Used Canon EOS C500 Mark II Full Frame Cinema Camera

SKU: US1960780 MFR: 3794C002
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Key Features

  • Advanced 5.9K full-frame CMOS sensor for superior image quality
  • Innovative DIGIC DV 7 Image Processor enabling high frame rate recording and Dual Pixel CMOS AF
  • User-changeable lens mounts for creative flexibility with EF, EF-C, and PL lenses
  • Compatibility with anamorphic lenses for distinctive cinematic aesthetics
  • Modular design with three available expansion units for enhanced functionality and connectivity
  • Dual Pixel CMOS AF technology for sharp focus and smooth focus transitions
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INCLUDES FREE WARRANTY

  • This used item comes with a free 180-day warranty. ?
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Q&A

Questions & Answers

Reviews about this item

Review Summary

2021-06-21T21:40:03

Rated 5 out of 5

Specs written wrongly

Great camera but Adorama please check the specs you wrote

Stephen A.

2021-01-17T06:49:05

Rated 5 out of 5

C700 DONE RIGHT !

C700 DONE RIGHT !

AUDIO I.

2020-09-11T11:47:09

Rated 5 out of 5

Worth $16K

one word. unbelievable. colour, latitude, super impressed.

simon g.

2020-04-21T12:07:02

Rated 5 out of 5

One of the Greatests

This camera is a BEAST. Build quality is what Canon is known for and this does not disappoint. The images are crisp because of the 5.9k sensor and the dual pixel autofocus is super reliable. It pairs with my C200 perfectly and plays well with all my EF lenses. I just wish there was an option for 4K 120p but you can't win them all. Lastly, Adorama was a pleasure to work with in purchasing this camera!

Andrew L.

2020-02-07T19:00:00

Rated 5 out of 5

Hands down the camera you have been waiting for!!!

I bought this camera about a month ago in my business you don't always get the chance to shoot things over again. with that being said the EOS C500 Mark II has not let me down yet!!

JoeyB106

2020-01-27T09:48:41

Rated 5 out of 5

The Perfect Cinema Camera for 2020

I had a great purchasing experience from Adorama. I will certainly be doing business with them again. In regards to the Canon EOS 500 Mark II, I love this camera! It's exactly what I've been looking for. The modularity, codec, 6K recording capability, internal Raw recording are just a few of the awesome benefits that this camera brings to the table. I do not think anyone would be disappointed with this purchase, but rather will be thrilled with the potential that this camera has.

TODD L.

Canon C500 Mark II Specifications

Imaging Sensor

Imaging Sensor

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  • Effective Pixels

    4096 x 2160 pixels; Approx. 8.85 megapixels

  • Total Pixels

    4206 x 2340 pixels; Approx. 9.84 megapixels

  • Sensor Type

    CMOS

  • Sensor Size

    Full-frame / Super 35; 26.2 x 13.8 (29.6 mm diagonal); 6.4 microm cell pitch

  • Scanning System

    Progressive

  • Number of Sensors

    1

  • Filter

    RGB Primary Color Filter (Bayer Array)

  • Imaging Processor

    Digic DV III

Lens System

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  • Interchangeable Lens System

    Choice of PL or EF mounts for compatibility with a wide variety of lens systems.

  • ND Filter

    Mechanical ND filter system with option of clear, 2, 4, and 6 stops

  • Iris Dial

    Iris Dial located on camera body for use with EOS EF Lenses with electronic Iris control (EF Camera version only)

  • Peripheral Illumination Correction

    Available on EF Mount model only

Exposure and Metering

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  • Exposure Modes

    Manual

  • Gain

    Normal Setting -6dB to 30 dB TBD
    Fine Setting 0dB to 24 dB in 0.5 dB increments

  • ISO

    320 to 80,000

  • Shutter Modes

    3 Modes: OFF; Speed; Angle; Slow Shutter; Clear Scan
    Speed Mode is selected in 1/3 or 1/4 stop increments

  • Shutter Speed Range

    59.94i/59.94p: 1/60 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/4, 1/8, 1/15, 1/30; CS: 59.94 Hz - 250.27 Hz
    29.97p: 1/30 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/4, 1/8, 1/15; CS: 29.97 Hz - 250.27 Hz
    23.98p/24p: 1/24 to 1/2000 in 1/4or 1/3 stops; SLS: 1/3, 1/6, 1/12; CS: 23.97 Hz - 250.27 Hz

  • Shutter Speed Range (Contd.)

