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Review Summary
Accidents happen. Protect your favorite Adorama products and purchase a protection plan to stay covered from accidental damage, mechanical or electrical failures, and more.
If we can’t fix it, we’ll replace it at no additional cost.
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When regular use of your product over time results in mechanical or electrical failure.
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Adorama Protect powered by Extend is available for purchase to customers in the United States. Not available for international or U.S. territories purchases. Plans on open box items do not cover pre-existing damage.
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Sony E
24-35mm
T2.2 to T 16
0.28m (0.92')
18 Elements in 13 Groups
Full Frame: 73.7 - 54.4 deg.
Super 35: 54.3 - 38.7 deg.
APS-C: 52.6 - 37.4 deg.
Full Frame: Dia. 43.3mm (1.70")
Focus: 180 deg.
Zoom: 160 deg.
Iris: 60 deg.
Focus: 0.8 MOD / 32 Pitch
Iris: 0.8 MOD / 32 Pitch
Zoom: 0.8 MOD / 32 Pitch
9 (Rounded diaphragm)
95mm (3.74")
82mm (3.23")
Metal
1/4"-20
Front to E-Mount Flange: 148.7mm (5.85")
Without Lens Support Foot: 1510g (53.26 oz)
085126588670
From the innovative minds at Sigma comes the 24-35mm T2.2 FF Cine Lens for Sony E-mount, a high-quality, professional-grade wide-angle zoom lens meticulously designed for the modern cinematographer. This lens is engineered to meet the rigorous demands of high-resolution filming, supporting 6K-8K video capture with its full-frame compatibility, making it an indispensable tool for creators aiming to produce content with stunning clarity and detail.
The Sigma 24-35mm T2.2 FF Cine Lens is a testament to versatility and reliability, offering a constant T2.2 aperture across the entire zoom range. This feature ensures consistent exposure and depth of field control, allowing filmmakers to create dynamic scenes without the need to adjust lighting or compromise on image quality. The lens's compact size and 180-degree focus rotation enhance its usability, providing smooth and precise control for filmmakers who demand the utmost precision in their work.
Sigma's commitment to excellence is evident in every aspect of this lens. Each unit undergoes a rigorous inspection process using Sigma's proprietary A1 Modulation Transfer Function (MTF) measuring system, ensuring that every detail, even those imperceptible at high frequencies, meets the company's stringent quality standards. The result is a lens that delivers sharp, high-performance imagery with every shot.
Flare and ghosting are minimized through advanced computer-based ray tracing from the initial design stages, ensuring that each lens provides superior contrast and image quality, even in challenging backlit conditions. The combination of sharpness and a beautiful bokeh effect is achieved through Sigma's dedication to resolving a wide array of optical challenges, a benefit now extended to their cine lens lineup.
Color balance is standardized across all Sigma lenses, adhering to the company's CCI standard, which simplifies the color correction process in post-production. The optical system, shared with Sigma's still photography lenses capable of 50-megapixel resolution, ensures readiness for higher resolution shooting and is ideal for chroma keying applications.
The build quality of the Sigma 24-35mm T2.2 FF Cine Lens is nothing short of robust, featuring a lightweight and compact design without sacrificing durability. The dust-proof and splash-proof construction, akin to that of the Sigma 150-600mm F5-6.3 DG OS HSM/Sports lens, allows filmmakers to shoot confidently in a variety of environments, from dusty landscapes to misty shores.
Constructed entirely of metal, the lens body is built to withstand the rigors of professional use over time. Luminous paint enhances visibility in low-light conditions, and laser engraving ensures that critical information remains legible throughout the lifespan of the lens. The front filter size is standardized at 82mm, facilitating the use of ND filters across different lenses, while the 95mm front diameter is compatible with a wide range of matte boxes.
The lens features standardized gear positions and a 0.8M gear pitch, compatible with cine lens accessories, ensuring seamless transitions between lenses without the need for adjustments. Silent ring stoppers provide a quiet operation, crucial for filming in sound-sensitive environments. The focus ring's 180-degree rotational angle and the zoom ring's 160-degree angle allow for exceptionally precise adjustments.
Manual control of the iris ring offers smooth, click-free operation, with a T-stop display for accurate exposure settings. The linear iris ring provides consistent rotational angles per T-stop for intuitive control. The Sony E-mount ensures seamless integration with Sony's FS series cameras, and electronic contacts in the mount relay vital lens information to the camera body.
Accessories include a dedicated lens support foot to reduce strain on the camera body and enhance mount stability, and a cine-style front lens cap for protection. The Sigma 24-35mm T2.2 FF Cine Lens for Sony E-mount, marked in feet, is a durable, versatile, and reliable choice for filmmakers seeking to elevate their visual storytelling to professional heights.
https://www.sigmaphoto.com/register
800-896-6858
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