Name: Used Zoom F8 Multi Track Field Recorder for Filmmaking and Sound Design undefined
Brand: Zoom
SKU: US1567220
Price: 529.00 USD
Availability: Discontinued
Rating: 4 (4 reviews)

Zoom F8 Multi Track Field Recorder for Filmmaking and Sound Design

Zoom F8

Zoom

Zoom F8 Multi Track Field Recorder for Filmmaking and Sound Design - SKU#1567220

Adorama

Used

Audio

Audio for Video

Audio Recorders

Digital Field Recorders

Zoom Digital Field Recorders

Zoom F8 

Buy: Used Zoom F8 Multi Track Field Recorder for Filmmaking and Sound Design undefined

Advances in video have made filmmaking accessible to creators everywhere. But the accessibility of professional audio devices has not kept pace. Field recorders, with essential features such as time code, have been unobtainable for most. Until now. The F8 is made for serious filmmakers and sound designers. With 8-input/10-track recording, super low-noise preamps and support for 24-bit/192kHz audio, the F8 captures the highest-quality audio.  &#149; 8-channel/10-track field audio recorder/mixer  &#149; 8 discrete inputs with locking Neutrik XLR/TRS combo connectors  &#149; Compact and lightweight aluminum chassis, weighing just 2 pounds (without batteries)  &#149; High quality mic preamps with up to 75 dB gain, less than -127 dBu EIN and +4 dB line inputs  &#149; Support for up to 24-bit/192 kHz recording as well as 96 kHz, 88.2 kHz, 48 kHz and 44.1 kHz, plus 47.952 kHz/48.048 kHz for HD video compatibility; 16-/24-bit resolution  &#149; Accurate Time Code (0.2 ppm) I/O on standard BNC connectors; dropframe/non-drop formats with Jam Sync  &#149; Three different power supply options: 8x AA batteries, external DC battery pack with Hirose connector or 12V AC adapter (AA's and DC battery pack not included)  &#149; Automatic switching of power source from DC to batteries at user-defined voltage levels  &#149; Dedicated gain control knob, 6-segment LED level meter and PFL/Solo switch for each channel  &#149; Phantom power (+48V/+24V) on every input  &#149; Advanced onboard limiters for input and output  &#149; High pass filter, phase invert and Mid-Side decoder  &#149; Input delay of up to 30 msec per channel / output delay of up to 10 frames per output  &#149; Compatible with Zoom microphone capsules; optional extender cable enables remote positioning  &#149; Dual mini-XLR (TA3) balanced Main Outs plus 1/8" stereo mini-jack Sub Out  &#149; Dedicated headphone output (100mW) with front panel volume control  &#149; 2.4" full-color backlit LCD with monochrome mode  &#149; Dedicated PFL display with viewable trim settings  &#149; Dual SD/SDHC/SDXC card slots, up to 512 GB each  &#149; Records in BWF-compliant WAV or MP3 file formats  &#149; Support for extensive metadata (BWF and iXML); input time, date, project, scene number, etc.  &#149; Built-in slate mic/slate tone with front panel switch  &#149; Built-in tripod mount; camera mount adapter also included  &#149; Use as an 8-in/4-out USB audio interface (at 96 kHz)  &#149; Free Zoom F8 Control App for iOS allows wireless remote control, file renaming and metadata entry  The F8 provides every option you need to create professional field recordings:  &#149; Phantom power (+24V/+48V) can be turned on and off for each input individually  &#149; Plug in any Zoom mic capsule  &#149; 10 tracks - 8 input channels, plus a stereo mix track - allow you to simultaneously record stereo and surround sound  &#149; An onboard mixer with flexible routing of all inputs and outputs (pre- and post-fader). Each channel has controls for pan, input/output delay, filtering and limiting  &#149; The F8 can be mounted to a tripod and attached to your camera using the included mounting bracket   The Facts   Mic Pre's Outfitted with Zoom's finest mic preamps to date, the F8 features an extremely low noise floor (-127 dBu EIN) and high gain (up to 75 dB), with +4 dB line inputs.   High-Resolution Audio And Advanced Limiters The F8 can record at 24-bit/192 kHz resolution and is equipped with onboard limiters designed to provide overload protection. Limiting can be applied to all 8 channels simultaneously at full resolution, with 10dB of headroom and controls for setting threshold, attack and release.   Time Code With Pinpoint Accuracy The F8's time code is state-of-the-art. It utilizes a precision oscillator that generates time code at 0.2 ppm accuracy, enabling rock solid syncing of audio and video. The F8 supports all standard dropframe and non-drop formats and can jam sync to time code being provided by external devices. An input and output are provided on standard BNC connectors, enabling easy integration into any rig.   