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RME Fireface UCX Specifications

  • Line In 5-8 rear: Resolution AD

    24 bit

  • Line In 5-8 rear: Signal to Noise ratio

    111dB RMS unweighted, 113dBA

  • Line In 5-8 rear: Frequency response

    At 44.1kHz, -0.5dB: 6Hz-20.6kHz
    At 96kHz, -0.5dB: 6Hz - 45.3kHz
    At 192kHz, -1dB: 5Hz - 90kHz

  • Line In 5-8 rear: THD

    < -105dB, < 0.0005 %

  • Line In 5-8 rear: THD+N

    < -98dB, < 0.0012 %

  • Line In 5-8 rear: Channel separation

    > 110dB

  • Line In 5-8 rear: Maximum input level

    +19dBu

  • Line In 5-8 rear: Input

    6.3 mm TRS jack, electronically balanced

  • Line In 5-8 rear: Input impedance

    10kOhm

  • Line In 5-8 rear: Input sensitivity

    +4 dBu, -10 dBV ( switchable to Lo Gain)

  • Line In 5-8 rear: Input level

    For 0dBFS at Lo Gain: +19dBu
    For 0dBFS at +4dBu: +13dBu
    For 0dBFS at -10dBV: +2dBV

  • Line In 3-4 front: Additional Gain stage

    0 up to +12dB

  • Line In 3-4 front: Maximum input level

    Line +19dBu, Inst +13dBu ( Lo Gain, Gain 0dB:)
    Line -7.5dBu, Inst -13.5dBu( -10 dBV, Gain 12 dB)

  • Line In 3-4 front: Input impedance

    470 kOhm

  • Line In 3-4 front: Input Gain

    +6 dB

  • Line In 3-4 front: Input mode

    Line balanced (TRS), Inst unbalanced (TS)

  • Line In 3-4 front: CLIP LED

    0 dBFS

  • Line In 3-4 front: SIG LED

    -60 dBFS

  • Microphone: Input

    Neutrik XLR/TRS Combo jack, electronically balanced

  • Microphone: Input impedance

    XLR 2 kOhm, TRS 8 kOhm balanced

  • Microphone: Signal to Noise ratio

    112 dB RMS unweighted, 115 dBA

  • Microphone: Low Roll Off (-0.5 dB)

    18Hz, -1 dB: 12Hz

  • Microphone: Gain range

    0dB, +10 up to +65dB

  • Microphone: Maximum input level

    XLR, Gain 0 dB: +10 dBu
    XLR, Gain 65 dB: -55 dBu
    TRS, Gain +0 dB: +21 dBu
    TRS, Gain +65 dB: -44 dBu

  • Microphone: CLIP LED

    0 dBFS

  • Microphone: SIG LED

    -60 dBFS

  • DA Line Out 1-6 rear: Resolution

    24 bit

  • DA Line Out 1-6 rear: Dynamic range

    111dB, 113dBA at 44.1kHz (unmuted)

  • DA Line Out 1-6 rear: Frequency response

    At 44.1kHz, -0.1dB: 8Hz-20.4kHz
    At 96kHz, -0.5dB: 6Hz - 45kHz
    At 192kHz, -1dB: 5Hz - 90kHz

  • DA Line Out 1-6 rear: THD

    -100 dB, < 0.001 %

  • DA Line Out 1-6 rear: THD+N

    -96 dB, < 0.0015 %

  • DA Line Out 1-6 rear: Channel separation

    > 110dB

  • DA Line Out 1-6 rear: Max output level

    +19dBu

  • DA Line Out 1-6 rear: Output

    6.3 mm TRS jack, servo-balanced

  • DA Line Out 1-6 rear: Output impedance

    75Ohms

  • DA Line Out 1-6 rear: Output level

    Switchable Hi Gain: +4dBu, -10dBV
    At 0dBFS & Hi Gain: +19 dBu
    0dBFS at +4 dBu
    0dBFS at -10 dBV: +2dBV

  • DA Phones 7/8 front: Output

    6.3mm TRS jack, unbalanced

  • DA Phones 7/8 front: Output impedance

    30Ohms

  • MIDI

    2x MIDI I/O via 5-pin DIN jacks
    Galvanically isolated by optocoupled input
    Hi-speed mode: Jitter and response time typically below 1 ms
    Separate 128 byte FIFOs for input and output