    50i/50p: 1/50 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12 1/25; CS: 50.00 Hz - 250.78 Hz
    25p: 1/25 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12; CS: 25.00 Hz - 250.78 Hz

  • Shutter Angle Settings

    59.94i/59.94p: 360, 240, 216, 180, 120, 90, 60, 45, 30, 22.5, 15, 11.25
    29.97p: 360, 240, 216, 180, 120, 108, 90, 60, 45, 30, 22.5, 15, 11.25
    23.98p/24p: 360, 345.6, 288, 240, 180, 172.8, 144, 120, 90, 86.4, 72, 60, 45, 30, 22.5, 15, 11.25
    50i/50p: 360, 300, 240, 180, 150, 120, 90, 60, 45, 30, 22.50, 15, 11.25
    25p: 360, 300, 240, 180, 150, 120, 90, 75, 60, 45, 30, 22.50, 15, 11.25

  • Iris (Aperture) Range

    EF Lens only - 1/2. 1/3 stop or fine setting can be selected
    Smooth Manual control on Cinema Lenses

  • Focus Settings

    Manual

  • AF Modes

    None

Recording/Codec

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  • Compression

    8 Bit MPEG-2 Long GOP

  • Maximum Bit rate

    50Mbps (CBR)

  • Recording Options

    Recording Options

  • Recording Media

    CFexpress Type B; SD/SDHC/SDXC Supported; MMC Cards are not supported
    Custom Picture Data and settings is not compatible with data from other Canon models

  • File Format

    MXF (OP-1a)

  • File System

    FAT 32

  • Maximum Clip Number

    999 (per media)

  • Recording Format

    Linear PCM; 2-Channel; 16-Bit; 48 kHz

  • Built-in Microphone

    None

  • External Audio Inputs

    2 - XLR inputs (Auto and Manual level settings)
    External microphone terminal: (3.5 mm diameter)

  • Recording Channel Selection

    This is used to set the allocation of the audio channels:
    CH1/CH2: The CH1 signals are allocated to the L output channel, and the CH2 signals are allocated to the R output channel.
    CH1/CH1: The CH1 signals are allocated to the L output channel, and the CH1 signals are allocated to the R output channel.

  • Recording Channel Selection (Contd.)


    CH2/CH2: The CH2 signals are allocated to the L output channel, and the CH2 signals are allocated to the R output channel.
    ALL CH/ALL CH: Signals obtained by mixing the CH1 and CH2 signals are allocated to the L and R output channels.

  • XLR Mic Trimming

    Available; -12dB, -6 dB, 0dB or +12 dB

  • Limiter

    Available

  • Recording Level Adjustment Range

    - Infinity to +18dB

  • Phantom Power

    Available; +48V

  • Headphone Adjustment

    16 Settings; Volume is muted at lowest setting

  • Built-in Speaker

    None

  • 1KHz Tone

    Available; -12, -18, or -20 dB

Features and Performance

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  • Playback

    Clip Display: 3x4 Index Display, Original, OK Mark, Check Mark, Shot Mark, Expand, Photo (SD Card), Clip Metadata
    Clip Playback: Forward Search (x5, x15, x60), Reverse Search (x5, x15, x60), Forward frame Advance, Reverse Frame Advance, Record Review, Skip to next clip, skip to previous clip

  • Playback (Contd.)

    Clip information Display: Clip Metadata display, custom picture settings Playback Functions: Inter-media Copy (Single Clip, All Clips, Last Clip); Clip Delete (Single Clip, All Clips, Last Clip)
    Still Image Playback: index, single playback, erasure, protect

  • Special Recording Functions

    Relay Recording; Double-Slot Recording; Copying between Media

  • Photo Recording Mode

    Available; Images captured to SD Card

  • Waveform Monitor

    Available; 2 Modes (Standard and RGB Component)

  • Vectorscope

    Available

  • Exposure/Focus Aids

    Peaking (2 types), Zebra Pattern, Magnify, Edge Monitor Focus Assist, Black and White Mode
    Can be output via the SDI or HDMI Jack (HD Only)