Weight And Build The F8 is not only versatile and feature rich, it is the smallest field recorder with eight XLR combo inputs ever made. Weighing just 2.1 pounds (without batteries), its aluminum chassis is both rugged and durable.   Display Sound professionals sometimes work in dusty, hard-to-see environments. Level meters with adjustable brightness and its 2.4 inch full-color backlit LCD (which can be set to monochrome mode), make the F8 easy to use in any environment - from low-light to direct sunlight.   File Formats, Resolution And Sample Rates The F8 records in BWF-compatible WAV format at 16 or 24-bit resolution and at any standard sample rate up to 192 kHz. When recording files in MP3 format, you can choose bit rates of 128, 192 or 320 kbps.   Redundancy is Always Good? Always   Dual SD Card Recording  Record on two SD/SDHC/SDXC cards, up to 512 GB each, simultaneously, allowing you to instantly backup or split recordings (for example, save eight tracks onto one card and a stereo mix onto another).   Three Power Sources A 4-pin Hirose connector allows the use of external 9-16 volt DC battery packs. Internal power is provided by 8 AA batteries. The F8 can switch power sources from a DC battery pack to the AA batteries at a user-defined voltage level for uninterrupted recording. You can also use the supplied 12 volt AC adapter when not on the go.   File Protection Files are saved periodically during recording. This provides an extra level of protection in the event of unexpected file interruption, for example, power loss or the removal of an SD card.   Dual-Channel Recording The F8's dual-channel recording mode allows you to create safety tracks on inputs 1-4, each with independent level, limiting, delay, phase inversion and high-pass filtering.   Pre-record The pre-record function allows you to capture up to 6 seconds of audio before you hit the RECORD button.   Comprehensive Headphone Monitoring  Out in the field, it's important to be able to quickly check levels as you're recording. With the F8, it's simple. A single display lets you monitor single or multiple tracks, as well as any of the Main or Sub outputs, via a dedicated 1/4" headphone jack with a front panel volume control.  Signals can be freely routed to the left and/or right headphone channels, pre- or post-fader and the headphone output can be switched to mono. You can set headphone alert tones for low battery, recording start/stop or recording errors. The F8 comes equipped with a built-in 100 mW headphone amplifier, allowing you to monitor in the noisiest of environments.   A First in The Field  The F8 is the first field recorder to come with wireless Bluetooth control. The Zoom F8 Control App for iOS provides extensive wireless remote control of the F8 from your iPhone, iPad or iPod Touch (5th Gen) using Bluetooth LE protocol. Functions include Record, Play, Stop, Fast-Forward and Rewind, plus mixer pan and fader level. You can also monitor input levels, current time code and battery status. With Zoom F8 Control, you can rename files, enter metadata and set date/time information directly from your iOS device.   The Hardware   Inputs The F8 provides 8 discrete inputs with locking Neutrik XLR/TRS combo connectors. Each input has a dedicated gain control knob, a 6-segment LED level meter and Record Ready and PFL switch. A 10-pin connector on the rear panel enables the use of Zoom mic capsules, with an optional extension cable that allows for remote positioning. There's also a built-in slate mic and a variable frequency slate tone generator to confirm levels.   Outputs  In addition to its 1/4" headphone jack with dedicated volume control, the F8 provides four outputs: two Main Outs (on balanced TA3 mini-XLR jacks) for connection to external mixers and processing devices; and two Sub Outs (on a single unbalanced 1/4" stereo mini-jack) for connection to a camera.   Time Code and USB Time code I/O is provided on BNC connectors. A USB port enables firmware updates, file transfer and allows the F8 to be used as an 8-in/4-out USB audio interface operating at sample rates up to 96 kHz.   The Software  The F8's menu is easy to navigate and has a simple file structure. Cataloging is straightforward, with extensive metadata (both BWF and iXML), which can be entered directly on the F8 or with the Zoom F8 Control App.   Onboard Mixer The F8's onboard mixer enables flexible signal routing from all inputs to all outputs, either pre- or post-fader, with user-adjustable level, pan and input/output delay. In addition to advanced onboard limiters (which can be applied to all channels and tracks simultaneously), the F8 also provides high-pass filtering to reduce the sound of wind and other noise, plus phase inversion and Mid-Side decoding.

