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Review Summary
2016-09-10T05:11:40
So far it does exactly what it is supposed to do. Great tool for monitoring and recording your video and easy to use too.
Stuart S.
2016-04-15T05:40:56
Really nice monitor and recorder, sometimes I just use it as a monitor and don't record. If you record it is a serious battery hog with only one batter slot so it's not really good for interviews unless you have continuous power from mains or atomos power station.
GUS C.
Extend coverage on pre-owned products after the retailer warranty ends and protect photo & video gear from accidental damage with Adorama Protect.
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Coverage for pre-owned gear begins after the retailer warranty ends, plus accidental damage protection for photo/video gear that starts on day one.
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When regular use of your product over time results in mechanical or electrical failure.
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Adorama Protect powered by Extend is available for purchase to customers in the United States. Not available for International and U.S. territories purchases. Plans on pre-owned items do not cover pre-existing damages.
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10 - 20W
Sony L Series (NP), D-Tap and supporting accessories
6.2V to 16.8V
5200mAh - up to 1.5hrs (monitor & record 4K)
7800mAh - up to 2.2hrs (monitor & record 4K)
1 x DC in (6.2 - 16.8V)
via optional Power Station (sold separately)
Size: 7.1"
Resolution: 1920 x 1200
PPI: 320
Aspect Ratio: 16:9 native
Color standard: REC709 HDTV
Look up table (LUT) support: 3D/1D LUT (monitoring & output, bake-in recording, 50/50 split screen view)
Technology: SuperAtom IPS panel (capacitive touch)
Calibration: Calibration in factory to Rec.709. In-field calibration with optional Atomos/Datacolor Spyder
Calibration Software download provided
HDMI: 1 x HDMI (1.4b)
Signal: Uncompressed true 10-bit* or 8-bit to 10 bit 422 sampling*
*camera output dependant
HDMI: 1 x HDMI (1.4b)
Signal: Uncompressed true 10-bit* or 8-bit to 10 bit 422 sampling*
*camera output dependant
HDMI to HDMI:
HD - 720p 50/60, 1080i 50/60
Full HD - 1080p 24/25/30/50/60/120*, 2160p 24/25/30
*camera output dependant
4K UHD - 2160p 24/25/30
4K-UHD 3840x2160 8/10-bit 4:2:2 to: Apple ProRes: HQ, 422, LT
DNxHR:HQX, HQ, SQ, LB
1920x1080 8/10-bit 4:2:2 to: 10 Bit Apple ProRes: HQ, 422, LT
10 bit DNxHD: 220x,
8 bit DNxHD: 220, 145, 36
1280x720 8/10-bit 4:2:2 to: 10 Bit Apple ProRes: HQ, 422, LT
10 bit DNxHD: 220x,
8 bit DNxHD: 220, 145, 36
Pulldown removal: 1080pSF 24/25/30pSF > 24/25/30p (2:2 pulldown) 1080i 60 > 24p (3:2 pulldown)
4K UHD to HD down convert: Via HDMI loop-out, in record, and playback modes
HDMI: 2 or 8ch 24-bit*
*camera output dependant
Analog Audio: Line-in / Headphone-out 2ch 48kHz 16-bit
Processing: Gain control on headphone and line-in
Audio Delay: Delay setting +1 to 99 Frames
HDMI: Auto HDMI Trigger
Supported Protocols - Canon, Sony, *Atomos Open Standard
*Atomos Open-Trigger standard supported by Panasonic, Ikegami, JVC, Samsung
Other: LANC control - Slave
HDMI: Embedded Timecode from camera or video device*
*camera output dependant
Supported Protocols - Canon, Sony, Atomos Open Standard
Atomos Open-Trigger standard supported by Panasonic, Ikegami, JVC, Samsung
Playlist: Yes
Yes (HD 8s, 4K 2s)
Yes
Keyframable up to 10 video and single frame intervals. Can be triggered from internal clock.
