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The BURANO 8K Digital Motion Picture Camera has an 8.6K full-frame sensor, providing ultra-high resolution and detailed imagery.
The camera uses a Fast Hybrid AF with AI processing for precise focus control. This system provides robust support for capturing fast-moving subjects or managing multi-camera setups.
Yes, the BURANO camera features in-body image stabilization with 3-axis and 5-axis modes for steady shots. This is a world-first for digital cinema cameras with interchangeable E-mount and PL mount lenses.
The camera supports multiple recording formats, including the new XAVC H which utilizes the H.265 high compression efficiency codec, XAVC-I, XAVC-L, and X-OCN LT.
The BURANO camera has a robust chassis that's engineered to withstand harsh conditions. Its ventilation system is isolated from all electronic components to prevent dust, sand, and splash ingress. The silent-running fan can be easily cleaned or replaced on set.
Review Summary
Accidents happen where life happens. Protect your favorite Adorama products and purchase a protection plan to stay covered from accidental damage, mechanical or electrical failure, and more.
If we can’t fix it, we’ll replace it at no additional cost.
Protect your product from drops, spills, and more.
Enjoy your gear without fear. We have you covered!
When regular use of your product over time results in mechanical or electrical failure.
We will never charge you a deductible after the purchase of a plan.
Our claims process is simple & easy and our customer service team is happy to help.
Adorama Protect powered by Extend is available for purchase to customers in the United States. Not available for purchase Internationally or in U.S. Territories.
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Black
4x 1/4"-20 Female (Bottom)
4x 3/8"-16 Female (Bottom)
8x 1/4"-20 on Camera Body
10x 1/4"-20 on Included Handle
6x 3/8"-16 on Camera Body
4x 3/8"-16 on Included Handle
1x M2 on Camera Body
8x M3 on Camera Body
6x M3 on Included Handle
32 to 104°F / 0 to 40°C
-4 to 140°F / -20 to 60°C
16 Stops
Magnesium Alloy
50 W
16 stops
Interchangeable Mount with Included ARRI PL/Sony E
Yes: Cooke /i, Zeiss eXtended Data
35.9 x 24 mm (Full-Frame) CMOS
Effective: 41.9 Megapixel (8632 x 4856)
Sensor-Shift, 5-Axis
Mechanical Filter Wheel with Clear ND Filters and a 2 to 7 Stop Electronic ND Filter
No
Video Only
Electronic Rolling Shutter
1/8000 to 1 Second
Gain: -3 to 18 dB
16 Stops
Range: 2000 to 15,000K
Automatic, Manual Focus
Phase Detection: 627
X-OCN LT
8632 x 4856 at 25/29.97/23.98 fps
8632 x 4552 at 23.98/24.00/25/29.97 fps
6052 x 3404 at 23.98/50/25/29.97/59.94 fps
5760 x 3240 at 23.98/50/25/29.97/59.94 fps
6052 x 3192 at 23.98/50/24.00/25/29.97/59.94 fps
5760 x 3036 at 23.98/50/24.00/25/29.97/59.94 fps
4096 x 2160 at 100/23.98/120/50/24.00/25/29.97/59.94 fps
XAVC H-I HQ/XAVC H-I SQ
8192 x 4320 at 24.00/25/29.97/23.98 fps
7680 x 4320 at 23.98/25/29.97 fps
XAVC H-L
7680 x 4320 at 25/29.97/23.98 fps
SDI/BNC / HDMI
4096 x 2160 at 25/24.00/29.97/50/59.94/23.98 fps
SDI/BNC / HDMI
3840 x 2160 at 25/29.97/50/59.94/23.98 fps
Yes
Mono
4-Channel, 24-Bit at 48 kHz via LPCM Audio
Single Slot: SD/SDHC/SDXC
Dual Slot: CFexpress Type B
No
1x BNC (12G-SDI) Output
1x BNC (3G-SDI) Output
1x HDMI Output
2x XLR 3-Pin Mic/Line Input
1x 1/8" / 3.5 mm TRS Stereo Headphone Output
1x XLR 4-Pin (11 to 17VDC) Input
1x BNC (Timecode) Input/Output
1x BNC (Genlock) Input/Output
1x 2.5 mm Sub-Mini (LANC, Remote)
1x 1/8" / 3.5 mm (LANC) Control Input
1x RJ45 (Ethernet)
1x USB-C (USB 3.2 / 3.1 Gen 2)
Wi-Fi 5 (802.11ac)
Yes: Android & Ios
No
Primary Monitor: Articulating 3.5" Touchscreen LCD
Removable Electronic
Sony BP-GL Series
Optional, not included
Lithium-ion
BP-GL95B
1
5.7 x 5.6 x 8.6" / 145.7 x 142.5 x 218.1 mm (Without Protrusions)
5.3 lb / 2.4 kg (Body Only)6.4 lb / 2.9 kg (With Lens Mount Adapter)
027242929487




The world's first digital cinema camera with an interchangeable E-mount and PL-mount lens, making it compatible with all Super35 and Full-Frame PL lenses. Its compact and lightweight design makes it an exceptional tool of filmmakers who need to remain nimble during long days on set. The camera's 8.6K full-frame sensor mirrors the remarkable capabilities of the Sony VENICE, along with a generous 16-stop dynamic range and a dual base ISO range of 800/3200 to ensure minimal noise even in dimly lit environments. Offering exceptional flexibility, the BURANO succeeds at shooting up to 30fps in FF 8.6K, 60fps in FF crop 6K, S35 5.8K, and an impressive 120fps in S35 crop 4K. Its in-body image stabilization and phase detection autofocus system with 627 points will also keep your subject in pin-sharp focus for consistently smooth and pristine footage.
BURANO has a large 36x24mm full-frame image sensor that delivers high-quality images and superb rendition with wide latitude and a rich colour gamut. It achieves the beautiful bokeh and dynamic wide-angle shooting that only a full-frame sensor can provide. 8K image quality with a maximum resolution of 8632 x 4856 and, through oversampling, it can output phenomenal looking 4K content.

