Name: Used Sirui 50mm F1.8 1.33X Anamorphic Lens for Canon EOS RF Mount E
Brand: Sirui
SKU: US1939567
Price: 271.00 USD
Availability: InStock
Rating: 4.9 (8 reviews)

Sirui 50mm F1.8 1.33X Anamorphic Lens for Canon EOS RF Mount

Sirui 50mm f/1.8 1.33x

Sirui

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Used

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Video Lenses

Digital Cinema Lenses

Sirui Digital Cinema Lenses

Sirui 50mm f/1.8 1.33x 

Top Rated Gear: Used Sirui 50mm F1.8 1.33X Anamorphic Lens for Canon EOS RF Mount E MFR: SR50RF.

Sirui's 50mm f/1.8 1.33x Anamorphic lens for Canon RF mount is a sharp and fast anamorphic lens designed to bring a cinematic look to your videos. With its 1.33x Ratio, the lens takes full advantage of the 16x9 sensor crop that these cameras shoot video in to produce a 2.4:1 aspect ratio that is synonymous with theatre movie experiences.The lens uses an optically distorting anamorphic front element to squeeze the horizontal axis of the shot by 1.33 times which allows for more information to be fit onto the sensor. This is then stretched back out in post-production or in-camera to create a wider field of view and ratio compared to a conventional aspherical lens.The lens reproduces flares beautifully whilst the coatings on the lens keep them from obscuring the entire frame. The fast aperture of f/1.8 to creates a very shallow depth of field increasing the oval-shaped bokeh effect that is found in anamorphic lenses. this soft out-of-focus area is one of the many benefits that a true anamorphic lens brings over its filter counterparts or digital crop bars that are used to imitate the anamorphic 'look'.2.4:1 Aspect RatioCommon spherical lenses shoot standard 16:9 videos. With a cylin-der lens element in the front, SIRUI anamorphic lens squeezes the image down 1.33 times horizontally to fit onto the camera sensor. When the final image is desqueezed by 1.33 times, you'll end up with an ultra-wide CinemaScope 2.4:1 aspect ratio.Oval Bokeh and Blue Lens FlaresThe elliptical highlights and blue light streaks produced by SIRUI anamorphic lens offer plenty of anamorphic feel, making your work really stand out.Declicked Fast ApertureSIRUI anamorphic lens comes with a declicked aperture ring. The maximum aperture of F1.8 allows more light to go into the lens, guaranteeing the lens a good performance in low light conditions.Solid Build QualityThe body is made from aircraft grade aluminum and it uses copper focusing components inside. The optics are constructed of Schott glass with multi-layer nano coating to offer sharp imaging. The focus and aperture rings are knurled for extra grip. Also, the compact size allows the lens to fit quite nicely in the palm.Large User GroupSIRUI anamorphic lenses are the perfect companions for vloggers, shutterbugs, studio photographers, cinematographers, commercial directors, etc.Compact & PortablePack the compact lens into the pouch and go out shoot!

Used Sirui 50mm F1.8 1.33X Anamorphic Lens for Canon EOS RF Mount E

Absolutely beautiful lenses. Not only is this the cheapest way to get into anamorphic, these lenses all have a very similar look, making it easy to swap between any in the set. The lens flares are gorgeous, but also totally manageable. If you want the anamorphic look but are worried about lens flares, a simple matte box will do the trick. 
Light weight, similar design, though they vary in length. All in all, these do NOT feel like cheap lenses. And the quality of the image speaks to that as well.

Solid Glass for a Solid Price

Great ?first? anamorphic lens. Have always wanted to experiment with these, but the price was too high. This is perfect!!  Quality for both build/construction and images are excellent.

Great first anamorphic lens

It's wonderful to have a true anamorphic lens for my Sony a7III without worrying about adapters or compatibility, and paying less than $1k for it! I rarely use auto focus even with my other e-mount lenses. There's no stabilization but footage always looks better on a gimbal or rig anyway. My two slight disappointments are that there is not really any oval boke in the center of the image, and I THINK something is misaligned because the inevitable vignetting that happens with a cropped lens on a full frame sensor is actually slightly offset. So even in s35 mode, my IBIS will force some of that vignetting to pop into frame but mostly on one side. I actually like vignetting but it's odd to see it off-center like that. The only solution I've found is to increase the digital zoom on the sensor but I end up losing FOV. But to be clear, I'm not knocking it for vignetting or for being a cropped lens as I chose to buy this over the company's full frame line for cost reasons.

