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Review Summary
Accidents happen where life happens. Protect your favorite Adorama products and purchase a protection plan to stay covered from accidental damage, mechanical or electrical failure, and more.
If we can’t fix it, we’ll replace it at no additional cost.
Protect your product from drops, spills, and more.
Enjoy your gear without fear. We have you covered!
When regular use of your product over time results in mechanical or electrical failure.
We will never charge you a deductible after the purchase of a plan.
Our claims process is simple & easy and our customer service team is happy to help.
Adorama Protect powered by Extend is available for purchase to customers in the United States. Not available for purchase Internationally or in U.S. Territories.
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12x input channels
12x output channels
4x analog inputs (mic, line, instrument)
4x analog outputs (2x XLR, 2x phones)
1x ADAT I/O or 1x SPDIF I/O optical
1x MIDI I/O
1x USB 2.0 (USB 3 compatible)
Digital gain control on all inputs
Separate outputs for high and low impedance headphones
AD, Microphone/Line Inputs 1-2
Input: XLR, electronically balanced
Input Impedance Balanced: 2kOhms, 5.2 kOhm with PAD
Input Impedance Unbalanced: 1kOhms, 2.6 kOhm with PAD
Signal to Noise Ratio (SNR): 113dB RMS unweighted, 116dBA
Frequency Response at 44.1kHz, -0.1dB: 18Hz - 20.8kHz
Frequency Response at 96kHz, -0.5dB: 7Hz - 45.8kHz
Frequency Response at 192kHz, -1dB: 5Hz - 92kHz
With PAD Active: -0.1dB 8Hz, -0.5dB < 4Hz, -1dB < 3 Hz
THD: < -110dB, < 0.00032 %
THD+N: < -104dB, < 0.00063 %
THD at 30dB Gain: < -107dB, < 0.0004 %
THD+N at 30dB Gain: < -100dB, < 0.001 %
Channel Separation: > 110dB
Gain Range: -11dB up to +65dB
Maximum Input Level XLR, Gain 0dB: +8dBu, PAD +19dBu
Maximum Input Level XLR, Gain 65dB: -57dBu, PAD -46dBu
Line/Instrument IN 3-4 as Microphone/Line 1-2, but:
Input: 6.3mm TS jack, unbalanced
Input impedance: 470kOhms
Signal to Noise Ratio (SNR): 114dB RMS unweighted, 117dBA
Frequency Response at 44.1kHz, -0.1dB: 5Hz - 20.8kHz
Frequency Response at 96kHz, -0.5dB: < 3Hz - 45.8kHz
Frequency Response at 192kHz, -1dB: < 2Hz - 92kHz
Maximum Input Level at +4dBu, Gain 0dB: +13dBu
Maximum Input Level at -10dBV, Gain 9dB: -5dBu
1-2
Dynamic Range (DR): 115 dB RMS unweighted, 118 dBA
Frequency Response at 44.1kHz, -0.5dB: 0Hz - 20.8kHz
Frequency Response at 96kHz, -0.5dB: 0Hz - 45kHz
Frequency Response at 192kHz, -1dB: 0Hz - 89kHz
THD: - 106dB, 0.0005 %
THD+N: -102dB, 0.0008 %
Channel Separation: > 110dB
Output: XLR balanced
Output Impedance: 300Ohms balanced, 150Ohms unbalanced
Output Level at 0dBFS: Balanced +19dBu, unbalanced +13dBu
As DA Line Out, but:
Output: 6.3mm TRS jack, unbalanced
Output Impedance: 10Ohms
Output Level at 0dBFS, 1 kOhms load: +13 dBu
Max Power at 0.1% THD: 50mW
Output: 3.5mm TRS jack, unbalanced
Output Impedance: 2Ohms
Output Level at 0dBFS, 1kOhms load: +7dBu
Max Power at 0.1% THD: 70mW
1x MIDI I/O via breakout cable with 2x 5-pin DIN jacks
Galvanically isolated by opto-coupled input
Hi-speed Mode: Jitter and response time typically below 1 ms
Separate 128 byte FIFOs for input and output
Clocks: Internal, ADAT In, SPDIF In
Low Jitter Design: < 1 ns in PLL mode, all inputs
Internal clock: 800 ps Jitter, Random Spread Spectrum
Jitter suppression of external clocks: > 50dB (2.4kHz)
Effective clock jitter influence on AD and DA conversion: near zero
PLL ensures zero dropout, even at more than 100 ns jitter
Digital Bitclock PLL for trouble-free varispeed ADAT operation
Supported sample rates: 28kHz up to 200kHz
TOSLINK
Standard: 8 channels 24 bit, up to 48kHz
Double Speed (S/MUX): 4 channels 24 bit 96kHz
Quad Speed (S/MUX4): 2 channels 24 bit 192kHz
Bitclock PLL ensures perfect synchronization even in varispeed operation
Lock Range: 31.5 to 50kHz
Jitter when synced to input signal: < 1 ns
Jitter suppression: > 50dB (2.4kHz)
Optical, according to IEC 60958
Accepts Consumer and Professional format
Lock Range: 27 to 200kHz
Jitter when synced to input signal: < 1 ns
Jitter suppression: > 50dB (2.4 kHz)
TOSLINK
Standard: 8 channels 24 bit, up to 48 kHz
Double Speed (S/MUX): 4 channels 24 bit 96kHz
Quad Speed (S/MUX4): 2 channels 24 bit 192kHz
Optical, according to IEC 60958
