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Review Summary
Extend coverage on pre-owned products after the retailer warranty ends and protect photo & video gear from accidental damage with Adorama Protect.
If we can’t fix it, we’ll replace it at no additional cost.
Coverage for pre-owned gear begins after the retailer warranty ends, plus accidental damage protection for photo/video gear that starts on day one.
Enjoy your gear without fear. We have you covered!
When regular use of your product over time results in mechanical or electrical failure.
We will never charge you a deductible after the purchase of a plan.
Our claims process is simple & easy and our customer service team is happy to help.
Adorama Protect powered by Extend is available for purchase to customers in the United States. Not available for International and U.S. territories purchases. Plans on pre-owned items do not cover pre-existing damages.
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Yes
Size: 7.1"
Resolution: 1920 x 1200
PPI: 325
Aspect ratio: 16:9 native
Color Gamut: REC709 HDTV
Look up table (LUT) support: 3D LUT (.cube le format)
Anamorphic de-squeeze: 2x, 1.5x, 1.33x, Panasonic 8:3 Technology: SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit
Yes
Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, Panasonic Vlog, JVC JLog, Red LogFilm
Sony SGamut / SGamut3 / SGamut3.cine
Canon Cinema / BT2020 / DCI P3 / DCI P3+
Panasonic V Gamut
Arri Alexa Wide Gamut
10-bit (8+2 FRC)
1500nit (+/- 10%)
Yes
HDMI: 1 x HDMI (2.0)
SDI: 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G
Signal: Uncompressed true 10-bit or 8-bit 422 (playback file dependent)
720p 50/60, 1080i 50/60
1080p 24/25/30/50/60/100/120/200/240
2160p 24/25/30/50/60
720p 50/60, 1080i 50/60
1080pSF 24/25/30
1080p 24/25/30/50/60/100/120/200/240
2160p 24/25/30/50/60
720p 50/60, 1080i 50/60
1080p 24/25/30/50/60/100/120/200/240
2160p 24/25/30/50/60
720p 50/60, 1080i 50/60
1080p 24/25/30/50/60/100/120/200/240
2160p 24/25/30/50/60
Codecs: Cinema DNG for supported cameras (Sony FS5/FS7/ FS700, Canon C300MKII, C500, Panasonic Varicam RAW)
Frame rates: 4K DCI / 4K UHD; 24/25/30p 2K / 1080p; 24/SF24/25/SF25/30/SF30/50/60/100/120p
Codecs: Apple ProRes HQ, 422, LT AVID DNxHR HQX. HQ, SQ, LB
Frame rates: 4K DCI / 4K UHD; 24/25/30/50/60p 2K / 1080p; 24/SF24/25/SF25/30/ SF30/50/60/100/120/200/240p
Codecs Apple: ProRes HQ, 422, LT
AVID DNxHR HQX. HQ, SQ, LB
Frame rates: 4K DCI / 4K UHD; 24/25/30/50/60p
2K / 1080p; 24/SF24/25/SF25/30/
SF30/50/60/100/120/200/240p
1080i; 50/60i
720p; 50/60p
24/25/30pSF > 24/25/30p (2:2 pulldown)
60i > 24p (3:2 pulldown)
Yes - Loop-out and playback (Not available in RAW)
HDMI: 2 or 8ch 24-bit, camera dependent
SDI: 12ch 48kHz 24-bit
Audio:
2ch balanced XLR analog in/out
Dynamic range >90dB
Max signal level +24dBu
Max analog gain +52dB
48V Phantom Power for Mic
HDMI: Auto HDMI Trigger
Supported Protocols - Canon, Sony, Atomos Open Standard
SDI: SDI trigger camera selectable
Other LANC control - Slave
Playlist: Yes Genlock / LTC: Yes / Yes
Pre-roll record: Yes (HD 8s, 4K 2s)
Custom timelapse: Yes
Meta data tagging: Yes (10 tags available)
For 4K / HD Playback (50/60/120p) : SSD 2.5", HDD (7,200 up to 1080p60)
For HD playback: SSD 2.5", HDD (5,400 up to 1080p30)
Master Caddy II (included)
75mm x 105mm x 12mm
2.5" SATA to USB 2.0/3.0
Supported Applications FCPX/FCP7+ / Media Composer
5.0+ / Premiere 5.5+
EDIUS 6.0+ / Vegas Pro 10+ / Lightworks /
Autodesk Smoke 2015
FCPX XML native, FCP7 supported with conversion (Adobe compatible)
High quality lightweight ABS Polycarbonate for durability & portability
Built-in armor protection
10 - 27W
NP series and supporting accessories
6.2V to 16.8V
5200mAh - up to 1.5hrs (monitor & record 4K 30p)
7800mAh - up to 2.2hrs (monitor & record 4K 30p)
1 x DC in (6.2 - 16.8V)
8.4 x 5 x 1.8" (214 x 127 x 45mm)
2.5 lbs (1.2kg) with battery
AtomHDR image processing lets you shoot with the high brightness range of your camera’s Log profile while maintaining vibrant true-to-life colors. Conventional monitors lack this capability, displaying the brightness detail of Log but with a washed out image that makes judging exposure difficult. Be at the forefront of the HDR revolution by having a field monitor capable of resolving HDR in the field as you see it in Post Production and record the original Log image direct from the sensor for HDR grading in post production.