  • Clocks

    Internal, SPDIF In, ADAT In, word clock in

  • Low Jitter Design

    < 1 ns in PLL mode, all inputs

  • Internal clock

    800 ps Jitter, Random Spread Spectrum

  • Jitter suppression of external clocks

    > 30dB (2.4 kHz)

  • Effective clock jitter

    Near zero(influence on AD and DA conversion)

  • PLL dropout

    0, even at more than 100 ns jitter

  • Supported sample rates

    28kHz up to 200kHz

  • Word Clock

    BNC, not terminated (10 kOhm) or internally terminated (75 Ohms)
    Automatic Double/Quad Speed detection and internal conversion to Single Speed
    SteadyClock guarantees super low jitter synchronization even in varispeed operation
    Not affected by DC-offsets within the network
    Signal Adaptation Circuit: signal refresh through auto-center and hysteresis
    Overvoltage protection

  • Word Clock Level range

    1.0 Vpp - 5.6 Vpp

  • Word Clock Lock Range

    27kHz - 200kHz

  • Word Clock Jitter

    < 1ns ( when synced to input signal)

  • Word Clock Jitter suppression

    > 30dB (2.4kHz)

  • ADAT Optical

    1x TOSLINK
    Standard: 8 channels 24 bit, up to 48 kHz
    Double Speed (S/MUX): 4 channels 24 bit 96 kHz
    Quad Speed (S/MUX4): 2 channels 24 bit 192 kHz
    Bitclock PLL ensures perfect synchronisation even in varispeed operation
    Lock Range: 31.5 kHz - 50 kHz
    Jitter when synced to input signal: < 1 ns
    Jitter suppression: > 30 dB (2.4 kHz)

  • AES/EBU - SPDIF

    1x RCA and 1x optical, according to IEC 60958
    High-sensitivity input stage (< 0.3 Vpp)
    Accepts Consumer and Professional format, copy protection will be ignored
    Lock Range: 27 kHz - 200 kHz
    Jitter when synced to input signal: < 1 ns
    Jitter suppression: > 30 dB (2.4 kHz)

  • Digital Outputs: Word Clock

    BNC
    Max. output voltage: 5 Vpp
    Output voltage at 75 Ohma termination: 4.0 Vpp
    Output impedance: 10Ohms
    Frequency range: 27kHz - 200kHz

  • Digital Outputs: ADAT

    1x TOSLINK
    Standard: 8 channels 24 bit, up to 48kHz
    Double Speed (S/MUX): 4 channels 24 bit 96kHz
    Quad Speed (S/MUX4): 2 channels 24 bit 192kHz

  • Digital Outputs: AES/EBU - SPDIF

    1 x RCA and 1 x optical, according to IEC 60958
    Output level Professional 1.4 Vpp, Consumer 0.7 Vpp
    Format Professional according to AES3-1992 Amendment 4
    Format Consumer (SPDIF) according to IEC 60958
    Single Wire mode, sample rate 28 kHz up to 200 kHz

  • Power supply

    Internal switching PSU, 100 - 240 V AC, 2 A, 24W (Included )
    External power supply

  • Power consumption

    13W

  • Current

    910mA, 11W at 12 Volt operating voltage

  • Temperature range

    5 to 50 deg. C / 41 to 122 deg. F

  • Relative humidity

    < 75%, non condensing

  • Drivers

    Windows 7 / Vista / XP SP2 (32 & 64 bit)
    Apple Mac OS X 10.5 Intel or up (Core Audio)

  • Dimensions (W x D x H)

    With Rack Ears: 265 x 44 x 165mm / 10.43 x 1.73 x 6.50"
    Without rack ears/handles: 218 x 44 x 155mm / 8.58 x 1.73 x 6.10"

