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Review Summary
2020-11-06T09:21:16
Awesome lens!!!
ANDRAS B.
2020-01-25T03:24:37
A really solid lens. Wide open at T2 in a zoom you will notice the focus move on you a bit but almost unnoticeable when shooting at T3.2+. A really pretty lens and very versatile. The weight is solid and doesn't feel off balance when mounted. The lens has a very long pull with both zoom and focus. If your pulling manually you better have big hands, it will be much easier with a focus knob or follow Focus in my opinion. The #'s are illuminated and was surprisingly handy shooting in a dark theater one day. Overall a really solid lens I was happy to purchase.
Andrew S.
2019-01-21T07:29:41
These won't replace our nicer lenses but as an upgrade to the Canon L-series glass, these meet the mark.
Robert J.
2019-01-21T07:27:45
These are a nice upgrade over the standard Canon L series glass. They meet my expectations for a lens at this price range. They have also been a popular rental item at f11rentals.com
Robert J.
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18 to 35mm
Canon EF
Super35: 68.7deg - 38.7 deg.
APS-C: 66.7 deg. - 37.4 deg.
Dia. 28.4mm (1.12")
T2
f/1.8
T16
11" (27.94cm)
9 (Rounded Diaphragm)
Focus: 0.8 MOD / 32 Pitch
Iris: 0.8 MOD / 32 Pitch
Zoom: 0.8 MOD / 32 Pitch
95mm (3.74")
82mm (3.23")
Imperial
180 deg.
60 deg.
160 deg.
1.94x
Yes
1/4"-20
Front to EF mount flange: 129.5mm (5.10")
Without Support Foot: 1455g (51.32 oz)
085126933531
Nice build and look for the price.
By Robert J.
These are a nice upgrade over the standard Canon L series glass. They meet my expectations for a lens at this price range. They have also been a popular rental item at f11rentals.com
Awesome lens
By ANDRAS B.
Awesome lens!!!
If you're seeking a lens that marries high-speed performance with exceptional optical quality, the 18-35mm T2.0 Fully Luminous High-Speed Cine Lens for Canon EF, measured in feet, is your ideal choice. Engineered for professional filmmakers and videographers, this lens maintains a constant T2 brightness across the entire zoom range, ensuring your footage is consistently well-exposed, even in varying lighting conditions.
Crafted with precision, the lens is designed to resolve the demanding details required for 6K-8K video production. Its superior optical performance is a testament to Sigma's commitment to excellence, allowing you to capture images with clarity and sharpness that meet the highest industry standards.
The compactness of this lens does not compromise its quality. It stands out in its class for delivering top-tier image quality while remaining lightweight and portable. This balance of size and performance offers filmmakers an incredible value, making it a versatile addition to any cinematographer's toolkit.
Sigma's meticulous approach to quality is evident in their lens inspection process. Each lens undergoes a rigorous evaluation using Sigma's A1 proprietary Modulation Transfer Function (MTF) measuring system, which employs 46-megapixel Foveon direct image sensors. This ensures that even the most subtle high-frequency details are captured, guaranteeing that each lens meets Sigma's stringent quality standards before it reaches your hands.
To combat flare and ghosting, Sigma employs advanced computer-based ray tracing from the initial design phase, enhancing contrast and image quality even in challenging backlit scenarios. The result is a lens that produces images with exceptional sharpness and a beautiful bokeh effect, fulfilling the stringent demands of both cine and still photography.
Color consistency is crucial in film production, and this lens adheres to Sigma's Color Consistency Index (CCI) standard, ensuring a standardized color balance across the entire lineup. This uniformity simplifies color correction in post-production, saving time and maintaining the integrity of your vision.
The lens's build quality is as impressive as its optical performance. Its dust-proof and splash-proof construction mirrors that of the Sigma 150-600mm F5-6.3 DG OS HSM/Sports lens, offering resilience in adverse conditions. The robust metal body is designed for enduring professional use, and the luminous paint on the lens barrel enhances visibility in low-light situations, aiding in quick lens changes and adjustments.
The lens features a standardized 82mm front filter size, facilitating the use of common ND filters across different lenses, and a 95mm front diameter compatible with a wide range of matte boxes. The gear positions on each ring are standardized for seamless integration with follow focus systems and other accessories, featuring a 0.8M gear pitch that aligns with industry standards.
Silent operation is assured with specially designed ring stoppers, and the focus ring's 180-degree rotational angle allows for precise focusing. The iris ring boasts full manual control with a linear response, providing filmmakers with the tactile feedback necessary for accurate exposure adjustments.
The Canon EF mount ensures compatibility with a broad range of digital cinema cameras, and the enhanced EF mount design minimizes wear over time. The mount also features electronic contacts for communication with the camera body, relaying crucial lens information for optimal functionality.
Included with the lens is a dedicated lens support foot, which alleviates strain on the camera body and improves mount stability. The robust design of the lens accommodates multiple screw holes for the support foot, offering flexibility in rig setups. A cine-style front lens cap is also provided, ensuring your lens is protected when not in use.
In summary, the 18-35mm T2.0 Fully Luminous High-Speed Cine Lens for Canon EF is a powerhouse of optical engineering, offering filmmakers the precision, durability, and quality needed to bring their cinematic visions to life.
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800-896-6858
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