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Review Summary
2012-11-07T19:00:00
This is indeed a great camera, but much more than I really needed. I just wanted a second Olympus DSLR body as a backup to my E-520. But Olympus no longer makes any other DSLR so I bit the bullet and got this. (The originally much cheaper E-620 is still available online, but for a whole lot more money than the E-5. I can't imagine who would buy that when he can get the E-5 for a lot less!) Oh well, it sure does take great pics and has some really neat features that I'm still learning. However, though I gave it 5 stars, I do have some gripes: 1. First is the neck strap. It's a piece of trash. The plastic adjustment slider broke by the third time I used the camera - simply from letting the camera hang down after one use. That, of course, can cause the strap to slide out and the camera to bite the dust. Given the high price just for the camera body, you would think Olympus could at least spring for a couple of stainless steel sliders. I just don't get it. If you buy this camera, buy a decent strap. 2. The owner's manual is only marginally useful and simply fails to cover some subjects adequately. An excellent guide book (available from a major online retailer) for the E-5 is far better and I highly recommend it. It is written by a leading camera guide author. 3. This camera has a dedicated remote cable connector socket. My E-520 provides this function through the USB connection, so that meant I had to buy another remote cable since the one I bought for the E-520 won't work with this camera. Also, the USB cable from the E-520 will not work with the USB connection in the E-5 (this is actually a fault with the E-520, since a standard USB cable cannot be used with it, but can with the E-5). Irrespective of that, Olympus has not demonstrated any uniformity in some aspects of their DSLR line, which I find disturbing. 4. The external flash and remote cable sockets have small screw-on/off plastic caps, that are sure to get lost at some point. A small compartment with a flip-out cover for both would have been far better. 5. It seems all Olympus DSLR cameras imbed the caption "Olympus Digital Camera" into the exif data. That means if I don't manually remove it from the metadata in each and every image after downloading, it will show up on pictures posted on various online photo sharing websites. This is annoying since it cannot be changed in the camera. When you ask Olympus support about it, they get very touchy in replying. The bottom line is that they want you to give them free advertising. My wife's camera which is not an Olympus does not do that. Well, enough of the griping. This camera does take fantastic pictures, and I don't even have Oly's high or super high grade lenses yet - just several standard grade lenses (except the 50 mm, f2 macro, which I have not yet used with this camera). It is ergonomically super and the swivel LCD is a real benefit over the fixed one on the E-520. I no longer have to lie down in the dirt to get the shot I want. The eyepiece shutter is such a simple but functional feature when taking a remote picture using the self timer - you don't have to place a hood over the camera in order to keep out stray light. Of course, I always forget to close that thing, but have not had any problems with exposures getting messed up as a result. The front and rear dials make navigating the menu or the direct button settings a real breeze. The dual record media option (SD or CF) is a great feature which I got used to on the E-520 as well. As to the video recording capability, I can do without it. My stand-alone HD camcorder does it better. So I think I'll keep it!
Hermann
2012-05-07T21:00:00
I've been using an Olympus E-1 since early 2004. I use the ZD 14-54mm, 50-200mm, 50mm macro and Panasonic/Leica 25mm Four-Thirds lenses. I've mainly been shooting sports/action and wildlife photos. I bought an E-5 in November 2011 and I'm becoming accustomed to it. The E-5 would have been an amazing camera body for 2007. The image quality is good light is amazing. I was skeptical when reviews put it up against the high end Nikon and Canon bodies, but I can see why. In studio lighting, the images are so good. However, I photograph sports, many of them indoors or in poor weather conditions outdoors. I had to resort to using flash with the E-1 and the E-5 is no better, despite 7 years in-between them. The body settings need to be changed and the noise filter and noise reduction need to be reset to have sharp photos under poor lighting. I've found that ISO 1600 seems equivalent to ISO 2500 on a Nikon D300. The D300 isn't far ahead, but settings are important on both to achieve sharp photos. Under mediocre lighting, there is an odd "grain" or luminance noise. It's not totally unpleasant, but it's not exactly film-like, either. What makes the E-5 (or the E-1) important to me is that I have no problem shooting in the rain. In fact, I was shooting in 3 different hurricanes and only needed to towel dry the E-1 and lenses after each use. I have tested the auto focus and it works reasonably well but it's not a function I use normally. Again, settings will determine your success. The articulating LCD works well in Live View mode and you can capture photos at low angles much more easily. If one thing bothers me more than poor low light capabilities, which I expected, it would be the ergonomics. Using the E-1, things fall to hand quickly, even at 1 or 2 months. After 5 months with the E-5, I still have to look. I had hoped for more in 2011, but isn't terribly disappointing, even though it's a bit behind other brands in low light photography. The size and the multiplication factor of the format allow excellent, lighter weight lenses than the equivalent 135 format would provide and handheld shots are quite easy.
