
This item is no longer available.
Review Summary
Extend coverage on pre-owned products after the retailer warranty ends and protect photo & video gear from accidental damage with Adorama Protect.
If we can’t fix it, we’ll replace it at no additional cost.
Coverage for pre-owned gear begins after the retailer warranty ends, plus accidental damage protection for photo/video gear that starts on day one.
Enjoy your gear without fear. We have you covered!
When regular use of your product over time results in mechanical or electrical failure.
We will never charge you a deductible after the purchase of a plan.
Our claims process is simple & easy and our customer service team is happy to help.
Adorama Protect powered by Extend is available for purchase to customers in the United States. Not available for International and U.S. territories purchases. Plans on pre-owned items do not cover pre-existing damages.
Browse our FAQ
1x HDMI (2.0) 4kp60
Yes
2x 12G SDI Backward compatible via included AtomX SDI module
Yes (Sony Fs700, FS5 & FS7 NOT supported)
Uncompressed true 10-bit or 8-bit 422 (camera dependent)
Optional Wireless RF via SYNC module (Record Mode Only)
1x HDMI (2.0) 4kp60
2x 12G SDI via included AtomX SDI module - level A and B selectable (Play Out)
Uncompressed true 10-bit or 8-bit 422 (playback file dependent)
Yes - Video and RAW
Yes - Video and RAW
6k: RAW Only up to 30p via HDMI and SDI (Camera dependant 5.9k HDMI and 5.7k SDI)
4k DCI: 23.98/24/25/29.9/30/50/59.94/60p
4k UHD: 23.98/24/25/29.9/30/50/59.94/60p
2k DCI: 23.98/24/25/29.9/30/50/59.94/60p
1080p: 23.98/24/25/29.9/30/50/59.94/60/100/120p
1080i: - 23.98/24/25/29.9/30/50/59.94/60i
720p: 50/59.94/60p
PsF - converted to P and looped out PsF
3.5k: RAW up to 60p (from supported cameras only)
ProRes RAW HQ, ProRes Raw
ProRes LT, 422, HQ
AVID DNxHR HQX. HQ, SQ, LB (Requires Free codec activation)
Yes / No / No
Yes with in and out markers
Yes
Yes
Yes, with Linear PCM audio
Yes, with Linear PCM audio (Requires Free codec activation)
7 lbs (3.17kg)

The robust aluminium 5″ monitor-recorder allows for a compact rig set-up for camera owners and operators to work with all the latest cameras. Perfect for run and gun productions, documentary filmmaking and for those close-up shots that require the camera operator to be flexible or mobile.
The Ninja V’s compact 5″ 1000nit screen is designed to provide a foundation for scalability and modularity. Combined with the AtomX SDI module and some serious tuning under the hood the Pro Kit provides the ability to record RAW via SDI from some of the best compact cinema cameras on the market.
No RAW, no problem. The Ninja V monitor-recorder is a flexible tool that can work as a HDMI/SDI ProRes monitor-recorder. Worry less when it comes to battery management and excess weight as the Pro Kit is designed to be powered via DTap from your camera battery or rig. Pro Kit also includes a AtomX 5″ Sunhood providing increased monitoring options outdoors, and reduced ambient light for when monitoring in HDR.


Adding dual 12G SDI connectivity expands the compatibility with other cameras to provide offboard 10-bit 422 recording in edit ready codecs or as proxy files from RED or Arri cameras allowing the file naming and timecode from the camera to also be carried via SDI to the recorded files.
And of course the Ninja V also provides support for RAW over HDMI from our evergrowing roster of mirrorless cameras including the Sony Alpha 7S III, Z CAM E-2 Series, Nikon Z-Series, Lumix S Series, Olympus OM-D EM-1X, Olympus OM-D M1 MkIII and more.



The Pro Kit offers 3 ways to power your Ninja:

ProRes RAW is now firmly established as the new standard for RAW video capture, with an ever growing number of supported HDMI and SDI cameras. ProRes RAW combines the visual and workflow benefits of RAW video with the incredible real-time performance of ProRes.
The format gives filmmakers enormous latitude when adjusting the look of their images and extending brightness and shadow detail, making it ideal for HDR workflows. Both ProRes RAW, and the higher bandwidth, less compressed ProRes RAW HQ are supported.
Manageable file sizes speed up and simplify file transfer, media management, and archiving. ProRes RAW is fully supported in Final Cut Pro, Adobe Premiere Pro, Avid Media Composer 2020.10 update, along with a collection of other apps including ASSIMILATE SCRATCH, Colorfront, FilmLight Baselight and Grass Valley Edius.