AJA Ki Pro Ultra Multi-Channel 12G-SDI 4K/UltraHD/HD Recorder and Player

AJA Ki Pro Ultra

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AJA Ki Pro Ultra 

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Ki Pro Ultra 12G is a multi-channel Apple ProRes recorder offering up to 4-Channels of simultaneous HD recording, or in Single-Channel mode, a 4K/UltraHD/2K/HD Apple ProRes or Avid DNxHR recorder and player. Avid DNxHD MXF is also supported up to HD formats in Single-Channel mode.Ki Pro Ultra 12G offers 12G-SDI single cable simplicity for large rasters and HDMI 2.0 digital video connectivity with HDR support for both recording and playback.A wealth of analog and digital audio connectivity answers any project's demand for efficient, powerful and flexible workflows. For distance and remote needs, 12G and 3G Fiber SFP+ options are available.Designed to be either portable or rackmountable with half rack wide, 2RU high dimensions, Ki Pro Ultra 12G is well suited for use in any environment.Ki Pro Ultra 12G Overview VideoLearn how Ki Pro Ultra 12G is the perfect fit for live production, post-production, on-set...any place that high-quality reliable recording and playback is needed.Explore the device's broad feature set - from 12G-SDI and HDMI 2.0 video connectivity with HDR recording and playback to a dedicated web UI for remote control, file transfers and configuration and so much more.Professional ConnectivityThe video and audio connections on the rear panel of the Ki Pro Ultra 12G offer next generation connectivity with single channel 12G-SDI I/O over either BNC or optional FIber and three additional 3G-SDI ports for multi-channel HD or quad-link capture needs. HDMI v2.0 offers single cable simplicity all the way up to 4K. AES and analog XLR balanced audio, LTC, RS-422 and LAN round out the package.SFP+ cages offer the ability to install optional HD-BNC or Fiber SFPs for long cable run needs.ProRes 422 and 444 RecordingKi Pro Ultra 12G records 4K/UltraHD/2K/HD to six quality levels of Apple ProRes including Apple ProRes 4444 XQ. This lets you choose the balance of image fidelity and file size that's right for each individual production as well as having the flexibility to record directly to native file formats that are understood by most major editing systems.Next generation UltraHD 60p and 4K 60p recording is attainable all the way up to Apple ProRes HQ when using AJA Pak 2000, Pak 1000, Pak 512 and Pak 256 SSD media.By utilizing Apple ProRes, your project will have the best image quality available, with manageable and affordable file sizes.Multi-Channel HD RecordingRecord 1, 2, 3 or 4-Channels of beautiful HD up to 1080p 50/60 in Apple ProRes simultaneously with Ki Pro Ultra 12G.Simplify your multi-camera productions by running up to four cameras per Ki Pro Ultra 12G and save power, space, time and effort on set, in the studio and when setting up OB trucks. Ki Pro Ultra 12G even allows independent profile support per channel in Multi-Channel mode; for example, select high resolution Apple ProRes HQ for high quality finishing and use a second input to record Apple ProRes (Proxy) for an efficient editing pipeline.Starting with input 1, add channels as needed in order when utilizing like raster size and frame rate, and record your HD Apple ProRes files on the same AJA Pak media. Ki Pro Ultra 12G even allows rollover to a second Pak for hours of uninterrupted multi-channel recording.Avid DNxHR RecordingKi Pro Ultra 12G also allows users to record 4K and UltraHD rasters with Avid codecs within an MXF wrapper, supporting Avid editors and native MXF workflows with more flexible options.Ki Pro Ultra 12GSD offers Avid DNxHR codecs in an MXF wrapper for the following formats:&#149; DNxHR HQX&#149; DNxHR SQ&#149; DNxHR LB&#149; (4K) 4096 x 2160p 23.98, 24, 25, 29.97&#149; (UltraHD) 3840 x 2160p 23.98, 24, 25, 29.97Avid DNxHD MXF RecordingKi Pro Ultra 12G offers native Avid MXF support for HD workflows. Record and playback DNxHD files with an OP1a profile within an MXF container for DNxHD HQX (220x), DNxHD SQ (145) and DNxHD LB (36) codecs.This provides a native MXF workflow for Avid pipelines, free of transcoding.&#149; DNxHD HQX (220x)&#149; DNxHD SQ (145)&#149; DNxHD LB (36)&#149; (HD) 1080p 23.98, 24, 25, 29.97, 50, 59.94&#149; (HD) 1080i 25, 29.97&#149; (HD) 1080PsF 23.98, 24, 25, 29.97&#149; (HD) 720p 50, 59.944K, 12-bit Full Raster Workflows for ProfessionalsNext generation 4K/UltraHD 50/60p recording and playback are attainable all the way up to Apple ProRes XQ when using AJA Pak Media with Ki Pro Ultra 12G.4K/UltraHD is supported through 12G-SDI, 4x 3G-SDI, HDMI 2.0 or optional fiber inputs and outputs. Ki Pro Ultra 12G not only supports true 4K at 4096 x 2160p for digital cinema and high quality UltraHD for broadcast production, it also offers the color depth to match including HDR support.Any shoot or project benefits from the fabulously rich colors and smooth gradations across the luminance and chroma range that 12-bit makes possible with