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Review Summary
18mm
Sony E Mount
Full Frame
46.7mm
T = 1.5
44.95mm
14 Groups
17 Elements
9 blades
114mm
None
Imperial
No
None
7.17" (182mm)
5.9 lbs (2.68kg)
25mm
Sony E Mount
Full Frame
46.7mm
T = 1.5
352mm
15 Groups
16 Elements
9 blades
Focus: 0.8 MOD / 32 Pitch
Iris: 0.8 MOD / 32 Pitch
114mm
112mm
Imperial
No
1/4"-20 Female
6.1" (155mm)
4.85 lbs (2.2kg)
35mm
Sony E Mount
T = 1.5
9 blades
46.7mm
13 Groups
14 Elements
1:7.81
406.4mm
114mm
112mm
1/4"-20 threaded female mounting hole
5.71" (145mm)
5.16" (131mm) (from front mount surface)
4.30 lbs (1.95kg)
50mm
Sony E Mount
T = 1.5
9 blades
46.7mm
10 Groups
13 elements
1:7.01
19" (482.6mm)
114mm
112mm
1/4"-20 threaded female mounting hole
5.71" (145mm)
5.16" (131mm) (from front mount surface)
4.65 lbs (2.11kg)
85mm
Sony E Mount
T = 1.5
9 blades
46.7mm
13 Groups
14 Elements
1:9.92
37.5" (95.25cm)
114mm
112mm
1/4"-20 threaded female mounting hole
5.71" (145mm)
5.16" (131mm) (from front mount surface)
4.74 lbs (2.15kg)
105mm
Sony E Mount
Large Format
46.7mm
T = 1.5
T22
9 blades
Focus: 0.8 MOD / 32 Pitch
Iris: 0.8 MOD / 32
114mm
112mm
Imperial
300 Degree
Lens Support Foot with 1/4"-20 Mounting Thread
6.34" (161mm)
5.64 lbs (2.56kg)
644216318155
Beautiful single coated optics. Control contrast and flare with the single coated aspheric front element. One creative vision, multiple choices. Transition from vintage to modern with ease. The choice is yours.
High resolution single coated modern optics featuring free form design for visual acuity matching the human eye. Fast T1.5 lenses with sensor coverage well beyond full frame. Keep your subject right where you left it with our virtually zero breathing optical design. Precision and versatility for the future. Cinematography is your art, ours is technology.
Vista One are a modification of the standard Vista series lenses from Tokina Cinema. The fragile wavefront design of the Vista series allow for a pleasing flare that is taken to more extreme limits in the single coated Vista One series.
The front element receives a proprietary single coating technology applied to both the concave and convex surfaces of the front element. There are different coating types applied to each surface controlling the flare in ways that a simple polish and new coating would not provide if done by a 3rd party manufacturer.
The flare is heavily diffused with a strong blue color inclusion at wider apertures and secondary and tertiary flares coming in a green color that is normal for the Vista series. The green color is easily rendered to a white color in post allowing for a strong blue flare to remain after post production.
If higher kelvin light sources are used such as HMI then the flare turns white while still maintaining detail. The look of the flare is retained up to T5.6 which is relatively unique as most single or uncoated lenses will often lose their characteristic when stopped down just one or two stops.
Many single or uncoated lenses lose significant resolution in the white points of the image to the point of recording no information on the sensor in certain areas of flare. The Vista One retain resolution and detail even in the strongest flare making them more versatile and giving more freedom in creative choices.
The single coating allows for very little flare on-axis making the the Vista One behave much like standard Vista series lenses when the on-set lighting is generally diffused without light sources in frame. The off-axis flare allows for maximum creative control with some diffusion making this series a versatile choice.
The Vista One series are a limited quantity manufacture lens series from Tokina Cinema and are distinguished from the Vista series by their gray color lens barrel and blue/white paint accents versus the white and green accents of the standard Vista lenses.
The Vista One are relatively new to the market however have gained use on several Amazon series and commercial use. Several feature films are in production with Vista One now and will continue to rack up credits as their availability increases.
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