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Review Summary
2021-04-26T08:10:42
We love the FS5m2. It provides us everything we need for our work (corporate documentaries and company profiles). The small form factor is great for getting into tight offices and manufacturing spaces and using on our gimble, slider, etc. The variable ND is a lifesaver, and the quality we are able to achieve using the Atomos (Inferno) ProRes raw workflow is incredible. We loved our first one so much, we bought a second; and we're sticking with it for the time being even though they've now introduced the full-frame fx6.
KELLY W.
2020-12-25T14:33:52
Sony fs5 is one of the best cameras for documentary filmmakers. I am a film student and for the first time, I feel I can do something serious thanks to Adorama. I purchased my camera with a student discount, and now I am several steps closer to become an independent filmmaker.
Azad A.
2020-09-14T09:06:54
With átomos shogun7 perfect combination
PEDROBRAULIO A.
2020-09-02T10:10:08
Great for the price. The picture quality was amazing.
REGINALD H.
2020-07-14T11:15:05
I’m love with the camera and my shogun 7 combo
PEDROBRAULIO A.
2020-01-13T07:24:48
Great camera! The combo with the Shogun Inferno is flawless. As with any cinema level camera, this won’t be the only money you’ll need to spend to get going. You will need to buy cables and mounts for the external recorder, and create a rig to support everything. New tripod will also most likely be needed to support the weight. If this filmmaking is your passion and you’re able to make money from it, this is a great move! I do wish the low light performance was better for some of the event work I do but other than that, no complaints!
KEVIN K.
2019-02-26T08:51:18
This camera is perfect for me, immediately put it to use on a documentary. Handles well & great picture. I like that it’s smaller than the FS7, allowing me to be slightly more covert in certain situations.
Kevin F.
2019-02-05T21:26:45
Super light cinema camera. Produces great handheld footage and the S&Q motion (slow motion) is a great attribute for commercial work as well sports. Also a great documentary camera for run and gun, in fact couldn’t recommend it more.
CHRISTIAN L.
2019-01-23T13:10:10
Just awesome. Changes the game from a DSLR with the Super 35mm sensor. Could not be happier.
RUSSELL S.
2019-01-15T23:17:12
Video looks great. Good low light performance. Small rubber cover for the HDMI port keeps opening on its own. Atomos Shogun Inferno screen looks great with sharp image and high contrast. Downside, it goes through battery power very quick. It’s slow to boot and slow to switch between record and playback mode. Hard case for Atomos Shogun Inferno is a nice addition. This is overall a great bundle giving you the ability to record ProRes RAW and get great images for a relatively low cost.
Pierre B.
2018-11-09T14:42:16
The dream has always been a high quality sensor that you just put on a lens. FS5m2 gets closes to that. I am mostly recording ProRes RAW through an Atomos Shogun Inferno. That gives me 4k at 24, 30, 60, and continuous 120. Then in 2K you can do 240 or 120 FPS. The main problem with this camera is that it is inexpensive. Clients love the footage, love the workflow, love looking at the Shogun monitor, LOVE the slow motion quality but not everyone takes it seriously if they are just looking at the price. Camera plus Shogun inferno is about $ but for that price you get ProRes RAW, you get a variable ND (so incredible), you get a lightweight very energy efficent body with a lens mount that can be adapted to almost all other mounts, true 4k (not UHD). Another problem is comparing it to other cameras. Variable ND that is has zero color shift and goes from 1/4 to 1/128 is worth a lot and is only really on the FS7m2. Red has one but it isn't as functional. So then that is better than all other cameras. What if you want to record raw? Well the EVA1 can output raw but the body is more than the FS5m2 AND the Atomos recorder. What if you want some lens options? E-mount has wonderful lenses and the mount can be adapted to almost all other lenses. What if you want to shoot vintage Leica lenses? or speedboost vintage Nikon primes? E-mount can do it. EF or PL mounts can't. This camera is literally the best one so far. The built in Venice color profile is great. S-Log3 is great. RAW out is great. Varialbe ND is worth more than the rest of the camera. The menus aren't awesome.
Elvis R.
