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Review Summary
2021-07-15T08:50:38
The C-100 is a great product. Even after years since it?s release, the camera still produces beautiful footage that?s workable in post. I mostly use mirrorless cameras for work but the C-100 is my go to when I want to get a little more cinematic with the look.
ADRIAN M.
2020-10-14T08:36:41
Love it..even in 2020 this camera is a beast! This is my main camera, so simple to use. Perfect for run and gun and anything else honestly.
derik h.
2020-07-20T20:00:00
I bough this in 2019 after having used one at work for 4 years. Why buy a HD camera with a mediocre codec when 4k is common these days? Simple - very reliable and great HD image quality. Built-in HD filters, good XLR audio and cooling fan is HUGE advantage over mirrorless or DSLR shooting. Excellent battery life, good layout of controls, small file sizes that still grade well even in 4.2.0 8 bit. I'll take reliability and good image quality over the latest camera all the time. This camera may be showing it's age, but still a lot to like about it.
Rossman
2020-02-10T10:52:04
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James C.
2018-07-21T20:00:00
I have been using the Canon C100 Mark II for a while (6 months) and have managed to get some great footage. However, I am disappointed with the Face Tracking not finding my Canon 35 mm (1:1,4) and 70 - 200 mm (1:2,8) lenses "not compatible". It also will not allow me to access the Slow Motion option in the menu, using these high-end lenses!
Unclerae
2018-01-31T10:07:13
If you are not ready to jump to 4k yet, the C100 Mark II is your best choice. The joy of using this camera is unmatched. A great camera for anyone transitioning from a DSLR.
Samuel D.
2017-06-28T13:47:11
Definitely recommend. Using for doc and interview work, has all the functions I need to accomplish what I want and speeds up my workflow. Shipped and arrived quick as well.
TIMOTHY Z.
2017-05-27T09:10:43
Solid. Serious upgrade from the C100 Mark II! Very pleased with this camera/lens combo.
CLAIRE W.
2017-03-04T19:00:00
Had this camera for about 2 years. I trust it and it has never let me down. Picture quality is great and low light is great too. I like the way the camera looks and all the buttons you can use insted of going into the menu to find what your looking for. Very intuitive to use. A few things I would say, is the uncompressed HDMI output OTHER THEN 60P is interlaced and that makes it hard to work with. (who uses interlaced footage this day and age?). Also this camera has auto focus and it works not as good as I thought it would. It hunts and the thing in focus is NEVER really in focus, and I have to manual do it. Defeats the purpose of AF. Using Canon EF-S 18-135mm IS STM lens.
meow1234
2016-12-13T07:26:08
you can barly seen any noise at iso 20000, its great.
Scott R.
2016-08-24T10:30:53
I started the process of finding a workhorse for my business by working with the Blackmagic 4K PC, I ultimately ended up sending it back. You NEED lights and I mean lots of light. I decided to try this off a recommendation from Film Riot, and I couldn't be happier with every aspect of this camera. It's so worth the price and the learning curve is small.
Fred B.
2016-05-19T14:31:25
Switched from Sony FS100. Love the image quality, and C-Log. Found it very easy to use in run and gun, and weddings. Last weekend shot a dance event in low light conditions, came out stunning.
SANTOSH D.
2016-03-24T20:00:00
This camera resolves 1080 beautifully, and is a very solid performer, however I wish to go straight to a feature that should be improved: The only progressive output available in 1080 via the HDMI port is 60p. When set to 29.97 or 23.98. the HDMI signal is interlaced: 59.94i - and this has reduced the usability of this excellent camera. The HDMI output is critical for professional use, because the internal recording format is highly compressed. The only other aspect of this camera that is critical and unusual is the White Balance, (WB). If you select A or B and activate the WB while pointing at a white balance card, it properly sets the correct Kelvin, but if you choose Kelvin and manually dial the temperature to that very same temperature, it isn't the same result. Meaning, I can use the WB setting in preset A to activate a white balance and everything looks perfect. Let's say that the temperature is 3400 Kelvin. I can then change the preset to Kelvin and dial the temperature to 3400 manually but the result is not the same. This issue makes it necessary to use a white card for each camera on a multi camera shoot versus being able to simply match Kelvin temperature to the same identical value.
Keystone P.
