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Review Summary
2023-12-20T14:02:21
Having recently stepped into the role of an amateur sound guy for adult film projects, I had the chance to work with the Tascam DR-70D 4-Channel Audio Recording Device, and I'd like to share my experience: **Compact and Convenient Design**: I immediately appreciated the DR-70D's compact form. It didn't add much weight to our camera setup, which was a huge plus during our dynamic and sometimes improvised filming sessions. **Impressive Sound Quality**: The audio quality this device captured was a game-changer for our productions. It allowed me to record from multiple microphones, which was crucial in capturing both dialogues and more intimate sounds clearly and distinctly. **Ease of Use**: For someone still learning the ropes of sound recording, the Tascam DR-70D was user-friendly. Adjusting levels was straightforward, and the display was clear enough for me to monitor the audio even in low-light settings, which are common in our shoots. **Flexibility with Microphones**: This recorder's ability to connect with various types of microphones made it a versatile tool. Whether using lavalier mics for close-up dialogues or a shotgun mic for more general ambient sounds, it met all our needs seamlessly. **Battery Life Considerations**: While the battery life was generally adequate, I learned to always keep spare batteries on hand, as longer shoots could drain the power faster than expected. **Overall Impressions**: As an amateur sound guy in the adult film industry, the Tascam DR-70D has been invaluable. It's enhanced the audio quality of our projects significantly, adding a layer of professionalism to our productions. In sum, the Tascam DR-70D is a fantastic asset for any amateur looking to improve the sound quality of their film projects. Its balance of quality, usability, and versatility makes it a worthy addition to any filmmaker's toolkit, especially in scenarios that require adaptability and ease of use.
Blain J.
2023-01-23T05:41:52
Tascam DR-70D is a good external audio recorder.
Francisco G.
2019-04-03T13:11:14
I really like this recorder. I have used it for interviews where I had to travel and set up my own studio. The sound quality was very nice. It was pretty simple to set up and use. It really has nice options for the price. It does not really work well to attach to the bottom of a camera because of the wide footprint. I have a Canon 5d mkii. Not an awful problem, just keep that in mind.
Albion M.
2018-04-16T08:40:01
Granted, I come to this product with little experience in audio recording, but there is a bit of a learning curve in setting this device up. For example, with three places in the menu to set just for Phantom power, plus a myriad of other settings that may be obvious what they do (or were for me), changing them affects other elements in other parts of the menu. With a few hours of exploration and watching of instructional videos, I was able to record clean audio confidently for field work.
Tim S.
2017-01-18T11:00:46
Yeah, folks mention it can be noisy (somewhat) but for the price you get a really useful device, built in phantom power, flexible inputs, design works well under DSLR but have also used as a field mixer plugged into a broadcast level camera - though the connection is unbalanced. Set it up to WAV pro format which supports SMPTE time code and use a time code conversion application for DSRL video files and things are easy to sync up. One complaint is the door the battery chamber and SD card hide under. Yeah, it looks like it's not the best but it's actually worked well - beats having some type of removable or hinged or slide off door within the overall configuration of the mixer.
John K.
2016-12-28T07:46:34
Image what something like this would have cost 10 years ago. Remarkably intuitive, and a great backup unit for audio capture without breaking the bank.
Grant H.
2016-10-31T17:34:41
I bought this to replace my Tascam DR-40D and I'm immensely glad I did. I'm often operating a one-man crew and having the ability to mount this straight to the camera makes this worth the price alone. Add in the ability to monitor the sound, and Tascam's great recording capabilities and this units ability to run a mini jack mic as well, and you've got yourself one fantastic little audio recorder. For the price, you'd think they'd throw in an SD card like the Dr-40D came with, but I guess thats a minor complaint. The product itself is wonderful.
Kyle E.
2016-04-23T08:39:08
In order to get the best spec out of this unit is recommended to read reference manual. A lot of the negative feedback has been from people trying to exceed unit ability. Works great, awesome price. For this price point is the best out there.
Jorge R.
2016-03-30T12:35:55
A little time spent to learn all the features, but works great, very good quality recording. I set the gains to High+ to get enough volume, but that may be the microphones that I'm currently using also. Really like the way it can mount on the camera, makes for a compact solution, or mount on a tripod separately if that works better.