Format Consumer (SPDIF) according to IEC 60958
Sample rate 28kHz up to 200kHz
USB or external
Typical: 2.9W
Max: 4.6W
At 5 V bus power operation: 600mA (2.9W)
At 12 V external power: 240mA (2.9W)
41 to 122 deg. F / 5 to 50 deg. C
<75% non condensing
4.25 x 1.40 x 7.10" (107.95 x 35.56 x 180.34mm)
1.5 lb (680g)
Dynamic
Hypercardioid
50 to 16000Hz
-48dB (3.9mV) re 1V at 1 Pa
450Ohms
Flat, Roll-off
Integral 3-pin XLRM-type
R12
2.20 x 6.46" (56 x 164mm)
22.29 oz (632g)
Steel
2" (50.80mm)
19.5" (495.30mm)
19.5" (495.30mm)
38" (965.20mm)
5/8"-27
3.5lb (1.59kg)
4.6lb (2.09kg)
The Powerful "All In One" Solution For Podcasting Professionals
Babyface Pro - The heart of the system
The Babyface Pro with TotalMix FX eliminates the need for additional equipment, no need to spend hundreds of extra dollars for a mixer, cables, adapters, software, or cloudlifter for your mics. A "reference-quality" interface with multiple ins/outs allows for any combination of Podcast Setups, featuring two (2) high precision microphone preamps used by broadcast, live, and video game design professionals. Power two (2) microphones w/o additional equipment, even while operating remotely with no ac power, saving you money and time. No more interrupted sessions or poor quality recordings, it works with any recording software on Mac, PC or iOS.
"TotalMix FX" - built in mixing software delivers "total" control!
Configure a "mix-minus" setup as separate audio sources; you control what guests and listeners hear with no additional cables, mixer or hardware. Mix multiple software applications simultaneously for adding music beds, sound fx, and other desirable audio clips to your podcast.
Adjust the sound settings of every source independently
EQ, Reverb, Delay on every input and output channel
Reduce background noise
Enhance the quality of voices with on board EQ settings
Individual headphone mixes for up to 6 Guests
Control your mix via free TotalMix FX Remote iPad App
Add effects for ambience and Sound FX
When Podcasting Is More Than Just A Hobby
Professional Broadcast Microphone Set-Up
This Broadcast vocal microphone offers a rich, natural, condenser-like sound and the Humbucking Voice coil prevents unwanted interference. Ideal for any broadcast application to deliver a clear and articulate reproduction of your production. A convenient professional Studio Boom-Arm is included leaving a slim and simple look that takes up less space on your desktop.
Podcast Engineering School Overview Class (included)
Overview of Podcast Production Workflow Using The Babyface Pro. Produced & Instructed by Chris Curran - Audio Engineer, Podcast Producer, and Lead Instructor of Podcast Engineering School. This comprehensive video covers:
Setting up the Babyface Pro
Production Scenarios and Tips
Recording Online Guests
Post-Production Overview and Tips
- Babyface Pro -
The exciting new Babyface Pro once again demonstrates RME's absolute commitment to superior craftsmanship, not only in audio circuits and driver development, but also in mechanics. Created with the highest precision from a block of aluminum, this high-end yet portable interface incorporates newly designed analog and digital circuits. Its innovative energy saving technologies provide supreme fidelity with no compromises in level, noise or distortion.
12 Input and 12 Output channels
4x Analog Inputs (Mic, Line, Instrum ent)
4x Analog Outputs (2 x XLR, 2 x Phones)
1x ADAT I/O or 1 x SP DIF I/O optical
1x MIDI I/O
1x USB 2.0 (USB 3 compatible)
Digital Gain control on all inputs
Separate outputs for high and low imped ance headphones
Progressive Interface
For the main I/O RME have designed a completely new XLR socket, which integrates seamlessly into the housing and saves space. The two headphone outputs, offering TRS and mini-jack sockets in parallel, have completely separate driver stages to perfectly match low and high impedance headphones, guaranteeing pristine sonic results no matter what type of headphone is used. Two digitally controlled preamps provide individually switchable 48V phantom power. These brand new circuits feature gain of up to 76 dB, adjustable in steps of 1 dB, including a relay-driven PAD, resulting in exceptional EIN (Equivalent Input Noise) performance as well as line overload protection and enough gain for even the lowest level microphones.