2018-09-30T09:29:45
There's a lot to learn, but I know it has the ability to be a great camera, once I do. If you have someone I can call with a few questions about some of the things I am having difficulty figuring out, I would really appreciate your help. Thanks for asking for feedback. ---Ilene Safron
Ilene S.
2018-08-12T15:08:01
I love it. It is so easy to operate this camera. It has a solid codec, good viewfinder, so you don't need to buy a Zacuto viewfinder. The stock lens 18-105 F4 is nice with this camera. Auto focus slow, but it is good enough for wedding. The gain 12 db also looking good.
VIACHESLAV A.
2018-08-01T18:05:46
Just returned from our first shoot with the FS5 II and couldn't be happier. I purchased it primarily for the slow motion capability in a great price range. Packaged with the Atomos Inferno from Adorama was a no brainer. The footage is beautiful and I couldn't be happier. The only down side is having so many choices for quality, format, etc. But what a great problem to have!
Randy D.
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- Master Caddy II
- 12V-3A AC Power Supply
- Breakout XLR Cable
- HPRC Hard Flight Case
- 2.5mm Female to Dual 2.5mm Male Control Cable
- 2x NP-F750 5200mAh Batteries
- Fast Charger
- USB 3.0 Docking Station
- Coiled D-Tap to DC Barrel Cable
- 4x Master Caddy II Drive Caddies
- AC Power Adapter
- HDR Sunhood
"Exmor" Super35 CMOS Sensor
3840 (H) x 2160 (V)(16:9)
4096 (H) x 2160 (V)(17:9, at RAW output)
ND filters:
OFF: CLEAR
1/4ND
1/16ND
1/64ND
Linear variable ND (1/4ND to 1/128ND)
S-Log2/Log3 Gamma ISO2000
0.16Lux [60i] (IRIS F1.4, GAIN Auto, Shutter Speed 1/24)
0.18Lux [50i] (IRIS F1.4, GAIN Auto, Shutter Speed 1/25)
1000 TV lines or more (1920 x 1080i mode)
1/8 to 1/10000 sec. (60i)
1/6 to 1/10000 sec. (50i/24p)
[30p]:2160p: Frame rate selectable
1.2.4.8.15.30 fps
[25p]:2160p: Frame rate selectable
1.2.3.6.12.25 fps
[60i]:1080p: Frame rate selectable
1,2,4,8,15,30,60,120 fps
[50i]: 1080p: Frame rate selectable
1,2,3,6,12,25,50,100 fps
[60i] Frame rate selectable
120, 240, 480, 960 fps
[50i] Frame rate selectable
100, 200, 400, 800 fps
Preset (3200K), Memory A
Memory B/ATW
0, 3, 6, 9, 12, 15, 18, 24, 27, 30dB, AGC
Selectable
Sony E-Mount
2x XLR-type 3-pin (female), line/mic/mic +48 V selectable
Integrated into Multi/Micro USB jack
Composite
1.0Vp-p, 75Ohms
Integrated into Multi/Micro USB jack
1x BNC type, SD/HD/3G(Level-B) selectable
SMTPE 259M/292M/424M/425M standards
1x Multi/Micro USB jack
1x Stereo mini jack
Monaural
DC jack
Stereo mini-mini jack (Dia.:2.5mm)
HDMI connector (Type A)
1.0cm (0.39 type) OLED
Approx. 1.44M dots
8.8cm (3.5 type) Approx. 1.56M dots
Omni-directional stereo electret condenser microphone
1x MS/SD, 1x SD
IEEE 802.11 b/g/n
2.4 GHz bandwidth
WEP/WPA-PSK/WPA2-PSK
NFC Forum Type 3 Tag compliant
Video:
XAVC QFHD : MPEG-4 AVC/H.264
4:2:0 Long profile
XAVC HD : MPEG-4 AVC/H.264
4:2:2 Long profile
AVCHD : MPEG-4 AVC/H.264
AVCHD 2.0 format compatible
Audio:
XAVC : Linear PCM 2ch, 24bit, 48kHz
AVCHD : Linear PCM 2ch, 16bit, 48kHz / Dolby Digital 2ch, 16bit, 48kHz
XAVC QFHD (3840 x 2160) at 29.97p, 25p, 23.98p, 100Mbps/60Mbps
XAVC HD (1920 x 1080) at 59.94p, 50p, 50Mbps/35Mbps
XAVC HD (1920 x 1080) at 59.94i, 50i, 50Mbps/35Mbps/25Mbps
XAVC HD (1920 x 1080) at 29.97p, 25p, 23.98p, 50Mbps/35Mbps
