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Review Summary
2017-05-11T13:18:07
Very Sharp and Lightweight. Resolving is good. I am happy with the results.
VLADIMIR R.
2016-12-19T08:47:16
Really good zoom range for a relatively small PL lens. T3.0 is fine, T2.0 would be awesome.
ROGER G.
PL
11-16mm
1.45:1
11 groups /13 elements
Super 35mm
0.35m / 1.15'
1:11.6
Rotary Zoom
9
T3.0 T22 (F2.8 F22)
82mm
97.9mm / 3.85" (from 91.7mm / 3.61" mount surface)
85mm / 3.35"
85mm / 3.35"
0.69kg / 1.52lbs
Tokina this week announced the Tokina Cinema ATX 11-16mm T3.0 and 16-28mm T3.0 lenses, desinged for Canon full-frame and APS DSLRs, and in the case of the 11-16mm lens, Panasonic Micro Four Thirds mirrorless interchangeable lens cam...
Join Michael Artsis for an in-depth review of the Tokina Cinema lenses. These lenses are ready to shoot for cinema and come in EF mounts or Micro Four Thirds mounts and provide maximum flexibility on a wide range of cameras
Nice and Sharp
By VLADIMIR R.
Very Sharp and Lightweight. Resolving is good. I am happy with the results.
Great Beautiful lens for little cost.
By ROGER G.
Really good zoom range for a relatively small PL lens. T3.0 is fine, T2.0 would be awesome.
Take it all in without taking a step back
The compact, lightweight Tokina Cinema 11-16mm T3.0 is not just a simple rehousing of the critically-acclaimed still lens version, rather the lens designers re-engineered it to provide cinematographers the control and performance they have come to expect in lenses that cost 10 times as much. Engineered to offer superb optical 4K performance the 11-16mm T3.0 delivers sharp, consistent images throughout its zoom range by reducing breathing and maintaining focus throughout the zoom range (Parfocal). Its compact size gives you the flexibility to use it in creative ways not possible with larger lens designs.
Now available in PL in addition to the existing Canon EF and MFT mounts
166deg. focus throw on a super-wide angle zoom lens (PL mount model)
Proven ultra-wide angle optics have been converted to an 11-16 T3 cinema lens for use with APS-C, Super 35 and smaller image sensors
Parafocal optical design allow you to maintain precise focus while zooming
Reduced focus breathing so you an focus on the action unfolding and not the lens
4K from the beginning with excellent sharpness and they controlled chromatic aberration
Two SD (Super-Low Dispersion) glass elements and two aspheric lenses allow their proprietary optical design to achieve excellent contrast and sharpness
Durable, compact all-metal cine-style housing with geared manual zoom, focus and aperture rings for use in follow-focus systems
Smooth, de-clicked, 9-bladed, curved iris
Virtually no image shift when using the focus or zoom control during filming