bousozoku
2012-02-26T19:00:00
The bulk of my photos are of flowers, animals/birds, and landscapes and this dslr fits the bill completely. Image quality is outstanding, even at higher ISO settings and Image stabilization is very helpful as I am not as steady as I used to be. Most members of my local camera club own Canon or Nikon and are amazed at the image quality of the E-5. The lenses I presently use are the 14-54 II and the 50-200 SWD with a 1.4 teleconverter behind it. I sometimes miss the mode dial that was on my previous E-500 and E-3 cameras but don't consider this a major issue.
WALLY S.
2012-01-29T19:00:00
This camera has worked well for me in most instances. I think adjustments on my part will improve images taken in low light conditions. Olympus images are extraordinarily clear and sharp. I have been using this system for many years and plan to stick with Olympus.
Stephanie H.
2011-11-06T19:00:00
I upgraded from the E-30. It is top of the Olympus DSLR line without the top of the line price of the competitors. I can hardly think of situations where the full sensor and the higher mps would be worth the difference of price. I think the E-5 gets a little lost in the crowd. Built in image stabilization and waterproofing are big pluses.
jefflg54
2011-10-30T21:00:00
Anytime and everytime. Pair this up with the 12-60mm and the 50-200mm and its a Go! Weather Sealed and all.
Nature S.
2011-10-09T21:00:00
I chose Olympus because of it's image quality and build quality. I have used several Olympus dslr's over the years, including the E3. Compared to the E3, the E5 has decent high-iso performance (provided there is some light), fast and more accurate auto focus in low-light, a richer feel to the images, and higher resolution. I have seen comments about noise when shooting low-light and high iso. This might be an issue for some. For me, if I'm shooting by moon or candle light and expecting no noise and great shadow detail, then I'm playing, not working. This camera focuses very well in dim conditions, so all you need is to know how to add a little light, or work with what's available. I photograph in rain and snow more often than I do the dark, so if this camera's weather sealing is anywhere near the E3 or E1's, then the E5 is a bargain at $1000's less than comparably sealed camera's from other makers.
M
2011-09-17T21:00:00
I shoot everything, Portraits, Landscape, Wildlife, Fast shutter speed with the right lenses. Not great in low light conditions.
KEVIN L.
2011-09-07T21:00:00
I use this camera for everything... from the viewfinder to the screen, from the handiling to the weather resistant... I love everything in this camera... if you are into 4/3 cameras and you have high or Super High Grede lenses... this is the camera to go... do not look any further... you just find it.
OLIVER S.
2011-09-03T21:00:00
This camera has many things going for it. Olympus pro optics provide superior resolution, The built in image stabilization is excellent and helps substantially in low light. This is important since high ISO settings can be noisy and require post capture processing to minimize grain. The tilt/swivel LCD allows great flexibility when taking low angle or high angle shots. The 2X lens factor gives great telephoto range with lighter optics, which is perfect for wildlife photography. At the other end of the range olympus has an incredible 7-14 mm wide angle, a beautiful lens. The real workhorse lens is a 12-60 mm. The body is rugged, withstanding hits in harsh environments from dirt, rain, and shock.
Doc
2011-09-03T21:00:00
Viewfinder is amazing. You don't get the "tunnel" vision at all! Color our of camera is almost perfect. Olympus tends to underexpose the picture a little. If you are taking portrait outdoor give it a+0.7 exposure and that should be good.
Nature S.
2011-09-03T21:00:00
I use Olympus E-5 as every pro photographer use their equipment: for anything and more!
Old D.