2015-12-07T19:00:00
A pleasure to operate. I love using the new viewfinder and 3.5" OLED monitor. The ergonomics are excellent; very lightweight considering how much it offers. Unusually beautiful 1080p image thanks to the in-camera 4K sampling. Great lowlight performance. The batteries last forever and the SD media is very affordable. Combines many of the best elements of a Canon DSLR and a traditional video camera. I wish there was a Canon zoom control for this type of camera/lens system, but insofar as camera limitations go, I'm willing to sacrifice that for the interchangeable lens option. Plus I hear Zacuto has a zoom control solution coming out fairly soon. All-in-all, this might be the most pleasurable professional camera I've ever owned.
Jonathan C.
2015-03-24T21:00:00
I own the C300 and the C100 Mark 1 and this new camera is my favorite. The image is spectacular, with some very nice upgrades over the early Cinema EOS cameras. Highly recommend this camera.
Brian R.
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4206 x 2340 pixels; Approx. 9.86 megapixels
CMOS
Super 35; 24.6 x 13.8 mm (28.2 mm diagonal); 6.4 microm cell pitch
Progressive
1
RGB Primary Color Filter (Bayer Array)
DiGic DV 4
EF-mount for compatibility with EF, EF-S and EF Cinema lens systems
Mechanical ND filter system with option of clear, 2, 4, and 6 stops)
Manual setting in 1/2-step increments, 1/3-step increments or fine Push auto iris control
Available
Manual; Push Auto Iris Control (metering system selection/AE shift possible)
Available (Standard Center Weighted, Spotlight, Backlight)
Normal Setting -6 dB to 30 dB / Fine Setting 0 dB to 24 dB in 0.5 dB increments
3200 to 80,000 in 1/3 stop increments
Available
3 Modes: OFF; Speed; Angle; Slow Shutter; Clear Scan Speed setting can be set in 1/2 or 1/3 stop increments
59.94i/: 1/60 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/4, 1/8, 1/15, 1/30;
CS: 59.94 Hz - 250.27 Hz
PF30: 1/30 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/4, 1/8; CS: 29.97 Hz - 250.27 Hz
23.98p/PF24: 1/24 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12;
CS: 23.97 Hz - 250.27 Hz
50i: 1/50 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12 1/25;
CS: 50.00 Hz - 250.78 Hz
PF25: 1/25 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12;
CS: 25.00 Hz - 250.78 Hz
59.94i: 360, 240, 216, 180, 120, 90, 60, 45, 30, 22.5, 15, 11.25
PF30: 360, 240, 216, 180, 120, 90, 60, 45, 30, 22.5, 15, 11.25
23.98p/PF24: 360, 345.6, 288, 240, 180, 172.8, 144, 120, 90, 86.4, 72, 60, 45, 30, 22.5, 15, 11.25
50i: 360, 300, 240, 180, 150, 120, 90, 60, 45, 30, 22.50, 15, 11.25
PF25: 360, 300, 240, 180, 150, 120, 90, 60, 45, 30, 22.50, 15, 11.25
Lens Dependent (1.0 to 91 in 1/2 or 1/3 stop increments - EF / EF-S lenses only) Canon Cinema EOS lenses are continuous manual.
Manual, One-Shot AF, Continuous AF
Available; AF is dependent on interchangeable lenses
(a) Dual Pixel CMOS AF (screen center)
(b) TTL-Video Signal Sensing System (contrast detection system) when Face AF is selected
One-Shot AF, Continuous AF
NTSC and PAL
MPEG-4 AVC/H.264
Available
AVCHD: 28 Mbps
MP4: 35 Mbps
Available; Provides the same DR Range as Canon Log Gamma while maintaining a standard video curve
28 Mbps - 1920 x 1080: 59.94i/50p
24 Mbps - 1920 x 1080: 59.94i/PF29.97/23.98P 50i/PF25
17 Mbps - 1920 x 1080:59.94i/PF29.97/23.98P 50i/PF25
7 Mbps - 1440 x 1080: 59.94i/PF29.97/23.98P 50i/PF25
SD Card x2 (Video, Still Images (JPEG), Custom Picture Settings [20 files], Menu Settings and other settings can be recorded); SD/SDHC/SDXC Supported; MMC Cards are not supported
AVCHD
MP4
FAT 32
999 (per media)
AVCHD: 28 Mbps & 24 Mbps Modes: Linear PCM; 2-Channel; 16-Bit; 48 kHz
All Other Modes: Dolby Digital 2ch
MP4: MPEG-4 AAC-LC; 2-Channel; 16-bit; 48 kHz
35-17 Mbps: 256 kbps
Less than 4 Mbps: 128
Monaural Microphone in Camera Body
Stereo Microphone in Handle Unit
2 - XLR inputs (Auto and Manual level settings)
3.5 mm diameter
CH1/CH2: The CH1 signals are allocated to the L output channel, and the CH2 signals are allocated to the R output channel.