  • Interval Record

    Available; ability to set time interval and number of frames to record
    Interval can be set in 25 levels ranging from 1 second to 10 minutes.
    (1s/2s/3s/4s/5s/6s/7s/8s/9s/10s/15s/20s/30s/40s/50s/1m/2m/3m/4m/5m/6 m/7m/8m/9m/10m)
    NTSC 59.94i/29.97p/23.98p/24.00p: Selectable between 1, 3, 6, 9 frames
    NTSC 59.94p: Selectable between 2, 6, 12 frames
    PAL 50i/25p/50p: Selectable between 2, 6, 12 frames

  • Frame Record

    Available; Records a set number of frames each time the record button is pressed
    NTSC 59.94i/23.98p/24.00p: Selectable between 1, 3, 6, 9 frames
    NTSC 59.94p: Selectable between 2, 6, 12 frames
    PAL 50i/25p/50p: Selectable between 2, 6, 12 frames

  • Pre-Record

    Yes, 3 seconds cache (Audio and Video)

  • Scan Reverse

    When using a Depth of Field Converter or other lens adapters it flips or reverses the image automatically so it is recorded correctly.

  • Time code

    Drop Frame (DF) and Non-Drop Frame (NDF)
    Drop frame works with NTSC models only and is not available in 24P

  • Time Code Modes

    Regeneration, Record Run, Free Run and External Source

  • Auto White Balance (AWB)

    Not Available

  • White Balance

    Kelvin Setting 2,000K to 15,000K in 100K increments

  • White Balance Presets

    Daylight (5,400K); Tungsten (3,200K); Kelvin
    White balance shift is available within Presets (-9 to +9)

  • Auto Black Balance

    Available

  • Custom Picture Settings

    23 Custom Picture settings
    A total of nine 9 Customized Pictures are available in the camera and up to 20 can be saved to an SD card
    Custom pictures can be adjusted using the following settings and saved for later recall:
    Gamma, Black, Black Gamma, Low Key Saturation, Knee, Sharpness, Noise Reduction, Skin Detail, Selective Noise Reduction, Color Matrix, White Balance, Color Correction, Setup Level

  • Custom Picture Settings (Contd.)

    Custom Pictures CP8 and CP9 ship with the following presets:
    C8: Cinema - Suited for giving recorded media a film tone.
    C9: EOS Standard - Used to match the quality of DSLR video shot in EOS standard mode

  • Custom Functions

    Available, 9 total functions

  • Custom Display

    Yes; LCD panel and EVF information display can be customized
    Total of 27 display and icons that can be turned on and off

  • On Screen Markers

    Yes

  • Assign Buttons

    15; Can be assigned functions as desired (37 functions Available)

  • Color Bars

    Color bars compliant with SMPTE, EBU, or ARIB standards can be selected.

  • Minimum Subject Illumination

    59.94 Hz Mode: 0.3 Lux
    (f/1.2, 24 dB, 29.97p, 1/30 sec.)

    50.00 Hz Mode: 0.25 Lux
    (f/1.2, 24 dB, 25p, 1/25 sec.)

  • Sensitivity

    59.94 Hz Mode: F9
    (1920 x 1080/59.94i, ISO 640 (0 dB), 2000 lux, 89.9% Reflection)

    50.00 Hz Mode: F10
    (1920 x 1080/50i, ISO 640 (0 dB), 2000 lux, 89.9% Reflection)

  • S/N Ratio

    59.94 Hz Mode: 54 dB (Typical)
    (1920x1080/29.97p, Canon Log, ISO 850, Dynamic Range 800%)

    50.00 Hz Mode: 54 dB (Typical)
    1920x1080/25p, Canon Log, ISO 850, Dynamic Range 800%)

  • Dynamic Range

    During Normal Shooting: 300%
    (With Canon Log Gamma: 800%)
    (ISO 850 or above - gain 2.5dB or above)

  • Viewing Angle Adjustment

    Available; Viewing Angle can be adjusted up and down 60 Degree

  • Diopter Adjustment Range

    +2.0 to -5.5

  • EVF Adjustments

    Brightness, Contrast, Color, and Backlight (Normal or Bright)

LCD Monitor

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  • Display Adjustments

    Brightness, Contrast, Color, Sharpness, and Backlight (Normal or Bright)

Input/Output

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  • HD/SD SDI

    Yes; (with embedded audio); HD 8-bit 4:2:2 (YPbPr) 1920x1080: 59.94i/50i/23.98/24.00, 1280x720: 59.94p/50p/23.98/24.00
    SD 8-bit 4:2:2 (YPbPr) 480: 59.94i, 576: 50i BNC Connector, output only
    SD-SDI:
    NTSC 480i/PAL 576i: Compliant with SMTPE 259M
    Embedded Audio: Compliant with SMTPE 272M
    Time Code Standard: (VITC/LTC) SMTPE 12M

  • HD/SD SDI (Contd.)