full 4:4:4 support including Apple ProRes 4444 XQ up to 2K 50/60p.VFX work benefits from Ki Pro Ultra 12G's 12-bit support to captured Apple ProRes 444 files, resulting in clean green screen plates for easy and detailed post-production manipulation. With full HDMI 2.0, you can monitor it all from 4:2:2 YCbCr to full 4:4:4 RGB in 12-bit.Edit Ready, Synched Files for EditMulti-Channel recording with Ki Pro Ultra 12G provides individual, discrete recordings for each input that are timecode accurate and ready to be imported directly into a multi-channel editing sequence. No additional conversion or software is required, just drag and drop the files directly from the Pak Media into your edit. The clip naming convention is yours to customize to suit your needs, but each multi-channel file is always appended with _1, _2, _3 or _4 matching the input, making it very easy to track assets in post.Multi-Channel independent file naming support also allows an independent additional name to be added to each recorded file for further identifying specific information for the project's needs.HDMI 2.0: One Cable, Multiple FormatsFull HDMI 2.0 support on Ki Pro Ultra 12G offers deep color support all the way up to 4:4:4 12-bit RGB, perfect for rich color capture from affordable HDMI cameras and beautiful playback on the latest HDMI 2.0 displays.A single cable can affordably transport both UltraHD or HD video and clean 24-bit 48 kHz 8-Channel audio to or from common HDMI 2.0 devices for a simple setup; perfect for independent producers, editors, ProAV, and anyone seeking to utilize the latest affordable capture and monitoring tools.HDRHDR or High Dynamic Range, provides the ability to display a wider and richer range of colors, much brighter whites, and much deeper, darker blacks than standard signals allow. This gives your imagery a more 'dynamic' look and allows for natural true to life colors to be communicated to your audience.Ki Pro Ultra 12G provides this support for your 4K/UltraHD/HD HDR pipelines to HDMI and SDI compatible displays by generating HDR metadata in accordance with HDMI v2.0a/CTA-861.3 and SMPTE 352, which includes HDR 10 (PQ) and HLG for both input and output.Familiar ControlsAnyone familiar with the operation of a tape deck will feel immediately comfortable when working with Ki Pro Ultra 12G.Just like a traditional tape deck, Ki Pro Ultra 12G features straightforward and dedicated transport buttons - record, play, stop, rewind, fast forward - making the device easy to operate with minimal training time.The current status of the system and key configuration information is clearly displayed on the beautiful built-in high resolution LCD screen. Additional operational information can be found in the STATUS menu which can be accessed even when recording or playing back.The Ki Pro Ultra 12G operating system offers users a logical menu structure that is easy to navigate with menu parameters presented in clear and understandable language.Remote Control, Configuration and File TransfersIn a truck or a machine room, Ki Pro Ultra 12G is equipped for advanced remote control and configuration. With a standard Ethernet LAN connection to a host computer and any web browser, all Ki Pro Ultra 12G parameter settings, clip selection and transport controls can be controlled; no additional or special software installation is required on the host computer.Multiple Ki Pro Ultra12G units can even be controlled from a single web interface making Ki Pro Ultra 12G an ideal solution for multi-camera and synched recordings.Ki Pro Ultra 12G's web UI also provides a simple way to transfer media files across the network for remote sharing when in DATA-LAN mode.RS-422 control allows Ki Pro Ultra 12G to integrate easily with supported editing systems and external controllers allowing it to fulfill several of the functions of a traditional VTR. Supported NLEs can even perform assemble edits directly to the Ki Pro Ultra 12G.Ki ProtectKi Pro Ultra 12G includes Ki Protect, a feature that helps to ensure data integrity if a media drive is accidentally removed or loses power during recording. The Ki Protect feature automatically pre-allocates recording space on the media drive for video, audio and timecode when the record button is pressed.While recording, the file header is then continuously updated every time new data is written. That way, the only loss that should be incurred is the last few frames that were in transit to the media drive to be recorded when the operation was interrupted. Frames that are already recorded will be preserved and are recoverable, providing greater peace of mind on set and in the studio, essential for

Used AJA Ki Pro Ultra Multi-Channel 12G-SDI 4K/UltraHD/HD Recorder and Player undefined

Just like my Ultra Pluses except better !   12G single wire !   YES !

Used AJA Ki Pro Ultra Multi-Channel 12G-SDI 4K/UltraHD/HD Recorder and Player

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AJA Ki Pro Ultra Multi-Channel 12G-SDI 4K/UltraHD/HD Recorder and Player