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Thanks to its wide-angle view and large f/1.2 aperture, this lens is versatile and can be used for various types of photography. However, it particularly excels in landscape, architectural, street, and portrait photography.
The large f/1.2 aperture allows for a shallow depth of field, which is great for creating a blurred background effect in portraits or close-up shots. It also enhances low-light shooting, ensuring your images are bright and clear even in difficult lighting conditions.
The lens's optical design includes one extra-low dispersion element and two aspherical elements. This combination minimizes both chromatic and spherical aberrations, resulting in increased clarity and sharpness in your images.
No, this lens does not feature image stabilization.
This lens is compatible with a variety of mounts including Sony E-mount, Micro Four Thirds, Fuji X, and Canon M.
Review Summary
2021-12-01T19:57:54
This lens lived on my Fujifilm X-T2 for about 2 years. Such a joy to use. Insanely sharp from f/1.4 onward. F/1.2 was still very sharp, but a tad softer than f/1.4. It struggles with chromatic aberration when shooting brightly backlit subjects (mostly purple fringing) with our Fuji X-Trans cameras. However, that is a common issue on these cameras as it is, and 99% of the time it is handled by Fuji's in-built lens corrections anyway. Once in a while, you may have to adjust a bit in post-processing. Absolutely beautiful color rendition. The Rokinon lenses I've used all have a sort of matte color tonality. The color rendering coupled with the surreal look you get by throwing the aperture ring all the way to f/1.4 on a basically 50mm equiv focal length is stunning. Skin tones are a bit muted, which is really nice for portraits, because I've always found the vibrant film simulations on our Fuji's a little too red in the skin tones. Focusing was very easy. The focus ring is pretty heavily dampened, which is a good thing on a manual focus, wide-aperture lens. Infinity does not appear to be marked appropriately on the lens barrel, but I don't know that anyone really trusts those markings in critical focus situations, like astrophotography, anyway. The lens hood is great. Seems silly to praise the lens hood, but it's a noticeably better lens hood than the one that came with my XF16-55.... When it's "clicked" on, it's on. The grooves engage positively and quickly. When it's on, it's ON. When you reverse it for storage, there's no cross-threading or fiddling with it. It just goes on. Nice quality textured plastic. The rear lens cap is terrible. Doesn't stay on in my camera back at all. A little ingenuity might allow a person to put a dab of silicone here or there on the inside edge of the rear cap, which would give a little extra friction. All I know is, the Rokinon rear cap comes off in my bag, but if I put my Fujifilm rear cap on the Rokinon lens, it stays put... The front lens cap is fine. Does its job, as you would expect. The fitment to the camera left a bit to be desired. There was play between the lens and the lens mount on the body of the camera. When mounting the lens, it "clicks" decidedly into place and the interface between the back of the lens and the face of the lens mount on the camera stays visibly tight, but the lens can wiggle side to side... It can slide a bit... I investigated this thoroughly and never found any effect on image quality. However, I wouldn't trust this lens in a rainstorm. Just my thoughts; your mileage may vary. I absolutely recommend this lens. If you're into serious video, there is a "cine" version with a clickless aperture ring, geared focus/aperture rings and t/stop values.
Ryan H.
2019-02-19T11:53:59
Great lens for the price!
Mario M.
2018-09-27T12:10:55
I was not impressed with the build quality of the Rokinon lenses. I returned it.
Mark E.
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Browse our FAQ
Rokinon
None
Silver
Standard
Micro Four Thirds
Micro Four Thirds
Manual Focus
1.25' / 38 cm
35mm
42.1
#N/A
f/1.2
f/16
#N/A
62mm
#N/A
#N/A
#N/A
#N/A
None
Be captivated by the high-quality and innovative Rokinon 35mm f/1.2 High Speed Wide Angle Lens, a versatile addition to your Micro Four Thirds camera. This durable and reliable lens, with its silver finish, is a testament to Rokinon's commitment to superior craftsmanship and design.
Engineered specifically for mirrorless cameras, this lens is compatible with a variety of mounts including Sony E-mount, Micro Four Thirds, Fuji X, and Canon M, making it a versatile choice for photographers of all levels. The lens's wide-angle view allows you to capture expansive scenes in a single shot, making it an ideal choice for landscape, architectural, and street photography.
The lens's large f/1.2 maximum aperture is not just a number, it's a game-changer. It provides extensive control over depth of field, enabling you to create stunning portraits with a beautifully blurred background or 'bokeh' effect. Moreover, this large aperture also proves beneficial when shooting in challenging lighting conditions, ensuring your images are always bright and clear.
The optical design of this lens is nothing short of impressive. It incorporates one extra-low dispersion element and two aspherical elements. This innovative combination works to minimize both chromatic and spherical aberrations, resulting in increased clarity and sharpness in your images.
This 35mm lens is part of the esteemed Rokinon UMC series and is designed for manual focus, offering photographers complete control over their shots. With a fixed focal length of 35mm and a filter size of 62mm, this lens is designed to deliver consistently stunning results. Please note that this lens does not feature image stabilization.
In conclusion, the Rokinon 35mm f/1.2 High Speed Wide Angle Lens for Micro Four Thirds is more than just a lens; it's a tool that empowers you to capture the world in its full glory.
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