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Review Summary
2020-11-06T09:21:16
Awesome lens!!!
ANDRAS B.
2020-01-25T03:24:37
A really solid lens. Wide open at T2 in a zoom you will notice the focus move on you a bit but almost unnoticeable when shooting at T3.2+. A really pretty lens and very versatile. The weight is solid and doesn't feel off balance when mounted. The lens has a very long pull with both zoom and focus. If your pulling manually you better have big hands, it will be much easier with a focus knob or follow Focus in my opinion. The #'s are illuminated and was surprisingly handy shooting in a dark theater one day. Overall a really solid lens I was happy to purchase.
Andrew S.
2019-01-21T07:29:41
These won't replace our nicer lenses but as an upgrade to the Canon L-series glass, these meet the mark.
Robert J.
2019-01-21T07:27:45
These are a nice upgrade over the standard Canon L series glass. They meet my expectations for a lens at this price range. They have also been a popular rental item at f11rentals.com
Robert J.
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18 to 35mm
Arri PL
Super35: 68.7deg - 38.7 deg.
APS-C: 66.7 deg. - 37.4 deg.
Dia. 28.4mm (1.12")
T2
f/1.8
T16
11" (27.94cm)
9 (Rounded Diaphragm)
Focus: 0.8 MOD / 32 Pitch
Iris: 0.8 MOD / 32 Pitch
Zoom: 0.8 MOD / 32 Pitch
95mm (3.74")
82mm (3.23")
Imperial
180 deg.
60 deg.
160 deg.
1.94x
Yes
1/4"-20
Front to PL mount flange: 121.5mm (4.78")
Without Lens Support Foot: 1395g (49.21 oz)
085126933593
Nice build and look for the price.
By Robert J.
These are a nice upgrade over the standard Canon L series glass. They meet my expectations for a lens at this price range. They have also been a popular rental item at f11rentals.com
Awesome lens
By ANDRAS B.
Awesome lens!!!
Find unparalleled optical excellence with the 18-35mm T2.0 Fully Luminous High-Speed Cine Lens, meticulously engineered for professional filmmakers and videographers who demand high-quality, reliable, and versatile equipment. This lens is a paragon of the High-Speed Zoom Line, boasting a constant T2.0 aperture across its 18-35mm wide-angle zoom range, ensuring exceptional control over depth of field and stellar performance in low-light conditions.
Crafted for high-resolution cinematography, this lens is optimized for 6K-8K filming, providing outstanding resolution that meets the rigorous standards of modern production. Its superior optical design is complemented by Sigma's proprietary A1 MTF measuring system, ensuring that each lens meets the highest quality control standards, capturing even the most minute details with precision.
The lens's advanced design minimizes flare and ghosting, enhancing contrast even in challenging backlit scenarios. Sigma's meticulous attention to detail ensures that every prototype undergoes rigorous testing to eliminate any optical imperfections, resulting in a lens that combines sharpness with a beautiful bokeh effect, ideal for creating cinematic depth and focus.
Color consistency is key in professional production, and this lens adheres to Sigma's CCI standard, ensuring standardized color balance across the lineup for seamless color correction in post-production workflows. Its 6K-8K resolution capability also makes it an excellent choice for chroma keying and visual effects work.
In terms of build quality, the lens is both lightweight and compact without compromising durability. Leveraging Sigma's advanced manufacturing technologies, this cine lens is designed to be a robust yet portable tool for filmmakers. Its dust-proof and splash-proof construction, similar to that of the Sigma 150-600mm F5-6.3 DG OS HSM/Sports, ensures reliability in even the most demanding shooting environments.
The lens's 100% metal body is built to withstand the rigors of professional use, while the luminous paint on the lens markings enhances visibility in low-light conditions. The FULLY LUMINOUS version takes visibility a step further with luminous paint on the focus, zoom, and iris rings, ensuring ease of use during night shoots or in dark studios.
Laser engraving on the lens rings guarantees long-term durability, and the standardized 82mm front filter size allows for the use of common ND filters across different lenses. The 95mm front diameter is compatible with a wide range of matte boxes, maintaining the industry standard and ensuring seamless integration with existing equipment.
The lens features standardized gear positions and a 0.8M gear pitch, ensuring compatibility with follow focus systems and other cine accessories. Silent ring stoppers with special resin dampers provide quiet operation, crucial for sound-sensitive environments. The focus ring's 180-degree rotational angle allows for precise focusing, and the manual iris control offers smooth, click-less adjustments with a standardized rotational angle for intuitive T-stop changes.
Equipped with a PL Mount, this lens is versatile enough to be used on compatible still cameras, enhancing its utility for DSLR movie shooting. The mount includes electronic contacts for communication with the camera body, providing essential information for optimal shooting.
Included with the lens is a dedicated support foot, reducing strain on the camera body and enhancing mount stability. The robust design includes multiple screw holes for accessory compatibility. Each lens also comes with a conventional cine-style front lens cap, ensuring protection during transport and storage.
Elevate your cinematic vision with the 18-35mm T2.0 Fully Luminous High-Speed Cine Lens, where professional-grade build quality meets exceptional optical performance for filmmakers who accept nothing less than the best.
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800-896-6858
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