Name: Used Sony PXW-FX9 XDCAM Full-Frame Camera System with FE PZ 28-135mm f/4 G OSS Lens (10 Hours) undefined
Brand: Sony
SKU: US1682209
Price: 8949.00 USD
Availability: Discontinued
Rating: 4.8 (6 reviews)

Sony PXW-FX9 XDCAM Full-Frame Camera System with FE PZ 28-135mm f/4 G OSS Lens (10 Hours)

Sony PXW-FX9

Sony

Adorama

Used

Video

Video Cameras

Digital Cinema Bodies

Sony Digital Cinema Bodies

Sony PXW-FX9 

Top Rated Gear: Used Sony PXW-FX9 XDCAM Full-Frame Camera System with FE PZ 28-135mm f/4 G OSS Lens (10 Hours) undefined

Full-frame CreativityBeautiful 4K HDR imagery from oversampling a 6K Full-frame Exmor R sensor with 15+ stop dynamic range and Dual Base ISO. Capture the impossible with the world's first full-frame Electronic Variable ND and Fast Hybrid AF that will track your subject with unprecedented speed and accuracy.4K capturing with oversampled 6K Full-frame Exmor R sensorThe camera's full-frame 6K sensor provides superb recording in DCI 4K, Ultra HD and HD resolutions. Powerful image processing with debayering and down-sampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony's Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9's 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field.15+ stops dynamic rangeFX9 offers an exceptional 15+ stops of dynamic range - beyond the normal range of human perception - allowing for unprecedented creative freedom in color grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording. In grading, colorists can find color and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene.Dual Base ISO of 800/4000FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary high base sensitivity of ISO 4000 excels in low light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal whenever you're using slow lenses. Combining Dual Base ISO with the camera's electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next generation responsiveness to changing conditions.World's first electronic variable ND filter for full-frame sensorRealize even greater creative control with Sony's unique built-in electronic variable neutral density (ND) filter - a world first for professional full-frame camcorders. Set to Auto or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher density settings with a slower shutter speed for breathtaking artistic effects.XAVC 422 10bit recording on XQD media cardsDepending on the project, the FX9 has a selection of recording formats. XAVC-I with 422 10bit quality at a highest 600Mbps in 60p. XAVC-Long for more longer recording time in smaller file size. Also, the traditional MPEG HD codec is also available. All files will be recorded onto XQD media cards.Selectable frame rates in both full-frame & Super 35Choose your desired frame-rate from 1fps up to 180fps for impressive quick and slow-motion footage. FX9 creates an immersive image with a wide angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow-motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting that maximizes full HD slow motion image quality with advanced oversampling technology.Cinematic color science out of the box with S-CinetoneS-Cinetone is the default look of FX9 that's tuned to meet the requirements of today's content creators with rich mid-range colors, alluring facial tones and a softer tonal look - developed with the same expertise as Sony's world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post-production thanks to the high performance full-frame image sensor.Fast and accurate "Fast Hybrid AF" with Face Detection and custom settingsEffortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with the camera's full-frame sensor. Developed by Sony's a camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognizes and locks on to human faces.The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing consistently accurate, responsive AF tracking, even with fast-moving subjects.FX9's comprehensive autofocus settings provide the creative flexibility to integrate with any project. 7-level AF transition speeds from Fast - switching between subjects as quickly as possible - to Slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama.5-level AF subject shift sensitivity ranges from Locked-on - ignoring other moving subjects in the frame - to Responsive that switches focus from one subject to another - ideal for snapping between race cars as they speed by.Image stabilization correction using camera meta dataAdvanced image stabilization information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software in post-production to look as smooth as if it were shot with a gimbal. Unlike in-camera or lens stabilization, meta data generated by FX9's built-in gyro allows you to creatively choose the balance between the level of shake-compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilization workflows.16bit RAW output16-bit RAW offers a phenomenal increase in post-production creative freedom to fully exploit FX9's exceptional 15+ stops of dynamic range. FX9 supports export of 16-bit RAW at either 4K or 2K resolution using the optional XDCA-FX9 extension unit with a single BNC cable connection to compatible external RAW recorders.4-channel audio input and recordingFX9 offers superb audio capabilities with independent control dials for each channel. In applications such as interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, the built-in microphone for voice memos by the operator, and two optional UWP Series wireless microphones for voice of interviewer and interviewee. In addition, using the optional XLR-K3M, XLR-K2M or XLR-K1M XLR adapter - with two extra XLR inputs - allows even more devices to be connected.Variety of outputs including 12G-SDI/3G-SDI, HDMI and TC in/out, GENLOCKFX9 is equipped with various outputs including a 12G-SDI and a HDMI for 4K output. Also, it has a 3G-SDI for HD output to expand its monitoring flexibility. For multi-camera operation, GENLOCK and TC In/Out terminals are available.Compatible with the new XDCA-FX9 extension unitFurther extend the capabilities of the FX9 with the optional XDCA-FX9 extension unit that optimizes camera weight distribution and ergonomics for comfortable shoulder-style shooting - ideal for ENG (Electronic News Gathering) and documentary applications. The extension unit also adds advanced networking for streaming/file transfers and a slot-in for a wireless audio receiverA selection of Back-up Rec modes and Cache Rec for additional safetyFX9 has a selection of back-up recording modes which will help ensure the recording is safe. Simul Rec will enable simultaneous HD recording onto two media cards. 4K/HD Sub Rec mode will allow 4K recording on one card and MPEG HD recording on another card. XAVC Proxy Rec is also available, offering a 9Mbps small size Proxy file which will be easily sent via network. Also, a maximum 28 second Cache Rec is also available to prevent missing any shot.Multi-Interface (MI) ShoeSony's flexible Multi-Interface (MI) Shoe provides power, signal connections and coordinated on/off switching with compatible Sony accessories. For example, you can connect and control Sony UWP-D wireless microphone systems (optional).SELP28135G Lens KitOptimized for professional cinematography applications, the light, compact, SELP28135G power zoom lens is an ideal complement for the full frame imaging possibilities of the FX9.&#149; Circular aperture with full-frame image circle format&#149; Motorized servo zoom for smooth, precise zoom moves&#149; Independent three rings for focus, zoom and iris with smooth, silent drive

Used Sony PXW-FX9 XDCAM Full-Frame Camera System with FE PZ 28-135mm f/4 G OSS Lens (10 Hours) undefined

A great step up from the Fs7.  
Cleaner images, less noise. Full Frame is a fantastic option when needed.
Auto focus with native E-mount lenses is a neat perk.  
Variable ND is silent and smoothe.  I use it every day!

So nice, I bought it twice

The standard in TV docs and reality

Great cameras work perfectly with LED screen

Administrator

Amazing

Love the weight, feel, and ergonomics of this camera system.

Love it!

I bought this as an u[grade to my FS7 package....and thats exactly what it is. Almost every facet of the camera is slightly better. The full frame sensor, much more advanced graduated ND system and accessibility to audio and monitoring dials are particularly significant improvements. The only CONS I have found so far are the increased power consumptions in comparison to the FS7, the almost identical slightly fragile viewfinder design and the shotgun mic holder which I replaced with something better immediately. Overall though, maybe the best run'n'gun camera out there at the moment.

Used Sony PXW-FX9 XDCAM Full-Frame Camera System with FE PZ 28-135mm f/4 G OSS Lens (10 Hours)

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