    HD-SDI: (Compliant with SMTPE 292M)
    1080i/720p: Compliant with SMTPE 292M
    Embedded Audio: Compliant with SMTPE 299M
    Time Code Standard: (VITC/LTC) SMTPE 12M

  • 3G SDI

    Available; 2x BNC
    Output Modes: RAW (10-bit); RGB 4:4:4 (10-bit/12-bit); YCC 4:2:2 (10-bit)
    Frame Rates: 23.98p/24.00p/25.00p/29.97p/59.94p/50p

  • Video Monitor Out

    Available; 2x BNC
    Resolution: 2048x1080 / 1920x1080
    Frame Rates: 23.98p/24.00p/25.00p/29.97p/30p/59.94p/50p/60p
    Color Space: YPbPr: 10-bit

  • Time code In/Out

    Yes; BNC Connector (Input and Output)

  • Genlock

    Yes; BNC Connector (Input Only)
    Adjustment range: -1023 to +1023

  • Synch Out

    Yes, BNC Connector
    (1) HD tri-level signal (HD Sync) 1920x1080: 59.94i/50i/23.98/24.00, 1280x720: 59.94p/50p/23.98, 24.00; The HD standard analog component Y signal with the black muted is output.
    (2) HD-Y signals (HD-Y) 1920x1080: 60i, 59.94i/50i, 1280x720: 60p/59.94p/50p; Only the HD standard analog component Y signal is output.

  • Synch Out (Contd.)

    (3) Black burst signal 480: 59.94i, 576: 50i; The SD standard analog composite signal with the black muted is output.
    (4) Composite 480: 59.94i, 576: 50i; The SD standard analog composite signals are output.

  • HDMI

    Yes (Type A)
    HD 8-bit 4:2:2 (YPbPr) 1920x1080: 60i/59.94i/50i, 1280x720: 60p/59.94p/50p
    SD 8-bit 4:2:2 (YPbPr) 480: 59.94i, 576: 50i

  • Audio Input Terminal

    2 - Balanced 3-pin XLR on Monitor Unit (Mic Level, Mic Level with phantom power and Line Level)
    3.5mm Microphone terminal

  • Headphone Jack

    Available; 3.5mm stereo mini-jack

  • Remote Terminals

    Available (Fully LANC Compatible)
    Remote control through WFT-E6A accessory is also possible

  • Supply

    DC 7.4 V (Battery Pack) / DC 8.4 V (DC In)

  • Power Terminal

    DC in on camera (no need for Dummy Battery)

  • Battery

    BP-9 Series (Excluding BP-925)

  • Compact Power Adapter

    CA-940N

General

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  • Temperature and Humidity

    Performance requirements: 32 Degree F to 104 Degree F (0 Degree C to 40 Degree C)
    Relative humidity: 85%

    Operating requirements: 23 Degree F to 113 Degree F (-5 Degree C to 45 Degree C)
    Relative humidity: 60%

  • Language Support

    English, Japanese, Chinese, German, Spanish, French, Italian, Polish, Russian

  • Time and Date

    Automatic Calendar range January 1st, 2010 through December 31, 2031 selectable in American, Japanese and European Date formats.

  • World Clock

    World Clock support - UTC time setting: Setting range from +14:00 to - 12:00

  • Battery Info

    required, included

  • Battery Material

    lithium ion

  • Battery Quantity

    1

  • Battery Type

    non-universal

  • Dimensions

    Approx. 6.3 x 7.0 x 6.7" (160 x 179 x 171mm)
    C500 + Monitor Unit: Approx. 7.3 x 9.8 x 7.4" (185 x 249 x187mm)
    C500 + Handle Unit + Monitor Unit: Approx. 7.3 x 11.2 x 11.9" (185 x 284 x 301mm)