2011-07-13T21:00:00
Ichose the Olympus E5 because I wanted to move up from the E410. I also wanted the option of video that the other olympus models did not have. It requires studying the manual and having it handy and I still have not yet perfected all the options that the camera offers. For me, the only drawback is that if you are on an excursion or carry it for any length of time, it can be heavy and cumbersome. However, the picture quality, IS, and quick focus make it all worthwhile. I started several years ago with Olympus and have continued purchasing this brand because I love the clarity of the Zuiko lenses and the super quality of the camera. Hope this helps. Yes, it is worth the price.
PATRICIA K.
2011-03-16T21:00:00
The camera was OK. It is somewnat better than E-3.[...]
peakflow
2011-03-15T21:00:00
Upgrading from E-30 the E-5 feels like a rock, once you get it in your hands, is hard to let it go :P It is heavier, but not that much. Image quality, noise control, sharpness, LCD, viewfinder, all of them are much better. The deletion of the control wheel is different, but as I don't change mode too often, it was not a dig deal. Feel a fusion of the E-30 with the E-3 with some others upgrades.
OLIVER S.
2011-03-08T19:00:00
The most impressive aspects of the E-5,for my use,are the image quality and fast focusing capability. This is my 3rd Olympus dslr and I am completely satisfied with the quality and performance of the E-5. I am still learning to use the many adjustment features of this camera and continue to be amazed with its performance.
WALLY S.
2011-03-05T19:00:00
Let me get straight: I did not invent digital photography and this is not my choice! All digital camera are very fresh (I mean not done to create for my generation). All digital photographers by choice belong to a new generation who will sharp their teeth on a field only when they realise what is missing. But when it comes to do job for customers who demand digital culture in projects execution without breaking your banking account, this is the best camera for the job.
Old D.
2011-02-21T19:00:00
I use this as my main camera for all my work - indoor studio shots as well as outdoor sessions. I was debating whether or not to stick with Olympus - the other big names get all the press. But I love the fabulous quality I get from Olympus and am delighted with the E5's output! I would recommend this to anyone who is interested in great quality photos from a tried and tested camera.
Stephanie H.
2011-01-15T19:00:00
I debated a long time about whether to spend the money to buy an E-5 -- and am extremely pleased with it. Also own Olympus E-510 and E-300. The E-5 blows them away. Image quality is superb. Beautifully captures bright blue sky AND foreground subjects. White balance is excellent. So is ability to shoot in low light (Holiday-lights photos came out gorgeous, no noise). Autofocus is fast and excellent. I shoot special events (festivals, etc), speakers, concerts, dance performances, as well as family photos, soccer games, etc. This camera is amazing! It also shoots video, which I don't care about and haven't really used. For any Oly shooters who are thinking about moving up to this camera, I highly recommend it.
DALE P.
2011-01-11T19:00:00
I`m using Olympus since 2007. For People and Beauty-Shooting. It`s best in compare even Nikon D3s or EOS 5D II. The Resolution of the Pictures are amazing.
roland P.
2010-11-23T19:00:00
Finally a 4/3 rds to be pro status. No AA filter blurring is a Major leap forward in DSLR image processing. Now the great Olympus lenses can be used to their fullest capability. I wonder how the Panasonic GH1 sensor would work with this type of processing. Shame on Panasonic for not selling this Image sensor to Olympus
kaptnk
2010-11-17T19:00:00
The E5 is a very nice upgrade from the E3. A good two stops better handling noise. Faster AF, better in low light, brighter and bigger LCD screen, faster start up time and seems to have better dynamic range exposing highlights much better than previous 4/3rd cameras. Images are certainly cleaner and shaper with more detail. ISO 1600 is very usable and 3200 works well if you are just wanting to print 4x6's. No more pre flash is also nice. You really can't expect much more. Olympus really listened to the complaints of previous cameras and improved all the way around. Kudos Olympus.
Oly g.
