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$89.99
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$159.00
3 Year
$239.00
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Review Summary
Accidents happen. Protect your favorite Adorama products and purchase a protection plan to stay covered from accidental damage, mechanical or electrical failures, and more.
If we can’t fix it, we’ll replace it at no additional cost.
Protect your product from drops, spills, and more.
Enjoy your gear without fear. We have you covered!
When regular use of your product over time results in mechanical or electrical failure.
We will never charge you a deductible after the purchase of a plan.
Our claims process is simple & easy and our customer service team is happy to help.
Adorama Protect powered by Extend is available for purchase to customers in the United States. Not available for international or U.S. territories purchases. Plans on open box items do not cover pre-existing damage.
Adorama Protect plans are available for ABS clients. If you have any questions or require assistanse, please call 800-223-2500
Browse our FAQ
Mic Pre, Main Output, no load:
-0.1 dB @ 10 Hz
-1 dB @ 120 kHz
DI Input, Main Output, no load:
-0.1 dB @ 10 Hz
-1 dB @ 120 kHz
Measured at Main Output, unweighted, 22Hz - 22kHz, Terminated 150 Ohm
With gain at unity: better than -100 dBu
With gain at 66 dB: better than -60.5 dBu
Equivalent Input Noise: better than -125 dBu
With Gain @ Unity: Typically better than -100 dBu
With Gain @ +30 dB: Typically better than -75 dBu
Frequency: 80 Hz
Slope: 12 dB/Octave Bessel
10,000 Ohm
1.6 Meg Ohm (3.3 Meg Ohm balanced)
Maximum output from 20 Hz to 40 kHz is +23 dBu
Mic Pre: Unity to +66 dB in 6 dB steps
DI: Unity to +30 dB continuous
@ 1 kHz, +20 dBu output: Main Output: Better than 0.001%
@ 20 Hz, +20 dBu output: Main Output: Better than 0.002%
Silk Engaged: Better than 0.2% Second harmonic
@ 100 Hz: 2.9 degrees to 57.4 degrees
@ 1 kHz: 33.5 degrees to 156 degrees
@ 10 kHz: 149 degrees to -175 degrees
+48 Volts DC +/- 1% (provided by 500 Series Rack)
Supplied by 500 series rack with 110-125 mA @ +/- 16V
Threshold: Continuously Variable from -20 dBu to +10 dBu
Ratio: Fixed at 2:1
Total Harmonic Distortion: Measured @ Main Output
Attack & Release:
Fast Mode: Attack 5ms, Release 50ms
Slow Mode: Attack 250ms, Release 500ms
Mic Preamp and DI:
@ 1 kHz, +20 dBu output: Better than 0.002%
@ 20 Hz-20 kHz, +4 dBu output: Better than 0.02%
Silk:
@ 20 Hz, +4 dBu output: Better than 0.5%
@ 50 Hz, +4 dBu output: Better than 0.1%
752423656974
Classic tone & control for your mic and instrument.
The 517 includes a world-class mic preamp, one-knob compressor, an Instrument input with dedicated gain control and Vari-phase, Silk saturation and blend controls for INST/Mic - all in a single 500 series module.
Features
Gain
A 12-way precision rotary switch covering from Line (0) and Mic from 0 to 66 dB in 6 dB steps.
+48V
Engages phantom power on the microphone input, as supplied by the 500 series rack.
Polarity
Push button inverts the polarity of the signal path. The symbol "Phi" is often used to denote opposite polarity.
Compressor
Based around a new LDR (light dependent resister) design, the 517's opto-coupler compressor has been simplified to a single threshold control with auto make up gain. By default, the compressor is set to a fixed 2:1 ratio with fixed attack and release. To set the compressor, simply dial the threshold control down until the desired amount of compression is achieved. An LED light indicates when the compressor is active.
Blend
The 517 can be used to combine and compress the Mic input and the Instrument input. For example, the Instrument input could be used for an acoustic guitar's pickup output while the Mic input is being used for either a guitar amp speaker or a vocal. The blend knob can then control the tonal balance between the two sources.
Silk
Illuminated push-button that engages the Silk circuit, which enhances the source's harmonic content by utilizing the custom Rupert Neve Designs output transformer.
Vari-Phase
The Vari-Phase control rotates the phase incrementally, allowing two signals with the same source to be phase aligned. This control is most apparent when the signals being combined are at roughly equal levels, and is generally used when blending an instrument's direct signal with its amplified signal, as captured by a microphone.
Instrument Gain
Front panel TRS Input and passive through for hi-z sources. Continuous gain control from 0dB to 30dB.
Thru & Inst 1/4" Jacks
These 2 jacks can be used for a direct instrument input and a passive Thru output. This instrument has a dedicated gain control and can be blended with Mic Input signal.
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