
This item is no longer available.
Review Summary
Accidents happen where life happens. Protect your favorite Adorama products and purchase a protection plan to stay covered from accidental damage, mechanical or electrical failure, and more.
If we can’t fix it, we’ll replace it at no additional cost.
Protect your product from drops, spills, and more.
Enjoy your gear without fear. We have you covered!
When regular use of your product over time results in mechanical or electrical failure.
We will never charge you a deductible after the purchase of a plan.
Our claims process is simple & easy and our customer service team is happy to help.
Adorama Protect powered by Extend is available for purchase to customers in the United States. Not available for purchase Internationally or in U.S. Territories.
Browse our FAQ
Input: XLR, electronically balanced
Input impedance balanced: 2kOhms, 5.2kOhms with PAD
Input impedance unbalanced: 1kOhms, 2.6kOhms with PAD
Signal to Noise ratio (SNR): 113dB RMS unweighted, 116dBA
Frequency response at 44.1kHz, -0.1dB: 18Hz - 20.8kHz
Frequency response at 96kHz, -0.5dB: 7Hz - 45.8kHz
Frequency response at 192kHz, -1dB: 5Hz - 92kHz
With PAD active : -0.1dB 8Hz, -0.5dB < 4Hz, -1dB < 3Hz
THD: < -110dB, < 0.00032 %
THD+N: < -104dB, < 0.00063 %
THD at 30dB Gain: < -107dB, < 0.0004 %
THD+N at 30dB Gain: < -100dB, < 0.001 %
Channel separation: > 110dB
Gain range: -11dB up to +65dB
Maximum input level XLR, Gain 0dB: +8dBu, PAD +19dBu
Maximum input level XLR, Gain 65dB: -57dBu, PAD -46dBu
As Microphone/Line 1-2, but:
Input: 6.3 mm TS jack, unbalanced
Input impedance: 470kOhms
Signal to Noise ratio (SNR): 114dB RMS unweighted, 117dBA
Frequency response at 44.1kHz, -0.1dB: 5Hz - 20.8kHz
Frequency response at 96kHz, -0.5dB: < 3Hz - 45.8kHz
Frequency response at 192kHz, -1dB: < 2Hz - 92kHz
Maximum input level at+4dBu, Gain 0dB: +13dBu
Maximum input level at-10dBV, Gain 9dB: -5dBu
Dynamic range (DR): 115dB RMS unweighted, 118dBA
Frequency response at 44.1kHz, -0.5dB: 0Hz - 20.8kHz
Frequency response at 96kHz, -0.5dB: 0Hz - 45kHz
Frequency response at 192kHz, -1dB: 0Hz - 89kHz
THD: - 106dB, 0.0005 %
THD+N: -102dB, 0.0008 %
Channel separation: > 110dB
Output: XLR balanced
Output impedance: 300Ohms balanced, 150Ohms unbalanced
Output level at 0dBFS: Balanced +19dBu, unbalanced +13dBu
DC at 0dBFS: 6.35mm 4.8 V, 3.5mm 2.4 V, XLR bal. 9.6V
As DA Line Out, but:
Output: 6.3 mm TRS jack, unbalanced
Output impedance: 10Ohms
Output level at 0dBFS, 1kOhms load: +13dBu
Max power at 0.1% THD: 50 mW
Output: 3.5 mm TRS jack, unbalanced
Output impedance: 2Ohms
Output level at 0dBFS, 1kOhms load: +7dBu
Max power at 0.1% THD: 70 mW
1x MIDI I/O via breakout cable with 2x 5-pin DIN jacks
Galvanically isolated by optocoupled input
1x MIDI I/O via MADI
Invisible transmission via User bit of channel 56 (up to 48kHz)
Invisible transmission via User bit of channel 28 (up to 96kHz)
Hi-speed mode: Jitter and response time typically below 1 ms
Separate 128 byte FIFOs for input and output
Optical via FDDI duplex SC connector
62.5/125 and 50/125 compatible
Accepts 56 channel and 64 channel mode, plus 96k Frame
Standard: up to 64 channels 24 bit 48kHz
S/MUX: up to 32 channels 24 bit 96kHz
S/MUX4: up to 16 channels 24 bit 192kHz
Lock range: 25kHz - 54kHz
Jitter when synced to input signal: < 1 ns
Optical via FDDI duplex SC connector
62.5/125 and 50/125 compatible
Cable length: up to 2000m
Generates 56 channel and 64 channel mode, plus 96k Frame
Standard: up to 64 channels 24 bit 48kHz
