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Review Summary
2023-07-23T01:06:36
Amazing product. Customer service is fantastic.
Lester B.
Yes (with Ceiling Bracket option)
Left(x1)/Right(x1), Red/Green
[XAVC Intra]
XAVC-I DCI4K 59.94p mode:VBR, MAX bit rate 600 Mbps, MPEG-4 AVC/H.264
XAVC-I DCI4K 50p mode:VBR, MAX bit rate 500 Mbps, MPEG-4 AVC/H.264
XAVC-I DCI4K 29.97p mode:VBR, MAX bit rate 300 Mbps, MPEG-4 AVC/H.264
XAVC-I DCI4K 25p mode:VBR, MAX bit rate 250 Mbps, MPEG-4 AVC/H.264
XAVC-I DCI4K 24p mode:VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264
XAVC-I DCI4K 23.98p mode:VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264
XAVC-I QFHD 59.94p mode:VBR, MAX bit rate 600 Mbps, MPEG-4 AVC/H.264
XAVC-I QFHD 50p mode:VBR, MAX bit rate 500 Mbps, MPEG-4 AVC/H.264
XAVC-I QFHD 29.97p mode:VBR, MAX bit rate 300 Mbps, MPEG-4 AVC/H.264
XAVC-I QFHD 25p mode:VBR, MAX bit rate 250 Mbps, MPEG-4 AVC/H.264
XAVC-I QFHD 23.98p mode:VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264
XAVC-I HD 59.94p mode:CBG, MAX bit rate 222 Mbps, MPEG-4 AVC/H.264
XAVC-I HD 50p mode:CBG, MAX bit rate 223 Mbps, MPEG-4 AVC/H.264
XAVC-I HD 29.97p mode:CBG, MAX bit rate 111 Mbps, MPEG-4 AVC/H.264
XAVC-I HD 25p mode:CBG, MAX bit rate 112 Mbps, MPEG-4 AVC/H.264
XAVC-I HD 23.98p mode:CBG, MAX bit rate 89 Mbps, MPEG-4 AVC/H.264
[XAVC Long]
XAVC-L QFHD 29.97p/25p/23.98p mode:VBR, MAX bit rate 100 Mbps, MPEG-4 H.264/AVC
XAVC-L QFHD 59.94p/50p mode:VBR, MAX bit rate 150 Mbps, MPEG-4 H.264/AVC
XAVC-L HD 29.97p/25p/23.98p/59.94p/50p mode:VBR, MAX bit rate 50 Mbps, MPEG-4 H.264/AVC
XAVC-L HD 29.97p/25p/23.98p/59.94p/50p mode:VBR, MAX bit rate 35 Mbps, MPEG-4 H.264/AVC
LPCM 24 bits, 48 kHz, 4 channels
[XAVC Intra]
XAVC-I DCI4K mode:4096 x 2160/59.94p, 50p, 29.97p, 23.98p, 25p, 24p
XAVC-I QFHD mode:3840 x 2160/59.94p, 50P, 29.97p, 23.98p, 25p
XAVC-I HD mode:1920 x 1080/59.94p, 50p, 29.97p, 23.98p, 25p
[XAVC Long]
XAVC-L QFHD mode:3840 x 2160/59.94p, 50p, 29.97p, 23.98p, 25p
XAVC-L HD 50 mode:1920 x 1080/59.94p, 50p, 29.97p, 23.98p, 25p
XAVC-L HD 35 mode:1920 x 1080/59.94p, 50p, 29.97p, 23.98p, 25p
XAVC Proxy: AAC-LC, 128 kbps, 2 channels
XAVC Proxy: AVC/H.264 High Profile 4:2:0 Long GOP, VBR
1920 x 1080, 9 Mbps
E-mount
35mm full frame (35.6 x 23.8 mm), Exmor R CMOS sensor
Approx. 12.9 megapixels
Approx. 10.3 megapixels
Clear, linear variable ND(1/4ND to 1/128ND)
ISO 800/12800 (Cine EI mode, D55 Light source)
Fast Hybrid AF (phase-detection AF / contrast-detection AF)
627 points
Wide / Zone / Flexible Spot
Eye AF (Human)
AF Subj. Shift Sensitivity
AF Transition Speed
Face detection (Face/Eye Priority, Face/Eye Only AF )
Real-time Tracking AF
SDI: 4096 x 2160 / 59.94p, 50p, 29.97p, 25p, 24p, 23.98p, 3840 x 2160 / 59.94p, 50p, 29.97p, 25p, 23.98p, 1920 x 1080 / 59.94p, 50p, 59.94i, 50i, 29.97p, 25p, 24p, 23.98p, 29.97PsF, 25PsF
HDMI: 4096 x 2160 / 59.94p, 50p, 29.97p, 25p, 24p, 23.98p, 3840 x 2160 / 59.94p, 50p, 29.97p, 25p, 23.98p, 1920 x 1080 / 59.94p, 50p, 59.94i, 50i, 29.97p, 25p, 24p, 23.98p, 720 x 480 / 59.94p, 720 x 576 / 50p
QFHD/4K: 1.5x, HD: 2x
64 frame to 1/8000 sec
XAVC-I
4096 x 2160
1 to 60 frames (59.94/50/29.97/25/24/23.98)
XAVC-I/L
3840 x 2160
1 to 60, 100, 120 frames (59.94/50/29.97/25/23.98)
1920 x 1080
1 to 60, 100, 120, 150, 180, 200, 240 frames (59.94/50/29.97/25/23.98)
Preset, Memory A(2000K-15000K)/ATW
-3 to 30 dB (every 1dB), AGC
SDR Mode :S-Cinetone, Standard, Still, ITU709
HDR mode : HLG_Live, HLG_Natural
15+ stop
Pan: -170 deg. - 170 deg.