  • Weight

    Main Unit
    C500 Body: Approx. 4.0 lb. (1820g)
    Monitor Unit: Approx. 1.4 lb. (645g)
    Handle Unit: Approx. 6.3 oz. (180g)

    Total Equipped
    C500: Approx. 6.0 lb. (2705g) - Weights include the monitor unit, BP-955
    C500: Approx. 6.4 lb. (2885g) - Weights include the monitor unit, handle unit, BP-955

137 Accessories for Canon EOS C500 Mark II Full Frame Cinema Camera

  • All Accessories (137)
  • Memory & Storage (5)
  • Batteries & Power Supply (8)
  • Monitor & Recorder (7)
  • Expansion Unit (2)
  • Lenses (51)
  • Headphones (2)
  • Card Readers (1)
  • Covers & Caps (1)
  • Remotes & Accessories (1)
  • Microphones & Audio (9)
  • Bags & Cases (5)
  • Stabilizers, Supports & Rigs (4)
  • Rod Support Systems (1)
  • Monitor & Viewfinder Mounting (1)
  • Brackets & Mounts (1)
  • Lens Adapters & Converters (2)
  • Power Supplies (1)
  • Flash & Lighting (19)
  • Extended Warranty (2)
  • Tripods & Monopods (1)
  • Cables & Adapters (10)
  • XLR Cables (1)
  • Viewfinders (2)

About Canon EOS C500 Mark II Full Frame Cinema Camera

FEATURED REVIEWS

Hands down the camera you have been waiting for!!!

By JoeyB106

I bought this camera about a month ago in my business you don't always get the chance to shoot things over again. with that being said the EOS C500 Mark II has not let me down yet!!

The Perfect Cinema Camera for 2020

By TODD L.

I had a great purchasing experience from Adorama. I will certainly be doing business with them again. In regards to the Canon EOS 500 Mark II, I love this camera! It's exactly what I've been looking for. The modularity, codec, 6K recording capability, internal Raw recording are just a few of the awesome benefits that this camera brings to the table. I do not think anyone would be disappointed with this purchase, but rather will be thrilled with the potential that this camera has.

EOS C500 Mark II

Impressive usability and imaging power combine in the EOS C500 Mark II, the customizable full frame cinema camera that’s built for creative freedom.

The lightweight body comes equipped with Canon's 5.9K full-frame CMOS sensor capable of over 15 stops of dynamic range. The newly developed DIGIC DV 7 Image Processor expands functionality and flexibility by enabling features such as 5.9K recording, internal recording of Canon Cinema Raw Light and Dual Pixel Autofocus.

5.9K Full Frame CMOS Sensor, with support for Super 35mm and Super 16mm crop modes

The Cinema EOS C500 Mark II features Canon’s high-resolution 5.9K (38.1 x 20.1mm) Full Frame CMOS sensor, which offers exceptional low noise and a broad range of tonality with over 15 stops of dynamic range. The sensor’s expansive native Cinema Gamut goes beyond that of current standards, including ITU-R BT.2020 and DCI-P3, helping the EOS C500 Mark II achieve more natural skin tones.

5.9K Full Frame CMOS Sensor, with support for Super 35mm and Super 16mm crop modes

User Changeable Lens Mounts which gives users freedom to use the lenses they desire

User interchangeable lens mounts and an available B4 mount adapter gives operators the freedom to make bold creative choices based on the subject matter.
The EOS C500 Mark II ships with an EF Mount that can be user swapped to an optional Locking EF (EF-C) or PL mount. Each mount swaps easily by simply removing four M3 hex screws.

User Changeable Lens Mounts which gives users freedom to use the lenses they desire

Canon Cinema RAW Light and XF-AVC Recording

Thanks to the powerful DIGIC DV 7 image processing platform, the EOS C500 Mark II can record Cinema RAW Light directly to onboard CFexpress cards, which keeps the data-rich signal captured by the 5.9K full-frame sensor intact. Cinema RAW Light offers plenty of freedom for grading in file sizes that are about 1/3 to 1/5 the size of Cinema RAW.

Canon Cinema RAW Light and XF-AVC Recording

Cinema RAW Light HQ, ST and LT Recording Formats

Canon has added three Cinema RAW Light recording modes, all with 12-bit recording capabilities, in addition to the existing RAW Light format, giving the camera four different RAW recording options to choose from. Download the firmware update to access these modes.

