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$119.99
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$159.99
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Review Summary
2024-10-30T08:52:54
Love these lenses, this makes my second Athena Prime. I'm running them on my C70 with DJI Focus Pro for making it autofocus, the footage is ??
Josh B.
2024-08-20T08:21:54
Amazing lens for the value. Paired it with a C70 and the DJI Lidar system. Love the colors and sharpness of this lens. I was hesitant at first, since the brand is new to the market- but I'm considering another focal length soon.
Josh B.
2024-07-12T09:36:52
Great budget lens, currently using with the DJI lidar/focus pro system. Unsure if this is chromatic aberration - subject outlines with pink color were noticeable when filming low-light with blue (240) 300w key.
NICHOLAS M.
2024-02-07T02:03:00
This lens is cinematic and sharp. I love it. The best budget lens by far. I done shoot short film and music videos for quite a while. And over the years I experienced many lens. The image quality from this lens is amazing. I shout in the red Komodo and the drop in filter turns your red camera into the perfect compact cinematic solution. I recommend this lens
DASHAWN S.
2024-01-03T05:11:51
I've been hunting for some sharp glass for a good while. This small set of primes are just what the production doctor ordered!
SCOTT B.
2023-12-29T10:25:41
As an independent owner-operator, I'm always lusting after some of the top-shelf gear that I may never get to own. I've been looking far and wide for a solid cine lens set. I considered IRIX, Dulens, DZO, Meike, and Canon CN-E, but ultimately settled on these for their combination of low price, tiny weight, and bright aperture. At the end of the day, these are fantastic and I'm delighted with the choice. The entire set is sharp, fast, light, and consistent. The coverage is excellent, easily hitting full-frame and beyond with very little vignetting. The small size makes them convenient in a variety of setups, and ultimately they are just a ton of fun to use. The one drawback is how far they protrude behind the PL mount, which makes them incompatible with most drop-in filter systems. However this is a small price to pay in exchange for getting near-ARRI-level performance at 95% lower price and 50% smaller size and weight. Also, the Breakthrough Cinema DFM adapter *does* supposedly work with these, so I'm interested to try that out. In any event, I expect to keep this set for a very, very long time. At this price, the set is absolutely unbeatable. It provides s a very clean, neutral look which can be easily manipulated in post. I might go chase some vintage looks in the future, but I doubt I'll ever get rid of something this reliable, usable, and overall just FUN to shoot with as these. ONE THING TO BE AWARE OF, however. When I first got these lenses, I was shooting on the Canon R5 C. These lenses delivered very similar performance to what I was previously getting out of my native RF glass, what I called my "Mini Cine" kit. Those lenses are also extraordinary and largely overlooked. In fact, if you turn on the automatic corrections in camera, the RF set delivers an almost identical image to the Athenas, just that the RF glass is a little bit softer. In fact, the Athenas are SO sharp that on the Canon R5 C it was a bit too much, and made things look really harsh in some cases. This can be mitigated in post, or even in-camera if you aren't shooting RAW. But there's something in the nature of Canon's sensor or OLPF stack which was making for some unpleasant over-sharpness in some cases. But I recently added a RED V-Raptor to the arsenal, and the Athenas produce a much less harsh image on the Raptor. It's still sharp, but much more smooth and much more pleasant. The point is, just be aware that your camera's sensor can play a part in how the image comes back. You can manipulate things in post, of course, but for those who like to get a good image quickly without much manipulation, make sure to check your sharpness settings etc. Just do some tests, do your homework, and these lenses will reward you. I absolutely love them.
Nick S.
18mm
Canon RF Mount
Full Frame
46mm
T2.2
Focus: 0.8 MOD / 32 Pitch
Focus 300 Degree
77mm
Metric, Imperial
No
No
10
Diagonal: 101.3 Degree
Horizontal: 90.3 Degree
Vertical: 67.1 Degree
3.1" (80mm)
3.2" (81.3mm)
1.93 lbs (874g)
40mm
Canon RF Mount
Full Frame
46mm
T1.9
Focus: 0.8 MOD / 32 Pitch
Focus 300 Degree
77mm
Metric, Imperial
No
No
10
Diagonal: 57.1 Degree
Horizontal: 48.8 Degree
Vertical: 33.5 Degree
3.1" (80mm)
3.2" (81.3mm)
1.93 lbs (874g)
135mm
Canon RF
Full Frame
46mm
T2.2
Focus: 0.8 MOD / 32 Pitch
Focus 300 Degree
77mm
Metric, Imperial
No
No
10
Diagonal: 18.1 Degree
Horizontal: 15.1 Degree
Vertical: 10.1 Degree
39.3" (1m)
3.1" (80mm)
2.32 lbs (1054g)
Great lens + great price = happy customer!