Babyface Pro's incredibly efficient design almost never requires an external power supply - it's perfectly stable on USB 3 bus power and also most USB 2 ports, with no degradation in any technical specification. This makes it perfect for mobile recording, even with a pair of your favorite condenser microphones. The comprehensive feature set continues with an optical TOSLINK I/O; use as either an ADAT port with SMUX support or SPDIF for sessions up to 192 kHz. In combination with an external ADAT converter, the Babyface Pro fully supports 12 analog inputs as well as 12 outputs, making it ideal for both live and studio multi-track applications. You can plug any instrument, line or high impedance, into Babyface Pro's jack inputs 3 & 4. Record your guitar on the go, with no additional hardware required. MIDI I/O via an included breakout cable completes the package.
Profound Technology
Babyface Pro ships with RME's TotalMix FX, available for Windows and Mac OS X. An iOS version is available as well. This amazingly versatile software allows you to use Babyface Pro in every situation. You can do something as simple as mixing together your guitar and vocal to headphones. The FPGA-based DSP mixer adds a flexible, 3-band parametric equalizer to all inputs and outputs. Reverb and delay FX are also onboard. Latest generation low latency AD/DA converters, combined with RME's unique SteadyClock technology, result in exceptional specifications that will satisfy the most demanding of professionals. Combining a huge feature set with sonic excellence and intuitive control, whether for the studio or on the move, the RME Babyface Pro is the most comprehensive and versatile compact audio interface ever built.
FPGA Chip
A field-programmable gate array (FPGA) is an integrated circuit designed to be configured by a customer or a designer after manufacturing.
Class Compliant
The Class Compliant mode is a standard that is natively supported by operating systems like Windows, Mac OS X, Linux distributions and hardware like Apple's iPad. No proprietary drivers are required, the device will be directly recognized.
SteadyClock
Due to the highly efficient jitter reduction, the converters operate as if they are working with internal clock all the time - guaranteeing a pristine sound experience!
TotalMix FX
TotalMix FX is RME's superior hardware mixer. It delivers fully flexible mixing/routing with many superior features for studio and live work, still maintaining exemplary overview and usability.
Professional Features
Straight to the core without interference: the reference design of the Babyface Pro leaves nothing to be desired. RME devices are designed to conserve music as it is. Audio signals are passed in their entirety, nothing added, nothing taken. For the new Babyface, the audio circuits have been improved to meet even highest gain levels with best dynamic range. The clever user interface is informative and clearly laid out. It makes access to every feature and configuration mode of the Babyface Pro intuitive and easy to use. Even in stand-alone mode, routing and mixing of inputs to outputs directly on the device opens a whole world of possible applications.
- Audio-Technica BP40 -
The BP40 broadcast vocal microphone offers a rich, natural, condenser-like sound from a large-diaphragm dynamic design. The large diaphragm features patented floating-edge construction that maximizes diaphragm surface area and optimizes overall diaphragm performance, while the humbucking voice coil prevents electromagnetic interference (EMI).
With rugged construction and stylish, waveform-inspired design, the BP40 delivers clear and articulate reproduction. Optimized capsule placement helps maintain a commanding vocal presence even at a distance, while the multistage windscreen provides superior internal pop filtering. Mic also includes a switchable 100 Hz high-pass filter to provide even more pop protection.
Features
Rich, natural, condenser-like sound
Large diameter diaphragm with patented floating-edge construction for optimal diaphragm performance
Humbucking coil prevents electromagnetic interference (EMI)
Hypercardioid polar pattern improves isolation
Switchable 100 Hz high-pass filter
Superior off-axis rejection for maximum gain before feedback
Optimized capsule placement for commanding vocal presence even at a distance
Multistage windscreen provides superior internal pop filtering
Rugged, all-metal construction for dependable use in professional broadcast environments
- On-Stage MBS7500 -
The MBS7500 is the best studio boom arm. It has the features you need for professional broadcast, webcast and studio applications. Unlike other models, all of the MBS7500's mechanical components are internal, leaving a slim and simple look that takes up less space and matches contemporary studio gear. Steel tension cables work together with springs and large joints to provide 150 deg. of articulation.
Positioning is silent and strong, handling microphones, tablets (with u-mount series device cases, not included ), cameras or other gear up to 3.5lbs. The table clamp accommodates flat surfaces up to 2" thick. Included flange mount, for permanent installation, can be screwed directly to a desk or work surface. Add a UM-01 Ball Joint Adapter and any of On-Stage u-mount tablet holders to turn your MBS7500 into a hands-free tablet platform.
Features
Standard solid 5/8"-27 end mates with all common mic clips and shock mounts. Swiveling steel stem offers plenty of room for oversized shock mounts and mics
Durable hinges with strong tension sp