Keith R.
2015-02-05T19:00:00
The Tascam DR-70D is a great recorder. Aside from all the great features I like the slim form factor over the older models. This works well on Camera and as a stand alone recorder. I definitely reccommend this to anyone DSLR video shooter.
JACOB W.
2015-02-04T19:00:00
I recently upgraded from the DR-60D mostly for the external mics. I have to say that the form factor on this is so much better than the DR-60D.... knowing what I know now I would upgrade even without the mics. Tascam nailed it on this one.
Anatole
2014-11-05T19:00:00
I use this audio recorder along with my Blackmagic Pocket Cinema Camera. I've used high-end Sound Devices recorders and mixers, Zoom recorders, and the Tascam DR-60D and this recorder exceeded my expectations for the cost. Pros: - Surprisingly durable construction. The DR-60D MK 1 felt very cheap and plasticky but this actually feels very sturdy with some weight. Feels like it's made of metal but I can't really tell if it's metal or a really strong plastic. - The recording quality so far is great. I've only had it for a few days but I've tested it with my Senn 416 and it sounds great with low noise. The onboard omni mics also sound surprisingly good. - Form factor is a major improvement, though it's a weird size for my Pocket camera (see below). It's easy to access all the controls and I like that I can remove the screw plate on the top. - Controls are smooth. The knobs are stepless, the buttons firm. Cons: - The door to access the battery compartment and SD card is poorly designed. It's held together by a piece of rubbery plastic, much like port covers used on cameras. It's hard to pull out and hard to keep open while you access what's inside. I could see it breaking off eventually over time. Furthermore, in order to access the batteries, you have to open this outside door, then open another door that's just for the batteries. This is a bit of a hassle. - The SD card reader is behind the door mentioned above, which doesn't make a lot of sense. It should really be on the side of the unit so it's easy to change if the unit is in a bag or rigged up. - The unit could be lighter. It's a little heavy with all the batteries inside. - The unit is a little large. Should be okay for people with DSLRs but it looks pretty ridiculous with my Pocket camera. Oh well, they probably weren't designing it for my camera. I still think the form factor is a great improvement over the DR-60D though. - This is a minor thing but I wish I could change the name of the folder it makes on the SD card to something other than "MUSIC" which doesn't make sense at all, especially if you use this recorder for DSLR recording as it was designed. Overall, great recorder and a no-brainer at this price.
Reuel K.
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SD cards (64MB - 2GB)
SDHC cards (4-32GB)
SDXC cards (64-128GB)
WAV: 44.1/48/96kHz, 16/24-bit
BWF: 44.1/48/96kHz, 16/24-bit
4 maximum (2x stereo )
XLR-3-31, 6.3-mm standard TRS jack
(can provide phantom power)
3.5-mm stereo mini jack
(can provide plug-in power)
3.5-mm stereo mini jack
3.5-mm stereo mini jack
3.5-mm stereo mini jack
Micro-B connector
USB 2.0 HIGH SPEED mass storage class
2.5-mm TRS jack
LINE IN/MIC IN to LINE OUT, JEITA:
20 Hz - 20 KHz +0.5/-2 dB (Fs 44.1/48 kHz)
20 Hz - 20 KHz +0.5/-3 dB (Fs 96 kHz)
-120 dBu or less
Windows XP, Windows Vista, Windows 7, Windows 8 (including 8.1)
Mac OS X 10.2 or newer
Alkaline batteries (EVOLTA):
2-ch recording, WAV format, 44.1kHz/16-bit
6:00 (XLR/TRS input selected phantom power not used)
11:00 (MIC input 3/4 selected)
NiMH rechargeables (eneloop):
2-ch recording, WAV format, 44.1kHz/16-bit
6:15 (XLR/TRS input selected, phantom power not used
10:30 (MIC input 3/4 selected)
4 AA batteries (alkaline or NiMH)
USB bus power from a computer
AC adapter (TASCAM PS-P515U, sold separately)
External battery pack (TASCAM BP-6AA, sold separately)
5 W (maximum)
0 to 40deg. C (32 to 104deg. F)
With top adapter attached: 6.65 x 2.17 x 4.21" / 169 x 55 x 107mm
Including batteries: 22.05oz / 625g
Excluding batteries: 18.7oz / 530g
192223075054, 4719850594343, 850061647177, 043774031139
With the advent of DSLR shooting, workflows experienced two major drawbacks when compared to traditional camcorders. One is the form factor: while DSLRs are generally light enough to hold up for an extended amount of time, to truly make one ergonomic enough to shoot with all day.