By Josh B.
Love these lenses, this makes my second Athena Prime. I'm running them on my C70 with DJI Focus Pro for making it autofocus, the footage is ??
Great quality lens
By Josh B.
Amazing lens for the value. Paired it with a C70 and the DJI Lidar system. Love the colors and sharpness of this lens. I was hesitant at first, since the brand is new to the market- but I'm considering another focal length soon.
Are you seeking to elevate your filmmaking capabilities Discover the NiSi ATHENA PRIME Add-On Cinema Lens Kit, a comprehensive set featuring three state-of-the-art lenses: the 18mm T2.2, 40mm T1.9, and 135mm T2.2. Designed to extend full-frame coverage and beyond, these lenses are the latest additions to our ATHENA collection, offering unmatched versatility and superior optical performance.
This Add-On Kit is designed to enhance your existing ATHENA PRIME set, allowing you to capture everything from sweeping landscapes to intricate portraits with unparalleled clarity and detail. Each lens is meticulously crafted to provide maximum micro-contrast control and ultra-low chromatic aberration, ensuring images of exceptional quality.
The lenses' varying apertures, ranging from T1.9 to T2.2, coupled with their characteristic soft bokeh, add depth and emotional resonance to your visual narrative. These lenses are designed with the filmmaker in mind, featuring minimal focus breathing for a stable field of view across focus adjustments, essential for consistent and engaging storytelling.
The uniformity in iris and focus ring positions with the rest of the Athena range allows for quick, intuitive operation, a boon in fast-paced shooting conditions. The Athena Prime Lens Series (RF mount) is equipped with a drop-in filter mount, providing a more flexible workflow and creative control for filmmaking.
This feature allows for easy addition of ND filters, polarizers, or other filters to achieve your desired look without having to attach filters to the front of the lens. It also facilitates quick and efficient filter swapping, saving time and reducing the risk of lens damage.
The NiSi ATHENA PRIME Add-On Cinema Lens Kit not only extends your range of cinematic expression but is also designed for practicality on set. The uniform filter thread across the lenses and the matched aperture and focus rings simplify the use of additional accessories, while the focus ring's 300 Degree rotation and fluorescent focal scales provide precise focus control.
The kit comes encased in a durable hard case designed to accommodate these three lenses plus an additional lens for future expansion (total 9 lenses), ensuring your equipment remains protected and portable.
The NiSi ATHENA PRIME Add-On Cinema Lens Kit is your path to expanded creative freedom, offering unmatched quality and versatility to elevate your filmmaking to new heights. Enhance your cinematic capabilities with the NiSi ATHENA PRIME Add-On Cinema Lens Kit, where every shot is an opportunity to showcase unmatched quality and creativity.
The 46mm Image Circle provides Full-frame Coverage, and the focal lengths range from 18/40/135mm in the NiSi Athena range, covering super wide angle to portrait focal lengths. The 40mm lens has a T1.9 Aperture, and the 18mm and 135mm lenses have a maximum aperture of T2.2, offering soft bokeh for beautiful background separation.
Designed with micro-contrast control and ultra-low chromatic aberration, these lenses offer unparalleled image quality with finer image details. The Athena Prime lenses have been designed to minimize focus breathing, ensuring a consistent field of view regardless of the focal length or aperture setting.
The RF mount model features a drop-in filter slot, and all NiSi Athena Prime lenses are similar in weight, eliminating the need for rebalancing on a gimbal when switching between Athena lenses. All lenses share the same size and 77mm filter thread, and both aperture and focus rings are matched across the range. The 135mm lens is a larger size and is not weight matched. The lenses also feature a 300 Degree Focus Rotation with fluorescent focal scales for precise focus pulls.