XAVC HD (1280 x 720) at 59.94p, 50p, 50Mbps
AVCHD (1920 x 1080) at 59.94p, 50p, PS mode (28Mbps)
AVCHD (1920 x 1080) at 59.94i/50i/29.97p/25p/23.98p, FX mode (24Mbps), FH mode (17Mbps)
AVCHD (1280 x 720) at 59.94p, 50p, FX mode (24Mbps), FH mode (17Mbps), HQ mode (9Mbps)
XAVC Long:
XAVC-L QFHD 100 mode
Approx. 65 min with 64GB memory card
XAVC-L QFHD 60 mode
Approx. 100 min with 64GB memory card
XAVC-L HD 50 mode
Approx. 120 min with 64GB memory card
XAVC-L HD 35 mode
Approx. 170 min with 64GB memory card
XAVC-L HD 25 mode
Approx. 220 min with 64GB memory card
AVCHD:
AVCHD at LPCM 2ch PS Mode
Approx. 290 min with 64GB memory card
Approx. 145 min with 32GB memory card
AVCHD at LPCM 2ch FX Mode
Approx. 340 min with 64GB memory card
Approx. 170 min with 32GB memory card
AVCHD at LPCM 2ch FH Mode
Approx. 450 min with 64GB memory card
Approx. 225 min with 32GB memory card
AVCHD at LPCM 2ch HQ Mode
Approx. 590 min with 64GB memory card
Approx. 290 min with 32GB memory card
DC 14.4V (battery pack)
DC 12.0V (AC adaptor)
While recording with LCD Off, EVF On when the external device connector is not used:
Approx. 11.8W [60i]
Approx. 11.5W [50i]
While recording with LCD On, EVF On when the external device connector is used:
Approx. 12.6W [60i]
Approx. 12.3W [50i]
While recording with LCD On, EVF Off when the external device connector is not used:
With battery pack BP-U90
Approx. 6 hours, 40 minutes [60i]
Approx. 6 hours, 45 minutes [50i]
With battery pack BP-U60
approx. 4 hours, 15 minutes [60i]
Approx. 4 hours, 20 minutes [50i]
With battery pack BP-U30
Approx. 2 hours, 10 minutes [60i]
Approx. 2 hours, 10 minute [50i]
0 to 40 deg. C (32 to 104 deg. F)
-20 to 60 deg. C (-4 to 140 deg. F)
7.1"
1920 x 1200
325
16:9 native
REC709 HDTV
3D LUT (.cube format)
2x, 1.5x, 1.33x, Panasonic 8:3
SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit
Yes
Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, Panasonic Vlog, JVC JLog, Red LogFilm
Sony SGamut / SGamut3 / SGamut3.cine, Canon Cinema / BT2020 / DCI P3 / DCI P3+, Panasonic V Gamut, Arri Alexa Wide Gamut
10-bit (8+2 FRC)
1500nit (+/- 10% at center)
Yes / Yes
Yes / Yes
1x HDMI (2.0)
Quad link 4 x 3G SDI or up to 12G single link SDI
Uncompressed true 10-bit or 8-bit 422 (camera dependent)
1x HDMI (2.0)
1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G
Uncompressed true 10-bit or 8-bit 422 (playback file dependent)
720p 50/60, 1080i 50/60
1080p 24/25/30/50/60/100/120/200/240
2160p 24/25/30/50/60
720p 50/60, 1080i 50/60
1080pSF 24/25/30
1080p 24/25/30/50/60/100/120/200/240
2160p 24/25/30/50/60
720p 50/60, 1080i 50/60
1080p 24/25/30/50/60/100/120/200/240
2160p 24/25/30/50/60
720p 50/60, 1080i 50/60
1080p 24/25/30/50/60/100/120/200/240
2160p 24/25/30/50/60
Sony FS700, FS-5, FS-7, FS-7MkII:
4K DCI; 24/25/30/50/60p
4K UHD; not supported in camera
2K; 24/25/30/50/60/100/120/200/240p
1080; not supported in camera
Canon C300MKII/C500 CDNG:
4K DCI; 24/25/30p
4K UHD; 24/25/30p
2K; not supported in camera 1080; not supported in camera
Panasonic VariCam LT, EVA1: 5.7K DCI; 24/25/30p (EVA1 ProRes RAW only)
4K DCI; 24/25/30/50/60p
4K UHD; 24/25/30/50/60p
2K; 24/25/30/50/60/100/120/200/240p 1080; not supported in camera
24/25/30pSF > 24/25/30p (2:2 pulldown)
60i > 24p (3:2 pulldown)
Yes - Loop-out and playback (Not available in RAW)