Cinema RAW Light HQ, ST, LT (as recorded on CFexpress card)

chart

4 Channel Audio Recording

With Expansion Unit EU-V2, the EOS C500 Mark II supports up to 4-channel audio recording. Audio input from the camera’s internal microphone, mini mic port, and XLR ports can be assigned to the 4 different audio channels. This flexibility allows a wide range of audio devices to be connected and mixed directly on the camera.

4 Channel Audio Recording

The EOS C500 Mark II supports Canon Log 2 and Canon Log 3 Gamma. In post-production, Canon Log is designed to reproduce the entire tonal range that the CMOS image sensor is capable of. Log workflows provide the user with higher dynamic range, more highlight and shadow retention, and more flexibility in grading.Canon Log 2 provides the largest dynamic range and image detail. While Canon Log 2 provides the most post-production flexibility and full dynamic range of the sensor, it typically requires more time in color correction.

time in color correction.


DAF can simulate a focus pull using preset locations. After setting two separate focus locations on screen, the cameras set button can be used to alternate between the two focus points. The focus racking effect can be fine-tuned by adjusting AF tracking speed and response.

DAF

Dual Pixel CMOS AF with support for Touch AF and Face Detection AF

The Cinema EOS C500 Mark II features Canon’s Dual Pixel CMOS AF Technology. For DAF, each pixel in the camera’s CMOS sensor is configured with two photodiodes. Two independent image signals can then be detected at each photosite and compared using phase-difference to provide autofocus with compatible lenses.

Dual Pixel CMOS AF with support for Touch AF and Face Detection AF

DAF can survey the scene and recognizes not only whether the subject is in focus or not, but in which direction (near or far), and by how much. DAF technology can also be used to aid in manual focus. Focus information is translated to an on-screen guide that conveys to the operator the subjects current focus and direction to move in order achieve focus. When sharp focus is achieved the indicator turns green as a clear indication.

Dual Pixel CMOS AF with support for Touch AF and Face Detection AF

Expansion Unit 2 – EU-V2

This unit converts the EOS C500 Mark II from a compact powerhouse to a full production camera system ready for anything. EU-V2 adds two additional XLR audio inputs, Lens port, 24-volt DC out, and D-Tap power, in addition to Genlock, sync out, Remote B (RS422) and Ethernet port. It also allows the camera to be powered using industry standard v-lock batteries.

Expansion Unit 2 – EU-V2

EVF-V50 OLED Electronic Viewfinder


The EVF-V50 OLED electronic viewfinder is a tilting 0.46” approx. 1.77 million dot OLED EVF that offers outstanding visibility for single-operator applications, such as documentaries and outdoor interviews.

EVF-V50 OLED Electronic Viewfinder

Modular Design with three available Expansion Units to give a high level of connectivity and interoperability

A new modular design allows productions to optimize and customize the EOS C500 Mark II to specific shooting needs. Accessories and expansion units can be easily attached to provide different levels of functionality. The camera is equally at home fully rigged with a large zoom lens, FIZ unit, audio accessories and rangefinder as it is stripped down flying on a drone.

Modular Design with three available Expansion Units to give a high level of connectivity and interoperability

Anamorphic Lens Support


The EOS C500 Mark II offers cinematographers anamorphic lens support. Users can now achieve wide cinematic looks and oval bokeh particular to anamorphic glass. It is a distinctly cinematic palette that is within reach for your next project.

Anamorphic Lens Support

To accurately record the extensive data produced by the 5.9K imaging sensor and provide greater recording times, the EOS C500 Mark features two CFexpress recording slots. CFexpress is the future of onboard recording media providing write speeds needed for higher resolutions and frame rates. The dual card slots can be used to either create an instantaneous backup thorough simultaneous recording or extend record run times by relay recording.

To accurately record

Warranty Information

This used item has a FREE 180-day warranty. See details.

Key Features

  • Advanced 5.9K full-frame CMOS sensor for superior image quality
  • Innovative DIGIC DV 7 Image Processor enabling high frame rate recording and Dual Pixel CMOS AF
  • User-changeable lens mounts for creative flexibility with EF, EF-C, and PL lenses
  • Compatibility with anamorphic lenses for distinctive cinematic aesthetics
  • Modular design with three available expansion units for enhanced functionality and connectivity
  • Dual Pixel CMOS AF technology for sharp focus and smooth focus transitions