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Review Summary
Extend coverage on pre-owned products after the retailer warranty ends and protect photo & video gear from accidental damage with Adorama Protect.
If we can’t fix it, we’ll replace it at no additional cost.
Coverage for pre-owned gear begins after the retailer warranty ends, plus accidental damage protection for photo/video gear that starts on day one.
Enjoy your gear without fear. We have you covered!
When regular use of your product over time results in mechanical or electrical failure.
We will never charge you a deductible after the purchase of a plan.
Our claims process is simple & easy and our customer service team is happy to help.
Adorama Protect powered by Extend is available for purchase to customers in the United States. Not available for International and U.S. territories purchases. Plans on pre-owned items do not cover pre-existing damages.
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4 x 10-bit SD/HD/3 Gb/s SDI switchable
4 x 10-bit SD/HD/3G Gb/s SDI switchable
1 x 10-bit SD/HD/3 Gbs/SDI switchable Monitor Output
1 x Component YUV on 3 BNCs, supports HD and SD
1 x Component YUV on 3 BNCs, supports HD and SD
1 x HDMI type A connector
1 x HDMI type A connector
2 x XLR connectors for professional balanced analog audio
2 x RCA connectors for unbalanced analog audio from consumer equipment
2 x XLR connectors for professional balanced analog audio
16 channels embedded in SD and HD in QuickTime files
2 channels in Avid DNxHD MXF files
16 channels embedded in SD and HD in QuickTime files
2 channels in Avid DNxHD MXF files
8 channels embedded in SD and HD in QuickTime files
2 channels in Avid DNxHD MXF files
8 channels embedded in SD and HD in QuickTime files
2 channels in Avid DNxHD MXF files
1 x XLR connector for timecode input
1 x XLR connector for timecode output
2 x 2.5" SATA 6Gb/s
Blackburst or Tri-Sync
Sony compatible RS422 deck control port
12 buttons and jog wheel for local control of HyperDeck Studio Pro or use either RJ45 Ethernet or USB 2.0 high speed interface
Use USB 2.0 high speed interface
1x Thunderbolt port for capture of video and audio
1 x type B USB 2.0 port for initial setup, software updates and HyperDeck Utility software control
625/25 PAL and 525/29.97 NTSC. 480p60 and 576p50 via HDMI only
720p50, 720p59.94, 720p60, 1080i50, 1080i59.94, 1080i60, 1080PsF23.98, 1080PsF24, 1080PsF25, 1080PsF29.97, 1080PsF30, 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60
2048x1080PsF23.98, 2048x1080p23.98, 2048x1080PsF24, 2048x1080p24, 2048x1080PsF25, 2048x1080p25
3840x2160p23.98, 3840x2160p24, 3840x2160p25, 3840x2160p29.97, 3840x2160p30
4K playback is supported from a single ProRes QuickTime file
SMPTE 259M, SMPTE 292M, SMPTE 296M, SMPTE 425M
HD RP188 and closed captioning
Television standard sample rate of 48kHz and 24 bit
4:2:2 and 4:4:4
10-bit
REC 601, REC 709
SDI, HDMI and component analog video connections are switchable between standard definition and high definition. SDI switches between 270 Mb/s standard definition SDI, 1.5 Gb/s HD-SDI and 3 Gb/s HD and 2K SDI
HDMI input is unable to capture from copy protected HDMI sources. Always confirm copyright ownership before capture or distribution of content
Uncompressed QuickTime, Apple ProRes 422 (HQ) QuickTime, Avid DNxHD QuickTime, Avid DNxHD MXF
Built-in LCD for video, audio and timecode monitoring
1 rack unit size. Less than 7 inches deep
No
1 x built-in international AC power supply with IEC C14 inlet. 110-240V, 50-60Hz
The BlackMagic Design HyperDeck Studio Pro is a file-based deck that records uncompressed in QuickTime and compressed in ProRes and DNxHD, storing the files onto two 2.5" SSDs. Two SSD slots are available and allow continuous recording - the second disk automatically begins recording when the first becomes full. The disks can afterwards be hooked up to a computer by USB.
A diverse set of connections consists of 3G SDI, component, HDMI, XLR, RCA, Thunderbolt, USB and RS422. SD, HD and 2K formats are supported and capacity is additionally available for 4K playback from an SSD in ProRes. Color options are SD and HD 10-bit 4:2:2 and 4:4:4. Recording in 4:2:2 uncompressed offers higher dynamic range and thus more precision in color correction. Alternatively, recording in compressed ProRes or DNxHD allows five times longer recording and all the same maintains 10-bit color and full frame 1920 x 1080 sampling.
The panel controls and overall functionality of the HyperDeck Studio Pro are very similar to those of traditional tape decks. The transport buttons are illuminated crystal; a jog/shuttle wheel is available; and an integrated LCD displays timecode and transport information, full color thumbnail previews of the clips being recorded or played back and also format, frame rate and audio levels.