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Review Summary
2025-03-14T12:13:56
Nice and good
Mohammed S.
2019-09-05T13:31:41
I purchased this great camera a month ago, and my experience working with it is above and beyond. I am working on a film documentary and with the atomos inferno kit you can have the true 4k raw. Colors are simple amazing. I'm using it for other videos for political campaigns and the results are stunning! the metijones adapter works very wells with canon lenses. The menu is a professional user friendly. You can have a great range of audio with 5 channels. Definitely if you want to have the best of the best in the market this camera IT. I strongly recommended. I am a happy customer satisfied and beyond.
CLAUDE C.
2018-08-31T12:16:49
I love this camera. Sure I’d love an Alexa but this is the next best thing and what a deal. This camera is a workhorse and will get you gigs. Don’t think twice just get one.
Robert T.
2018-05-01T08:36:22
great service, great delivery / on time / as per order
KEV R.
Super 35mm Single-Chip Exmor CMOS
17:9 4096 (H) x 2160 (V)
16:9 3840 (H) x 2160 (V)
57 dB (Y)
2000 lx, 89.9% reflectance:
T14 (3840 x 2160/23.98p mode 3200K)
ISO Sensitivity:
ISO 2000 (S-Log3 Gamma D55 Light source)
0.7 lux: +18 dB,23.98p,Shutter OFF,ND Clear, f/1.4
NTSC / PAL
Clear, 1/4, 1/16, 1/64
3.5" (8.8cm)
Approx: 1.56M dots
Monaural
1/3 to 1/9000 of a sec
Preset
Memory A
Memory B (1500K-50000K)/ATW
-3, 0, 3, 6, 9, 12, 18 dB, AGC
STD
HG
User
S-log3
4K 4096 x 2160:
12-bit raw
UHD 3840 x 2160:
10-bit 4:2:2 XAVC-I
8-bit 4:2:0 XAVC-L
2K 2048 x 1080:
12-bit raw
HD 1920 x 1080:
10-bit 4:2:2 XAVC-I
10-bit 4:2:2 XAVC-L
MPEG2 4:2:2
HD 1280 x 720:
MPEG2 4:2:2
LPCM 24 bits, 48 kHz, 4 channels (Recording/Playback 2 channels)
59.94P CBG, bit rate 600 Mb/s
50P CBG, bit rate 500 Mb/s
29.97P CBG, bit rate 300 Mb/s
23.98P CBG, bit rate 240 Mb/s
25P CBG, bit rate 250 Mb/s
59.94P VBR, maximum bit rate 222 Mb/s
50P VBR, maximum bit rate 185 Mb/s
59.94i VBR, maximum bit rate 111 Mb/s
50i VBR, maximum bit rate 112 Mb/s
29.97p VBR, maximum bit rate 111 Mb/s
23.98p VBR, maximum bit rate 89 Mb/s
25p VBR, maximum bit rate 112 Mb/s
59.94p/50p mode: VBR, maximum bit rate 150 Mb/s
29.97p/23.98p/25p mode: VBR, maximum bit rate 100 Mb/s
VBR, maximum bit rate 50 Mb/s
VBR, maximum bit rate 35 Mb/s
VBR, maximum bit rate 25 Mb/s
CBR, maximum bit rate 50 Mbps, MPEG-2 422P@HL
CBR, maximum bit rate 50 Mbps, MPEG-2 422P@HL
3840 x 2160/ 59.94p, 50p, 29.97p, 23.98p, 25p
1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p
3840 x 2160/59.94p, 50p, 29.97p, 23.98p, 25p
1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p
XAVC-I QFHD: 3840 x 2160/ 59.94p, 50p, 29.97p, 23.98p, 25p
XAVC-I HD:
1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p
XAVC-L QFHD:
3840 x 2160/59.94p, 50p, 29.97p, 23.98p, 25p
XAVC-L HD 50:
1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p
XAVC-L 35:
1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p
XAVC-L 25:
1920 x 1080/59.94i, 50i
MPEG-2 Long GOP MPEG HD422:
1920 x 1080/59.94i, 50i, 29.97p, 23.98p, 25p
1280 x 720/59.94p, 50p, 29.97p, 23.98p, 25p
XAVC-I mode 3840 x 2160: 1 to 60 frames
(59.94p, 50p, 29.97p, 23.98p, 25p)
XAVC-I mode 1920 x 1080: 1 to 180 frames
(59.94p, 29.97p, 23.98p)
XAVC-I mode 1920 x 1080: 1 to 150 frames
(50p, 25p)
XAVC-L mode 3840 x 2160: 1 to 60 frames
(59.94p, 50p, 29.97p, 23.98p, 25p) XAVC-L mode 1920 x 1080: 1 to 120 frames
(59.94p, 50p, 29.97p, 23.98p, 25p)
XAVC-I mode QFHD 59.94p
When using QD-G128A (128 GB): Approx. 22 minutes
When using QD-G64A (64 GB) Approx. 11 minutes
XAVC-I mode QFHD 50p
When using QD-G128A (128 GB): Approx. 26 minutes
When using QD-G64A (64 GB) Approx. 13 minutes
2 x XQD
1 x SD (for configuration data only)
2x 3-pin XLR (Line/mic/mic +48)
Mic Reference: -40. -50. -60 dBu
2x BNC HD/3G-SDI (SMTPE292M/424M/425M)
1x Type A
USB device, miniB
1x Stereo mini jack (-16 dBu 16 Ohms)
Stereo mini jack (2.5mm)
Multi-Interface (MI) shoe
12VDC
Approx. 19W
BP-U30: Approx. 1 hr
BP-U60: Approx. 2 hr
BP-U90: Approx. 3 hr
Operating: 32 to 104 deg F (0 to 40 deg C)
Storage: -4 to 140 deg F (-4 to 140 deg C)
6.14 x 9.41 x 9.72" (156 x 239 x 247mm)
Body: 4.4 lbs (2.0kg)
Body with lens: 9.9 lbs (4.4kg)










The Sony Fs7 mark 2 is the only camera you need.