Tilt: -30 deg. - 195 deg.
Pan: 0.02 deg. to 60 deg./s
Tilt: 0.02 deg. to 60 deg./s
NC35 or less
100
XLR-type 5-pin (female) (x1), line/mic/mic +48 V selectable
Mic Reference: -30 to -80 dBu
BNC (x1), 12G-SDI, 6G-SDI, 3G-SDI(Level A/B), HD-SDI
Type-A connector(x1)
BNC (x1), 1.0 Vp-p, 75 O
SFP+ compliant
video is same as SDI, video output only
DC jack(x1)
RJ-45(LAN) (x1), 1000BASE-T
RJ-45(OPTION) (x1)
Red Tally IO/Green Tally IO
Yes
BNC (x1), TC IN only
4096 x 2160, 3840 x 2160, 2048 x 1080, 1920 x 1080, 1280 x 720, 640 x 360
H.264: High/Main/Baseline Profile
H.265: Main/Main10 Profile
H.264: 59.94fps
H.265: 59.94fps
CBR/VBR
512 Kbps-80 Mbps
Windows 10 or later
macOS 10.15 or later
iPadOS 15 or later
Android 12 or later
Google Chrome, Safari
CFexpress Type A / SD card (x2)
Yes (Language: English, Speed: 7 steps, Volume:15 steps)
This function is available only when the menu language is set to English on North American models.
DC 19.5 V
PoE++(IEEE802.3bt Type 4 Class 8 compliant) 41.1 V - 57.0 V
80 W(DC 19.5 V)
=71.3 W(PoE++)
32 Degree F to 104 Degree F (0 Degree C to 40 Degree C)
-4 Degree F to +140 Degree F (-20 Degree C to +60 Degree C)
Camera without protrusions: 8.94 x 11.3 x 9.17" (227 x 287 x 233mm)
SELP28135G Zoom lens: 4 x 6.5" (105 x 162.5mm)
Camera: 10.34 lbs (4.7kg)
SELP28135G Lens: 2.68 lbs (1.22 kg)
Total: 13.2 lbs (6kg)
Sony E-mount
35 mm full-frame
28-135 mm
42-202.5 mm
12/18
75 Degree - 18 Degree
54 Degree - 12 Degree
4
22
9
Yes
0.4 (Wide) - 0.95 m (Tele) (AF/MF)/0.95 m (Full MF) (1.31 [Wide] - 3.12 ft (Tele) (AF/MF)/3.12 ft [Full MF])
0.15x
95mm
Optical SteadyShot
Power zoom / Manual zoom
4 x 6.5" (105 x 162.5mm)
2.68 lbs (1.22kg) (Without tripod mount)
027242925236
It's apparent that Sony is positioning itself as a leader in cinema technology. As of today, the company has announced the release of the Sony ILME-FR7 PTZ Camera. Th...
Outstanding Camera
By Lester B.
Amazing product. Customer service is fantastic.
Take your professional filming and recording to the next level with the advanced FR7 Cinema Line Full-Frame PTZ Robotic Camera with 28-135mm Zoom Lens. This high-tech camera is the world's first to integrate full-frame lens interchangeability with pan/tilt/zoom (PTZ) functionality, offering a revolutionary approach to capturing stunning visuals.
The FR7 is equipped with a back-illuminated Exmor R image sensor and a BIONZ XR processor, delivering exceptional image quality with 10.3 effective MP. This innovative camera is compatible with Sony's extensive E-mount lens lineup, providing a wide range of creative possibilities.
The camera's sophisticated auto tracking capabilities and networkability allow for remote control and monitoring, making it an ideal choice for filming in challenging locations or spaces. With up to 1002 camera presets, the FR7 offers precise control over pan and tilt speed, ranging from 0.02 degrees/sec to 60 degrees/sec.
The FR7's 28-135mm zoom lens offers versatile shooting options, from wide-angle to telephoto. This state-of-the-art camera also features a high sensitivity up to ISO 409,600 and a 15+ stop dynamic range, ensuring optimal performance in various lighting conditions.
The FR7 supports slow and quick motion capture, with frame rates up to 120 fps in 4K and 240 fps in Full HD. Its Fast Hybrid AF system with 627 phase-detection AF points ensures precise focus, even on fast-moving subjects.
The camera's built-in electronically controlled ND filter allows for seamless exposure adjustment, while its Custom and Cine EI shooting modes provide flexibility to match your creative workflow. The FR7 also offers professional connectivity options, including up to 12G SDI, HDMI A, XLR input, TC, and GENLOCK.
With its 4:2:2 10-bit XAVC-I (Intra), XAVC-L (Long GOP) and 16-bit RAW output capabilities, the FR7 delivers high-quality internal recording. It also features Sony's acclaimed S-Cinetone look, optimized for natural skin tones and mid-range colors.
The FR7 is designed for remote and multi-camera shooting, offering a new world of creative expression. With its integrated remotely controllable pan/tilt mechanism, the FR7 can be mounted in various locations for unique shooting perspectives.
In summary, the FR7 Cinema Line Full-Frame PTZ Robotic Camera with 28-135mm Zoom Lens is a sophisticated, high-tech solution for professional filming and recording, offering unparalleled creative potential and superior image quality.
https://www.sony.com/electronics
800-942-7669