S/MUX / 96k Frame: up to 32 channels 24 bit 96kHz
S/MUX4: up to 16 channels 24 bit 192kHz
USB bus power or external power supply
Idle: 3.1 Watts MADI Off, 4.0 Watts MADI On
Max: 6.3 Watts
At 5 V bus power operation: 620 mA (3.1 Watts)
At 12 V external power: 266 mA (3.1 Watts)
+5 to +50deg. C (41 to 122 deg. F)
< 75%, non condensing
108 x 35 x 181mm (4.25 x 1.38 x 7.13")
680g (23.99 oz)
Taking 8 Channels to 64 Channels
In 2015 the RME Babyface Pro was launched to much industry acclaim. Now regarded as the new standard in high-end desktop recording, it's superior sound, build quality and professional connectivity has made it the first choice for producers, engineers and artists everywhere.
One year on and RME have taken the Babyface Pro to the next level. The MADIface Pro retains the beautifully designed housing with its integrated XLR and analog I/Os, but has replaced the ADAT I/O with a MADI port. The result is 64 channels of pristine audio on a single cable on an interface that will fit in your laptop bag with your computer.
Because of its physical design and versatile I/O, the MADIface Pro is the perfect mobile solution where quality audio is critical. As well as remote, live, broadcast and industrial applications, the MADIface Pro is also the complete solution for the studio.
Basic Functionality
Two analog mic/line XLR inputs, two XLR line outputs, two universal TS inputs for line or instrument and 2 stereo TRS outputs for low and high impedance headphones provide everything you need to work on your projects in the studio or on the move.
TotalMix FX adds 3-band parametric EQs and reverb/ echo, plus unlimited mixing and routing options. A MIDI I/O completes the fully DAW compatible feature set. The unit operates USB bus powered and usually does not need an external power supply, unless the MADI I/O is used.
MADI I/O
The optical MADI I/O offers 64 input and out channels and sample rates up to 192 kHz. It is fully supported in TotalMix FX, with the analog I/Os simultaneously available, resulting in 68 channels input and 68 channels output over USB 2.
To address the increased power demand, RME has implemented a delayed start of the MADI transceiver on power-up and an option to temporarily disable it when not needed. The MADIface Pro includes an external power supply with lockable connector.
Stand-Alone Mode
When not connected to a computer, the MADIface Pro enters stand-alone mode. The easy to use control surface with dedicated buttons and four level meter bars, along with independent storage of all current settings have already become important workflow features for many existing Babyface Pro owners.
A very useful MADI monitor feature has been added to stand-alone mode. MADI channels 1 to 64 are passed unchanged from input to output (but refreshed by the MADIface Pro SteadyClock III). Optionally channels 1/2 can be replaced by the input signals 1/2, 3/4, MADI 1/2 or a user adjustable mixdown of all these channels. The analog outputs can be used to listen to any incoming MADI channel pair.
RME USB 2.0
It's RME's ability to deliver professional performance over USB 2.0 that allows the MADIface Pro to record and playback 68 simultaneous channels, all with buffer sizes as low as 32 samples (lowest value depends on computer used). The MADIface Pro can be used in Class Compliant mode achieving 24 channels of I/O (4 analog, 20 channels MADI) on an iPad. This truly professional and mobile solution can be easily set and controlled via RME's optional iOS app TotalMix FX for iPad, available in the App Store.