CH1/CH1: The CH1 signals are allocated to the L output channel, and the CH1 signals are allocated to the R output channel.
CH2/CH2: The CH2 signals are allocated to the L output channel, and the CH2 signals are allocated to the R output channel
ALL CH/ALL CH: Signals obtained by mixing the CH1 and CH2 signals are allocated to the L and R output channels.
Available; -12dB, -6 dB, 0dB, +6dB or +12 dB
Available
Available; +48V
16 Settings; Volume is muted at lowest setting
Yes; 16 level settings
Available; Off, -12, -18, or -20 dB
(1)Standard Playback: The images and sound recorded under the previously stated recording options are played back.
(2)Special Playback:
Available in MP4 Mode Only. This function achieves a fast or slow motion effect by recording at a frame rate different from the one used during playback. The following recording frame rates can be selected using the camera's video quality and frame rate settings. No sound is recorded.
Relay Recording; Double-Slot Recording; Continuous Recording
Available; Images captured to SD Card; Images can be captured in Camera and Media modes.
Available; 5 Modes (Line/Line+Spot/Field/RGB/YPbPr) Gain: 1x/2x
Available; 2 Modes (Spot/Normal) Gain: 1x/5x
Peaking (white, red, yellow, blue), Zebra Pattern, Magnify, Edge Monitor Focus Assist, Black and White Mode
Not Available
Not Available
Yes, 3 seconds cache (Audio and Video)
Available (Horizontal, vertical or both can be selected)
Drop Frame (DF)* or Non-Drop Frame (NDF)
*59.94(i/P>/29.97P mode in 59.94 Hz mode only
Regen, Record Run, Free Run
Available (BT.709/Wide DR)
AWB, Daylight (5,500 K); Tungsten (3,000K); Kelvin (5,500K default); Set A; Set B
Available, 8 total functions
Available; Total of 33 displays including audio level and remaining battery can be turned on and off
17; Can be assigned functions as desired
Available; Color bars compliant with SMPTE, ARIB
(59.94 Hz mode) & EBU/SMPTE (50.00 Hz mode)
59.94 Hz Mode: 0.3 Lux
(f/1.2 lens, 24 dB, PF29.27, 1/30s)
50.00 Hz Mode: 0.25 Lux
(f/1.2 lens, 24 dB, PF25.00, 1/25s)
59.94 Hz mode: F9
[1920x1080/59.94i, ISO 640 (0 dB), 2000 lux, reflectance ratio of 89.9%]
50.00 Hz mode: F10
[1920x1080/50.00i, ISO 640 (0 dB), 2000 lux, reflectance ratio of 89.9%]
59.94 Hz Mode: 54db (Typical)
[1920x1080/PF29.97, Canon Log Base sensitivity ISO 850 (Dynamic Range 800%)]
50.00 Hz Mode: 54dB (Typical)
[1920x1080/PF25.00, Canon Log Base sensitivity ISO 850 (Dynamic Range 800%)]
During Normal Shooting: 300%
*With Canon Log Gamma or Wide DR Gamma: 800%
*ISO 850 or above - gain 2.5dB or above
28.2-degrees
+2.0 to -5.5
Brightness, Contrast, Color, Sharpness, and Backlight
Rotating 3.5 inch Organiz EL (OLED) Display (1,230,000 pixels) on camera body
Brightness, Contrast, Color, Sharpness, and Backlight (Normal or Bright)
Yes; through HDMI (Output Only)
Yes (Type A); Video and Audio Output
2 - Balanced 3-pin XLR (Mic Level, Mic Level with phantom power and Line Level) on handle unit
3.5mm Microphone terminal on main body
Available; 3.5mm stereo mini-jack
Available, 2.5mm stereo mini jack
Battery Pack: 7.4 V
DC in: 8.4V
BP-9 Series (BP-955 Supplied)
CA-940 N (Supplied)
C100 Mark II (Body plus Thumb Rest (without eyecup):
Approx. 5.8(w) x 6.9(h) x 6.7(d) in. (147(w) x 174(h) x 169(d) mm)
C100 (Body plus Grip plus Eyecup):
Approx. 7.4(w) x 7.4(h) x 8.6(d) in. (188(w) x 189(h) x 219(d) mm)
C100 (Body plus Thumb Rest plus Handle Unit & Eyecup):
Approx. 7.4(w) x 11.0(h) x 13.1(d) in. (188w) x 280(h) x 334(d) mm)
TBD
German, English, Spanish, French, Italian, Polish, Portuguese, Russian, simplified Chinese, Korean characters, and Japanese
Automatic Calendar range January 1st, 2014 through December 31, 2030 selectable in American, Japanese and European Date formats.