Used Zoom F8 Multi Track Field Recorder for Filmmaking and Sound Design undefined

Great for travel

I love the zoom f8. I love the menu system. I love the size. I love the sturdiness. Only thing that would make it better would be backlit buttons for MENU, STOP, PLAY and RECORD. I don't know why they never added them. They didn't do it for the f8n either. It's a practical problem when in dark sets. I could also ask for analog limiters, but then I don't think it would be so cheap =) Headphone is not bad. I believe some exaggerate. The tascams dr60d is trash compared to the f8. Great audio recorder.

Love this little thing

I purchased this recorder to use in a professional documentary filmmaking and corporate video production environment. I made my purchase from BH in mid June 2017.

Unfortunately I did not discover the absolutely massive flaw in this unit until about two months later, when BH would no longer take  a return and Zoom customer support (the specific gentlemans name I was working with is John Molfetas, who is labeled Zoom Customer support) would jerk me around for several months after, claiming the problems with the unit are my fault.

Flaw 1: The Zoom F8 has two SD card slots, making it's user think you have a back up card, in case the first card errors out. The problem is if Card 1 has a writing error, it will cause Card 2 to also have a writing error, causing you to lose everything. I believe this is because the unit is seeing both cards as one, instead of two individual cards (probably to save on licensing). The Zoom Support staff tried to claim that it was user error because I did not perform a full test of my card (which takes two hours for a 128gb Sandisk Extreme Pro).

Almost all of my professional gear has two card slots, which the primary point is to have a full quality back up in case a card has a write error, it is totally insane that if one card in you Zoom F8 fails, it will destroy both cards audio files. 

TLDR: The Zoom F8 is twice as likely to have a writing error, destroying all of your files as a unit with only one card will have. 

Flaw 2: On more than one occasion I have booted the unit up and have had multiple channels not function at all, even after reassigning the PFL settings and disabling the channels. When this happens, the unit has to reboot, which takes a while. This is a very concerning flaw, as there seems to be deep seeded issues with this audio recorders firmware.

Final Thoughts: I very very much wanted to love this unit, when I initially purchased it, I assumed it would be the last audio recorder I ever had to buy. My company lost a large amount of money due to lost files on a job and when I took my concerns to Zoom, hoping they would be excited to hear about a unknown bug, they simply insulted me by totally ignoring my concerns.

Zoom has proven it self to not be a professionals company, producing nothing but prosumer gear for amateurs. The quality control clearly is not high enough to depend on their equipment.

A huge liability.

Great field recorder for independent film.  Is it a Sound Devices?  No, but the value is well worth it. 

Amazing recorder

This is the prefect recorder for indy filmmakers who want Sound Devices quality without the high ('though justifiable cost).  This is a no-brainer, unless of course you only need the 4-channel version.  Do yourself a favor and just get it.

Used Zoom F8 Multi Track Field Recorder for Filmmaking and Sound Design

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