Sirui Venus 35mm, 50mm, 75mm, 100mm and 150mm T2.9 1.6x Anamorphic Lens Kit L Mount

- Sirui 35mm & 100mm T2.9 1.6x Anamorphic Lens -

Why Choose The SIRUI 35mm Full-Frame Anamorphic
Affordable and Lightweight High Squeeze Full-Frame Anamorphic & 100mm-Shallow DOF. The 1.6x squeeze gives a little more for Shooting Telephoto

The 35mm anamorphic is equivalent to the horizontal field of view of a FF 22mm, allowing more elements to be included into the frame, therefore suitable for shooting architectures, landscapes, and tight spaces.

The 100mm focal length has the ability to produce strong background compression as well as beautiful oval bokeh with distinct focus fall-off, perfect for shooting portraits, sports, weddings, and wildlife.

Compact Design
The lightest lens in the lineup weighs only 930g/2lbs, More compact and lightweight than similar products.

Full-Frame! High Squeeze!
Designed for professional anamorphic use, this series gives you 1.6x more on the horizontal as well as more prominent anamorphic characteristics.

Two Aspect Ratios
• When Shooting 3:2, the lens offers a 2.4:1 aspect ratio
• When using the lens on a 16:9 sensor, you end up with a much wider 2.8:1 aspect ratio, which gives you a lot of flexibility in post if you want to crop the footage to a 2.4:1

Cinematic Look
Hit the lens with a light source to create those cinematic blue lens flares. The 1.6x squeeze gives a little more stretch to the background and therefore, the bokeh gets taller and skinnier. At 100mm T2.9, the shallow depth of field further separates the subject, adding an artistic aesthetic feeling to the footage.

Uniform Barrel Construction
• T2.9 to T16 Aperture Range
• Identical Gear Position
• 82mm Filter Thread
• 1/4" Threaded Hole
• Metric & Imperial Scales


- Sirui 50mm T2.9 1.6x Anamorphic Lens -
Immersive Experience - 2.8:1 CinemaScope Aspect Ratio
SIRUI 50mm T2.9 1.6x Full-Frame Anamorphic Lens

Full Frame
1.6x Squeeze Factor, 2.8:1 Wide-Screen Aspect Ratio

Sirui Goes Full Frame
In the past few years, SIRUI 1.33x APS-C anamorphic lens lineup has disrupted the market with its competitive price and exceptional optical performance. Always looking to challenge itself as a professional lens manufacturer, SIRUl again blows the minds of videographers with its 50mm T2.9 1.6x full-frame anamorphic lens, which can be said to have no equal in its class.

Wider than Wider
This lens features a 1.6 times squeeze factor. When shoot in 3:2, it will yield a 2.4:1 aspect ratio. When the sensor is set at 16:9, you'll end up with a much wider 2.8:1 aspect ratio, the viewing experience delivered by it is as premium and immersive as the IMAX format.

Frame as You Like
Whether to shoot grand scenes or tight shots, the images you get with this lens will be of superior quality, high resolution and good sharpness. Being a full-frame lens means it can shoot wider than its APS-C equivalents, leaving you plenty of room for pan-and-scan or punching in the post. For example, if part of an image is redundant, just crop it out without worrying about pixel loss.

What You Get is What You See
As the third eye of shooters, 50mm focal length has an angle of view that is very close to human eyes. Featuring a 1.6 times squeeze factor, this 50mm lens can deliver a horizontal angle of view we'd expect from a 31mm regular lens and the super organic background blur, which help render your storytelling much more nuanced and engaging.

Beautiful Oval Bokeh
This lens, with a squeeze factor of 1.6 times, produces oval bokeh in a more pleasing shape than those lenses with 1.33 times squeeze, giving the footage extra expressiveness and aesthetics.

Vibrant Lens Flares
Pointing a light source directly into this lens to get that signature blue lens flares anamorphic lenses are known for, adding a sprinkle of magic to your image.

A Maximum Aperture of T2.9
When shooting wide open at T2.9 with the focus concentrating on the subject, you'll get a shallow depth of field image with the subject in focus and other areas out of focus. Using a wide aperture in low light conditions enables the camera to take in more light and achieves a faster shutter speed. Also, the aperture ring is engineered stepless to offer smooth iris control.

