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Review Summary
2023-09-14T12:41:39
The lenses is solid and fairly good. I'm not seeing the bokeh I would have hoped for but the lens isn't thousands of dollars either. Otherwise is a very good lens for lower end budget work. If you want an extra push in your music video this is perfect. If you're shooting an indie film on a shoestring budget, this is your lens. Just don't forget to set your camera to shutter release without a lens. You'll find that on the 5th over icon, a camera, under C.FnIII, OTHER OPS, then enable... Otherwise you can't shoot. As for Adorama, they sent me a used lens. To return it would take hours of time making it a loss so instead I got a whooping $25 discount. As for me, next time it's strictly B&H! This is the 4th used item I've gotten when ordering new. Hey, Adorama, I'd go to eBay if I wanted a used lens!!!
Danny T.
2023-07-18T09:05:38
Very compact and very sharp! You cannot find a wider anamorphic like this anywhere. 24mm height and about 15mm wide. Love it!
DOMENICO G.
2021-05-05T08:25:23
Solid lens build. Produces amazing light flares however may be too much if that is not your intent. Matte box will help.
ENRIQUE M.
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Leica L Mount
13 Elements in 10 groups
8
f/2.8-16
APS-C
Super35
60cm
1:21.99 (V), 1:29.07 (H)
2.83" (72mm)
189.6 degrees
2.91" (74mm)
4.93" (125.3mm)
28.39 oz (805g)
6952060026473
Great value and amazing lens
By DOMENICO G.
Very compact and very sharp! You cannot find a wider anamorphic like this anywhere. 24mm height and about 15mm wide. Love it!
Sirui's 24mm f/2.8 1.33x Anamorphic lens for Leica L mount is a sharp and fast anamorphic lens designed to bring a cinematic look to your videos. With its 1.33x Ratio, the lens takes full advantage of the 16 x9 sensor crop that these cameras shoot video in to produce a 2.4:1 aspect ratio that is synonymous with theatre movie experiences.
The lens uses an optically distorting anamorphic front element to squeeze the horizontal axis of the shot by 1.33 times which allows for more information to be fit onto the sensor. This is then stretched back out in post-production or in-camera to create a wider field of view and ratio compared to a conventional aspherical lens.
The lens reproduces flares beautifully whilst the coatings on the lens keep them from obscuring the entire frame. The fast aperture of f/2.8 to creates a very shallow depth of field increasing the oval-shaped bokeh effect that is found in anamorphic lenses. this soft out-of-focus area is one of the many benefits that a true anamorphic lens brings over its filter counterparts or digital crop bars that are used to imitate the anamorphic 'look'.
2.4:1 Aspect Ratio
Common spherical lenses shoot standard 16:9 videos. With a cylin-der lens element in the front, SIRUI anamorphic lens squeezes the image down 1.33 times horizontally to fit onto the camera sensor. When the final image is desqueezed by 1.33 times, you'll end up with an ultra-wide CinemaScope 2.4:1 aspect ratio.
Oval Bokeh and Blue Lens Flares
The elliptical highlights and blue light streaks produced by SIRUI anamorphic lens offer plenty of anamorphic feel, making your work really stand out.
Declicked Fast Aperture
SIRUI anamorphic lens comes with a declicked aperture ring. The maximum aperture of F2.8 allows more light to go into the lens, guaranteeing the lens a good performance in low light conditions.
Solid Build Quality
The body is made from aircraft grade aluminum and it uses copper focusing components inside. The optics are constructed of Schott glass with multi-layer nano coating to offer sharp imaging. The focus and aperture rings are knurled for extra grip. Also, the compact size allows the lens to fit quite nicely in the palm.
Large User Group
SIRUI anamorphic lenses are the perfect companions for vloggers, shutterbugs, studio photographers, cinematographers, commercial directors, etc.
Compact & Portable
Pack the compact lens into the pouch and go out shoot!
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