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Review Summary
2020-03-18T09:29:51
Solid camera, a solid kit, and it all came very quickly.
Theresa S.
2018-09-14T17:54:50
Small easy camera to use. Great video,. Very light in weight.
DAVID C.
2018-02-21T10:46:19
So far so good. This camera produces some great quality footage and the camera stabilization is good as well. Very excited to use this camera. It does have a night mode option with a small IR light that works great for close up interviews in pitch black conditions. Overall very satisfied.
Eric A.
2018-01-23T21:26:24
Firstly know that I am a very experienced and respected shooting producer who travels the world shooting corporate videos, product roll outs, travel related products and have concurrent 4k documentaries in production and post production. Early in my career I used Sony when shooting for broadcast and corporate events and I loved them. My fly packs for the last 10 years have been for the most part Panasonic. I love their professional and prosumer camcorders/cameras, have a small Red as well as well with the NIkon DSLRs I use for stagnate deep focus video. Cutting to this review: I recently purchased and now returned this Sony PXW-X70 camcorder. The plan was to use it as a B roll camera with other travel projects that could be done from a backpack. At nearly 2k plus 499 for the 4K option - this camera is mid pack in modern a cool small form factor. I really wanted to like it but once opening the box I realized it was more a toy than a professional device Here are my few gripes. I love that it is light but hate that if feels so plastic, rattles in ones hand and has that fragile feel. I am unsure it can withstand the abuse of a true working camera that gets kicked, dropped in a bag or withstands the mist of a foggy San Francisco morning. Another main beef is that the power supply is to crap if you are going out every day - the tip will wear out and the perpetual to snap an end is real. The power cable from the supply to the camera cord is cheap and will short out in quick time too. The compression rates for Sony video are sub-par despite the fine image quantity and Sony's disappointing 4k work around for 500 dollars is just lame - Moreover Sony chose to not seek and place better codex suggests they didn't thinks about how eating up and taking way too much storage messes with current and legacy editing systems and processes. There are also serious issues with button placement and menu options which hide in the strangest layers. There are many others reason I found found but being too negative on a cool prosumer camera might be stretching it, I am sure it will work for many. It just doesn't work for me and my various demands I place on my camera every day.
Ted H.
2018-01-03T10:58:22
Solid performance. The videos came out crystal clear even in low light. Cannot go wrong with XDCam.
Tue P.
2017-12-13T11:33:00
This camcorder seems to do everything pretty well. Be aware that it won't shoot 4:2:2 ten bit in 4k, but at 4K it's less important unless you need to meet a broadcast spec. Footage is gorgeous even in low light. I'm still getting to know it, but it is very easy to use and hasn't disappointed me in anything yet. Very portable and the codec edits well in DaVinci Resolve Studio. It might be interesting to wait for sony to update this camera, since it came out in 2014, but it still holds up pretty well with the 4k upgrade, and hard to beat at the price.
Grant S.
2017-01-28T16:04:08
I like this camcorder the visuals are grat. I like the manual operation in some situations I had problems using the xavc files. The Vegas pro was the only editor I found that handled the file a. A file converter also handled them.
paul S.
2016-07-19T08:43:11
This is a great camera for both pro and hobbyist. Easy to use good for run 'n' gun. Image quality is excellent and the price is affordable for both. Adorama's got a winner on their hands with this one.
Carl D.
2016-05-04T03:51:43
Everything I had in mind when I bought it is in this little package. Shot one concert with it. I have to figure out what needs to de done to the audio as far as tweeking in post, but happy with it so far. All of the codecs work seemlessly with Adobe bridge,premier pro and after effects. Looking forward to a summer of filming.....if it would stop raining. However don't relie on online reviews of this camera. Download the manual and READ it. Many reviews on line had bad info, they didn't read the manual. Be well!
MYRNA F.