  • Weight

    1.5kg / 3.31lbs

  • UPC Code

    4260123362843

About RME Fireface UCX

The Fireface UCX is a highly integrated pro audio solution in an ultra-compact format for studio and live recordings. This solution features an awesome combination of RME's most successful products: Fireface UFX, Firefaces UC/400 and Babyface. The Fireface UCX is not just a smaller version of the smash hit UFX, with the HFX-core, the preamps and the complete effects engine. The UCX continues the tradition of RME's tremendously successful compact interfaces and combines it with the Babyface's usability through the optional RME remotes. With the Fireface UCX RME reinvented the product, by improving existing features and characteristics plus adding sophisticated new ones:

• Low Latency mastering grade converters with outstanding specifications
• Two mic preamps with the premium technology from RME's high-end recording bestsellers Micstasy and UFX, including the AutoSet overload protection
• A newly developed Hammerfall audio core, supporting USB and FireWire with the maximum performance and ultra-low latency operation, combined with the legendary RME driver stability and maintenance, on both bus protocols
• TotalMix FX with the complete Fireface UFX DSP engine, including all effects up to 192 kHz
• Monitoring Controller: combining the impressive flexibility of the TotalMix FX monitoring tool set and the optional RME Remote Control
• RME's unique DIGICheck metering and analysis toolbox for Windows PC and Mac
• Plus support for RME's Advanced Remote Control, active jitter suppression technology, professional reference level support, advanced stand-alone functionality, full 192 kHz operation and last but not least two high speed MIDI I/Os
• On top of it: The Fireface UCX is the first professional audio interface with Class Compliant mode to work with Apple's iPad, for perfect stereo up to 18 channel recording and playback and the addition of truly professional I/Os

Inputs and Outputs
The UCX provides 36 channels of audio - 18 I/Os. All channels can be used at the same time. Up to 8 analog and 10 digital channels can be recorded onto 18 separate tracks. All outputs can be used for ASIO Direct Monitoring purposes.

Analog I/O
The UCX provides 8 analog I/O in a very flexible combination:
8 Inputs
On the rear: 4 balanced TRS. On the front: 2 XLR inputs with Mic/Line preamps (65 dB Gain) and 2 Hi-Z capable TRS Line/Instrument inputs.

8 Outputs
On the rear: 6 balanced TRS outputs. On the front: One additional TRS stereo phones (playback channels 7/8). The high power phones output offers high volumes even with high-impedance headphones.

Sound Quality
Equipped with a new 2011 A/D and D/A high-performance converter design all I/Os operate at up to 192 kHz. The AD/DA conversion supersedes the outstanding technical specifications of the Fireface UC/400 with an impressive 114 dBA dynamic range on both record and playback.

Low Latency Converters
All analog I/Os use a low latency converter design with impressive 14 samples for the ADC and 7 samples for the DAC, independent of the used sample rate. These values are about a quarter of the Fireface UC/400 (43/28) and even outperform much more expensive devices.

Professional Level Support
The UCX supports the common professional studio levels: -10 dBV, +4 dBu, Lo / HiGain. The software-controlled reference levels, realized discretely in the analog domain, ensure highest dynamic range and fidelity.

Microphone/Instrument Preamps with AutoSet
Quality over quantity
The UCX provides two high-end mic and instrument preamps - built right into the front. Like the famous UFX ones, both preamps use core technology of RME's Micstasy.

AutoSet
The UCX offers a unique RME feature which was previously available only in the high-end microphone preamp Micstasy and the UFX. With the digitally controlled gain, the UCX can reduce the gain automatically, thus providing perfect protection from overload with no degradation of the audio signal, which does not have to pass any additional electronic circuitry.

Digital I/O, Word Clock & MIDI
SPDIF: The UCX provides a coaxial SPDIF I/O working at up to 192 kHz.
ADAT: One 8-channel ADAT I/O expands the UCX by 8 channels available simultaneously with the analog channels. They can be used to connect an 8-channel AD/DA converter, a mixing console or to insert an effect device.
SPDIF: The ADAT I/O can be used as optical SPDIF I/O, making the UCX connections even more flexible.
Word Clock & MIDI: A word clock input and output with switchable termination plus two MIDI I/Os on a breakout cable complete the I/O list and turn the Fireface UCX into a professional audio system with universal usability.