Great quality and options, for price and size
By Albion M.
I really like this recorder. I have used it for interviews where I had to travel and set up my own studio. The sound quality was very nice. It was pretty simple to set up and use. It really has nice options for the price. It does not really work well to attach to the bottom of a camera because of the wide footprint. I have a Canon 5d mkii. Not an awful problem, just keep that in mind.
I really like this little mixer
By John K.
Yeah, folks mention it can be noisy (somewhat) but for the price you get a really useful device, built in phantom power, flexible inputs, design works well under DSLR but have also used as a field mixer plugged into a broadcast level camera - though the connection is unbalanced. Set it up to WAV pro format which supports SMPTE time code and use a time code conversion application for DSRL video files and things are easy to sync up. One complaint is the door the battery chamber and SD card hide...
View full Review
Where professional audio quality meets DSLR video production, the Tascam DR-70D 4-Channel Audio Recorder emerges as an essential tool for filmmakers and videographers seeking to capture pristine sound. This compact and durable recorder is expertly designed to attach seamlessly between a tripod and DSLR camera, or mount directly atop the camera, creating an integrated, streamlined recording setup.
Equipped with two high-quality, omnidirectional built-in microphones, the DR-70D is ready to record natural stereo sound right out of the box. This feature is particularly advantageous for capturing ambient audio or conducting interviews with a minimal gear footprint. For more complex audio setups, the DR-70D boasts four XLR/TRS combo jacks, allowing for simultaneous recording from professional-grade external microphones. This advanced functionality enables users to record each speaker individually while also capturing ambient sounds, offering unparalleled flexibility in post-production mixing.
The DR-70D's innovative built-in mixer supports four input channels from the XLR inputs, stereo mini-jack, and built-in microphones, complete with pan and level adjustments. Professional features such as a limiter, a five-setting low-cut filter, and a delay function to compensate for distance between mics, enhance the recording experience. The unit also includes a mid-side decoding function for use with mid-side microphone configurations, ensuring that audio capture is both versatile and of the highest quality.
At the heart of the DR-70D's exceptional audio performance are Tascam's proprietary HDDA (High Definition Discrete Architecture) microphone preamps, which utilize carefully selected components such as the NE5532 operational amplifier. These preamps deliver an impressively low equivalent input noise of -120 dBu, ensuring that your recordings are crystal clear. Paired with a top-tier A/D converter from Cirrus Logic, the DR-70D supports recording resolutions up to 96 kHz/24 bit, capturing every nuance of the sound field.
The recorder's robust design is tailored for the rigors of on-location shooting. With tripod screw threads on the bottom and a removable camera attachment screw on the top, plus an included hot shoe mount, the DR-70D offers multiple mounting options to suit any shooting scenario.
For seamless integration with DSLR cameras, the DR-70D includes both camera input and output jacks. The camera input allows for efficient monitoring of the DSLR's audio, while the output sends the mixed audio back to the camera, ensuring synchronized recording. The output volume dial on the unit provides fine-tuning to accommodate varying input levels from different camera brands.
A built-in slate tone generator simplifies the process of aligning audio with video files, offering both automatic and manual slate tone insertion. This feature is invaluable for post-production editing, ensuring that audio and video are perfectly synchronized.
The Tascam DR-70D, bundled with the K-Tek Stingray MixPro Bag featuring a convenient kickstand, and a microfiber cloth for maintenance, is the professional's choice for capturing advanced, high-quality audio in any filming environment. Whether you're recording dialogue, music, or ambient sounds, the DR-70D is a reliable partner for achieving superior audio for your video productions.
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