Sirui Venus 35mm, 75mm and 150mm T2.9 1.6x Anamorphic Lens Kit w/1.25x Adapter L Mount

- Sirui 35mm T2.9 1.6x Anamorphic Lens -

Why Choose The SIRUI 35mm Full-Frame Anamorphic
Affordable and Lightweight High Squeeze Full-Frame Anamorphic, 35mm-Wide FOV for Shooting Wide Angle

The 35mm anamorphic is equivalent to the horizontal field of view of a FF 22mm, allowing more elements to be included into the frame, therefore suitable for shooting architectures, landscapes, and tight spaces.

Compact Design
The lightest lens in the lineup weighs only 930g/2lbs, More compact and lightweight than similar products.

Full-Frame! High Squeeze!
Designed for professional anamorphic use, this series gives you 1.6x more on the horizontal as well as more prominent anamorphic characteristics.

Two Aspect Ratios
• When Shooting 3:2, the lens offers a 2.4:1 aspect ratio
• When using the lens on a 16:9 sensor, you end up with a much wider 2.8:1 aspect ratio, which gives you a lot of flexibility in post if you want to crop the footage to a 2.4:1

Cinematic Look
Hit the lens with a light source to create those cinematic blue lens flares. The 1.6x squeeze gives a little more stretch to the background and therefore, the bokeh gets taller and skinnier.

Uniform Barrel Construction
• T2.9 to T16 Aperture Range
• Identical Gear Position
• 82mm Filter Thread
• 1/4" Threaded Hole
• Metric & Imperial Scales

Mount Options
This lineup comes in RF, L, E, and Z-Mount, working perfectly on professional cinema cameras and popular FF mirrorless cameras.

- Sirui 75mm T2.9 1.6x Anamorphic Lens -
One with the most noticeable anamorphic look among SIRUI lenses. Narrow FOV, shallow DOP, distortion-free images. Versatile focal length for both long shots and close ups. Filmmaking has never been easier with this lens

An All-Round Player

75mm FF offers a wider field of view
• You can get sharp distortion-free images shooting from a distance
• There's a lot more information horizontally in close-up shots, leaving a strong visual impact on the audience

Wide-Screen Aspect Ratios
The common aspect ratios of most mirrorless camera sensors are 3:2 and 16:9. If you shoot in 3:2 mode, you'll get a 2.4:1 aspect ratio. Otherwise on a 16:9 image sensor, you'll end up with a much wider 2.8:1 aspect ratio.

An increasing number of monitors today come with a 1.6x de-squeeze capability, which allows filmmakers to see proper images while shooting. With more brands joining the "1.6x de-squeeze" club, SIRUI full-frame lineup is seeing a brighter future ahead.

High Resolution Images
You'll have no problem getting super crisp wide-screen shots on this lens (ready for 8K shooting), with the subject being exceptionally sharp yet the background soft and natural.

Subtle Lens Flares
Point the lens at a light source to get a horizontal blue lens flare that the anamorphic lens is famous for. The subtle and natural blue streaks stand out for adding a Sci-Fi ambiance to your shots without being too aggressive.

Creamy Oval Bokeh
Due to the 1.6x squeeze factor, light spots in the distance are vertically stretched into pleasing oval bokeh.
Soft and creamy background blur further separates the subject, delivering a flattering cinematic look to your shots.

Sense of Compression
Distance is not a thing to worry about. When shooting with this lens, things in the distance seem to be zoomed in to form a close connection with the subject, offering a unique sense of compression.

Well-Controlled Focus Breathing
Focus breathing is well contained. You can hardly find a zooming motion to the shot while racking focus. Changing focus can be really quick and precise for this lens.

Consistent Cine Lens Housing

82mm filter thread
As with the 50mm lens, 75mm features a full metal body and an 82mm filter thread.

1/4"-20 threaded hole
A 1/4"-20 threaded hole at the bottom provides the lens with additional support.

Unified Gear Position
Focus and aperture rings are geared with the same position as the 50mm for easy lens switching.

T2.9-T16 Aperture Range - 0.85m-Infinite Focusing Distance
Both rings present moderate friction for smooth pull.

Metric & Imperial Focus Scales
The focus ring features a dual scale with both feet and meters, so the focus puller, the shooter, and the assistant can read the value from different positions.

1+1>2
Want to have your ideas precisely conveyed to the audience Want to have the subject and background presented more subtly Then 50mm T2.9 plus 75mm T2.9 would be a great combination you don't wanna miss.

