


This item is no longer available.
Review Summary
Extend coverage on pre-owned products after the retailer warranty ends and protect photo & video gear from accidental damage with Adorama Protect.
If we can’t fix it, we’ll replace it at no additional cost.
Coverage for pre-owned gear begins after the retailer warranty ends, plus accidental damage protection for photo/video gear that starts on day one.
Enjoy your gear without fear. We have you covered!
When regular use of your product over time results in mechanical or electrical failure.
We will never charge you a deductible after the purchase of a plan.
Our claims process is simple & easy and our customer service team is happy to help.
Adorama Protect powered by Extend is available for purchase to customers in the United States. Not available for International and U.S. territories purchases. Plans on pre-owned items do not cover pre-existing damages.
Browse our FAQ
Phantom Power: 48 V switch
Input Gain, Mic/Line: 12-position rotary switch, 0 to 60 dB knob
Polarity: 0/180 deg. switch
Low-Pass Filter: In/out switch, frequency knob
High-Pass Filter: In/out switch, frequency knob
Output Trim / Line Gain Trim: +/-20 dB knob
Output Type (Electronic or Transformer): Electronic / transformer switch
Input: Mono, balanced mic or line
Output: Mono, balanced via electronic or transformer
Noise at Unity Gain: -97 dBu (22 Hz to 22 kHz)
Mic EIN Noise: -127 dBu (22 Hz to 22 kHz, at +60 dB gain, 150-Ohm source)
Unity Gain (1 kHz): -70 dB (typical)
+60 dB Gain (1 kHz): -100 dB (typical)
10 kOhms (1 kHz)
Electronic Output: 20 Hz to 40 kHz (+/-0.5 dB)
Transformer Output: 20 Hz to 20 kHz (+/-0.5 dB)
Distortion (electronic output at unity gain, 1 kHz)
0 dBu: <0.005%
+10 dBu: <0.005%
+20 dBu: <0.01%
Distortion (transformer output at unity gain, 1 kHz)
0 dBu: <0.01%
+10 dBu: <0.01%
+20 dBu: <0.02%
+24 dBu (1 kHz)
Electronic: +26 dBu (1 kHz)
Transformer: +21 dBu (1 kHz)
50 Ohms (1 kHz)
Low Pass: 1 to 40 kHz, slope = 12 dB per octave
High Pass: 10 to 400 Hz, slope = 12 dB per octave
Input and Output Meters: 11 segment, -20 to +20 dBu in 4 dB steps
Voltage: +16 V and -16 V
Power Consumption: 100 mA, 3.2 W
5.2 x 1.5 x 6.9" (13.21 x 3.81 x 17.53cm)
1.5 lbs (0.68kg)

Being sent on your first “out of town” assignment can be an exciting experience. But planning and packing for such a gig can be a daunting task. Maybe you already have an arsenal of gear, maybe you are just beginning to put your kit togeth...

Claimed to be the world's sharpest camera-top monitor with full 1920x1080 HD resolution, the super-bright SmallHD 502 is said to have highest pixel density. It is said to display a bright image (400 nits) that is visible in full sunlight, with a 1500:1 contrast ratio and 8-bit display.
In response to the many customer requests received over the years, the award-winning MIDAS Microphone Preamp is now available as an add-on to any mobile or recording system. When used in conjunction with the LEGEND L10 or L6 500 Series Rackmount Chassis, the MICROPHONE PREAMPLIFIER 502 provides the ideal solution for users seeking the legendary MIDAS sound in a modular format that boasts upgraded, premium-quality performance. Additionally, the 502 module utilizes the same swept low and high pass filters found in the iconic XL4 Live Performance Mixing Console.
Award-Winning Mic Preamp
The MIDAS Microphone Preamplifier is considered by leading live sound and recording engineers as the very essence of the famous MIDAS sound. Decades of design experience paired with premium-grade components is the foundation of that acclaimed warmth and depth, which brings out subtle ambience, maintains spatial positioning and more effectively captures a precise sound image.
That warm and organic MIDAS sound has been heard by millions of concert goers - and recorded for posterity on countless live albums. The award-winning mic preamplifier in the 502 module has even been upgraded via the implementation of four discrete ultra low noise input transistors for even more transparent and ultra low noise performance.
Sweet Forgiveness
Over the years, many mix engineers have found this robust and overload-tolerant preamp design takes on a whole new dimension when driven hard. The 502 module's input stage allows up to +24 dBu signal levels with no pad requirement, while featuring the much loved soft clipping characteristic that provides crystal-clear audiophile reproduction with just the right amount of harmonics.
Classic MIDAS XL4 Filters
Our XL4 mixers are legendary for their uncompromising sonic characteristics, impressive versatility and ease of use. The 502 mic preamp honours that legacy by bringing back the low and high pass filters that helped make the XL4 so popular. The low pass filter control adjusts the filter frequency from 1 kHz to 40 kHz, while the high pass filter control adjusts from 10 Hz to 400 Hz (both -3 dB points).
Selectable Balanced Outputs
The default output of the 502 module is the same electronically balanced output you will find on most MIDAS mixing consoles. This configuration provides an extremely clean signal even when operating at very high signal levels. But you also have the option of selecting a discrete transistor-driven transformer balanced output stage by engaging the TX switch. 502's transformer provides galvanic isolation and generates a more vintage sound and becomes saturated at lower frequencies to add color when driven hard. The output levels of the electronic and transformer outputs are matched to allow true A-B comparisons on the fly.
Precision LED I/O Metering
A mic preamp of this calibre requires equally accurate I/O metering - and the 502 delivers in a big way. The high precision 11-segment rotary LED meter reads the signal post amplifier/pre fi lter, providing input metering from -20 dBu to + 20 dBu in 4 dB steps. A similar meter is provided for output trim adjustment from -20 dBu to + 20 dBu in 4 dB steps.
High Accuracy I/O Rotary Controls
Gain control is provided by a large precision 12-position rotary switch with gain settings from 0 (unity gain) to +60 dB in 5 dB increments, while a fully variable potentiometer is provided for the output trim across a +/-20 dB range. When used in combination, total maximum gain is an impressive + 80 dB, more than enough to accommodate even low level ribbon microphones.
Additionally, the output trim control can be: used to control coloration; set high to allow output transformer saturation (TX switch selected); or turned down to prevent the output level from running too high - and the input gain can be increased to take advantage of the overload tolerant mic amplifier.
Illuminated Switches
All of the 502 modules push-button switches feature LED illumination when activated for fast and easy status verification. Switches include the low pass filter IN switch, which inserts the low pass filter into the signal path; the high pass filter IN switch, which inserts the high pass filter (both post input-gain/pre output-trim); the phase reverse switch, which inverts signal phase 180 deg. ; the 48V switch, which supplies +48 Volts phantom power via the 500 Series Rackmount Chassis; and the output transformer (TX) selector. Add this to the 502's brilliant metering and you have instant at-a-glance confirmation of all preamp parameters.