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Single-lens reflex Live View digital camera with interchangeable lens system
CF/SD Dual-Slot, CompactFlash Type I (UDMA), SD Memory Card(SDHC/SDXC compatible) Class 6 or higher is recommended for Movie shooting
17.3 mm (H) x 13.0 mm (V)
Four Thirds Mount
12.3 million pixels
High speed Live MOS Sensor
Approx. 13.1 million pixels
Supersonic Wave Filter (dust reduction system for image sensor)
DCF, DPOF compatible/Exif, PRINT Image Matching III
RAW (12-bit), JPEG, RAW+JPEG
[RAW] 4032 x 3024 pixels
[JPEG] 4032 x 3024 pixels - 640 x 480 pixels
RAW: 4032(H)x3042(V) (approx. 1/1.5 lossless compressed) Approx. 13.9MB
Set1(LF): 4032(H)x3042(V) (1/4 compressed) Approx. 5.7MB Set2(LN): 4032(H)x3042(V) (1/8 compressed) Approx. 2.7MB
Set3(MN): 2560(H)x1920(V) (1/8 compressed) Approx. 1.1MB
Set4(SN): 1024(H)x768(V) (1/8 compressed) Approx. 0.3MB
AVI Motion JPEG (30fps)
Movie Mode HD: 1280(H)x720(V) Aspect 16:9
SD: 640(H)x480(V) Aspect 4:3(VGA)
1/12(HD), 1/8(SD)
Max 2GB(limited by AVI format)
HD: 7min, SD: 14min
Wave Format Base
Stereo PCM/16bit, 44.1kHz
Picture with Sound: 30sec
Movie: depend on Movie Recording Time
Mono/Mono (Stereo external microphone available)
Eye-level single-lens reflex viewfinder
Approx. 100%
Approx.1.15x (-1m-1, 50mm lens, infinity)
Approx. 20.0 mm (-1m-1) *from eyepiece lens
-3.0 - +1m-1
Changeable at a service center (Neo Lumi-Micro Mat screen supplied, possible to change to gird mat type)
Built-in type
Interchangeable type EP-5/6/7/8, EP-7 is supplied (Magnifier Eyecup ME-1 and Dioptric eyecup DE-P3, DE-N3 are available.)
Yes, by preview button
Available to set to Fn button or Preview button
Aperture value, Shutter speed, Record mode, AF confirmation mark, Flash, WB, AE lock, Number of storable still images, Exposure compensation value, Metering mode, Battery warning, Exposure mode, AF frame (super impose), IS, Bracket, ISO value
High speed Live MOS Sensor for still picture shooting is used, 100% field of view,
Exposure adjustment pre-view, White balance adjustment pre-view, Gradation auto pre-view Face detection pre-view, Perfect shot pre-view Grid line displayable, 5x/7x/10x/14x magnification possible, MF/S-AF, AF frame display,
AF point display, Shooting information, Histogram, IS activating mode.
Built in (Imager shift image stabilizer)
3 modes (2 dimensional activation, 1 dimensional activation in landscape frame to vertical direction moving, 1 dimensional activation in portrait frame to horizontal direction moving )
input focal length 8, 10, 12, 16, 18, 24, 28, 30, 35, 40, 48, 50, 55, 65, 70, 75, 80, 85, 90, 100, 105, 120, 135, 150, 200, 210, 250, 300, 350, 400, 500, 600, 800, 1000
Approx.5 EV steps (in maximum effect)
HyperCrystal LCD (transmissive TFT color LCD)
3.0 inches
Approx. 920,000 dots
100%
15 levels, with auto mode
15 levels
TTL phase-difference detection system Contrast detection system in Live View
Single AF (S-AF) / Continuous AF (C-AF) / Manual Focus (MF) /
S-AF + MF / C-AF + MF * C-AF mode is not available with the contrast detection system
11 points full-twin cross AF sensor with the phase-difference detection system
11-area multiple AF with the contrast detection system (Auto, selectable in option)
Single target, Dynamic single target, All targets with the phase-difference detection system
Single, all 11 area, or Face detection with the contrast detection system
(phase-difference detection system)
EV -2 to 19 (at 20?, ISO 100, TTL phase-difference detection system)
(phase-difference detection system)
Built-in flash (external flash available)
Locked at first position of Shutter button in Single AF mode / AEL button (customizable)
Interlocked with Continuous AF mode
Available
+/- 20 steps, 20 data can be registered
TTL open-aperture metering system
(1) Digital ESP metering (49-points multi pattern metering)
(2) Centre weighted average metering
(3) Spot metering (approx. 2% for the viewfinder screen. Highlight / shadow bases are available)
EV 1 - 20 (Digital ESP metering, Centre weighted average metering, Spot metering)
(At normal temperature, 50mm f2, ISO 100)
(1) P: Program AE (Program shift can be performed) (2) A: Aperture priority AE (3) S: Shutter priority AE (4) M: Manual
AUTO: ISO 200 - 6400 (customizable, Default 200-1600) / Manual ISO 100 - 6400, 1/3 or 1 EV steps
+/-5 EV in 1/3, 1/2, 1 EV steps selectable
AEL button (customizable)
2, 3, 5 or 7 frames in 0.3, 0.5, 0.7, 1EV steps selectable
2F-0.3step 2F-0.5step 2F-0.7step 2F-1.0step
3F-0.3Step 3F-0.5Step 3F-0.7Step 3F-1.0Step
5F-0.3Step 5F-0.5Step 5F-0.7Step 5F-1.0Step
7F-0.3step 7F-0.5step 7F-0.7step
3 frames in 0.3, 0.7, 1EV steps selectable
1/6 EV step, +/- 1EV range
Hybrid detection system with High speed Live MOS sensor and dedicated external sensor.