By Robert T.
I love this camera. Sure I’d love an Alexa but this is the next best thing and what a deal. This camera is a workhorse and will get you gigs. Don’t think twice just get one.
FS7 II The Best Camera for a Versatile Production
By CLAUDE C.
I purchased this great camera a month ago, and my experience working with it is above and beyond. I am working on a film documentary and with the atomos inferno kit you can have the true 4k raw. Colors are simple amazing. I'm using it for other videos for political campaigns and the results are stunning! the metijones adapter works very wells with canon lenses. The menu is a professional user friendly. You can have a great range of audio with 5 channels. Definitely if you want to have the...
View full Review
New Model Delivers Advanced Features for Documentary and Indie Production with Electronic Variable ND Filter, Lever Lock Type E-mount and Refined Mechanical Design
Sony is expanding its FS Series Super 35mm professional family with the addition of the new FS7 II camcorder. The new model builds on the original FS7's strengths by adding advanced features including Electronic Variable ND technology, a lever lock type E-mount, and a new mechanical design for faster and easier set-up. The new FS7 II camcorder also supports Sony's a Mount System, which includes more than 70 lenses.
ITU-R BT.2020 recording: is directly compatible with BT.2020 distribution
Pop-up LCD monitor hood: in addition to the detachable eyepiece
Improved eyepiece hook: for more secure attachment
Easier access to media cards: for convenient removal
Since its introduction in 2014, the FS7 has become one of the most widely used cameras in a range of production applications, and the original FS7 model remains in the Sony line-up. The new FS7 II now gives creative professionals a broader range of creative tools, with new features all based on end user feedback.
The new FS7 II camcorder is designed for long-form shooting and production applications, especially documentaries and independent filmmaking. Sony is also introducing an FS7 II kit model which includes a new E-mount, Super 35mm lens, model SELP18110G (18-110mm), covering Super35mm and APSC sensors.
Electronic Variable ND Technology
The camcorder's Electronic Variable ND Filter system, combined with its large sensor, delivers greater exposure control, with the option of preset or variable operation modes. Variable ND mode (seamless ND attenuation within the camera's 2-7 stop range) allows the user to vary the density of the ND filter during shooting and to transition seamlessly between steps.
The camera's expanded ND operations also enables fine exposure adjustment by relegating iris to set depth of field, prevents soft focus caused by diffraction, and prevents color shift caused by stacking multiple external ND filters. Preset mode lets users assign three ND settings to the filter turret, useful in selecting the most appropriate filtration range for changing light conditions. Auto ND mode is also available allowing exposure to stay at a fixed level while adjusting the depth of field with iris control.
E-mount (Lever Lock type) for professional shooting
The FS7 II's new E-mount (lever lock type) gives users the ability to change lenses by rotating the locking collar rather than the lens itself, which means that in most cases lens support rigs don't need to be removed, saves time during a production.
Mechanical Design Enhancements
Like its counterparts in the FS Series family - the FS7 and FS5 models - the new FS7 II features several design and ergonomic updates for comfortable and functional use in the field.
The FS7 II's 'tool-less' mechanical design lets users make on-the-fly changes to the camera's set-up and operation. For example, no tools are required to adjust the Smart Grip or viewfinder positions.
The viewfinder eyepiece provides a third stabilizing contact point when shooting handheld. Durable square section rods and lever-clamps on the LCD and camera body provide simple and precise front-to-back VF adjustment while retaining level positioning.
XQD Cards
The FS7 II supports the XQD memory card format, designed for capturing and transferring high-bandwidth, high resolution files. Sony is also introducing a new XQD card, QD-G256E with an industry first 256GB capacity which enables a recording time of approximately 45 minutes at 4K 60P and 3.5 hours at 2K 30P. Combined with a read speed of up to 440MB/s and write speed of up to 400MB/s, users can shoot for longer without needing to change media cards.