1: Clear, 2: 1/4ND, 3: 1/16ND, 4: 1/64ND
-3, 0, 3, 6, 9, 12,15, 18, 21, 24, 27, 30, 33 dB, AGC
1.0-type (13.2mm x 8.8mm) back-illuminated Exmor R CMOS sensor
[60i] 1.7lux (1/30 Shutter Speed, iris/gain AUTO)
[50i] 1.7lux(1/25 Shutter Speed, iris/gain AUTO)
[60i] 1080p: Frame rate selectable [1.2.4.8.15.30,60 fps]
[50i] 1080p: Frame rate selectable [1.2.3.6.12.25,50 fps]
Preset (Indoor:3200K, Outdoor:5600K+/-7 steps, Color temperature set range:2300-15000K), One push A, B, Auto selectable
M62 mm
f=9.3 - 111.6mm (equivalent to f=29.0 - 348.0mm on 16:9 35 mm lens)
AF / MF selectable
F2.8 - F4.5 (auto/manual selectable)
fixed lens
12x optical zoom, 24x Clear Image Zoom, 48x Digital Zoom
3.5" (8.89cm) type LCD (approx. 1.56M dots)
0.39" (0.99cm) type OLED (approx. 1.44M dots)
XLR Line/ Mic (x2). with selectable Phantom Power One 3.5mm stereo jack with Plug-on power"
Multi/Micro USB (use with optional VMC-15MR2)
Yes
1x Type-A
1x 3.5mm Stereo mini jack
Multi/Micro USB
1x 3G HD-SDI BNC
Multi/Micro USB
200 min. with NP-FV70 battery (while playing with LCD, XAVC 1080/60i, 50Mbps) (approx.)
120min. with NP-FV70 battery (while recording with LCD, XAVC 1080/60i, 50Mbps) (approx. )
32 deg. F to 104 deg. F (0 deg. C to 40 deg. C)
5.5 W (while recording with viewfinder and XAVC HD 1080/60i 50Mbps) (approx.)
5.8 W (while recording with LCD and XAVC HD 1080/60i 50Mbps) (approx.)
DC In: 8.4V
Battery: 6.8V / 7.2V
XAVC Long - 4K: XAVC-L 50 mode
VBR, maximum 50Mbps, MPEG-4 H.264/AVC
LPCM 24-bit, 48kHz, 2 channels
XAVC Long: XAVC-L 35 mode
VBR, maximum 35Mbps, MPEG-4 H.264/AVC
LPCM 24-bit, 48kHz, 2 channels
XAVC Long: XAVC-L 25 mode
VBR, maximum 25Mbps, MPEG-4 H.264/AVC
LPCM 24-bit, 48kHz, 2 channels
AVCHD
VBR, maximum 28Mbps,m MPEG-4 H.264/AVC
LPCM 16-bit, 48kHz, 2 channels
Dolby Digital 16-bit, 48kHz, 2 channels
LPCM 16-bit, 48kHz, 2 channels
DVCAM
CBR 25Mbps
LPCM 16-bit, 48kHz, 2 channels
XALC Long: XAVC-L 50 mode
1920x1080/59.94i, 50i, 29.97p, 23.98p, 25p
1280x720/59.94p, 50p
XALC Long: XAVC-L 35 mode
1920x1080/59.94i, 50i, 29.97p, 23.98p, 25p
XALC Long: XAVC-L 25 mode
1920x1080/59.94i, 50i
AVCHD
1920x1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p
1280x720/59.94p, 50p
DV
720x480/59.94i
720x576/50i
XAVC-Long HD at LPCM 2ch 50Mbps
approx. 120 min with 64GB memory card
XAVC-Long HD at LPCM 2ch 35Mbps
approx. 170 min with 64GB memory card
XAVC-Long HD at LPCM 2ch 25Mbps
approx. 220 min with 64GB memory card
AVCHD at LPCM 2ch PS Mode
approx. 290 min with 64GB memory card
approx. 145 min with 32GB memory card
AVCHD at LPCM 2ch FX Mode
approx. 340 min with 64GB memory card
approx. 170 min with 32GB memory card
AVCHD at LPCM 2ch FH Mode
approx. 450 min with 64GB memory card
approx. 225 min with 32GB memory card
DV
approx. 280 min with 64GB memory card
approx. 140 min with 32GB memory card
-4 deg. F to +140 deg. F (-20 deg. C to +60 deg. C)
4.87 x 4.12 x 10.87" / 12.36 x 10.46 x 27.60cm (with lens hood and eyecup) (excluding grip belt and including projecting parts)
5.25 x 7.12 x 11.37" / 13.33 x 18.08 x 28.87cm (with lens hood, eyecup and XLR handle unit) (excluding grip belt and including projecting parts)
1lbs / 0.45kg (body) (approx.)
3lbs / 1.36kg (with lens hood, handle, eyecup, NP-FV70 battery) (approx.)

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