Four Native Mounts
Given the rise in popularity of full-frame mirrorless cameras, this lens offers four native mounts, including RF, L, E, and Z mounts, compatible with most full-frame mirrorless and cinema cameras on the market.

Target Users
Sirui 75mm full-frame anamorphic is designed for filmmakers with compatible mirrorless and cinema cameras, suitable for use on productions ranging from independent to studio films.

- Sirui 150mm T2.9 1.6x Anamorphic Lens -
SIRUI 150mm T2.9 1.6x, to further complement their 1.6x Venus full-frame anamorphic lineup. This lens matches well with the 1.6x lineup in terms of color tone, lens flare style, gear position, etc., and together they make a versatile set that can be used to tell a complete cinematic story.

Why Choose Sirui 150mm Full Frame Anamorphic Lens
The extra reach allows you to frame the subject properly without having to stand very close to it.

This lens performs well optically with high sharpness and low distortion. Equivalent to a 94mm horizontally, it is considered a great choice for portraits, emotion expression, still life, distant subjects, etc.

The 150mm has a shallower depth of field, smoother blurred backgrounds and more elongated oval bokeh than the other lenses, which separates the subject from background.

0.58m Minimum Focus Distance
Breaking through the limitation of other anamorphic lenses, this 150mm lens, with the minimum focus distance of 0.58m, is suitable for close-ups.

Widescreen Look
• When shooting 3:2, this lens offers a 2.4:1 aspect ratio, which is favored by professional cinematographers, photographic teams, etc
• You get a wider 2.8:1 aspect ratio when using this lens on a 16:9 sensor. The widescreen images can be cropped to different aspect ratios depending on your needs

2X Constant Squeeze
Screw the SIRUI 1.25x adapter onto the 1.6x anamorphic to achieve a 2x squeeze. A higher squeeze brings more noticeable anamorphic characteristics.

Beautiful Oval Bokeh
This lens, with a squeeze factor of 1.6 times, produces widescreen aspect ratio, lens flares and oval bokeh that only anamorphic lens creates, making the footage attractive.

150mm Lens Flares
The classic blue lens flares stand out for adding a Sci-Fi ambience to your shots without being too aggressive.

Stunning Image Quality
In terms of image quality, this lens is sharp without being clinically sharp. And the chromatic aberration and focus breathing are very well controlled.

Various Scenarios
• Handheld
• Tripods
• Stabilizer

- 1.25x Anamorphic Adapter -
The SIRUI 1.25x anamorphic adapter is designed to turn any spherical lens into an anamorphic or increase the squeeze ratio of anamorphic lenses. This is a super budget-friendly anamorphic solution that will bring you tons of fun!

Why is the 1.25x
The 1.25x is one of the most classic squeeze factors used by popular anamorphic lenses like Panavision. In addition to creating a 25% increase in the horizontal field of view, the 1.25x squeeze has two other advantages.

2x Constant Squeeze
Screw the SIRUI 1.25x adapter onto the 1.6x anamorphic to achieve a 2x squeeze. With a higher squeeze comes more noticeable anamorphic characteristics, for example, the thinner bokeh and shallower depth of field. The 2x squeeze allows more information to be included into the frame, giving vou more flexibility to reframe in post.

Flexible Reframing
Compared to traditional 2x anamorphic lenses, this combination is reasonably compact and affordable, offering the best value for your money.

Approx. 16:9 Common Aspect Ratio
Most professional digital cameras, such as ARRI, use 4:3 sensors. When a1.25x anamorphic adapter is used on these cameras, the image can be directly desqueezed to an approx. 16:9 aspect ratio, which is a universal format for modern commercials, TVCS, etc. Using the 1.25x adapter on spherical lenses and shooting 16:9 will result in a 20:9 aspect ratio, which allows you to play videos in full screen on smartphones

Wide Compatibility
The 1.25x adapter has an 82mm rear thread. Three step-down rings (67mm, 72mm, 77mm) and a step-up ring (92mm) are available to match a wide array of popular lenses on the market.

Compact & Portable
With a length of only 46.5mm and a weight of 650g, the adapter is relatively small and lightweight.

Front Single Focus
Set the base lens at infinity and use only the adapter to focus.

Constant Squeeze Ratio
The adapter maintains a constant 1.25x squeeze ratio at all focusing points, eliminating the "anamorphic mumps" effect on your talent.