7 settings (3000K - 7500K)
Lamp (3000K), Fluorescent (4000K), Daylight (5300K), Flash (5500K), Cloudy (6000K), Shade (7500K), Underwater
+/-7 steps in each A-B/G-M axis (in Auto WB / Preset WB mode / One touch WB)
1 setting can be registered at Kelvin temperature (2000K - 14000K)
4 custom setting can be registered
3 frames in 2, 4, 6 steps selectable in each A-B/G-M axis.
sRGB, Adobe RGB
i-ENHANCE, Vivid, Natural, Portrait, Muted, Monotone, Custom (default setting: Natural), Pop Art, Soft Focus, Pale & Color, Light Tone, Grainy Film, Pin Hole, Diorama, Gentle Sepia, Cross Process, Dramatic Tone
In custom mode, basic 5 modes and adjustment is available.
Contrast, Sharpness and Saturation level available in 5 steps for i-ENHANCE, Vivid, Natural, Portrait and Muted. Contrast and Sharpness level available in 5 steps for Monotone. 3 effect levels are available in i-ENHANCE.
Yellow, Orange, Red or Green filter available for Monotone
Sepia, Blue, Purple or Green tone available for Monotone
4 levels (Auto, High key, Normal, Low key)
OFF, LOW, STANDARD, HIGH
OFF, ON, AUTO
ON (effective when shutter speed is slower than 1sec)
AUTO (effective when shutter speed is slower than 4sec (at ISO 200 or higher) or 8sec (at lower than ISO200)
Computerized focal-plane shutter
P(Ps), S, A, M mode: 60 - 1/8000 sec.
Bulb: up to 30 min. (selectable longest time in the menu.
Default: 8 min. 1/3, 1/2, or 1EV steps selectable.
Operation time: 12 sec., 2 sec. (cancel available)
Available (with optional RM-CB1 Remote cable.)
Operation time: 2 sec., 0 sec., bulb control available (with optional RM-1 remote control)
Available (1/8 to 30 sec selectable)
Electronics shutter 1/60s-1/250s (1/3 EV steps)
Single-frame shooting, Sequential shooting H, Sequential shooting L, Self-timer, Remote control
Approx. 5 frames/sec. in sequential shooting H, 1 to 4 fps selectable in sequential shooting L.
RAW mode: Max. 16 frames. (with SanDisk Extreme Pro 16GB)
JPEG mode: ( up to the card capacity with SanDisk Extreme Pro 16GB)
Retractable flash, GN=18 @ISO200, (GN=13 @ISO 100.m)
FL-50R, FL-36R, FL-50, FL-36, FL-14
TTL Auto (TTL pre-flash mode), Auto, Manual
Auto, Red-eye reduction, Red-eye reduction slow sync., Slow sync at 1st curtain, Slow sync at 2nd curtain, Fill-in,
Manual (1/4, 1/16, 1/64), Off.
1/60s -1/250s (1/3 EV steps) (Min. speed can be down to 60 sec)
Up to +/-3 EV in 0.3, 0.5, 1 EV steps
3 frames in 0.3, 0.5, 0.7, 1 EV steps selectable.