World Clock support - UTC time setting: Setting range from -12:00 to +14:00
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Although Vimeo recently announced the introduction of 4K playback to their streaming service, their adaptive technology might render the news meaningless for filmmakers wanting to showcase their work. Or does it?
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Outstanding HD Video Camera
By Jonathan C.
A pleasure to operate. I love using the new viewfinder and 3.5" OLED monitor. The ergonomics are excellent; very lightweight considering how much it offers. Unusually beautiful 1080p image thanks to the in-camera 4K sampling. Great lowlight performance. The batteries last forever and the SD media is very affordable. Combines many of the best elements of a Canon DSLR and a traditional video camera. I wish there was a Canon zoom control for this type of camera/lens system, but insofar as camer...
View full Review
Everything you want and more
By Fred B.
I started the process of finding a workhorse for my business by working with the Blackmagic 4K PC, I ultimately ended up sending it back. You NEED lights and I mean lots of light. I decided to try this off a recommendation from Film Riot, and I couldn't be happier with every aspect of this camera. It's so worth the price and the learning curve is small.
The Canon EOS C100 Mark II Digital HD Camera offers all of the advantages of its predecessor while adding advanced new imaging and operational features by popular demand. Optimized for one-person use and compatible with the full range of Canon EF, EF-S, and EF-mount CN-E Cinema lenses, this greatly evolved camera integrates the same Emmy®-Award winning Canon Super 35mm CMOS Sensor used in all of Canon's Cinema EOS cameras, but now replaces the Canon DIGIC DV III Image Processor with the more sophisticated Canon DIGIC DV 4 Image Processor.
You can shoot in near-darkness thanks to the C100 Mark II's wide ISO range of 320-102,400. Such a high sensitivity means less reliance on big lights and large crews. The Digic DV4 image processor achieves a high signal-noise ratio, for improved dynamic range and less noise at high speeds.
Compatible with Canon AF lenses and has a Continuous AF using Dual Pixel CMOS AF technology. Each pixel has 2 separate photodiodes; software continuously compares each photodiode's output during AF mode for smooth focus transitions when talent or camera moves. Works with Canon's EF and newer STM lenses for smooth, quiet operation.
The new menu system can be navigated via camera buttons as an alternative to the removable joystick, so you can use menus when the side grip has been removed. You can also select one of 25 locations to magnify the image to easily check focus.
Users can get the look of 35mm film thanks to the 8.3MP Super 35mm CMOS sensor. Its wider pixel pitch improves noise in low light, while the angle of view and depth of field will be more film-like.
Thanks to Canon Log Gamma, the C100 Mark II boasts 12 stops of dynamic range by suppressing brightness while maintaining gradations. Color grading in post production is not necessary.
Record AVCHD bit rates up to 24 Mbps, with resolution up to 1920x1080. Frame rates range from FP24 to 59.94p, as well as MP4 recording. Long takes are supported via relay recording between dual SD cards. The camera can also write video to both cards for redundancy. Uncompressed HDMI output is available with Timecode and Canon Log LUT options.
Smaller & designed for the solo shooter, but can be decked out with a range of camera-mounted accessories. A removable hand grip rotates 360 degrees for comfortable shooting. Hardware buttons can be customized to the user's needs.
Users have full manual exposure and focus controls. Aids include focus peaking and Magnify Focus. Green and red waveforms give focus feedback on the LCD monitor.