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Review Summary
2013-04-25T21:00:00
This lens was a dream...in the first years.Then came the haze on glass (my other SS 110 XL has the problem too)and the refusal from Schneider in Germany to reckon that it is their job once we're talking about a known production defect (in the first batches). They propose a repair for 1600 $ each. What a shame. They are so proud to define their products as high quality optics. They should add "but if you get the wrong sample it's your problem". Never again.
Joe r.
2013-01-29T19:00:00
I'm very aware of the problems many people have with Super Symmar lenses developing milky deposits on internal lens elements. I find the reports of Schneider's handling of this issue extremely disappointing and worrisome. However, I've never had any problems with any of my Schneider lenses... 38 SAXL, 58 SAXL, 72 SAXL, 110 SSXL and 150 SSXL. Perhaps I'm just lucky. I hope my luck persists because I'm seriously considering adding a 80mm SSXL to my 4x5 kit.
Mike P.
2012-02-29T19:00:00
Schneider has a problem with Super Symmar XL lenses. I have an 80mmXL. The front lens element has developed milky deposits due apparently to a manufacturing fault. Schneider are willing to repair the fault for free within 2 years of purchase, otherwise you pay and you pay heavily. As a long term user of Schneider optics, I am very disappointed with the outcome. I cannot recommend the Super Symmar 80mm XL lens to anyone under any circumstances.
Shard
RE: Milky deposits -- Not On Mine!!
By Mike P.
I'm very aware of the problems many people have with Super Symmar lenses developing milky deposits on internal lens elements. I find the reports of Schneider's handling of this issue extremely disappointing and worrisome. However, I've never had any problems with any of my Schneider lenses... 38 SAXL, 58 SAXL, 72 SAXL, 110 SSXL and 150 SSXL. Perhaps I'm just lucky. I hope my luck persists because I'm seriously considering adding a 80mm SSXL to my 4x5 kit.
Large format cameras, and lenses designed for use with digital camera backs are the ultimate combination in digital photography. Although Photoshop can maneuver (interpolate) pixels to simulate some perspective shifts, in doing so, it diminishes the quality of the image. A view camera is still necessary for perspective, shape and focus control.
Newer lenses for large format digital cameras are slightly smaller in size, and shorter in focal length than lenses designed for 4x5 or 8x10 film. Digital sensor chips are usually smaller than their film format counterparts. Several 35mm Style Digital SLR's are an exception. The format conversion factor for a 4x5 lens for film to a 4x5 Digital Lens is 1.39. This is an 80mm f/4 lens in a Copal #0 Shutter.
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