FL-50R, FL-36R
Triggered and controlled by built-in flash light
TTL Auto (TTL pre-flash mode), Auto, Manual, FP TTL Auto, FP Manual.
4 channels
3 groups
2-4 pictures
Auto gain, Live View, Exposing on Recorded picture
4:3(Default)/3:2/16:9/6:6/5:4/7:6/6:5/7:5/3:4
2-axis
Rear LCD monitor, Viewfinder, Control panel
WB setting, WB compensation notification, B/W mode notification, Record mode, ISO sensitivity, Program Sift, BKT notification, Flash mode, Drive mode, Recordable still image number, Shutter Speed, Aperture Value, Exposure compensation value, Metering mode, AF mode, Activated AF points, Focusing mode, IS, Multi Exposure
8 sec.
Battery information, Exposure mode, Shutter speed, Aperture value, Exposure compensation value, ISO sensitivity, Exposure compensation indicator, Exposure indicator, Flash intensity compensation indicator, Date, BKT setting, NR setting, WB, WB compensation value, Picture mode, Flash mode, Record mode, Image size, Card information, Drive mode, Flash intensity compensation value, Metering mode,
Recordable still image number, Focusing mode, FP warning, AF frame, AF illuminator deactivated notification, IS, Sharpness, Contrast, Saturation, Gradation, IS activating mode, Face detection, RC mode setting, Myset, Flush Charge, Multi Exposure, Aspect Ratio
Exposure mode, Shutter speed, Aperture value, Exposure compensation value bar, Exposure compensation value, Flash compensation value bar, Flash compensation value, ALE notification, Flash compensation notification, NR notification, BKT notification, AF illuminator deactivated notification, Color space, Wireless channel setting, Built-in flash intensity, Group setting
Back light lighting time is selectable. (Keep, 8, 30sec, 1min)
Battery information, Shooting mode, Shutter speed, Aperture value, Exposure compensation value, ISO sensitivity, Exposure compensation indicator, Exposure indicator, Flash intensity compensation indicator, Date, Auto BKT setting, NR setting, WB, Record mode, Flash Status, Image size, Drive mode, Flash intensity compensation value, Metering mode, Recordable still image number, Focusing mode, AF frame, Internal Temperature Warning, IS activating mode, Face detection, Myset, Multi Exposure
Single-frame - Information Display - Index Display(4/9/25/100 frames, Calendar) - Close-up (2 - 14X) - Movie (w/sound, FF/REW/Pause) Slideshow(Still/Movie/Still+Movie, Slide show w/BGM/BGM+Sound/Sound)
Histogram (independent luminance / RGB available), Highlight / Shadow point warning, AF frame, Shooting information
Japanese, English , French, German, Spanish, Italian, Korean, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Danish, Polish, Portuguese, Swedish, Norwegian, Finnish, Croat, Slovenian, Hungarian, Greek, Slovakian, Turkish, Latvian, Estonian, Lithuanian, Ukrainian, Serbian, Bulgarian, Rumanian, Indonesian, Malay, Thai
4 setting recordable
Single frame, All frames, Selected frames
Single frame, Selected frames, Release protect (Single/All selected)
Single frame, All frames, Selected frames
RAW development
Shadow adjustment, Red-eye fix, Trimming, Monotone, Sepia, Saturation (color depth), Resize (producing another file), Aspect Change, e-Portrait
2-4 pictures, merge gain step 0.1-2.0 0.1 step
Print reservation (DPOF), Direct print (PictBridge compatible)
USB 2.0 High Speed for storage and camera control (MTP mode is available)
HDMI(HD/Mono or Stereo Sound), Audio&Video out (Audio: Mono, Video: NTSC/PAL selectable)
Hot shoe / External flash connector
Version 1.40a, Mini HDMI type-C (1080i/720p/576p/480p)
(AC-1 compatible*) *CAUTION: AC-1 is usable in some regions from safely regulation
BLM-5 Li-ion battery (included)
Available (1, 3, 5, 10 min., off selectable)
Approx. 870 shots (optical viewfinder)
(with BLM-5 under CIPA testing standard)
HLD-4 compatible
5.6" (W) x 4.6" (H) x 2.9"(D) / 142.5 mm (W) x 116.5 mm (H) x 74.5 mm (D) (excluding protrusions)
28.2 oz. / 800 g (body only) , 31.5 oz. / 892g (incl. Battery and CF card)
0 - 40c / 32 F - 104 F (operation) / -20 - 60c / -4 F - 140F (storage)
30 - 90% (operation) / 10 - 90% (storage)
Yes
Learn how to set up a four lighting setup and arrange a two-person portrait on location.