BURANO features Sony’s signature S-Gamut/S-Gamut.Cine wide colour space that, as with the VENICE 2, covers a gamut exceeding BT.2020 and DCI-P3. S-Log3 and X-OCN also dramatically enhances creative flexibility in post-production. As BURANO offers the same colour accuracy as VENICE 2 it’s easy to use both cameras together for a seamless and efficient post-production workflow.

Despite its compact dimensions, BURANO offers internal recording of X-OCN LT* as well as our new XAVC H and proven industry standard XAVC-I format. X-OCN is Sony’s compressed RAW format that records everything that the 8.6K sensor can capture in a broad latitude 16-bit scene linear file full of rich tonal gradation. X-OCN LT’s high efficiency reduces storage requirements and accelerates file transfer times for 8K content for a post-production workflow that’s comparable to a 4K project.
BURANO also features 10-bit S-Log3 with XAVC H-I HQ recording at 1200 Mbps and XAVC H-I SQ recording at 800 Mbps for 8K30p image quality. This enables even great data savings and faster post-production workflow.
* Not compatible with X-OCN XT and X-OCN ST recording formats

BURANO has four new looks – Warm, Cool, Vintage and Teal and Orange – to choose between alongside the established s709 and 709 (800) looks in Cine EI mode. Creatively tuned to suit typical shooting scenarios, they give the operator a choice of distinctive, engaging looks at the touch of a button. Moreover, LUT data from a shoot can be embedded in those clips’ metadata for an efficient colour workflow.
s709: Kodak 2383-like natural tones and colours
s709(800): Standard 709 tone curve for accurate colour reproduction

A modern, colourful, contrasty reformulation of the classic film look. With a strong separation between cool backgrounds and warm skin tones, it’s an ideal look for productions with a focus on human subjects.

A soft, gentle look with amber highlights, and flattering for skin.

Evokes the chill of a shadow, and the blue of twilight – ideal for midnight blue or the coolness of a city at dawn.

Transports the camera’s high resolution cinema quality into a previous era. The look applies a film-like bleach bypass and faded, pale sepia effect.

BURANO comes with the industry-standard PL lens mount and is compatible with Super 35mm and full-frame PL lenses (spherical and anamorphic). The lens mount includes contacts that support Cooke/i Technology, and lens information is recorded as metadata, frame by frame.

E-mount lenses can be fitted when the PL mount adapter is removed. E-mount (lever lock type) gives users the ability to change lenses by rotating the locking collar rather than the lens itself, which means that in most cases lens support rigs don’t need to be removed, saving time during a production. Sony’s ever-increasing range of E-mount lenses, from ultra-wide to ultra-telephoto, are supported by the BURANO’s advanced image stabilisation and AF capabilities – ideal for mobile and single-operator projects.
BURANO comes with an anamorphic de-squeeze function as standard. The monitoring menu gives a choice from 1.3x/2.0x, based on the anamorphic lens’ magnification. The result can be seen on the LCD monitor display, and on external monitors at FHD resolution. The camera monitor output supports SDI or HDMI for X-OCN shooting, and HDMI for non-X-OCN content.

BURANO is the world’s first cinema camera that supports in-body optical image stabilisation (IBIS) for almost any attached lens, including for the first time PL. The new, compact image stabilisation system was originally developed for the Alpha series of mirrorless cameras. Featuring a gyroscopic sensor and control algorithm, it compensates for camera shake even for handheld shooting while walking. The stabilisation is so effective that it removes the need for any extra equipment for many applications.
Stabilisation is even greater with E-mount lenses, allowing more difficult shots to be captured without blurring. Camera shake data can be passed to post production for precise alignment with CGI and in volume stages.

Sony’s unique electronic Variable ND Filter has been redesigned to be both smaller and compatible with the built-in image stabilisation mechanism. It can smoothly and continuously change its density from 0.6 (1/4) to 2.1 (1/128). With physical ND filters no longer needed, operators can adjust the electronic filter density by simply rotating the ND dial. Operators can maintain a constant depth of field by adjusting the electronic ND filter and the iris control together. Continuous or stepped changes can be selected with the ND STEP/VARIABLE switch, depending on the application. The [Auto ND] function automatically adjusts the filter density to give a correct exposure, effectively allowing the use of the ND filter as an alternative Auto IRIS.

Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with BURANO’s full-frame sensor. Originally developed by Sony’s Alpha camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognises and locks on to human faces.
The dedicated 627-point phase detection AF sensor covers approximately 88.7% of the whole image area, allowing consistently accurate, responsive AF tracking, even with shallow depth-of-field.

Our onboard AI processing unit recognises not only eye position but also accurately senses human torso and head positions. Subject Recognition AF automatically draws a frame around people’s faces when they are detected. Human pose estimation technology recognises body and head position, so you can even track a subject facing away from the camera or wearing a mask.
Touch a person to focus on, and the camera will track that person precisely. Even in challenging situations like a bowed head or when hair covering a face, the camera accurately captures the eyes, so that operators can focus accurately even in the most difficult circumstances.

Sony’s new CFexpress card VPG400 allows for reliable capture at exceptional high data rates, including X-OCN LT recording in full 8K.
BURANO’s dual media slots allow relay and simultaneous recording*, while versatile CFexpress Type B media are convenient for backing up and transferring data in the field. An additional SD card slot is for storing Proxy and camera setting information.
* XAVC-only

https://www.sony.com/electronics
800-942-7669