2 or 8ch 24-bit, camera dependent
12ch 48kHz 24-bit
2ch balanced XLR analog in/out
Dynamic range >90dB
Max signal level +24dBu
Max analog gain +52dB
48V Phantom Power for Mic
Auto HDMI Trigger
Supported Protocols - Canon, Sony, Atomos Open Standard
SDI trigger camera selectable
LANC control - Slave
Yes / Yes / Yes
No support
All recorded files can playback. Playback in slow motion >= 100fps
All recorded files can playback. Playback in slow motion >= 100fps
Yes (HD 8s, 4K 2s)
Yes
Yes (10 tags available)
2.5" SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives
2.5" SATA to USB 2.0/3.0
Supported Applications FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+ EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / Autodesk Smoke 2015
FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools
10 - 33W
NP-F series and supporting accessories
6.2V to 16.8V
5200mAh - up to 1.5hrs (monitor & record 4K 30p)
7800mAh - up to 2.2hrs (monitor & record 4K 30p)
1 x DC in (6.2 - 16.8V)
Primary-secondary battery system
Change batteries without losing power
Loop batteries continuously
High quality lightweight ABS Polycarbonate for durability & portability
Built-in armor protection
Camera (WxHxD):
Body Only including the projecting parts: 111.3 x 128.7 x 172.4mm (4.38 x 5.07 x 6.79")
Shogun:
Recorder (WxHxD): 8.4 x 5 x 1.8" (21.34 x 12.70 x 4.57cm)
Master Caddy Case: 75 x 105 x 12mm (2.95 x 4.13 x 0.47")
Camera:
Body Only: 830g (29.28 oz)
Shogun:
Without batteries & media: 25.0 oz (708.74g)
With stand: 40.7 oz (1153.82g)
192223020276










Everything I ever wanted
By Elvis R.
The dream has always been a high quality sensor that you just put on a lens. FS5m2 gets closes to that. I am mostly recording ProRes RAW through an Atomos Shogun Inferno. That gives me 4k at 24, 30, 60, and continuous 120. Then in 2K you can do 240 or 120 FPS. The main problem with this camera is that it is inexpensive. Clients love the footage, love the workflow, love looking at the Shogun monitor, LOVE the slow motion quality but not everyone takes it seriously if they are just looking at...
View full Review
Insane Quality!
By KEVIN K.
Great camera! The combo with the Shogun Inferno is flawless. As with any cinema level camera, this won’t be the only money you’ll need to spend to get going. You will need to buy cables and mounts for the external recorder, and create a rig to support everything. New tripod will also most likely be needed to support the weight. If this filmmaking is your passion and you’re able to make money from it, this is a great move! I do wish the low light performance was better for some of the event wo...
View full Review
- - Sony PXW-FS5M2 Camera - -
New look for unbounded creativity: FS5 II is Sony s Super35 handheld camcorder with stunning 4K HDR and 120fps performance.
Stunning new Super 35 look
FS5 II's all-new default look is specifically tuned to meet the requirements of today's content creators with rich mid-range colors, alluring facial tones and a softer tonal look tuned with the same expertise as Sony's world-leading VENICE digital cinematography camera. Straight out of the camera your content will look fresh and vivid, with subjects that really stand out, while still retaining plenty of latitude for post production refinement due to the high performance Super 35 Exmor sensor.