Yes, modern cameras (and even some cell phones) can capture good quality images, but it takes beautiful light to make beautiful pictures. That’s a truism about art, and technology won’t change that.
Ben Clay uses a classic approach and simple lighting kit to add depth and interest to the wine cellar of a historic hotel. His technique of working with the ambient light of the room, and adding contrast where needed ...
Spendid upgrade
By Oly g.
The E5 is a very nice upgrade from the E3. A good two stops better handling noise. Faster AF, better in low light, brighter and bigger LCD screen, faster start up time and seems to have better dynamic range exposing highlights much better than previous 4/3rd cameras. Images are certainly cleaner and shaper with more detail. ISO 1600 is very usable and 3200 works well if you are just wanting to print 4x6's. No more pre flash is also nice. You really can't expect much more. Olympus really li...
View full Review
Third best DSLR. First two cost $5,000 +
By kaptnk
Finally a 4/3 rds to be pro status. No AA filter blurring is a Major leap forward in DSLR image processing. Now the great Olympus lenses can be used to their fullest capability. I wonder how the Panasonic GH1 sensor would work with this type of processing. Shame on Panasonic for not selling this Image sensor to Olympus
No blur.
No dust. No bulk.
No limits. Built on our revolutionary E-System technology, the new Olympus E-5 adds powerful new features that let you do more than ever before. Designed to maximize the award-winning performance of Zuiko Digital lenses, the E-5 achieves the highest image quality of any Olympus camera with astonishing detail, blazing speed, and true-to-life color. New options like user control in Art Filters and 720p HD Video give you more freedom to explore creative effects. And with its weatherproof design, the rugged E-5 can go anywhere.
A New Dimension in Image Quality
Pairing the new TruePic V+ image processing engine with a 12.3 megapixel High-Speed Live MOS Sensor, the E-5 optimizes the power of Zuiko Digital lenses. New "Fine Detail Processing" technology captures exceptional detail from shadow to highlight. The E-5's groundbreaking, in-body Image Stabilization enables blur-free handheld shooting. And its redesigned, 11-point High Precision Twin Cross AF system is one of the world's fastest and most accurate.
Reliable Performance Under Any Condition
The first Olympus professional camera to offer 720p HD video, the E-5 records at 30fps with high quality audio. While shooting high-definition video, photographers can capture stereo sound quality by plugging in any microphone with a standard 3.5mm plug into the camera's stereo microphone terminal. And 10 new in-camera Art Filters let you add dramatic effects to both still photos and HD video. All Art Filters can be used in Aperture priority, Shutter priority, Program and Manual exposure modes. And new to the E-5, the Multiple Exposure function lets you overlay up to 4 images in a single frame.
All the Power, Without all the Bulk
When paired with Zuiko Digital lenses, the E-5 system is the most compact on the market. And its intuitive, ergonomic design, feels so natural, it's almost invisible to the photographic process. Whether composing still images or video, the E-5's 3.0-inch 920,000 dot dual axis swivel LCD with Live View covers all the viewing angles with a 100 percent accurate view. And its large optical viewfinder also provides a 100 percent accurate view, so you'll never miss a shot. The E-5 is also equipped with wireless flash control.
New Creative Tools Bring Your Vision to Life
The first Olympus professional camera to offer 720p HD video, the E-5 records at 30fps with high quality audio. While shooting high-definition video, photographers can capture stereo sound quality by plugging in any microphone with a standard 3.5mm plug into the camera's stereo microphone terminal. And 10 new in-camera Art Filters let you add dramatic effects to both still photos and HD video. All Art Filters can be used in Aperture priority, Shutter priority, Program and Manual exposure modes. And new to the E-5, the Multiple Exposure function lets you overlay up to 4 images in a single frame.