOR XL (X) 8K VV is an industry first combination of large format, global shutter, high frame rate, lowlight performance, and high dynamic range, creating an all-in-one tool for creatives. It faithfully captures the motion of your action no matter how fast your subject is moving, with no distortion or jello-effect.
With its advanced cooling system, rugged and durable design, and advanced connectivity options, the V-RAPTOR XL (X) 8K VV Camera Production Pack is a robust and reliable tool for any production environment. It offers the widest power source compatibility of any comparable cinema camera and uses standardized and high-performance media to ensure the best reliability and performance possible.
Whether you're shooting in 8K, 6K, 4K, or 2K, this camera system offers powerful frame rate performance, allowing you to add unique elements to your narrative work, capture sharp stills, or replace your specialty-cam shots. With the V-RAPTOR XL (X), you can rest easy knowing you are capturing the best image possible, future-proofing your content.
https://www.red.com/legal/warranties
949-536-7757