- Sirui 75mm T2.9 1.6x Anamorphic Lens -
One with the most noticeable anamorphic look among SIRUI lenses. Narrow FOV, shallow DOP, distortion-free images. Versatile focal length for both long shots and close ups. Filmmaking has never been easier with this lens

An All-Round Player
75mm FF offers a wider field of view
You can get sharp distortion-free images shooting from a distance.
There's a lot more information horizontally in close-up shots, leaving a strong visual impact on the audience.

Wide-Screen Aspect Ratios
The common aspect ratios of most mirrorless camera sensors are 3:2 and 16:9. If you shoot in 3:2 mode, you'll get a 2.4:1 aspect ratio. Otherwise on a 16:9 image sensor, you'll end up with a much wider 2.8:1 aspect ratio.

An increasing number of monitors today come with a 1.6x de-squeeze capability, which allows filmmakers to see proper images while shooting. With more brands joining the "1.6x de-squeeze" club, SIRUI full-frame lineup is seeing a brighter future ahead.

High Resolution Images
You'll have no problem getting super crisp wide-screen shots on this lens (ready for 8K shooting), with the subject being exceptionally sharp yet the background soft and natural.

Subtle Lens Flares
Point the lens at a light source to get a horizontal blue lens flare that the anamorphic lens is famous for. The subtle and natural blue streaks stand out for adding a Sci-Fi ambiance to your shots without being too aggressive.

Creamy Oval Bokeh
Due to the 1.6x squeeze factor, light spots in the distance are vertically stretched into pleasing oval bokeh.
Soft and creamy background blur further separates the subject, delivering a flattering cinematic look to your shots.

Sense of Compression
Distance is not a thing to worry about. When shooting with this lens, things in the distance seem to be zoomed in to form a close connection with the subject, offering a unique sense of compression.

Well-Controlled Focus Breathing
Focus breathing is well contained. You can hardly find a zooming motion to the shot while racking focus. Changing focus can be really quick and precise for this lens.

Consistent Cine Lens Housing

82mm filter thread
As with the 50mm lens, 75mm features a full metal body and an 82mm filter thread.

1/4"-20 threaded hole
A 1/4"-20 threaded hole at the bottom provides the lens with additional support.

Unified Gear Position
Focus and aperture rings are geared with the same position as the 50mm for easy lens switching.

T2.9-T16 Aperture Range - 0.85m-Infinite Focusing Distance
Both rings present moderate friction for smooth pull.

Metric & Imperial Focus Scales
The focus ring features a dual scale with both feet and meters, so the focus puller, the shooter, and the assistant can read the value from different positions.

1+1>2
Want to have your ideas precisely conveyed to the audience Want to have the subject and background presented more subtly Then 50mm T2.9 plus 75mm T2.9 would be a great combination you don't wanna miss.

- Sirui 150mm T2.9 1.6x Anamorphic Lens -
SIRUI 150mm T2.9 1.6x, to further complement their 1.6x Venus full-frame anamorphic lineup. This lens matches well with the 1.6x lineup in terms of color tone, lens flare style, gear position, etc., and together they make a versatile set that can be used to tell a complete cinematic story.

Why Choose Sirui 150mm Full Frame Anamorphic Lens
The extra reach allows you to frame the subject properly without having to stand very close to it.

This lens performs well optically with high sharpness and low distortion. Equivalent to a 94mm horizontally, it is considered a great choice for portraits, emotion expression, still life, distant subjects, etc.

The 150mm has a shallower depth of field, smoother blurred backgrounds and more elongated oval bokeh than the other lenses, which separates the subject from background.

0.58m Minimum Focus Distance
Breaking through the limitation of other anamorphic lenses, this 150mm lens, with the minimum focus distance of 0.58m, is suitable for close-ups.

Widescreen Look
• When shooting 3:2, this lens offers a 2.4:1 aspect ratio, which is favored by professional cinematographers, photographic teams, etc
• You get a wider 2.8:1 aspect ratio when using this lens on a 16:9 sensor. The widescreen images can be cropped to different aspect ratios depending on your needs

2X Constant Squeeze
Screw the SIRUI 1.25x adapter onto the 1.6x anamorphic to achieve a 2x squeeze. A higher squeeze brings more noticeable anamorphic characteristics.

Beautiful Oval Bokeh
This lens, with a squeeze factor of 1.6 times, produces widescreen aspect ratio, lens flares and oval bokeh that only anamorphic lens creates, making the footage attractive.

150mm Lens Flares
The classic blue lens flares stand out for adding a Sci-Fi ambience to your shots without being too aggressive.