Making an impact
Standing out from the crowd isn't easy. FS5 II makes it easy with complete creative freedom: slow down time with phenomenal high frame rates up to 120fps in 4K and 240fps 2K/Full HD. Deliver spectacularly vivid HDR imagery with a choice of HLG and S-log2/3.
Grab and shoot mobility
Lightweight but robust, FS5 II is an endlessly adaptable camcorder for capturing breath-taking imagery anywhere the action takes you. Its modular design makes it easy to reconfigure for any application including mounting on a gimbal or drone.
High Frame Rate (HFR) recording
FS5 II delivers stunning slow motion imagery, including four seconds of 120fps in 4K, continuous 240fps in 2K RAW when used in partnership with a compatible third-party external recorder, such as the ATOMOS Shogun and Convergent Design Odyssey 7Q.
FS5 II also offers High Frame Rate (HFR) cache recording at Full HD 10bit 4:2:2 image quality and a frame rate of up to 240 fps. 8-second cache recording on to SDXC card means no more mistimed shots leading to extra takes. It also lets you pick out footage at exactly the point that you want. FS5 II also records continuous 120fps internally in Full HD. Higher frame rates of 480 fps and 960 fps are possible at specific resolutions.
Spectacular HDR performance
Demand for HDR content is increasing and FS5 II offers you a choice of two powerful workflows. Whichever option you choose, a phenomenal fourteen stops of exposure latitude ensures the highest fidelity in capturing highlights and details within shadows.
Instant HDR Workflow is all about speed. Shoot, edit and view content in Hybrid Log-Gamma (HLG) to deliver content quickly without compromising on imaging expression and quality of content
S-Log2/3 is the proven choice for premium applications where you wish to capture as much data as possible for the ultimate flexibility in grading
4K Super 35 Exmor sensor
FS5 II is built around a high-sensitivity 4K Super35 'Exmor' CMOS Sensor that offers all the benefits of a large format sensor in combination with the exceptional image readout speeds required for 4K motion-picture shooting and super slow motion.
4K resolution
11.6 million total pixels and 8.8 million effective pixels deliver 4K resolution. Even if you're delivering in HD, your recordings will capture detail and image texture that HD sensors simply cannot see.
Super 35 size sensor
Offers 'bokeh,' the defocused backgrounds made possible by shallow depth of field, as well as excellent low-light sensitivity and an expansive field of view.
14 stops of exposure latitude
Deliver powerful grayscale rendition without crushing shadow detail or blowing out highlight detail.
Sony's Exmor CMOS design
Provides high-speed full-pixel read-out capability (without pixel binning) and sophisticated camera processing to ensure jaggies and more are minimized.
Record 10bit 4:2:2 in Full HD
At up 50Mbps internally.
Record 4K at 60/50 fps
In FS-RAW via a compatible third-party external recorder, such as ATOMOS Shogun and Convergent Design Odyssey 7Q.
Alpha mount flexibility
Sony's Alpha mount system offers unsurpassed compatibility with both Sony and third-party lenses. FS5 II's E-Mount can take cinema lenses and SLR lenses with a third-party adaptor, as well as Sony's E-mount and A-mount lenses. So whether buying new lenses or making use of lenses you've already purchased, FS5 II makes it easy.
Built-in electronic Variable ND Filters
FS5 II features Sony's unique built-in electronic variable Neutral Density (ND) filter, further expanding the depth of field capability of its large format sensor. Unlike conventional optical ND Filters, the electronic ND Filter on FS5 II can be controlled from 1/4ND to 1/128ND linearly. ND Filters can also be set to auto. This makes FS5 II ideal for fast-moving shoots in changeable environments - there's no need to change filters as lighting conditions change and variable control makes it easy to keep depth of field under control.
Clear Image Zoom
This proprietary Sony technology significantly extends your ability to get closer to a remote scene while preserving image quality. Once you've zoomed in at maximum optical magnification, By Pixel Super Resolution technology can enlarge the image by additional 200% in Full HD and 150% in 4K. It is also compatible with fixed focal length lenses, so you can zoom into a scene while using a prime lens.
