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Review Summary
2017-08-01T16:10:15
This lens produced a severe magenta vignette on footage from my Blackmagic Pocket Camera. Considering the other positive reviews on this lens here, it may have been a defective copy. It's a shame because otherwise the lens had a nice build quality and created beautiful footage. Unfortunately, the magenta vignette made my copy unusable for professional use. I was very hopeful that the SLR Magic would be a great lens for me, but it seems like they might have some quality control issues.
Melis S.
2016-11-28T10:30:28
I love all the SLR magic lens -this one tends to be a bit soft around the edges when wide open but very sharp image in the middle. The lens is heavy and ready for cine follow focus which I love. Great deal for the money. very cinematic
ZEBULON S.
2016-04-01T04:24:16
I was one of the first people to own this lens, and I have enjoyed it ever since. It has a special character, a set of tones and softness that comes with the impressive f0.92 (T0.95) aperture. The lens is sharp at f2.8 onwards and fits perfectly in Leica M and Sony Nex systems. My only cons is the weight, in my Sony A7II keeps coming slightly down from the adapter; therefore resulting in off-focused images.
Damian A.
2014-06-16T21:00:00
For the price, this lens is perfect for a 50mm full frame equivalent on the BMPCC. Seems sharp enough, super close minimum focusing distance, nice bright aperture and pretty bokeh. Highly recommended.
DUSTIN M.
2014-06-16T21:00:00
This is a beautifully built, fast lens with a lot of character. It's not the sharpest lens -- in fact it's actually a little soft, but it has a very pleasing image that is very cinematic. It reminds of older Angenieux lens, a little low contrast, rather prone to flare (in an interesting way). Not for everybody, and if you value razor sharpness over all else this is the best choice, but I like it.
Mark
2013-07-22T21:00:00
I greatly enjoy this lens. It has a solid build and excellent focus feel. It is especially nice since fuji just updated to include focus peaking, making focusing a breeze with this lens. Many people do not like the fact that the aperture does not click. I does not bother me. Wide open, this lens is soft, however bokeh is brilliant. It also focuses rather close which is a nice bonus.
Mmii
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Browse our FAQ
All micro four thirds mount cameras
12 elements in 10 groups
Distance range: 0.15m to infinity, combined scale meter/feet
Manually controlled diaphragm, 12 aperture blades (circular), Lowest value 11
Micro Four Thirds Cameras
58mm
Note: Filters may cause vignetting on MFT sensors
Black anodized
Length to bayonet mount: 73/81mm (2.87 /3.18in) (without/with lens hood)
Largest diameter: 60/79mm (2.36 / 3.11in) (without/with lens hood)
370g (13.05 oz)
192223000247

The SLR Magic HyperPrime 12mm f/1.6 lens is optimal for many types of photography, utilized by customers who consider themselves to be an Enthusiast among others.
This extremely fast wide angle of view opens up many new creative composition opportunities, especially in the fields of interior, architectural and landscape cinematography and photography; particularly well-suited for wide angle photography and low light shooting, along with the fast T1.6 aperture for full depth of focus control. The design and build of the SLR Magic HyperPrime 12mm F1.6 is durable and reliable. The solid metal construction houses twelve aperture blades giving a beautiful bokeh and a "de-clicked" aperture control which is aperture measured in T-stops; featuring built-in gearing to couple with follow focus rig systems. With an Optical Design of 12 elements in 10 groups, a distance range of 0.15 to infinity, internal thread for SLR Magic 58/77 ring and a weight of 13.05oz. This amazing lens is suitable for Micro Four Thirds mount (MFT) cameras; Black Magic, Olympus and Panasonic.
Overall, the SLR Magic Hyperprime is capable of delivering high quality images, with the sharpness you would expect of much more expensive lenses. The fast maximum aperture suits cinematographers and still photographers alike.
Unique Design...
SLR Magic's uniquely designed variable neutral density filter provides the equivalent brightness range from 2 1/3 (ND 1.3) to 6 (ND 64) f-stop reduction with full practical range. Color shift and cross-like vignette effect commonly found on variable ND filters are avoided through use of special glass and treatment.
The versatility of the SLR Magic variable ND filter replaces the need for a set of ND filters and also prevents vignette that may occur when multiple ND filters are used. Digital multi-coating is used to reduce lens flares and ghosting effect caused by reflections. Calibrated markings on filter allow for repeatable positions.
Lever on ND filter helps to avoid obstruction during recording when ultra wide angle lenses. The SLR Magic Variable ND has markings from Minimum to Maximum in 12 calibrated positions, which are repeatable. Sharpness of Variable ND filters usually decreases dramatically whenused beyond ND density of 1.0 but the SLR Magic Variable ND filter is able to maintain sharpness throughout the entire density range.
Many Variable ND filtersusually show striation patterns in the out-of-focus circles of confusion in the bokeh but the SLR Magic Variable ND filter is optimized to suppress such effects.
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