The 10-bit panel resolves more colors (1.07 billion colors compared to 16.7 million for standard 8-bit panels) to ensure smooth color transitions in both HDR and SDR (standard dynamic range) shooting. The 1500nit panel brings HDR to life, accentuating high contrast scenes. While for regular SDR scenes, use the brightness slider to take advantage of the 1500nit screen for hood-free outdoor monitoring.
The AtomHDR engine not only lets you set perfect exposure in the field, you can take a HDR output in either PQ or HLG* standard to compatible HDR screens or accept HDR input from your NLE for mobile grading or for HDR connection from cameras with a PQ or HLG* output
* Available in future firmware updates
Shogun Inferno combines high resolution recording, high frame rate recording and playback. Record Video from both HDMI and SDI cameras direct from the sensor to 4:2:2 10-bit ProRes or DNxHR up to an amazing 4K 60p or HD 240p*. Record Raw over SDI up to 4K 30p either directly to CDNG or record to ProRes or DNxHR.
The QuadLink SDI connections offer the widest camera compatibility with 1.5G/3G/6G/12G SDI inputs and a single 12G SDI output. Recording RAW* from Arri, Sony, Canon and Panasonic cameras provides 4K functionality not available in some cameras whilst also offers a far more affordable solution in terms of media costs.
Our flexible OS is packed with an extensive suite of scopes, all 1-touch away and simple to use. The Video OS includes tools for focus, framing & exposure (Focus peaking, 2:1/1:1 zoom, Zebra, False Color, Frame guides, SMPTE Safe Area, Waveform, RGB parade, vectorscope) along with a flexible 3D LUT implementation (use built-in LOG to Rec.709 Video or upload .cube files) and options for anamorphic de-squeeze monitoring.
Inferno features our patented continuous power system - a hot swappable dual battery system that automatically swaps to the second battery when power is low. To support the dual battery system we include a blazingly fast battery charger, two 4-cell batteries and a D-Tap to DC coiled cable to ensure continuous power in the field is all but assured.
The Shogun Inferno has multiple audio options replacing the need for a separate audio recorder. Monitor up to 8ch of embedded HDMI audio, up to 12ch of SDI audio or use the included XLR breakout cable to connect with external microphones for balanced analogue audio with 48V phantom power.
Outside of RAW and high frame rate 4:2:2 Apple ProRes / AVID DNxHR recording, the Shogun Inferno adds recording functionality not found in other recorders. Trigger start/stop recording over HDMI or SDI popular cameras, convert interlace to progressive signals on the fly with built-in 3:2 and 2:2 pulldown or use features like Pre-roll (continuous cache recording) and Time lapse to maximise your creativity.
Our built-in armor enhances protection & airflow whilst the raft of accessories (2 x NP series 4-cell batteries, fast battery charger, USB3 docking station, 2 x input XLR breakout cable, control cable, DC to D-Tap cable, 5 x Master Caddy cases, DC adapter & HDR sun hood) and the premium HPRC flight case ensures you're ready to hit the field immediately.