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Review Summary
2012-01-15T19:00:00
I use this for outdoor photography using the 1dmk4. Solid glass and thick everything i use it for seems to look good. I had aplastic one of these and it sucked so I got a glass one. I figured since all my gear was high end it made sense to get a good grad. Mainly used for balancing skies. Could actually go maybe a bit darker +1 stop, but looks alot better than using nothing. Dont drop it though.
johnnyraff
Graduated Neutral Density
4 x 5.65" (10.16 x 14.3 cm)
4mm / 0.15"
ND 0.3
1-stop
Reduces ISO 1/2
Balanced light intensity from one part of a scene to another
Nature, Travel, Outdoor photography; To maintain light control, as in bright contrast landscapes; i.e. bright sky, dark foreground
Water White Glass

Today many photographers use digital filter software systems.Systems such as Tiffen Dfx v3Read more

Part III....If your photography interests lie in taking outdoor and travel photographs, you have come to the right place. Everything you need to know to bring home great shots.
Life is all about balance. And the same can be said for photography, especially when it comes to exposing for the highlights and the shadows. In this episode of Getting the Shot, photographer and director Corey Rich discusses an image he captured of two mountain climbers approaching the iconic mo...
The Tiffen 4 x 5.65" Graduated Neutral Density (ND) ND 0.3 Water White Glass Filter enables the shooter to adjust exposure without affecting color balance. Neutral density filter is available in 1, 2, 3, or 4 stops to suit individual situations.
Often it is necessary or desirable to balance the light intensity in one part of a scene with another. This is especially true in situations where you don't have total light control, as in bright contrast landscapes. Exposing for the foreground will produce a washed-out, over-exposed sky while exposing for the sky will leave the foreground dark and under-exposed. This filter enables cloud detail to be kept correctly exposed in the picture.
Determining which graduated neutral density filter yields ideal results for any given lighting situation takes knowledge, experience and a collection of such filters. Choose the filter strength which adjusts the lighting to stay within the exposure latitude (greatest difference between bright/dark values) which still shows details in both of the digital or film medium in use.
Speaking generally, the 2-stop value (ND 0.6 - the filter's clear portion allows 4x more light to pass vs. darkest portion) effectively compensates average bright sky-to-foreground situations and the soft transition is applicable more often to a scene than the hard transition. The Soft label indicates the degree of color graduation. The Vertical indicates the direction of the graduation.