Lightweight, modular and robust
Despite its amazingly light 0.8kg body, FS5 II is more than tough enough for the rig ours of real-world shooting. A magnesium chassis ensures high rigidity with 1/4" screw holes on handle, top and bottom of the body to support mounting on a drone, gimbal or in an underwater housing. A detachable Smart Grip puts all of the FS5's key functions are at your fingertips and is easily adjusted with the press of a single button.
Versatile monitoring
However you want to shoot, the FS5 II adapts to fit your style. A high resolution 0.39" OLED viewfinder enables precise manual focus and is perfectly offset for right-eye or left-eye viewing. A 3.5" LCD screen can be attached in no less than nine different locations: three on top of the handle and another six on top of the body. And once attached, the positioning of the screen can be freely adjusted - for example either beside the camera body or directly along the axis of the lens.
Networked for high mobility
Live stream from any event thanks to a choice of Wi-Fi or built-in wired LAN
Control FS5 II from your smartphone or tablet
Built-in NFC supports one-touch authentication possible with appropriate devices
Be first with breaking news thanks to a built-in wired LAN jack for high-speed FTP transfer of full resolution content
GPS function automatically records GPS data
- - Shogun Inferno - -
Set your set ablaze with Shogun Inferno, the ultimate 7" HDR monitor/recorder. Record ProRes RAW, ProRes, DNxHR or CDNG.
Record ProRes RAW
Unlock the true potential of your RAW cinema camera with the Shogun Inferno. Preserve your sensor's pristine pixels in ProRes RAW at up to 5.7kp30, 4kp120 DCI/UHD and 2kp240 DCI/HD. CDNG supports up to 4kp30 DCI. Inferno is compatible with Sony FS series, Canon C300MKII/C500 or Panasonic EVA-1/VariCam LT.
10-bit ProRes/DNxHR up to 4Kp60
Video from any camera or digital video source can be captured via SDI or HDMI. Record up to 10-bit 4:2:2 in ProRes or DNxHR codecs at 4Kp60 or 2Kp240, depending on the camera's capability. The depth and quality of the image is preserved with data rates of up to 1.8Gbs, 220MB/s.
Bright, vibrant HDR images anywhere
The 7" 1920x1200 1500nit high bright HDR display allows you to see your images with unparalleled accuracy. Nail focus and exposure, even outside in daylight. The AtomHDR panel shows 10+ stops of HDR resolved in real time from RAW/Log/PQ/HLG sources.
Balanced XLR monitor & record
Eliminate the need for a separate audio recorder. Add 48V stereo mics via the balanced XLR breakout cable. Select Mic or Line input levels, record up to 12 channels of digital audio from HDMI or SDI. Monitor selected stereo via the 3.5mm headphone jack. There are dedicated meters, gain controls and adjustments for frame delay.
Professional monitoring tool
Shogun Inferno has extensive monitoring tools, including custom 3D LUTs, false color, peaking, movable 1-1 and 2-1 pixel magnification, waveform, RGB parade, vectorscope. You can even calibrate for color accuracy.
Portable Playback Deck
The ultimate battery-powered playback deck, review and playout footage anywhere - scrub through, jog frame-by-frame and even watch back in slow motion. Metadata tag footage as you go to mark favorites, rejects and more. Bring your footage into your timeline and immediately filter your tags.
Quad SDI & HDMI 2.0 In/Out
Seamlessly connect any SDI or HDMI device for monitoring and recording. Cross convert between HDMI 2.0 and 1.5G/3G/6G/12G/Quadlink SDI in almost any combination and eliminate the need for specialist converters.
Edit HDR in the field
After shooting, immediately feed HDR into your Shogun directly from your Final Cut Pro X timeline using an I/O box for mobile HDR grading. We support any NLE or Grading suite that support our file formats - basically all of them!
- - Atomos Accessory Kit - -
The Atomos Accessory kit is the ideal companion to your Atomos Flame or Inferno Series monitor recorder. Providing all the accessories for your devices including 2x 5200mAh battery, fast charger, Dtap to DC cable, 4x Master Caddy, USB drive docking station and HDR sunhood. These fit into a custom black HPRC rugged case with shoulder strap and formed foam inserts.
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