TotalMix FX
• New design and improved usability
• Improved Control Room section for the main output (studio monitors) and phones. Cue for quick listening to other outputs. Separated monitor panel
• Four mute, solo and fader groups each
• Switchable mono and stereo channel view
• New channel options: Stereo Width, MS Processing, Phase L/R
• Trim Mode: Adjusts the volume for all routed signals of a channel. This option allows to modify the volume of all sends of a channel simultaneously, qualling a hardware's trim functionality
• Unlimited Undo and Redo
• FX Sends and Returns: One send bus for every input/playback channel with Reverb/Echo
• Expandable channel view for channel settings, EQ and Dynamics setup
• Slim channel mode for selected or all channels, to save space or give a meter bridge view
• 2-Row Mode: reduces the height of the mixer to two rows for smaller displays
• Extended Matrix window with mono/stereo mode, Undo/Redo, display of phase and mute

The DSP-based TotalMix mixer supports fully independent routing and mixing of all 18 input and playback channels to all 18 physical outputs.

Every input and output channel comes with a luxury feature set, comparable to a full-scale digital console. The effects per channel include 3-band parametric EQ, adjustable Low Cut, Auto Level, Compressor, Expander, MS Processing and phase reversal.

Two DSPs ensure an impressive performance even in extreme applications. As usual with RME, TotalMix is available with all channels at all sample rates, completely unlimited. The second dedicated DSP only renders effects and therefore always has sufficient resources.

The complete effects section not only adds a lot of flexibility to the recording chain, but makes latency burdened software dispensable. TotalMix can easily replace any external mixer. The main functions of TotalMix can be remote controlled via MIDI with any Mackie Control compatible controller.

Hammerfall-X-Core: USB & FireWire
RME is the only manufacturer that doesn't use a third party USB or FireWire audio technology, but its own, self-developed Hammerfall Audio Core with an outstanding performance and uncompromised pro audio features.

USB2.0 Like other RME USB2.0 interfaces the Fireface UCX has been optimized for highest performance under Windows and Mac OS.

FireWire The completely redesigned FireWire technology of the HFX-Core provides the UCX with the same exceptional compatibility and performance as RME's USB solution.

Class Compliant Mode
The Fireface UCX is the first fully professional audio interface with the option to be used as Class Compliant interface
The Class Compliant mode is a standard that is natively supported by operating systems like Windows, Mac OSX and Linux distributions. No proprietary drivers are required, the device will be directly recognized when the CC mode is activated by the button on the front panel.

The Class Compliant mode allows for connecting the UCX to any Apple iPad !
The UCX provides the iPad with the professional analog I/O connections it lacks. Superb microphone preamps with EQ, dynamics, even with the AutoSet feature, in addition to professional balanced line outputs and a hi-power headphone output that also excels with high impedance headphones.

In addition, instead of using the jitter-prone USB clock, the UCX works with its own internal SteadyClock.

Supported Inputs and Outputs
When connected to an iPad, the analog mic/line input 1 works with mono apps, inputs 1 and 2 with stereo apps and up to 8 inputs with 8-channel applications, like MultiTrack DAW and Music Studio.

Audio Routing and Processing
The UCX is also a very powerful tool in CC mode and can even be pre-configured via TotalMix FX under Windows/Mac.

SteadyClock
RME's unique jitter suppression technology guarantees perfect sound quality throughout, making the device completely independent from the quality of external clock signals. Due to the highly efficient jitter reduction, the DA converter operates independently from the quality of the external clock signal, as if they are working with internal clock all the time. Moreover, a clean signal with minimal jitter is available on all digital outputs.

ICC
Intelligent Clock Control (ICC) not only displays every clock status, but will also retain the last valid input sample rate in case of failure of the external source.

DIGICheck
The UCX comes with RME's unique software tool box for metering, testing, measuring and analyzing digital audio streams.

Stand Alone Operation with Setup Recall
The Fireface UCX can operate fully stand-alone, without any connected computer. In stand-alone operation it can transform into totally different devices by the simple click of

What's in the box:

  • RME Fireface UCX
  • 36 Channel USB and FireWire Audio Interface
  • 6' Cable USB 2.0
  • MIDI Breakout Cable
  • Power Supply
  • Manual
  • Driver CD
  • 6.6' Optical Cable (TOSLINK)
  • RME 6 Month Limited Warranty