Yes (10 internal tags available)
Favorite, Reject, Talent 1, Talent 2, Over EXP, Color, Bad Audio, Cut Away, Close Up, Wide Shot
4K / HD (50/60/120p*)
*camera output dependant
CFast 2.0, 2.5" SSD and HDD (7200rpm up to 1080p60)
Sata III to Cfast 2.0 adapter required
Supported Applications FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+
EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / Autodesk Smoke 2015
FCPX XML native, FCP7 supported with conversion (Adobe compatible)
High-quality lightweight ABS Polycarbonate for durability & portability
Included silicon bumper for drop and usage protection
7.7 x 4.3 x 1.85" (196 x 110 x 47mm)
Master Caddy II: 2.95 x 4.13 x 0.47" (75 x 105 x 12mm)
Without batteries & media: 14.5oz (430g)
With batteries & media: 24.2oz (702g)
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First impressions
By Stuart S.
So far it does exactly what it is supposed to do. Great tool for monitoring and recording your video and easy to use too.
Beautiful screen
By GUS C.
Really nice monitor and recorder, sometimes I just use it as a monitor and don't record. If you record it is a serious battery hog with only one batter slot so it's not really good for interviews unless you have continuous power from mains or atomos power station.
Ninja Your 4K/HD Camera. Assassinate Limitations.
Ninja Assassin extends the legacy of the Atomos Ninja line up in to the realms of 4K UHD and 1080 60p. Combining professional 4K/HD recording, 7" 1920x1080 monitoring, advanced playback and editing in a compact, lightweight, affordable add-on to existing DSLR and Mirrorless cameras.
Unleash your camera's HDMI
The HDMI output is the key to unleashing your camera's capability, maximizing video image quality by recording your footage directly from the camera's sensor. This pristine image is then recorded to Hollywood quality Apple ProRes or Avid DNxHR codecs. The edit ready video files created by Ninja Assassin are visually lossless with each frame being captured in full resolution (I frame recording) just like film.
Assassinate MPEG Poor Quality
Bypass the highly compressed internal MPEG / h.264 camera compression increasing color resolution (with 4:2:2 color sampling) and color accuracy with 10 bit color (1 Billions Colors) in all recordings.
4K Recording at HD Prices
Harness the power of 2.5" computer storage media, reducing cost and increasing capacity and reliability, making 4K the same cost as affordable HD today. 4K recording onto 1TB delivers an amazing 3 hours of ProRes 422 HQ at 25 fps. HD recording onto even more affordable HDDs, 1TB delivers 10 hours of ProRes 422 HQ at 25 fps. Atomos has teamed up with the major HDD and SSD names in the world to ensure availability and reliability you know and trust.
Professional shot setup you can trust
Ninja Assassin provides a range of easy to use professional monitoring tools which include Focus Peaking Assist, 1:1 & 2:1 Zoom with silky smooth image pan & scan, False Color (skin tones), Zebra and Waveform/Vector Scopes for in-depth image analysis. Out of the box the display is color calibrated to REC709 standard and is capable of delivering 100% of sRGB and has a full 1080P resolution with over 320 Pixels per square inch. Shot set up with waveform and vector means accurate color and white balance every time.
Advanced recording capability
Ninja Assassin puts a wealth of smart production tools in your arsenal that's designed to allow you to:
Go back in time with Pre-Roll, up to 8 seconds of HD or 2-3 seconds of 4K so you'll never miss that shot.
Video Time-lapse gives enormous creative license with up to 10 different sequences, speed ramp and scheduled start and end times over 24 hrs.
Use anamorphic de-squeeze, the perfect companion for Panasonic's Anamorphic and those affordable anamorphic lenses.
4K to HD down convert gives you all the benefits of 4K content with the ability to deliver to existing HD environment, including projects, TV and Signage.
3D LUT's allow you to create a specific signature look or even recreate classic film stock instantly, with 50/50 3D/Normal split view, you can compare effects and make creative decisions on the fly.
An additional 3.5mm analog audio input allows connectivity from analog mixers or microphones locked frame accurately to your video.
Pipeline to your Timeline
Atomos increases the speed of your end to end workflow, allowing more time for creativity. Make edit decisions on the fly and in review with a choice of 10 tags. You can start to mark clips while you record and then Review, cut and tag in playback mode. You can even create a play list of your favorite clips and instantly review the action with clients both on the Assassin, and out to a 4K or HD big screen TV/Monitor. Marked in and out points are carried right through to your edit in your favorite NLE. Whether you are Mac or PC, Apple, Avid or Adobe, Atomos supports you.
Ninja Assassin unleashes the potential of your camera by assassinating its limitations!