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Review Summary
Live Sound IEM crowd noise, On-set dialogue, Broadcasting in noisy environments, Spot miking orchestras for hard-to-reach instruments
Hand-crafted small-diaphragm true condenser capsule
110 Ohms
3-pin male XLR
Phantom Power
48 V
Condenser
Mono
End Address
Low Cut/HPF, Pad
-10 / -20 dB
Low-Cut Filter: 80 Hz / 160 Hz
Solid-State
Shotgun (super-cardioid/lobar)
20 - 20,000 Hz
25 mV/Pa (-32 dBV)
13 dB(A)
137 / 147 / 157 dBSPL (0/10/20 dB attenuation pad)
124 / 134 / 144 dB (0/10/20 dB attenuation pad)
Black
5/8"-27 Female
0.77 x 9.84" (19.6 x 250mm)
3.88 oz (110g)
819032012413
Suddenly, ALL is clear.
Astonishing results, no matter where you aim it.
Inside the 6160
Handcrafted True Condenser Capsule
New in-house designed and handcrafted true condenser capsule with a gold-sputtered diaphragm ensures crystal clarity and uncolored sound
Precision Control with Dual-Stage Attenuation Switch
The attenuation switch allows you to reduce the microphone's signal by 10 or 20 decibels. This can be helpful for loud sources, preventing overload on your audio interface. When this switch is in center position, it has no effect on the microphone output.
Flexible Bass Management with Low-Cut Filter Switch
The low-cut switch allows you to adjust the bass response of your source. When engaged, the microphone's low-frequency response is rolled off 80 or 160 Hz. When this switch is in center position, it has no effect on the microphone output.
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