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Review Summary
2017-08-25T09:06:45
This sound board has worked out excellently for our medium size church. We needed more than our previous 25 channels and this fit the bill. The first time it came damaged from the factory, but the customer service was excellent and we had a replacement in no time with no extra cost to us. Thanks!
JENNIFER J.
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32 x XLR balanced
20 Hz to 20 kHz +/-0.5 dBu to Main Outputs
20 Hz to 40 kHz +/-0.5 dBu to Direct outputs
1k Ohms balanced
< 0.005%, +4 dBu, 20 Hz to 20 kHz, unity gain, unweighted
+125 dB unweighted, +130 dB A-weighted (to Direct Outputs)
-97 dB to Direct Outputs
-94 dB to Main Outputs
+65 dB
-16 dB to +67 dB, +/-1 dB
+16 dBu at unity gain
+48V, switchable per channel
32 x 1/4" TRS balanced
10 Hz to 40 kHz, +0/-0.5 dBu to Direct Outputs
20 Hz to 20 kHz, +/-0.5 dBu to Main Outputs
10k Ohms
Direct Outputs: < 0.0007%, +4 dBu, 20 Hz to 20 kHz, unity gain, unweighted
Main Outputs: < 0.005%, +4 dBu, 20 Hz to 20 kHz, unity gain, unweighted
-105 dB to Direct Outputs
-94 dB to Main Outputs
-20 to +20 dB, +/-1 dB
+22 dBu at unity gain
2 x XLR balanced (1 x L/R)
2 x 1/4" TRS balanced (1 x L/R)
+24 dBu
100 Ohms
4 x 1/4" TRS balanced (2 x L/R)
Maximum input level: +22 dBu
14 x 1/4" TRS balanced
Rated output level: +18 dBu
Impedance: 100 Ohms
4 x 1/4" TRS balanced
Rated output level: +18 dBu
Impedance: 100 Ohms
2 x 1/4" TRS balanced (1 x L/R)
Rated output level: +18 dBu
Impedance: 100 Ohms
2 x RCA phono - Tape Inputs (1 x L/R)
Maximum input level: +22 dBu
2 x RCA phono - Tape Outputs (1 x L/R)
Rated output level: +18 dBu
Impedance: 100 Ohms
Input to Output (Ref = +4 dBu, 20 Hz to 20 kHz, unweighted) -90 dBu
Adjacent Channels (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) -87 dBu
Dynamic Range (A-weighted, 48 kHz) 118 dB
Dynamic Range (A-weighted, 48 kHz) 118 dB
2 x IEEE 1394b at 800 Mb/S
32-bit, floating point
44.1, 48 kHz
24-bit
-18 dBu for 0 dBFS
Jitter: < 20 ps RMS (20 Hz to 20 kHz)
Jitter Attenuation: > 60 dB (1 ns in = 1 ps out)
Noise Gate / Expander:
Threshold range: -84 dB to 0 dB
Attack time: 0.02 S to 500 mS / 0.5 mS
Release time: 0.05 S to 2 S
Expander attenuation range: 2:1
Gate attenuation range: -84 dB to 0 dB / infinity
Key listen filter: 2nd-order resonant bypass; Q=0.7; OFF, 40 Hz to 16 kHz
Limiter:
Threshold: -28 dBFS
Ratio: infinity:1
Attack: 20 mS
Hold: 10 mS
Release: 20 mS
Compressor:
Threshold range: -56 dB to 0 dB
Ratio: 1:1 to 14:1
Attack time: 0.2 mS to 150 mS
Release time: 40 mS to 1,000 mS
Auto attack and release: 10 mS / 150 mS
Compression curve types: hard and soft knee
EQ:
Type: 2nd-order shelving filter (Q = 0.55)
Low (lowpass or bandpass): 36 to 465 Hz, +/-15 dB
Low mid: 90 Hz to 1.2 kHz, +/-15 dB
High mid: 380 Hz to 5 kHz, +/-15 dB
High (highpass or bandpass): 1.4 kHz to 18 kHz, +/-15 dB
Q: 0.1 to 4 / Low Q= 0.55, Hi Q=2.0
GEQ:
31-Band 1/3rd octave controls: Curve-fitting algorithm
Gain / attenuation: +/-15 dB
Mac OS X 10.7.2 or later
Intel Core Duo processor (Intel Core 2 Duo or Core i3 or better recommended)
2GB RAM (4GB or more recommended)
Windows 7 x64/x86 SP1, Windows 8 x64/x86
Intel Core Duo or AMD Athlon X2 processor (Intel Core 2 Duo or AMD Athlon X4 or better recommended)
2GB RAM (4GB or more recommended)
Available FireWire S800 (IEEE 1394b) port
Internet connection recommended
DVD-ROM drive
Internal or external 7200 RPM storage drive highly recommended
1024 x 768 display resolution
IEC
90 to 240V, 50-60 Hz
100W continuous
32 to 104deg.F (0 to 40deg.C)
21.31x25.19x7.02" (541.27x639.80x178.21 mm)
50 lbs (22.68 kg)
The StudioLive 32.4.2AI Digital 32-Channel Mixer with Active Integration DSP from PreSonus features 32 XLR mic inputs, 32 TRS line inputs, 32 XMAX microphones preamplifiers, 32 send/return inserts and a grand total of 37 long-throw 100mm faders. The mixer also features 14 Aux outputs, 4 submixes, 4 internal effects busses with detailed reverbs and delays, 6 mute groups and 8 mix scenes.
PreSonus's latest technology, Active Integration, runs on an advanced built-in computer system, helping each stage of your signal chain work together. Each channel's signal chain begins with a gain knob, an on/off Phantom power button and an optional recording buss send. From there, you can route the channel to each of the 14 aux busses pre- or post fader. Then your signal enters the virtual "Fat" channel strip, where you can perfect it with a polarity switch, high-pass filter, gate (frequency-controlled option), compressor, limiter and 4-band parametric equalizer-not to mention that at the press of a button, you can A/B your channel settings with the flat signal or another group of settings. You can then pan, assign to subgroups and manipulate the fader. This functionality can be applied to all 32 channels.
The previous paragraph mentioned a recording buss send. In addition to all its live sound features, the StudioLive 32.4.2 sports an integrated 48 input / 34 output FireWire 800 audio interface, which supports resolution up to 24-bit/48 kHz. It also includes a large software bundle, featuring PreSonus Capture 2.0 computer software for live recording. Capture 2.0 has powerful tools, including record-lock, user-definable auto-save, a 1-minute pre-record buffer and file recovery.
The StudioLive mixer has a separate digital 31-band graphic EQ available on each of the 14 Aux busses and one for the main outputs, allowing you to custom-tailor each monitor mix to the needs of the player, as well as perfect the mains to suit the room.
The StudioLive 32.4.2 has a few additional connectivity features. An extra XMAX preamplifier provides a talkback mic input, which can be routed to any buss. There are analog RCA tape inputs and outputs, control room outputs, a S/PDIF output and both XLR and TRS main outputs. Additionally, the StudioLive has 4 DB25 outputs, providing individual pre-insert balanced direct outputs for all 32 inputs.