Those two reasons are why my review isn't 5 stars, because I'm getting what I wanted out of this lens more or less, and it's beautiful!

Excellent and affordable anamorphic lens with only slight imperfections

Amazing amazing amazing is all I can say!!! It?s stepped up my game 100%!!!

Amazing ness in one

Terrific, quite sharp lens offering the seemingly impossible anamorphic look for MFT cameras, on a budget. A great price for a lens like this.

Cant beat it for the price

The Sirui 50mm, F1.8 Anamorphic lens is the first prosumer, true Anamorphic lens that retails for just 700$. 
I’ve waited my entire career for a lens like this, In this price range, affordable enough for the low budget film makers, or for a light run and gun camera set up. If you know anything about Anamorphic lenses, you know that they are not cheap! 
Well. I guess now they are...But how good are they? 
Designed for use with APSC, Super 35 and Micro 4/3rds sensors. It delivers a 1.33x squeeze. Now, I get that some will say that this is not a true anamorphic lens - as it is an uncommon format. However when shooting on a 16X9 sensor you get a 2.4:1 ratio Which is plenty good enough for anyone wanting a CinemaScope / cinematic look. 
The image quality of this lens is surprisingly good. It produces a very nice clean sharp image with no aberrations. Personally i prefer a sharp lens over a softer lens, as you can simply add a filter to soften the image, to fit your liking. But not the other way around. 
The lens is fully manual, and fairly fast at F1.8. It’s small and lightweight. But is solidly built. You’ll notice this right away when taking it out of the box. The focus and aperture rings are buttery smooth. Though I would of liked to see a slightly larger aperture ring, and some larger bolder numbers for the stops and focus. But it’s not a major issue. 
I also would of opted for a wider lens in general right out of the gate, as the 50mm on a Micro 4/3rd sensor (Pocket 4K) with a 2x crop factor is in truth more like an 80mm. 
Which brings me to the mounts. No EF mount. 
Good news is Sirui has a 35mm Anamorphic lens about to drop. Which as I understand it, will ship with M4/3 and EF Mount as well as adapters. 
That being said. 50mm is a very common lens, so I understand why they chose it. And it’s not at all bad. But it’s not a great lens for shooting in tight spaces. 
The 50mm being a tight squeeze does have some work arounds. A good wide angle adapter actually works well and for the minimum focus distance of 2ft. You can pop on a cheap .2x dioptre. In fact I am having a blast using split dioptres again, as this is the perfect format for their use due to the wide 33% increased Horizontal field of view. Which also allows you to get closer to your subject, and maintaining that wide field of view that only an anamorphic lens can do! 
Sure you can crop a spherical lens in post. But wouldn’t you rather keep that resolution and desqueeze? 
It’s overall anamorphic qualities are quite pleasing. I love the oval bokeh, its not to exaggerated, but definitely shouts cinematic. The lens flares are also excellent, and have that classic blue cinematic look. But I want to touch on something real quickly, and note that the very first lenses sirui sent out for reviews had crazy flares and they were not all perfectly horizontal. This has since been fixed. So that not every single beam of light is creating wild flares off alignment. So Sirui is listening to the feedback which is great. So if you read old reviews that mention the problem with flares and their alignment. Not to worry. 
This is definitely a lens I would recommend in your kit. Especially if you’re shooting on the pocket 4K, or 16x9 apsc sensor cameras. 
The future of digital filmmaking just keeps getting more exciting and I really cant express how rad it is, all that is available to us right now for such affordable prices....It’s bonkers. It wasn’t always like this. Now we can add Affordable quality anamorphic lenses to that list of gear we always have on hand. 
I give this lens a 4.5 / 5 star rating. It really is an awesome lens. It’s “flaws” aren’t technically flaws but just personal preference. 
Great job Sirui! 
I can’t wait for an entire set of anamorphic lenses from this company as I will be getting everything single one. 
Anyone striving to achieve a cinematic look, Anamorphic is absolutely a must in order to do so.

Goodbye Crop, Hello De-Squeeze! Affordable Anamorphic is finally here!

its a dope lens for m4/3 on a budget cannot beat that price

anamorphic on a budget

If you love Lens Flares and want Cinematic looking videos but don't want to pay over $30,000 for a Anamorphic lens, this is for you! I added a thread for my variable filter lens, Focus and Iris Gears to get a better grip. No way to zoom in or out but in the future I'm certain they'll develop more lenses for those looking for these features. Other than that, you're in for a real treat with this lens!

Used Sirui 50mm F1.8 1.33X Anamorphic Lens for Canon EOS RF Mount

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